tag:blogger.com,1999:blog-34328167202531604322024-03-05T05:20:29.902-08:00LITERARISTKashyap Deepakhttp://www.blogger.com/profile/05724719354478570994noreply@blogger.comBlogger15125tag:blogger.com,1999:blog-3432816720253160432.post-17629770263555120302014-04-27T05:57:00.002-07:002014-04-29T05:12:12.041-07:00UGC-NET June 2013<div dir="ltr" style="text-align: left;" trbidi="on">
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<b>UGC NET June 2013 Paper II</b></div>
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<b><br /></b></div>
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1. In Pinter’s Birthday Party, Stanley is given a birthday present. What is it ?<o:p></o:p></div>
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(A) A toy<o:p></o:p></div>
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(B) A piano<o:p></o:p></div>
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<b>(C) A drum<o:p></o:p></b></div>
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(D) A violin</div>
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<br /></div>
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2. How does Lord Jim end ?<o:p></o:p></div>
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<b>(A) Jim is shot through the chest by Doramin.<o:p></o:p></b></div>
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(B) Jim kills himself with a last unflinching glance.<o:p></o:p></div>
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(C) Jim answers “the call of exalted egoism” and betrays Jewel.<o:p></o:p></div>
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(D) Jim surrenders himself to Doramin.</div>
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<br />
<a name='more'></a>3. “Where I lacked a political purpose, I wrote lifeless books.” To which of the following authors can we attribute the above admission ?<o:p></o:p></div>
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(A) Graham Greene<o:p></o:p></div>
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<b>(B) George Orwell<o:p></o:p></b></div>
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(C) Charles Morgan<o:p></o:p></div>
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(D) Evelyn Waugh<o:p></o:p></div>
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<br /></div>
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4. Modernism has been described as being concerned with “disenchantment of our culture with culture itself”. Who is the critic ?<o:p></o:p></div>
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(A) Stephen Spender<o:p></o:p></div>
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(B) Malcolm Bradbury<o:p></o:p></div>
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<b>(C) Lionel Trilling<o:p></o:p></b></div>
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(D) Joseph Frank<o:p></o:p></div>
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<br /></div>
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5. “Only that film, which fluttered on the grate, Still flutters there, the sole unquiet thing.” The above lines are quoted from<o:p></o:p></div>
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(A) “Tintern Abbey Revisited”<o:p></o:p></div>
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(B) “Michael”<o:p></o:p></div>
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<b>(C) “Frost at Midnight”<o:p></o:p></b></div>
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(D) “This Lime-Tree Bower, My Prison”<o:p></o:p></div>
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<br /></div>
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6. Which one of the following modern poems employs ottava rima ?<o:p></o:p></div>
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<b>(A) “Among School Children”<o:p></o:p></b></div>
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(B) “In Praise of Limestone”<o:p></o:p></div>
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(C) “The Wild Swans at Coole”<o:p></o:p></div>
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(D) “The Shield of Achilles”<o:p></o:p></div>
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<br /></div>
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7. John Dryden in his heroic tragedy All for Love takes the story of Shakespeare’s<o:p></o:p></div>
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(A) Troilus and Cressida<o:p></o:p></div>
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(B) The Merchant of Venice<o:p></o:p></div>
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<b>(C) Antony and Cleopatra<o:p></o:p></b></div>
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(D) Measure for Measure</div>
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<br /></div>
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8. Arrange the following works in the order in which they appear. Identify the correct code :<o:p></o:p></div>
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I. No Longer at Ease<o:p></o:p></div>
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II. Things Fall apart<o:p></o:p></div>
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III. A Man of the People<o:p></o:p></div>
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IV. Arrow of God<o:p></o:p></div>
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The correct combination according to the code is : Code :<o:p></o:p></div>
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(A) III, IV, II, I<o:p></o:p></div>
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(B) IV, III, I, II<o:p></o:p></div>
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<b>(C) II, I, IV, III<o:p></o:p></b></div>
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(D) I, II, III, IV<o:p></o:p></div>
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<br /></div>
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9. Samuel Pepys kept his diary from<o:p></o:p></div>
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<b>(A) 1660 to 1669<o:p></o:p></b></div>
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(B) 1649 to 1660<o:p></o:p></div>
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(C) 1662 to 1689<o:p></o:p></div>
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(D) 1660 to 1689</div>
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<br /></div>
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10. In the Defence of Poetry, what did Sydney attribute to poetry ?<o:p></o:p></div>
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(A) A magical power whereby poetry plays tricks on the reader.<o:p></o:p></div>
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(B) A divine power whereby poetry transmits a message from God to the reader.<o:p></o:p></div>
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<b>(C) A moral power whereby poetry encourages the reader to evaluate virtuous models.<o:p></o:p></b></div>
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(D) A realistic power that cannot be made to seem like mere illusion and trickery.<o:p></o:p></div>
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<br /></div>
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11. An Epistle to Dr. Arbuthnot presents portraits of the following contemporary individuals :<o:p></o:p></div>
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<b>(A) Addison and Lord Hervey<o:p></o:p></b></div>
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(B) Dryden and Rochester<o:p></o:p></div>
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(C) Swift and Steele<o:p></o:p></div>
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(D) Smollett and Defoe</div>
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<br /></div>
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12. Match the following authors with their works :<o:p></o:p></div>
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List – A List – B<o:p></o:p></div>
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(Authors) (Works)<o:p></o:p></div>
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I. Alice Walker 1. Invisible Man<o:p></o:p></div>
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II. Ralph Ellison 2. The Color Purple<o:p></o:p></div>
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III. Richard Wright 3. Their Eyes Were Watching God<o:p></o:p></div>
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IV. Zora Neale Hurston 4. Native Son<o:p></o:p></div>
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Which is the correct combination according to the code : Code :<o:p></o:p></div>
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I II III IV<o:p></o:p></div>
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(A) 2 1 3 4<o:p></o:p></div>
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(B) 3 4 2 1<o:p></o:p></div>
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(C) 4 3 1 2<o:p></o:p></div>
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(D) 1 2 4 3<o:p></o:p></div>
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<b>No Code is correct</b></div>
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<br /></div>
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13. Which of these plays by Shakespeare does not use ‘cross-dressing’ as a device ?<o:p></o:p></div>
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(A) As You Like It<o:p></o:p></div>
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<b>(B) Julius Caeser<o:p></o:p></b></div>
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(C) Cymbeline<o:p></o:p></div>
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(D) Two Gentlemen of Verona<o:p></o:p></div>
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<br /></div>
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14. Which of the following works cannot be categorised under postcolonial theory ?<o:p></o:p></div>
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(A) Nation and Narration<o:p></o:p></div>
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(B) Orientalism<o:p></o:p></div>
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<b>(C) Discipline and Punish<o:p></o:p></b></div>
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(D) White Mythologies</div>
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<br /></div>
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15. Locke’s Essay Concerning Human Understanding is a classic statement of___Philosophy.<o:p></o:p></div>
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(A) Aesthetic<o:p></o:p></div>
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<b>(B) Empiricist<o:p></o:p></b></div>
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(C) Nationalist<o:p></o:p></div>
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(D) Realist</div>
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<br /></div>
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16. “Power circulates in all directions, to and from all social levels, at all times.” Who said this ?<o:p></o:p></div>
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(A) Edward Said<o:p></o:p></div>
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<b>(B) Michel Foucault<o:p></o:p></b></div>
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(C) Jacques Derrida<o:p></o:p></div>
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(D) Roland Barthes</div>
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<br /></div>
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17. Which one of the following is not written by an Australian Aboriginal writer ?<o:p></o:p></div>
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(A) Kath Walker<o:p></o:p></div>
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<b>(B) Peter Carey<o:p></o:p></b></div>
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(C) Robert Bropho<o:p></o:p></div>
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(D) Jack Davis<o:p></o:p></div>
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The question is ambiguous.<o:p></o:p></div>
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18. Sir Thomas Wyatt and the Earl of Surrey jointly brought out Tottel’s Miscellany during the Renaissance. Identify the name of the Earl of Surrey from the following :<o:p></o:p></div>
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(A) Thomas Lodge<o:p></o:p></div>
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(B) Thomas Nashe<o:p></o:p></div>
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(C) Thomas Sackville<o:p></o:p></div>
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<b>(D) Henry Howard<o:p></o:p></b></div>
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<br /></div>
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19. Match the following lists :<o:p></o:p></div>
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List – I List – I<o:p></o:p></div>
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(Novelists) (Novels)<o:p></o:p></div>
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I. Margaret Laurence 1. Surfacing<o:p></o:p></div>
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II. Margaret Atwood 2. The Stone Angel<o:p></o:p></div>
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III. Sinclair Ross 3. Medicine River<o:p></o:p></div>
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IV. Thomas King 4. As for Me and My House<o:p></o:p></div>
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Which is the correct combination according to the code :<o:p></o:p></div>
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I II III IV<o:p></o:p></div>
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(A) 1 4 3 2<o:p></o:p></div>
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(B) 3 2 1 4<o:p></o:p></div>
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(C) 4 3 2 1<o:p></o:p></div>
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<b>(D) 2 1 4 3<o:p></o:p></b></div>
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20. The dramatic structure of Restoration comedies combines in it the features of<o:p></o:p></div>
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I. The Elizabethan Theatre<o:p></o:p></div>
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II. The Neoclassical Theatre of Italy and France<o:p></o:p></div>
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III. The Irish Theatre<o:p></o:p></div>
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IV. The Greek Theatre<o:p></o:p></div>
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The correct combination according to the code is :<o:p></o:p></div>
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(A) I and IV are correct.<o:p></o:p></div>
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(B) III and IV are correct.<o:p></o:p></div>
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(C) II and III are correct.<o:p></o:p></div>
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<b>(D) I and II are correct.<o:p></o:p></b></div>
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<br /></div>
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21. Which American poet wrote : “I sound my barbaric yawp over the roofs of the world” ?<o:p></o:p></div>
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(A) Robert Lowell<o:p></o:p></div>
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<b>(B) Walt Whitman<o:p></o:p></b></div>
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(C) Wallace Stevens<o:p></o:p></div>
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(D) Langston Hughes</div>
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<br /></div>
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22. The etymological meaning of the word “trope” is<o:p></o:p></div>
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(A)Ggesture</div>
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<b>(B) Turning<o:p></o:p></b></div>
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(C) Mirror</div>
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(D) Desire<o:p></o:p></div>
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<br /></div>
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23. Who among the following English poets defined poetic imagination as “a repetition in the finite mind of the eternal act of creation in the infinite ‘I AM’ ” ?<o:p></o:p></div>
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(A) Blake<o:p></o:p></div>
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(B) Wordsworth<o:p></o:p></div>
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<b>(C) Coleridge<o:p></o:p></b></div>
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(D) Shelley<o:p></o:p></div>
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<br /></div>
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24. Little Nell is a character in Dickens’<o:p></o:p></div>
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(A) David Copperfield<o:p></o:p></div>
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<b>(B) The Old Curiosity Shop</b><o:p></o:p></div>
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(C) Bleak House<o:p></o:p></div>
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(D) Great Expectations<o:p></o:p></div>
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<br /></div>
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25. Match the following :<o:p></o:p></div>
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(Schools/Concept of Criticism) (Critics)<o:p></o:p></div>
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I. Formalism 1. John Crow Ransom<o:p></o:p></div>
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II. New Critics 2. The Jungians<o:p></o:p></div>
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III. Psychological Theory of the Value of Literature 3. Victor Shklovsky<o:p></o:p></div>
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IV. Literary art as archetypal image 4. I.A. Richards<o:p></o:p></div>
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The correct combination according to the code is :<o:p></o:p></div>
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I II III IV<o:p></o:p></div>
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<b>(A) 3 1 4 2<o:p></o:p></b></div>
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(B) 2 4 1 3<o:p></o:p></div>
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(C) 4 1 2 3<o:p></o:p></div>
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(D) 3 2 1 4<o:p></o:p></div>
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<br /></div>
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26. In the late seventeenth century a “Battle of Books” erupted between which two groups ?<o:p></o:p></div>
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(A) Cavaliers and Roundheads<o:p></o:p></div>
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(B) Abolitionists and Enthusiasts for slaves<o:p></o:p></div>
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<b>(C) Champions of Ancient and Modern Learning<o:p></o:p></b></div>
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(D) The Welsh and the Scots</div>
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<br /></div>
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27. “Everything that man esteems Endures a moment or a day<o:p></o:p></div>
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Love’s pleasure drives his love away…”<o:p></o:p></div>
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In the above quote the last line is an example of<o:p></o:p></div>
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(A) allusion</div>
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(B) pleonasm<o:p></o:p></div>
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<b>(C) paradox<o:p></o:p></b></div>
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(D) zeugma</div>
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<br /></div>
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28. Match the author with the work :<o:p></o:p></div>
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List – I List – II<o:p></o:p></div>
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(Authors) (Works)<o:p></o:p></div>
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I. Kingsely Amis 1. Saturday and Sunday Morning<o:p></o:p></div>
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II. Allan Silletoe 2. The Golden Note Book<o:p></o:p></div>
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III. Doris Lessing 3. The Left Bank<o:p></o:p></div>
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IV. Jean Rhys 4. Lucky Jim<o:p></o:p></div>
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Which is the correct combination according to the code :<o:p></o:p></div>
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I II III IV<o:p></o:p></div>
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(A) 3 4 1 2<o:p></o:p></div>
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<b>(B) 4 1 2 3<o:p></o:p></b></div>
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(C) 2 3 1 4<o:p></o:p></div>
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(D) 1 2 3 4</div>
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<br /></div>
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29. In which of Hardy’s novels does the character Abel Whittle appear ?<o:p></o:p></div>
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(A) Far from the Madding Crowd<o:p></o:p></div>
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(B) The Return of the Native<o:p></o:p></div>
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(C) A Pair of Blue Eyes<o:p></o:p></div>
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<b>(D) The Mayor of Casterbridge<o:p></o:p></b></div>
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<br /></div>
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30. The phrase “dark Satanic mills” has become the most famous description of the force at the centre of the industrial revolution. The phrase was used by<o:p></o:p></div>
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(A) William Wordsworth<o:p></o:p></div>
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<b>(B) William Blake<o:p></o:p></b></div>
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(C) Thomas Carlyle<o:p></o:p></div>
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(D) John Ruskin<o:p></o:p></div>
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<br /></div>
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31. “Five miles meandering with a mazy motion Through wood and dale the scared river ran.” Where does this ‘sacred river’ directly run to ?<o:p></o:p></div>
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<b>(A) A lifeless ocean (Read Kubla Khan, by Coleridge, not sure about ans)<o:p></o:p></b></div>
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<b>(B) The caverns measureless<o:p></o:p></b></div>
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(C) A fountain<o:p></o:p></div>
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(D) The waves<o:p></o:p></div>
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<br /></div>
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32. Who is the twentieth century poet, a winner of the Nobel Prize for literature who rejected the label “British” though he has always written in English rather than his regional language ?<o:p></o:p></div>
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(A) Douglas Dunn<o:p></o:p></div>
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<b>(B) Seamus Heaney<o:p></o:p></b></div>
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(C) Geoffrey Hill<o:p></o:p></div>
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(D) Philip Larkin</div>
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<br /></div>
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33. Which of the following statements best describes Sir Thomas Browne’s Religio Medici ?<o:p></o:p></div>
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<b>(A) It is a story of conversion or providential experiences.<o:p></o:p></b></div>
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<b>(B) It emphasizes Browne’s love of mystery and wonder.<o:p></o:p></b></div>
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(C) It is full of angst, melancholy and dread of death.<o:p></o:p></div>
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(D) It reports the facts of Browne’s life.<o:p></o:p></div>
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<br /></div>
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34. Which of the following characters from Eliot’s Waste Land is not correctly mentioned ?<o:p></o:p></div>
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(A) The typist<o:p></o:p></div>
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(B) Madam Sosostris<o:p></o:p></div>
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<b>(C) The Merchant from Eugenides<o:p></o:p></b></div>
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(D) The Young Man Carbuncular<o:p></o:p></div>
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<br /></div>
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35. Which one of the following best describes the general feeling expressed in literature during the last decade of the Victorian era ?<o:p></o:p></div>
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<b>(A) Studied melancholy and aestheticism<o:p></o:p></b></div>
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(B) The triumph of science and morbidity<o:p></o:p></div>
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(C) Sincere earnestness and Protestant zeal<o:p></o:p></div>
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(D) Raucous celebration combined with paranoid interpretation</div>
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<br /></div>
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36. Which poem by Shelley bears the alternative title, “The Spirit of Solitude” ?<o:p></o:p></div>
<div class="MsoNormal">
(A) Mont Blanc<o:p></o:p></div>
<div class="MsoNormal">
(B) “Hymn to Intellectual Beauty”<o:p></o:p></div>
<div class="MsoNormal">
(C) “Adonais”<o:p></o:p></div>
<div class="MsoNormal">
<b>(D) Alastor<o:p></o:p></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
37. Which tale in The Canterbury Tales uses the tradition of the Beast Fable ?<o:p></o:p></div>
<div class="MsoNormal">
(A) The Knight’s Tale<o:p></o:p></div>
<div class="MsoNormal">
(B) The Monk’s Tale<o:p></o:p></div>
<div class="MsoNormal">
<b>(C) The Nun’s Priest’s Tale<o:p></o:p></b></div>
<div class="MsoNormal">
(D) The Miller’s Tale<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
38. At the end of Sons and Lovers Paul Morel<o:p></o:p></div>
<div class="MsoNormal">
<b>(A) sets off in quest of life away from his mother.<o:p></o:p></b></div>
<div class="MsoNormal">
(B) considers the option of committing suicide.<o:p></o:p></div>
<div class="MsoNormal">
(C) joins his elder brother William in London.<o:p></o:p></div>
<div class="MsoNormal">
(D) embraces a Schopenhauer – like nihilism.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
39. When you say “I love her eyes, her hair, her nose, her cheeks, her lips” you are using a rhetorical device of<o:p></o:p></div>
<div class="MsoNormal">
<b>(A) Enumeration<o:p></o:p></b></div>
<div class="MsoNormal">
(B) Antanagoge<o:p></o:p></div>
<div class="MsoNormal">
(C) Parataxis<o:p></o:p></div>
<div class="MsoNormal">
(D) Hypotaxis</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
40. The following are two lists of plays and characters. Match them.<o:p></o:p></div>
<div class="MsoNormal">
List – I List – II<o:p></o:p></div>
<div class="MsoNormal">
(Plays) (Characters)<o:p></o:p></div>
<div class="MsoNormal">
I. Women Beware Women 1. Malevole<o:p></o:p></div>
<div class="MsoNormal">
II. The Malcontent 2. Beatrice<o:p></o:p></div>
<div class="MsoNormal">
III. The City Madam 3. Bianca<o:p></o:p></div>
<div class="MsoNormal">
IV. The Changeling 4. Doll Tearsheet<o:p></o:p></div>
<div class="MsoNormal">
Which is the correct combination according to the code :<o:p></o:p></div>
<div class="MsoNormal" style="text-indent: 36pt;">
I II III IV<o:p></o:p></div>
<div class="MsoNormal">
<b>(A) 3 1 4 2<o:p></o:p></b></div>
<div class="MsoNormal">
(B) 2 1 2 4<o:p></o:p></div>
<div class="MsoNormal">
(C) 1 2 3 4<o:p></o:p></div>
<div class="MsoNormal">
(D) 4 3 2 1</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
41. With Bacon the essay form is<o:p></o:p></div>
<div class="MsoNormal">
(A) an intimate, personal confession<o:p></o:p></div>
<div class="MsoNormal">
(B) witty and boldly imagistic<o:p></o:p></div>
<div class="MsoNormal">
<b>(C) the aphoristic expression of accumulated public wisdom<o:p></o:p></b></div>
<div class="MsoNormal">
(D) homely and vulgar</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
42. Evelyn Waugh’s Trilogy published together as Sword of Honour is about<o:p></o:p></div>
<div class="MsoNormal">
<b>(A) The English at War<o:p></o:p></b></div>
<div class="MsoNormal">
(B) The English Aristocracy<o:p></o:p></div>
<div class="MsoNormal">
(C) The Irish question<o:p></o:p></div>
<div class="MsoNormal">
(D) Scottish nationalism</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
43. Who coined the phrase “The Two Nations” to describe the disparity in Britain between the rich and the poor ?<o:p></o:p></div>
<div class="MsoNormal">
(A) Charles Dickens<o:p></o:p></div>
<div class="MsoNormal">
(B) Thomas Carlyle<o:p></o:p></div>
<div class="MsoNormal">
<b>(C) Benjamin Disraeli<o:p></o:p></b></div>
<div class="MsoNormal">
(D) Frederick Engels</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
44. Milton introduces Satan and the fallen angels in the Book I of Paradise Lost. Two of the chief devils reappear in Book II. They are<o:p></o:p></div>
<div class="MsoNormal">
I. Moloch<o:p></o:p></div>
<div class="MsoNormal">
II. Clemos<o:p></o:p></div>
<div class="MsoNormal">
III. Belial<o:p></o:p></div>
<div class="MsoNormal">
IV. Thamuz<o:p></o:p></div>
<div class="MsoNormal">
The correct combination according to the code is<o:p></o:p></div>
<div class="MsoNormal">
(A) I and IV are correct.<o:p></o:p></div>
<div class="MsoNormal">
<b>(B) I and III are correct.<o:p></o:p></b></div>
<div class="MsoNormal">
(C) I and II are correct.<o:p></o:p></div>
<div class="MsoNormal">
(D) II and III are correct.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
45. When Chaucer describes the Friar as a “noble pillar of order”, he is using<o:p></o:p></div>
<div class="MsoNormal">
<b>(A) irony<o:p></o:p></b></div>
<div class="MsoNormal">
(B) simile<o:p></o:p></div>
<div class="MsoNormal">
(C) understatement<o:p></o:p></div>
<div class="MsoNormal">
(D) personification<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
46. John Osborne’s Look Back in Anger is an example of<o:p></o:p></div>
<div class="MsoNormal">
(A) drawing room comedy<o:p></o:p></div>
<div class="MsoNormal">
<b>(B) kitchen-sink drama<o:p></o:p></b></div>
<div class="MsoNormal">
(C) absurd drama<o:p></o:p></div>
<div class="MsoNormal">
(D) melodrama<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
47. Which character in Jane Eyre uses religion to justify cruelty ?<o:p></o:p></div>
<div class="MsoNormal">
(A) Blanche Ingram<o:p></o:p></div>
<div class="MsoNormal">
<b>(B) Mr. Brocklehurst<o:p></o:p></b></div>
<div class="MsoNormal">
(C) Sir John Rivers<o:p></o:p></div>
<div class="MsoNormal">
(D) Eliza Reed<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
48. Which Romantic poet defined a slave as ‘a person perverted into a thing’ ?<o:p></o:p></div>
<div class="MsoNormal">
(A) Blake<o:p></o:p></div>
<div class="MsoNormal">
<b>(B) Coleridge<o:p></o:p></b></div>
<div class="MsoNormal">
(C) Keats<o:p></o:p></div>
<div class="MsoNormal">
(D) Shelley</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
49. John Suckling belongs to the group of<o:p></o:p></div>
<div class="MsoNormal">
(A) Metaphysical poets<o:p></o:p></div>
<div class="MsoNormal">
<b>(B) Cavalier poets<o:p></o:p></b></div>
<div class="MsoNormal">
(C) Neo-classical poets<o:p></o:p></div>
<div class="MsoNormal">
(D) Religious poets<o:p></o:p></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
50. Sir Thomas More creates the character of a traveller into whose mouth the account of Utopia is put. His name is<o:p></o:p></div>
<div class="MsoNormal">
(A) Michael<o:p></o:p></div>
<div class="MsoNormal">
<b>(B) Raphael<o:p></o:p></b></div>
<div class="MsoNormal">
(C) Henry</div>
<div class="MsoNormal">
(D) Thomas</div>
</div>
Kashyap Deepakhttp://www.blogger.com/profile/05724719354478570994noreply@blogger.com7tag:blogger.com,1999:blog-3432816720253160432.post-867297669209342922012-12-13T06:34:00.002-08:002012-12-13T06:35:26.412-08:00Part II<div dir="ltr" style="text-align: left;" trbidi="on">
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<div style="text-align: justify;">
<br />
Edward Moore (Britain, 1712): “Gamester” (1753) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Laurence Sterne (Britain, 1713): “Tristram Shandy” (1760) +</div>
<div style="text-align: justify;">
Laurence Sterne (Britain, 1713): “A Sentimental Journey” (1778)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Shenstone (Britain, 1714): “The Schoolmistress” (1742) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas Gray (Britain, 1716): “Elegy Written in a Country Churchyard” (1751) [p] +</div>
<div style="text-align: justify;">
Thomas Gray (Britain, 1716): “The Bard” (1757) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Horace Walpole (Britain, 1717): “The Castle of Otranto” (1764)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Tobias Smollett (Britain, 1721): “HUmphrey Clinker” (1771)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mark Akenside (Britain, 1721): “The Pleasures of Imagination” (1744) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Collins (Britain, 1721): “Odes” (1759) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Christopher Smart (Britain, 1722): “Song to David” (1763) [p] +</div>
<div style="text-align: justify;">
Christopher Smart (Britain, 1722): “Jubilate Agno” (1771) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Clara Reeve (Britain, 1729): “The Old English Baron” (1777)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edmund Burke (Britain, 1729): “The Sublime” (1757) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Oliver Goldsmith (Britain, 1730): “The Vicar of Wakefield” (1766)</div>
<div style="text-align: justify;">
Oliver Goldsmith (Britain, 1730): “The Good Natur’d Man” (1768) [t]</div>
<div style="text-align: justify;">
Oliver Goldsmith (Britain, 1730): “She Stoops to Conquer” (1773) [t]</div>
<div style="text-align: justify;">
Oliver Goldsmith (Britain, 1730): “The Deserted Village” (1770) [p] +</div>
<div style="text-align: justify;">
Oliver Goldsmith (Britain, 1730): “The Traveler” (1776) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Cowper (Britain, 1731): “John Gilpin” (1784) [p]</div>
<div style="text-align: justify;">
William Cowper (Britain, 1731): “The Task” (1785) [p] +</div>
<div style="text-align: justify;">
William Cowper (Britain, 1731): “The Castaway” (1800) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Colman (Britain, 1732): “The Clandestine Marriage” (1706) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Macpherson (Britain, 1736): “Fingal” (1762) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward Gibbon (Britain, 1737): “The Decline and Fall of the Roman Empire” (1788) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Boswell (Britain, 1740): “The Life of Samuel Johnson” (1791) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Henry Mackenzie (Britain, 1745): “The Man of Feeling” (1771)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richard Graves (Britain, 1745): “The Spiritual Quixote” (1773)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richard Sheridan (Britain, 1751): “The School for Scandal” (1777) [t] +</div>
<div style="text-align: justify;">
Richard Sheridan (Britain, 1751): “The Rivals” (1775) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Fanny Burney (Britain, 1752): “Evelina” (1778)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas Cahatterton (Britain, 1752): “Christabel” (1777) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George Crabbe (Britain, 1754): “The Village” (1783) [p] +</div>
<div style="text-align: justify;">
George Crabbe (Britain, 1754): “The Parish Register” (1807) [p]</div>
<div style="text-align: justify;">
George Crabbe (Britain, 1754): “The Borough” (1810) [p]</div>
<div style="text-align: justify;">
George Crabbe (Britain, 1754): “Tales of the Hall” (1819) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Godwin (Britain, 1756): “Caleb Williams” (1794)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Blake (Britain, 1757): “Songs of Innocence” (1789) [p]</div>
<div style="text-align: justify;">
William Blake (Britain, 1757): “Songs of Experience” (1794) [p] +</div>
<div style="text-align: justify;">
William Blake (Britain, 1757): “The Marriage of Heaven and Hell” (1793) [h] +</div>
<div style="text-align: justify;">
William Blake (Britain, 1757): “America” (1793) [p]</div>
<div style="text-align: justify;">
William Blake (Britain, 1757): “Visions of the Daughters of Albion” (1793) [p]</div>
<div style="text-align: justify;">
William Blake (Britain, 1757): “Europe” (1794) [p]</div>
<div style="text-align: justify;">
William Blake (Britain, 1757): “The Book of Urizen” (1794) [p]</div>
<div style="text-align: justify;">
William Blake (Britain, 1757): “The Book of Ahania” (1795) [p]</div>
<div style="text-align: justify;">
William Blake (Britain, 1757): “The Book of Los” (1795) [p]</div>
<div style="text-align: justify;">
William Blake (Britain, 1757): “Vala” (1797) [p] +</div>
<div style="text-align: justify;">
William Blake (Britain, 1757): “The Mental Traveller” (1803) [p]</div>
<div style="text-align: justify;">
William Blake (Britain, 1757): “Milton” (1808) [p] +</div>
<div style="text-align: justify;">
William Blake (Britain, 1757): “Jerusalem” (1820) [p] ++</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Beckford (Britain, 1759): “Vathek” (1786)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Burns (Britain, 1759): “Poems” (1786) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ann Radcliffe (Britain, 1764): “Mysteries of Udolpho” (1794)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Maria Edgeworth (Britain, 1768): “Castle Rackrent” (1800)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Wordsworth (Britain, 1770): “Prelude” (1805) [p] ++</div>
<div style="text-align: justify;">
William Wordsworth (Britain, 1770): “Tintern Abbey” (1798) [p]</div>
<div style="text-align: justify;">
William Wordsworth (Britain, 1770): “Michael” (1800) [p] +</div>
<div style="text-align: justify;">
William Wordsworth (Britain, 1770): “The Affliction of Margaret” (1804) [p]</div>
<div style="text-align: justify;">
William Wordsworth (Britain, 1770): “Intimations of Immortality” (1807) [p] +</div>
<div style="text-align: justify;">
William Wordsworth (Britain, 1770): “The Excursion” (1814) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Walter Scott (Britain, 1771: “The Lady of the Lake” (1810) [p]</div>
<div style="text-align: justify;">
Walter Scott (Britain, 1771): “Waverley” (1814) +</div>
<div style="text-align: justify;">
Walter Scott (Britain, 1771: “Antiquary” (1816) +</div>
<div style="text-align: justify;">
Walter Scott (Britain, 1771): “Guy Mannering” (1815) +</div>
<div style="text-align: justify;">
Walter Scott (Britain, 1771): “Old mortality” (1816) +</div>
<div style="text-align: justify;">
Walter Scott (Britain, 1771): “Heart of Midlotian” (1818)</div>
<div style="text-align: justify;">
Walter Scott (Britain, 1771): “Ivanhoe” (1820)</div>
<div style="text-align: justify;">
Walter Scott (Britain, 1771): “Rob Roy” (1818)</div>
<div style="text-align: justify;">
Walter Scott (Britain, 1771): “The Bride of Lammermoor” (1819)</div>
<div style="text-align: justify;">
Walter Scott (Britain, 1771): “Kenilworth” (1821)</div>
<div style="text-align: justify;">
Walter Scott (Britain, 1771): “Quentin Durward” (1823)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charles Brown (USA, 1771): “Wieland” (1798)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Samuel-Taylor Coleridge (Britain, 1772): “Dejection” (1798) [p]</div>
<div style="text-align: justify;">
Samuel-Taylor Coleridge (Britain, 1772): “The Rime of the Ancient Mariner” (1798) [p] +</div>
<div style="text-align: justify;">
Samuel-Taylor Coleridge (Britain, 1772): “Kubla Khan” (1816) [p]</div>
<div style="text-align: justify;">
Samuel-Taylor Coleridge (Britain, 1772): “Christabel” (1816) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Southey (Britain, 1774): “Thalaba the Destroyer” (1801) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Walter-Savage Landor (Britain, 1775): “Imaginary Conversations of Literary Men and Statesmen” (1853) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jane Austen (Britain, 1775): “Sense and Sensibility” (1811)</div>
<div style="text-align: justify;">
Jane Austen (Britain, 1775): “Pride and Prejudice” (1813) ++</div>
<div style="text-align: justify;">
Jane Austen (Britain, 1775): “Mansfield Park” (1814) +</div>
<div style="text-align: justify;">
Jane Austen (Britain, 1775): “Emma” (1816) +</div>
<div style="text-align: justify;">
Jane Austen (Britain, 1775): “Persuasion” (1817) +</div>
<div style="text-align: justify;">
Jane Austen (Britain, 1775): “Northanger Abbey” (1817)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charles Lamb (Britain, 1775): “Essays of Elia” (1833) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Matthew Lewis (Britain, 1775): “The Monk” (1796)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Hazlitt (Britain, 1778): “The Spirit of the Age” (1825) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas Moore (Britain, 1779): “Irish Melodies” (1834) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charles Maturin (Ireland, 1782): “Melmoth” (1820)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas DeQuincey (Britain, 1785): “Confessions of an English Opium Eater” (1821) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas-Love Peacock (Britain, 1785): “Nightmare Abbey” (1818)</div>
<div style="text-align: justify;">
Thomas-Love Peacock (Britain, 1785): “Melincourt” (1817)</div>
<div style="text-align: justify;">
Thomas-Love Peacock (Britain, 1785): “Crotchet Castle” (1831)</div>
<div style="text-align: justify;">
Thomas-Love Peacock (Britain, 1785): “Gryll Grange” (1860) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George-Gordon Byron (Britain, 1788): “Childe Harold’s Pilgrimage” (1818) [p]</div>
<div style="text-align: justify;">
George-Gordon Byron (Britain, 1788): “Manfred” (1817) [t]</div>
<div style="text-align: justify;">
George-Gordon Byron (Britain, 1788): “Don Juan” (1823) [p] +</div>
<div style="text-align: justify;">
George-Gordon Byron (Britain, 1788): “Mazeppa” (1817) [p]</div>
<div style="text-align: justify;">
George-Gordon Byron (Britain, 1788): “Beppo” (1818) [p]</div>
<div style="text-align: justify;">
George-Gordon Byron (Britain, 1788): “Marino Faliero” (1820) [t]</div>
<div style="text-align: justify;">
George-Gordon Byron (Britain, 1788): “The Prophecy of Dante” (1820) [p]</div>
<div style="text-align: justify;">
George-Gordon Byron (Britain, 1788): “Vision of Judgement” (1822) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James-Fenimore Cooper (USA, 1789): “The Pioneers” (1823) +</div>
<div style="text-align: justify;">
James-Fenimore Cooper (USA, 1789): “The Last of Mohicans” (1826)</div>
<div style="text-align: justify;">
James-Fenimore Cooper (USA, 1789): “The Prairie” (1827)</div>
<div style="text-align: justify;">
James-Fenimore Cooper (USA, 1789): “The Pathfinder” (1840)</div>
<div style="text-align: justify;">
James-Fenimore Cooper (USA, 1789): “The Deerslayer” (1841)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Percy Shelley (Britain, 1792): “Hymn to Intellectual Beauty” (1816) [p]</div>
<div style="text-align: justify;">
Percy Shelley (Britain, 1792): “Mont Blanc” (1816) [p]</div>
<div style="text-align: justify;">
Percy Shelley (Britain, 1792): “Laon and Cythna” (1817) [p]</div>
<div style="text-align: justify;">
Percy Shelley (Britain, 1792): “To a Skylark” (1820) [p]</div>
<div style="text-align: justify;">
Percy Shelley (Britain, 1792): “To the West Wind” (1819) [p]</div>
<div style="text-align: justify;">
Percy Shelley (Britain, 1792): “The Cloud” (1820) [p]</div>
<div style="text-align: justify;">
Percy Shelley (Britain, 1792): “Adonais” (1821) [p]</div>
<div style="text-align: justify;">
Percy Shelley (Britain, 1792): “Prometheus Unbound” (1821) [p] +</div>
<div style="text-align: justify;">
Percy Shelley (Britain, 1792): “The Cenci” (1819) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Clare (Britain, 1793): “Poems Descriptive of Rural Life and Scenery” (1820) [p] +</div>
<div style="text-align: justify;">
John Clare (Britain, 1793): “The Shepherd’s Calendar” (1827) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William-Cullen Bryant (USA, 1794): “Thanatopsis” (1821) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Keats (Britain, 1795): “Endymion” (1818) [p] +</div>
<div style="text-align: justify;">
John Keats (Britain, 1795): “Lamia” (1820) [p]</div>
<div style="text-align: justify;">
John Keats (Britain, 1795): “Isabella” (1820) [p]</div>
<div style="text-align: justify;">
John Keats (Britain, 1795): “The Eve of St Agnes” (1820) [p] +</div>
<div style="text-align: justify;">
John Keats (Britain, 1795): “The Fall of Hyperion” (1820) [p]</div>
<div style="text-align: justify;">
John Keats (Britain, 1795): “Ode To Autumn” (1820) [p] ++</div>
<div style="text-align: justify;">
John Keats (Britain, 1795): “Ode on a Grecian Urn” (1820) [p] ++</div>
<div style="text-align: justify;">
John Keats (Britain, 1795): “Ode on Melancholy” (1820) [p] ++</div>
<div style="text-align: justify;">
John Keats (Britain, 1795): “Ode to a Nightingale” (1820) [p] ++</div>
<div style="text-align: justify;">
John Keats (Britain, 1795): “The Eve of St Mark” (1821) [p] +</div>
<div style="text-align: justify;">
John Keats (Britain, 1795): “La Belle Dame Sans Merci” (1821) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas Carlyle (Britain, 1795): “Sartor Resartus” (1833) [h]</div>
<div style="text-align: justify;">
Thomas Carlyle (Britain, 1795): “Past and Present” (1843) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Maria Shelley (Britain, 1797): “Frankenstein” (1818)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas-Babington Macaulay (1800): “History of England” (1855) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Newman (Britain, 1801): “Dream of Gerontius” (1867) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Nicholas Wiseman (Britain, 1802): “Fabiola” (1854)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ed Bulwer-Lytton: “The Last Days of Pompei” (1835)</div>
<div style="text-align: justify;">
Ed Bulwer-Lytton: “The Coming Race” (1871) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas Beddoes (Britain, 1803): “Death’s Jest Book” (1850) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ralph-Waldo Emerson (USA, 1803): “Nature” (1836) [h]</div>
<div style="text-align: justify;">
Ralph-Waldo Emerson (USA, 1803): “Poems” (1846) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Youstol Dispage (1803): “Piero Scaruffi” (1849) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Nathaniel Hawthorne (USA, 1804): “The Scarlet Letter” (1850) +</div>
<div style="text-align: justify;">
Nathaniel Hawthorne (USA, 1804): “The House of the Seven Gables” (1851) +</div>
<div style="text-align: justify;">
Nathaniel Hawthorne (USA, 1804): “The Blithedale Romance” (1852)</div>
<div style="text-align: justify;">
Nathaniel Hawthorne (USA, 1804): “The Marble Faun” (1860)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Benjamin Disraeli (Britain, 1804): “Coningsby” (1844)</div>
<div style="text-align: justify;">
Benjamin Disraeli (Britain, 1804): “Sybil” (1845)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Simms (USA, 1806): “Yemassee” (1835)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Henry Longfellow (USA, 1807): “The Song of Hiawatha” (1855) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Whittier (USA, 1807): “Snow Bound” (1866) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alfred Tennyson (Britain, 1809): “In Memoriam” (1850) [p]</div>
<div style="text-align: justify;">
Alfred Tennyson (Britain, 1809): “Maud” (1855) [p]</div>
<div style="text-align: justify;">
Alfred Tennyson (Britain, 1809): “Idylls of the King” (1885) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edgar-Allan Poe (USA, 1809): “Tamerlane” (1827) [p]</div>
<div style="text-align: justify;">
Edgar-Allan Poe (USA, 1809): “The Raven” (1845) [p]</div>
<div style="text-align: justify;">
Edgar-Allan Poe (USA, 1809): “The Bells” (1849) [p]</div>
<div style="text-align: justify;">
Edgar-Allan Poe (USA, 1809): “The Sleeper” (1831) [p]</div>
<div style="text-align: justify;">
Edgar-Allan Poe (USA, 1809): “Lenore” (1831) [p]</div>
<div style="text-align: justify;">
Edgar-Allan Poe (USA, 1809): “Annabel Lee” (1849) [p]</div>
<div style="text-align: justify;">
Edgar-Allan Poe (USA, 1809): “The Narrative of Arthur Gordon Pym” (1838)</div>
<div style="text-align: justify;">
Edgar-Allan Poe (USA, 1809): “The Fall of the House of Usher” (1839)</div>
<div style="text-align: justify;">
Edgar-Allan Poe (USA, 1809): “The Murders in the Rue Morgue” (1841) +</div>
<div style="text-align: justify;">
Edgar-Allan Poe (USA, 1809): “The Pit and the Pendulum” (1842)</div>
<div style="text-align: justify;">
Edgar-Allan Poe (USA, 1809): “The Mystery of Marie Roget” (1842)</div>
<div style="text-align: justify;">
Edgar-Allan Poe (USA, 1809): “The Gold Bug” (1843)</div>
<div style="text-align: justify;">
Edgar-Allan Poe (USA, 1809): “The Mystery of Marie Rogˆt” (1843)</div>
<div style="text-align: justify;">
Edgar-Allan Poe (USA, 1809): “The Purloined Letter” (1844) +</div>
<div style="text-align: justify;">
Edgar-Allan Poe (USA, 1809): “The Tell-Tale Heart” (1843)</div>
<div style="text-align: justify;">
Edgar-Allan Poe (USA, 1809): “The Cask of Amontillado” (1846)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Oliver Holmes (USA, 1809): “The Autocrat of the Breakfast-Table” (1858) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Elizabeth Gaskell (Britain, 1810): “Cranford” (1853)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Harriet Stowe (USA, 1811): “Uncle Tom’s Cabin” (1852)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Thackeray (Britain, 1811): “The Luck of Barry Lyndon” (1844) +</div>
<div style="text-align: justify;">
William Thackeray (Britain, 1811): “The Vanity Fair” (1848) +</div>
<div style="text-align: justify;">
William Thackeray (Britain, 1811): “Pendennis” (1850)</div>
<div style="text-align: justify;">
William Thackeray (Britain, 1811): “The History of Henry Esmond” (1852)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charles Dickens (Britain, 1812): “Pickwick Club” (1837)</div>
<div style="text-align: justify;">
Charles Dickens (Britain, 1812): “Oliver Twist” (1838)</div>
<div style="text-align: justify;">
Charles Dickens (Britain, 1812): “Nicholas Nickleby” (1839)</div>
<div style="text-align: justify;">
Charles Dickens (Britain, 1812): “The Old Curiosity Shop” (1840) +</div>
<div style="text-align: justify;">
Charles Dickens (Britain, 1812): “Barnaby Rudge” (1841)</div>
<div style="text-align: justify;">
Charles Dickens (Britain, 1812): “A Christmas Carol” (1843)</div>
<div style="text-align: justify;">
Charles Dickens (Britain, 1812): “Martin Chuzzlewit” (1844) +</div>
<div style="text-align: justify;">
Charles Dickens (Britain, 1812): “Dombey and Son” (1848)</div>
<div style="text-align: justify;">
Charles Dickens (Britain, 1812): “David Copperfield” (1850) +</div>
<div style="text-align: justify;">
Charles Dickens (Britain, 1812): “Bleak House” (1853) +</div>
<div style="text-align: justify;">
Charles Dickens (Britain, 1812): “Hard Times” (1854)</div>
<div style="text-align: justify;">
Charles Dickens (Britain, 1812): “Little Dorritt” (1858)</div>
<div style="text-align: justify;">
Charles Dickens (Britain, 1812): “A Tale of two Cities” (1859)</div>
<div style="text-align: justify;">
Charles Dickens (Britain, 1812): “Great Expectations” (1861) +</div>
<div style="text-align: justify;">
Charles Dickens (Britain, 1812): “Our Mutual Friend” (1865) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward Lear (Britain, 1812): “A Book of Nonsense” (1845) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Browning (Britain, 1812): “Men and Women” (1855) [p] +</div>
<div style="text-align: justify;">
Robert Browning (Britain, 1812): “Dramatis Personae” (1864) [p] +</div>
<div style="text-align: justify;">
Robert Browning (Britain, 1812): “The Ring and the Book” (1869) [p] ++</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charles Reade (Britain, 1814): “The Cloister and the Hearth” (1861)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Joseph LeFanu (Ireland, 1814): “Uncle Silas” (1864)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Anthony Trollope (Britain, 1815): “Barchester Towers” (1857) +</div>
<div style="text-align: justify;">
Anthony Trollope (Britain, 1815): “The Last Chronicle of Barset” (1867)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charlotte Bronte (Britain, 1816): “Jane Eyre” (1847) +</div>
<div style="text-align: justify;">
Charlotte Bronte (Britain, 1816): “Shirley” (1849)</div>
<div style="text-align: justify;">
Charlotte Bronte (Britain, 1816): “Villette” (1853)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Henry-David Thoreau (USA, 1817): “Civil Disobedience” (1849) [h]</div>
<div style="text-align: justify;">
Henry-David Thoreau (USA, 1817): “Walden” (1854) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Emily Bronte (Britain, 1818): “Wuthering Heights” (1847) ++</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George Eliot (Britain, 1819): “Adam Bede” (1859) +</div>
<div style="text-align: justify;">
George Eliot (Britain, 1819): “The Mill on the Floss” (1860) +</div>
<div style="text-align: justify;">
George Eliot (Britain, 1819): “Silas Marner” (1861) +</div>
<div style="text-align: justify;">
George Eliot (Britain, 1819): “Middlemarch” (1872) ++</div>
<div style="text-align: justify;">
George Eliot (Britain, 1819): “Daniel Deronda” (1876)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charles Kingsley (Britain, 1819): “Westward Ho” (1855)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James-Russell Lowell (Britain, 1819): “Biglow Papers” (1867) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Ruskin (Britain, 1819): “Unto This Last” (1860) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Arthur-Hugh Clough (Britain, 1819): “The Bothie of Tober-na-Vuolich” (1848) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Herman Melville (USA, 1819): “Typee” (1846)</div>
<div style="text-align: justify;">
Herman Melville (USA, 1819): “Omoo” (1847)</div>
<div style="text-align: justify;">
Herman Melville (USA, 1819): “Mardi” (1849) +</div>
<div style="text-align: justify;">
Herman Melville (USA, 1819): “Redburn” (1849)</div>
<div style="text-align: justify;">
Herman Melville (USA, 1819): “White Jacket” (1850)</div>
<div style="text-align: justify;">
Herman Melville (USA, 1819): “Moby Dick” (1851) ++</div>
<div style="text-align: justify;">
Herman Melville (USA, 1819): “Pierre” (1852) +</div>
<div style="text-align: justify;">
Herman Melville (USA, 1819): “Bartleby” (1856) +</div>
<div style="text-align: justify;">
Herman Melville (USA, 1819): “Benito Cereno” (1856)</div>
<div style="text-align: justify;">
Herman Melville (USA, 1819): “The Confindence Man” (1857) +</div>
<div style="text-align: justify;">
Herman Melville (USA, 1819): “Billy Budd” (1891) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Walt Whitman (USA, 1819): “The Leaves of Grass” (1892) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Matthew Arnold (Britain, 1822): “Culture and Anarchy” (1869) [h]</div>
<div style="text-align: justify;">
Matthew Arnold (Britain, 1822): “Empedocles on Etna” (1852) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Coventry Patmore (Britain, 1823): “The Unknown Eros” (1877) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Collins (Britain, 1824): “The Woman in White” (1860) +</div>
<div style="text-align: justify;">
William Collins (Britain, 1824): “The Moonstone” (1860)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John DeForest (USA, 1826): “Miss Ravenel” (1867)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Lew Wallace (USA, 1827): “Ben Hur” (1880)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George Meredith (Britain, 1828): “The Ordeal of Richard Feverel” (1859)</div>
<div style="text-align: justify;">
George Meredith (Britain, 1828): “The Egoist” (1879) +</div>
<div style="text-align: justify;">
George Meredith (Britain, 1828): “Diana of the Crossaways” (1885)</div>
<div style="text-align: justify;">
George Meredith (Britain, 1828): “One of Our Conquerors” (1891)</div>
<div style="text-align: justify;">
George Meredith (Britain, 1828): “Modern Love” (1862) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Dante-Gabriel Rossetti (Britain, 1828): “The Blessed Damozel” (1856) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Emily Dickinson (USA, 1830): “Poems” (1886) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William-Hale White (USA, 1831): “The Autobiography of Mark Rutherford” (1881) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Louisa Alcott (USA, 1832): “Little Women” (1869) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Lewis Carroll (Britain, 1832): “Alice in Wonderland” (1865) +</div>
<div style="text-align: justify;">
Lewis Carroll (Britain, 1832): “Through the Looking Glass” (1871)</div>
<div style="text-align: justify;">
Lewis Carroll (Britain, 1832): “The Hunting of the Snark” (1876)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Adam Lindsay Gordon (Australia, 1833): “Bush Ballads and Galloping Rhymes” (1870) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George du Maurier (Britain, 1834): “Trilby” (1894)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Morris (Britain, 1834): “Sigurd de Volsung” (1876) [p]</div>
<div style="text-align: justify;">
William Morris (Britain, 1834): “News from Nowhere” (1891)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Thomson (Britain, 1834): “The City of Dreadful Night” (1880) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Samuel Butler (Britain, 1835): “Erewhon” (1872) +</div>
<div style="text-align: justify;">
Samuel Butler (Britain, 1835): “The Way of all Flesh” (1903)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mark Twain (USA, 1835): “The Adventures of Tom Sawyer” (1876)</div>
<div style="text-align: justify;">
Mark Twain (USA, 1835): “The Adventures of Huckleberry Finn” (1884) +</div>
<div style="text-align: justify;">
Mark Twain (USA, 1835): “A Connecticut Yankee in King Arthur’s Court” (1889)</div>
<div style="text-align: justify;">
Mark Twain (USA, 1835): “The Tragedy of Pudd’nhead Wilson” (1894)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Bret Harte (USA, 1836): “Luck of Roaring Camp” (1870)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Gilbert (Britain, 1836): “Patience” (1881) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Algernon Swinburne (Britain, 1837): “Atalanta in Calydon” (1865) [t]</div>
<div style="text-align: justify;">
Algernon Swinburne (Britain, 1837): “Poems and Ballads” (1866) [p] +</div>
<div style="text-align: justify;">
Algernon Swinburne (Britain, 1837): “Chastelard” (1865) [t]</div>
<div style="text-align: justify;">
Algernon Swinburne (Britain, 1837): “Tristram of Lyonesse” (1882) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William-Dean Howells (USA, 1837): “The Rise of Silas Lapham” (1885) +</div>
<div style="text-align: justify;">
William-Dean Howells (USA, 1837): “A Modern Instance” (1882)</div>
<div style="text-align: justify;">
William-Dean Howells (USA, 1837): “A Hazard of New Fortunes” (1889)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Henry Adams (USA, 1838): “Education” (1907)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Albion Tourgee (USA, 1838): “Fool’s errand” (1879)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edwin Abbott (USA, 1838): “Flatland” (1884)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Walter Pater (Britain, 1839): “Marius the Epicurean” (1885) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William DeMorgan (Britain, 1839): “Joseph Vance” (1906)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Henry Kendall (Australia, 1839): “Leaves from the Australian Forests” (1869) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas Hardy (Britain, 1840): “Far From the Madding Crowd” (1874)</div>
<div style="text-align: justify;">
Thomas Hardy (Britain, 1840): “The Return of the Native” (1878)</div>
<div style="text-align: justify;">
Thomas Hardy (Britain, 1840): “The Mayor of Casterbridge” (1886) +</div>
<div style="text-align: justify;">
Thomas Hardy (Britain, 1840): “The Woodlanders” (1887)</div>
<div style="text-align: justify;">
Thomas Hardy (Britain, 1840): “Tess of the D’Urbervilles” (1891) +</div>
<div style="text-align: justify;">
Thomas Hardy (Britain, 1840): “Jude the Obscure” (1896)</div>
<div style="text-align: justify;">
Thomas Hardy (Britain, 1840): “The Dynasts” (1908) [t] +</div>
<div style="text-align: justify;">
Thomas Hardy (Britain, 1840): “Satires of Circumstance” (1914) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Hudson (Britain, 1841): “Green Mansions” (1904)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ambrose Bierce (USA, 1842): “Can Such Things Be” (1893)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sidney Lanier (USA, 1842): “Poems” (1877) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Henry James (USA, 1843): “Daisy Miller” (1879)</div>
<div style="text-align: justify;">
Henry James (USA, 1843): “Portait of a Lady” (1879) +</div>
<div style="text-align: justify;">
Henry James (USA, 1843): “The Bostonians” (1886) +</div>
<div style="text-align: justify;">
Henry James (USA, 1843): “Princess Casamassima” (1888)</div>
<div style="text-align: justify;">
Henry James (USA, 1843): “Altar of the Dead” (1895)</div>
<div style="text-align: justify;">
Henry James (USA, 1843): “What Maisie Knew” (1897) +</div>
<div style="text-align: justify;">
Henry James (USA, 1843): “The Spoils of Poynton” (1897) +</div>
<div style="text-align: justify;">
Henry James (USA, 1843): “Turn of the Screw” (1898) +</div>
<div style="text-align: justify;">
Henry James (USA, 1843): “The Aspern Papers” (1888)</div>
<div style="text-align: justify;">
Henry James (USA, 1843): “The Awkward Age” (1899)</div>
<div style="text-align: justify;">
Henry James (USA, 1843): “The Sacred fount” (1901) +</div>
<div style="text-align: justify;">
Henry James (USA, 1843): “The Wings of the Dove” (1902) ++</div>
<div style="text-align: justify;">
Henry James (USA, 1843): “The Ambassadors” (1903) ++</div>
<div style="text-align: justify;">
Henry James (USA, 1843): “The Beast in the Jungle” (1903)</div>
<div style="text-align: justify;">
Henry James (USA, 1843): “The Golden Bowl” (1904) +++</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Floren Montgomery (Britain, 1843): “Incompreso” (1869)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Gerard-Manley Hopkins (Britain, 1844): “The Wreck of the Deutschland” (1875) [p] +</div>
<div style="text-align: justify;">
Gerard-Manley Hopkins (Britain, 1844): “The Windhovere” (1877) [p]</div>
<div style="text-align: justify;">
Gerard-Manley Hopkins (Britain, 1844): “Felix Randal” (1880) [p]</div>
<div style="text-align: justify;">
Gerard-Manley Hopkins (Britain, 1844): “Carrion Comfort” (1885) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Bridges (Britain, 1844): “The Testament of Beauty” (1929) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George Cable (USA, 1844): “Grandissimes” (1880)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Bram Stoker (Ireland, 1847): “Dracula” (1897)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Joel Harris (USA, 1848): “Uncle Remus” (1907)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richard Jefferies (Britain, 1848): “After London” (1885)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frances Burnett (Britain, 1849): “The Secret Garden” (1911)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edmund Gosse (Britain, 1849): “Father and Son” (1907)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward Bellamy (USA, 1850): “Looking Backward” (1888)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Stevenson (Britain, 1850): “The Master of Ballantrae” (1889)</div>
<div style="text-align: justify;">
Robert Stevenson (Britain, 1850): “Treasure Island” (1883)</div>
<div style="text-align: justify;">
Robert Stevenson (Britain, 1850): “Weir of Hermiston” (1896)</div>
<div style="text-align: justify;">
Robert Stevenson (Britain, 1850): “Dr Jekyll and Mr Hyde” (1886) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Henry-Arthur Jones (Britain, 1851): “The Silver King” (1882) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George Moore (Ireland, 1852): “Esther Waters” (1894) +</div>
<div style="text-align: justify;">
George Moore (Ireland, 1852): “Heloise and Abelard” (1921)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Isabella Gregory (Ireland, 1852): “The Rising of the Moon” (1906) [t]</div>
<div style="text-align: justify;">
Isabella Gregory (Ireland, 1852): “The Workhouse Ward” (1908) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kate Chopin (USA, 1853): “The Awakening” (1899)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Oscar Wilde (Britain, 1854): “The Picture of Dorian Gray” (1891) +</div>
<div style="text-align: justify;">
Oscar Wilde (Britain, 1854): “The Importance of Being Ernest” (1895) [t] ++</div>
<div style="text-align: justify;">
Oscar Wilde (Britain, 1854): “Lady Windermere’s Fan” (1892) [t]+</div>
<div style="text-align: justify;">
Oscar Wilde (Britain, 1854): “A Woman of no Importance” (1893) [t]+</div>
<div style="text-align: justify;">
Oscar Wilde (Britain, 1854): “The Ideal Husband” (1894) [t]+</div>
<div style="text-align: justify;">
Oscar Wilde (Britain, 1854): “Salome`” (1894) [t]</div>
<div style="text-align: justify;">
Oscar Wilde (Britain, 1854): “The Ballad of Reading Gaol” (1898) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Howard Sturgis (Britain, 1855): “Belchamber” (1904)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Olive Schreiner (South Africa, 1855): “Story of an African Farm” (1883)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Arthur-Wing Pinero (Britain, 1855): “The Second Mrs Tanqueray” (1893) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Harold Frederic (USA, 1856): “The Damnation of Therone ware” (1896)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frank Baum (USA, 1856): “The Wonderful Wizard of Oz” (1900)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George-Bernard Shaw (Ireland, 1856): “Mrs Warren” (1894) [t]</div>
<div style="text-align: justify;">
George-Bernard Shaw (Ireland, 1856): “Candida” (1895) [t] +</div>
<div style="text-align: justify;">
George-Bernard Shaw (Ireland, 1856): “Man and Superman” (1903) [t]</div>
<div style="text-align: justify;">
George-Bernard Shaw (Ireland, 1856): “Major Barbara” (1905) [t]</div>
<div style="text-align: justify;">
George-Bernard Shaw (Ireland, 1856): “The Doctor’s Dilemma” (1906)[t]</div>
<div style="text-align: justify;">
George-Bernard Shaw (Ireland, 1856): “Pygmalion” (1914) [t] +</div>
<div style="text-align: justify;">
George-Bernard Shaw (Ireland, 1856): “Androcles” (1913) [t]</div>
<div style="text-align: justify;">
George-Bernard Shaw (Ireland, 1856): “Heartbreak House” (1919) [t] +</div>
<div style="text-align: justify;">
George-Bernard Shaw (Ireland, 1856): “Saint Joan” (1923) [t]</div>
<div style="text-align: justify;">
George-Bernard Shaw (Ireland, 1856): “The Apple Cart” (1929) [t]</div>
<div style="text-align: justify;">
George-Bernard Shaw (Ireland, 1856): “Adventures of the Black Girl” (1932)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Joseph Conrad (Poland, 1857): “Almayer’s Folly” (1895)</div>
<div style="text-align: justify;">
Joseph Conrad (Poland, 1857): “An Outcast of the Islands” (1896)</div>
<div style="text-align: justify;">
Joseph Conrad (Poland, 1857): “The Nigger of Narcissus” (1898) +</div>
<div style="text-align: justify;">
Joseph Conrad (Poland, 1857): “Lord Jim” (1900) +</div>
<div style="text-align: justify;">
Joseph Conrad (Poland, 1857): “Heart of Darkness” (1902)</div>
<div style="text-align: justify;">
Joseph Conrad (Poland, 1857): “Youth” (1902)</div>
<div style="text-align: justify;">
Joseph Conrad (Poland, 1857): “Typhoon” (1903)</div>
<div style="text-align: justify;">
Joseph Conrad (Poland, 1857): “Nostromo” (1904) ++</div>
<div style="text-align: justify;">
Joseph Conrad (Poland, 1857): “The Secret Agent” (1907)</div>
<div style="text-align: justify;">
Joseph Conrad (Poland, 1857): “Under Western Eyes” (1911)</div>
<div style="text-align: justify;">
Joseph Conrad (Poland, 1857): “The Secret Sharer” (1912)</div>
<div style="text-align: justify;">
Joseph Conrad (Poland, 1857): “Victory” (1915)</div>
<div style="text-align: justify;">
Joseph Conrad (Poland, 1857): “The Shadow Line” (1917)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George Gissing (Britain, 1857): “New Grub Street” (1891)</div>
<div style="text-align: justify;">
George Gissing (Britain, 1857): “The Odd Women” (1893)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edith-Oenone Somerville (Britain, 1858): “The Real Charlotte” (1894)</div>
<div style="text-align: justify;">
Edith-Oenone Somerville (Britain, 1858): “Some Experiences” (1899)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edith Nesbit (Britain, 1858): “The Railway Children” (1906)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Arthur-Conan Doyle (Britain, 1859): “The Sign of Four” (1890) +</div>
<div style="text-align: justify;">
Arthur-Conan Doyle (Britain, 1859): “The Hound of the Baskervilles” (1902)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kenneth Grahame (Britain, 1859): “The Wind in the Willows” (1908)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alfred-Edward Housman (Britain, 1859): “A Shropshire Lad” (1896) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Francis Thompson (Britain, 1859): “Poems” (1893) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Hamlin Garland (USA, 1860): “A Little Norsk” (1892)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charlotte Gilman (USA, 1860): “Hertland” (1915)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frederick Rolfe (Britain, 1860): “Hadrian the Seventh” (1904)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Barrie (Britain, 1860): “Quality Street” (1902) [t]</div>
<div style="text-align: justify;">
James Barrie (Britain, 1860): “The Admirable Crichton” (1902) [t]</div>
<div style="text-align: justify;">
James Barrie (Britain, 1860): “What Every Woman Knows” (1908) [t] +</div>
<div style="text-align: justify;">
James Barrie (Britain, 1860): “Dear Brutus” (1917) [t]</div>
<div style="text-align: justify;">
James Barrie (Britain, 1860): “Mary Rose” (1920) [t]</div>
<div style="text-align: justify;">
James Barrie (Britain, 1860): “Peter Pan” (1904) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Abraham Cahan (USA, 1860): “The Rise of David Levinsky” (1917)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Henry Harland (USA, 1861): “The Cardinal’s Snuff Box” (1900)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ada Leverson (Britain, 1862): “Love’s Shadow” (1908)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Oliver Henry (USA, 1862): “The Four Million” (1906)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edith Wharton (USA, 1862): “The House of Mirth” (1905)</div>
<div style="text-align: justify;">
Edith Wharton (USA, 1862): “Ethan Frome” (1911)</div>
<div style="text-align: justify;">
Edith Wharton (USA, 1862): “The Custom of the Country” (1913)</div>
<div style="text-align: justify;">
Edith Wharton (USA, 1862): “The Age of Innocence” (1920) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Montague (Britain, 1862): “Ghost Stories” (1904)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George Santayana (USA, 1863): “The Last Puritan” (1935) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
May Sinclair (USA, 1863): “Life and Death of Harriett Frean” (1922)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Arthur Machen (Britain, 1863): “The Inmost Light” (1894)</div>
<div style="text-align: justify;">
Arthur Machen (Britain, 1863): “The White Powder” (1896)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Andrew-Barton Paterson (Australia, 1864): “The Man from Snowy River” (1895) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Stephen Phillips (Britain, 1864): “Paolo and Francesca” (1899) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rudyard Kipling (Britain, 1865): “Kim” (1901)</div>
<div style="text-align: justify;">
Rudyard Kipling (Britain, 1865): “Barrack Room Ballads” (1892) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alfred Mason (Britain, 1865): “The Four Feathers” (1902)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Laurence Housman (Britain, 1865): “Bethlehem” (1902) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William-Butler Yeats (Ireland, 1865): “The Countess Cathleen” (1891) [t] +</div>
<div style="text-align: justify;">
William-Butler Yeats (Ireland, 1865): “Cathleen-ni-Houlihan” (1904) [t]</div>
<div style="text-align: justify;">
William-Butler Yeats (Ireland, 1865): “A Vision” (1925) [h]</div>
<div style="text-align: justify;">
William-Butler Yeats (Ireland, 1865): “In The Seven Woods” (1907) [p]</div>
<div style="text-align: justify;">
William-Butler Yeats (Ireland, 1865): “The Green Helmet” (1910) [p]</div>
<div style="text-align: justify;">
William-Butler Yeats (Ireland, 1865): “The Wild Swans at Coole” (1917) [p] +</div>
<div style="text-align: justify;">
William-Butler Yeats (Ireland, 1865): “Michael Robartes and the Dancer” (1921) [p] +</div>
<div style="text-align: justify;">
William-Butler Yeats (Ireland, 1865): “The Tower” (1928) [p] ++</div>
<div style="text-align: justify;">
William-Butler Yeats (Ireland, 1865): “The Winding Stair” (1929) [p] ++</div>
<div style="text-align: justify;">
William-Butler Yeats (Ireland, 1865): “A Full Moon in March” (1935) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alfred Mason (Britain, 1865): “At the Villa Rose” (1910)</div>
<div style="text-align: justify;">
Alfred Mason (Britain, 1865): “House of Arrow” (1924)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Matthew Shiel (Britain, 1865): “Purple Cloud” (1901)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mary Arnim (Australia, 1866): “Elizabeth and Her German Garden” (1898)</div>
<div style="text-align: justify;">
Mary Arnim (Australia, 1866): “Fraulein Schmidt” (1907)</div>
<div style="text-align: justify;">
Mary Arnim (Australia, 1866): “Vera” (1921)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Beatrix Potter (Britain, 1866): “Tale of Peter Rabbit” (1902)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Herbert-George Wells (Britain, 1866): “The Time Machine” (1895) +</div>
<div style="text-align: justify;">
Herbert-George Wells (Britain, 1866): “The Invisible Man” (1897)</div>
<div style="text-align: justify;">
Herbert-George Wells (Britain, 1866): “The Island of Dr Moreau” (1896)</div>
<div style="text-align: justify;">
Herbert-George Wells (Britain, 1866): “The War of the Worlds” (1898) +</div>
<div style="text-align: justify;">
Herbert-George Wells (Britain, 1866): “Love and Mr Lewisham” (1900)</div>
<div style="text-align: justify;">
Herbert-George Wells (Britain, 1866): “The First Men in the Moon” (1901)</div>
<div style="text-align: justify;">
Herbert-George Wells (Britain, 1866): “Kipps” (1905) +</div>
<div style="text-align: justify;">
Herbert-George Wells (Britain, 1866): “Ann Veronica” (1909)</div>
<div style="text-align: justify;">
Herbert-George Wells (Britain, 1866): “Tono-Bungay” (1909)</div>
<div style="text-align: justify;">
Herbert-George Wells (Britain, 1866): “The History of Mr Polly” (1910) +</div>
<div style="text-align: justify;">
Herbert-George Wells (Britain, 1866): “The New Machiavelli” (1911)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Youstol Dispage (1866): “Piero Scaruffi” (1909) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Arnold Bennett (Britain, 1867): “Anna of the Five Towns” (1902)</div>
<div style="text-align: justify;">
Arnold Bennett (Britain, 1867): “The Old Wive’s Tale” (1908) +</div>
<div style="text-align: justify;">
Arnold Bennett (Britain, 1867): “Clayhanger” (1910)</div>
<div style="text-align: justify;">
Arnold Bennett (Britain, 1867): “Riceyman Steps” (1923)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward-Frederic Benson (Britain, 1867): “Dodo” (1893)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Galsworthy (Britain, 1867): “The Man of Property” (1906) +</div>
<div style="text-align: justify;">
John Galsworthy (Britain, 1867): “The White Monkey” (1924)</div>
<div style="text-align: justify;">
John Galsworthy (Britain, 1867): “The Silver Box” (1906) [t]</div>
<div style="text-align: justify;">
John Galsworthy (Britain, 1867): “Old English” (1924) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Norman Douglas (Britain, 1868): “South Wind” (1917)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William DuBois (USA, 1868): “The Quest of the Silver Fleece” (1921)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Herrick (USA, 1868): “The Common Lot” (1904)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William-Edward-Burghardt Du Bois (USA, 1868): “The Quest for the Silver Fleece” (1911)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George Douglas (Britain, 1869): “The House with the Green Shutters” (1901)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charlotte Mew (Britain, 1869): “The Farmer’s Bride” (1916) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Booth Tarkington (USA, 1869): “The Magnificent Ambersons” (1918)</div>
<div style="text-align: justify;">
Booth Tarkington (USA, 1869): “Alice Adams” (1921) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edgar-Lee Masters (USA, 1869): “Spoon River Anthology” (1915) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edwin-Arlington Robinson (USA, 1869): “The Children of the Night” (1897) [p]</div>
<div style="text-align: justify;">
Edwin-Arlington Robinson (USA, 1869): “Merlin” (1917) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Erskine Childers (Britain, 1870): “Riddle of the Sands” (1903)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frank Norris (USA, 1870): “Vandover” (1894)</div>
<div style="text-align: justify;">
Frank Norris (USA, 1870): “Mc Teague” (1899) +</div>
<div style="text-align: justify;">
Frank Norris (USA, 1870): “The Octopus” (1901) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Henry Richardson (Australia, 1870): “The Getting of Wisdom” (1910)</div>
<div style="text-align: justify;">
Henry Richardson (Australia, 1870): “Richard Mahony” (1930) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Tressel (Ireland, 1870): “The Ragged Trousered Philanthropist” (1914)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Hector-Hugh “Saki” Munro (Britain, 1870): “Reginald” (1904)</div>
<div style="text-align: justify;">
Hector-Hugh “Saki” Munro (Britain, 1870): “The Unbearable Bassington” (1912) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Christopher Brennan (Australia, 1871): “Poems” (1913) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Theodore Dreiser (USA, 1871): “An American Tragedy” (1915) +</div>
<div style="text-align: justify;">
Theodore Dreiser (USA, 1871): “Sister Carrie” (1900)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Johnson (USA, 1871): “Autobiography of an Ex-colored Man” (1912)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Synge (Ireland, 1871): “Riders to the Sea” (1904) [t] +</div>
<div style="text-align: justify;">
John Synge (Ireland, 1871): “The Well of the Saints” (1905) [t]</div>
<div style="text-align: justify;">
John Synge (Ireland, 1871): “The Playboy of The Western World” (1907) [t] ++</div>
<div style="text-align: justify;">
John Synge (Ireland, 1871): “Deirdre of the Sorrows” (1910) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Max Beerbohm (Britain, 1872): “Zuleika Dobson” (1911)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Flora-Macdonald Mayor (Britain, 1872): “The Third Miss Symons” (1913)</div>
<div style="text-align: justify;">
Flora-Macdonald Mayor (Britain, 1872): “The Rector’s Daughter” (1924) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Paul-Laurence Dunbar (USA, 1872): “Lyrics Of A Lowly Life” (1896) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John-Cowper Powys (Britain, 1872): “A Glastonbury Romance” (1932)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Cicely Hamilton (Britain, 1872): “How the Vote was Won” (1909) [t]</div>
<div style="text-align: justify;">
Cicely Hamilton (Britain, 1872): “Theodore Savage” (1922)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Stephen Crane (USA, 1873): “The Red Badge of Courage” (1894) +</div>
<div style="text-align: justify;">
Stephen Crane (USA, 1873): “Maggie” (1893)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Walter DeLaMare (Britain, 1873): “Memoirs of a Midget” (1921)</div>
<div style="text-align: justify;">
Walter DeLaMare (Britain, 1873): “The Listeners” (1912) [p]</div>
<div style="text-align: justify;">
Walter DeLaMare (Britain, 1873): “The Traveller” (1946) [p] +</div>
<div style="text-align: justify;">
Walter DeLaMare (Britain, 1873): “The Winged Chariot” (1951) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ford-Madox Ford (Britain, 1873): “The Good Soldier” (1915)</div>
<div style="text-align: justify;">
Ford-Madox Ford (Britain, 1873): “Parade’s End” (1928) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Dorothy Richardson (Britain, 1873): “Pointed Roofs” (1915)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Henry Tomlinson (Britain, 1873): “Gallion’s Reach” (1927)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George-Oliver Onions (Britain, 1873): “Widdershins” (1911)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Gilbert Chesterton (Britain, 1874): “The Napoleon of Notting Hill” (1904)</div>
<div style="text-align: justify;">
Gilbert Chesterton (Britain, 1874): “The Man Who Was Thursday” (1908) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ellen Glasgow (USA, 1874): “Barren Ground” (1925)</div>
<div style="text-align: justify;">
Ellen Glasgow (USA, 1874): “Sheltered Life” (1932)</div>
<div style="text-align: justify;">
Ellen Glasgow (USA, 1874): “Vein of Iron” (1935)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William-Somerset Maugham (Britain, 1874): “Of Human Bondage” (1915)</div>
<div style="text-align: justify;">
William-Somerset Maugham (Britain, 1874): “The Moon and Sixpence” (1919)</div>
<div style="text-align: justify;">
William-Somerset Maugham (Britain, 1874): “Cakes and Ale” (1930) +</div>
<div style="text-align: justify;">
William-Somerset Maugham (Britain, 1874): “The Razor’s Edge” (1944)</div>
<div style="text-align: justify;">
William-Somerset Maugham (Britain, 1874): “The Circle” (1921) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Gertrude Stein (USA, 1874): “The Autobiography of Alice B. Toklas” (1933)</div>
<div style="text-align: justify;">
Gertrude Stein (USA, 1874): “Three lives” (1908)</div>
<div style="text-align: justify;">
Gertrude Stein (USA, 1874): “The Making of Americans” (1925) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert-Lee Frost (USA, 1874): “A Boy’s Will” (1913) [p]</div>
<div style="text-align: justify;">
Robert-Lee Frost (USA, 1874): “North of Boston” (1914) [p]</div>
<div style="text-align: justify;">
Robert-Lee Frost (USA, 1874): “Mountain Interval” (1916) [p]</div>
<div style="text-align: justify;">
Robert-Lee Frost (USA, 1874): “New Hampshire” (1923) [p]</div>
<div style="text-align: justify;">
Robert-Lee Frost (USA, 1874): “West-Running Brook” (1928) [p]</div>
<div style="text-align: justify;">
Robert-Lee Frost (USA, 1874): “A Further Range” (1936) [p] +</div>
<div style="text-align: justify;">
Robert-Lee Frost (USA, 1874): “A Masque of Reason” (1945) [p]</div>
<div style="text-align: justify;">
Robert-Lee Frost (USA, 1874): “In the Clearing” (1962) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Amy Lowell (USA, 1874): “Men Women and Ghosts” (1916) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edmund Bentley (Britain, 1875): “Trent’s Last Case” (1912)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edgar-Rice Burroughs (USA, 1875): “Tarzan of the Apes” (1914)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Theodore-Francis Powys (Britain, 1875): “Mr Weston’s Good Wine” (1927) +</div>
<div style="text-align: justify;">
Theodore-Francis Powys (Britain, 1875): “Unclay” (1931)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Forrest Reid (Britain, 1875): “Young Tom” (1944)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Buchan (Britain, 1875): “The Thirty-nine Steps” (1915)</div>
<div style="text-align: justify;">
John Buchan (Britain, 1875): “Greenmantle” (1916)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edgar Wallace (Britain, 1875): “Four Just Men” (1905)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sherwood Anderson (USA, 1876): “Winesburg Ohio” (1919)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Willa Cather (USA, 1876): “O Pioneers” (1913)</div>
<div style="text-align: justify;">
Willa Cather (USA, 1876): “My Antonia” (1918)</div>
<div style="text-align: justify;">
Willa Cather (USA, 1876): “One of Ours” (1922)</div>
<div style="text-align: justify;">
Willa Cather (USA, 1876): “The Professor’S house” (1925) +</div>
<div style="text-align: justify;">
Willa Cather (USA, 1876): “Death Comes for the Archbishop” (1927) +</div>
<div style="text-align: justify;">
Willa Cather (USA, 1876): “Song of the Lark” (1909)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jack London (USA, 1876): “The Sea Wolf” (1904)</div>
<div style="text-align: justify;">
Jack London (USA, 1876): “The Call of the Wild” (1903)</div>
<div style="text-align: justify;">
Jack London (USA, 1876): “Martin Eden” (1909)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Masefield (Britain, 1878): “The Everlasting Mercy” (1911) [p]</div>
<div style="text-align: justify;">
John Masefield (Britain, 1878): “Dauber” (1913) [p]</div>
<div style="text-align: justify;">
John Masefield (Britain, 1878): “Reynard the Fox” (1919) +</div>
<div style="text-align: justify;">
John Masefield (Britain, 1878): “Box of Delights” (1935)</div>
<div style="text-align: justify;">
John Masefield (Britain, 1878): “The Tragedy of Nan” (1908) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Harley Granville-Barker: (Britain, 1877): “The Voysey Inheritance” (1905) [t] +</div>
<div style="text-align: justify;">
Harley Granville-Barker: (Britain, 1877): “Waste” (1907) [t]</div>
<div style="text-align: justify;">
Harley Granville-Barker: (Britain, 1877): “The Madras House” (1910) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Caradoc Evans (Britain, 1878): “Nothing to Pay” (1930)</div>
<div style="text-align: justify;">
Caradoc Evans (Britain, 1878): “Taffy” (1924) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Upton Sinclair (USA, 1878): “The Jungle” (1906)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Carl Sandburg (USA, 1878): “Chicago Poems” (1916) [p]</div>
<div style="text-align: justify;">
Carl Sandburg (USA, 1878): “Corn Huskers” (1918) [p]</div>
<div style="text-align: justify;">
Carl Sandburg (USA, 1878): “Smoke and Steel” (1920) [p]</div>
<div style="text-align: justify;">
Carl Sandburg (USA, 1878): “The People Yes” (1936) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward Thomas (Britain, 1878): “Poems” (1917) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Cabell (USA, 1879): “Jurgen” (1919)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward-Morgan Forster (Britain, 1879): “Where Angels Fear to Tread” (1905)</div>
<div style="text-align: justify;">
Edward-Morgan Forster (Britain, 1879): “The Longest Journey” (1907)</div>
<div style="text-align: justify;">
Edward-Morgan Forster (Britain, 1879): “A Room with a View” (1908)</div>
<div style="text-align: justify;">
Edward-Morgan Forster (Britain, 1879): “Howards End” (1910) ++</div>
<div style="text-align: justify;">
Edward-Morgan Forster (Britain, 1879): “A Passage to India” (1924) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Miles Franklin (Australia, 1879): “My Brilliant Career” (1901)</div>
<div style="text-align: justify;">
Miles Franklin (Australia, 1879): “My Career Goes Bung” (1946)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Vachel Lindsay (USA, 1879): “Rhymes to be Traded for Bread” (1912) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Wallace Stevens (USA, 1879): “Harmonium” (1923) [p]</div>
<div style="text-align: justify;">
Wallace Stevens (USA, 1879): “Ideas of Order” (1935) [p] +</div>
<div style="text-align: justify;">
Wallace Stevens (USA, 1879): “Notes Towards A Supreme Fiction” (1942) [p] ++</div>
<div style="text-align: justify;">
Wallace Stevens (USA, 1879): “The Auroras of Autumn” (1950) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Norman Lindsay (Australia, 1879): “Redheap” (1930)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Carl VanVechten (USA, 1880): “Nigger Heaven” (1926)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sholem Asch (Britain, 1880): “The God of Vengeance” (1910) [t]</div>
<div style="text-align: justify;">
Sholem Asch (Britain, 1880): “Kidesh Hashem” (1919)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Emily Young (Britain, 1880): “Miss Mole” (1930)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sean O’Casey (Ireland, 1880): “Juno and the Peacock” (1924) [t] +</div>
<div style="text-align: justify;">
Sean O’Casey (Ireland, 1880): “The Plough and The Stars” (1926) [t] +</div>
<div style="text-align: justify;">
Sean O’Casey (Ireland, 1880): “The Silver Tassie” (1928) [t]</div>
<div style="text-align: justify;">
Sean O’Casey (Ireland, 1880): “Within the Gates” (1933) [t]</div>
<div style="text-align: justify;">
Sean O’Casey (Ireland, 1880): “Purple Dust” (1945) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Radclyffe Hall (Britain, 1880): “The Well of Loneliness” (1928)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Daisy Ashford (Britain, 1881): “Young Visitors” (1919)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rose Macaulay (Britain, 1881): “Non-combatants” (1916)</div>
<div style="text-align: justify;">
Rose Macaulay (Britain, 1881): “The Towers of Trebizond” (1956) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Leopold-Hamilton Myers (Britain, 1881): “The Near and the Far” (1943) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Elizabeth Roberts (USA, 1881): “The Time of Man” (1926)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas Stribling (USA, 1881): “Store” (1931)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mary Webb (Britain, 1881): “Precious Bane” (1924)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Pelham-Grenville Wodehouse (Britain, 1881): “Psmith in the City” (1910)</div>
<div style="text-align: justify;">
Pelham-Grenville Wodehouse (Britain, 1881): “Carry on Jeeves” (1925) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Stephens (Ireland, 1882): “Insurrections” (1909) [p]</div>
<div style="text-align: justify;">
James Stephens (Ireland, 1882): “The Charwoman’s Daughter” (1912)</div>
<div style="text-align: justify;">
James Stephens (Ireland, 1882): “The Crock of Gold” (1912) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Joyce (Ireland, 1882): “The Dead” (1908)</div>
<div style="text-align: justify;">
James Joyce (Ireland, 1882): “A Portrait of the Artist as a Young Man” (1917) +</div>
<div style="text-align: justify;">
James Joyce (Ireland, 1882): “Ulysses” (1922) +++</div>
<div style="text-align: justify;">
James Joyce (Ireland, 1882): “Finnegan’s Wake” (1939) ++</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frederick Manning (Australia, 1882): “Middle Parts of Fortune” (1929)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Virginia Woolf (Britain, 1882): “Jacob’s Room” (1922)</div>
<div style="text-align: justify;">
Virginia Woolf (Britain, 1882): “Mrs Dalloway” (1925) +</div>
<div style="text-align: justify;">
Virginia Woolf (Britain, 1882): “To the Lighthouse” (1927) ++</div>
<div style="text-align: justify;">
Virginia Woolf (Britain, 1882): “Orlando” (1928)</div>
<div style="text-align: justify;">
Virginia Woolf (Britain, 1882): “The Waves” (1931) +</div>
<div style="text-align: justify;">
Virginia Woolf (Britain, 1882): “Years” (1937)</div>
<div style="text-align: justify;">
Virginia Woolf (Britain, 1882): “Between the Acts” (1941) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alan-Alexander Milne (Britain, 1882): “Winnie-the-Pooh” (1926)</div>
<div style="text-align: justify;">
Alan-Alexander Milne (Britain, 1882): “The House at Pooh Corner” (1928)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edwin-John Pratt (Canada, 1882): “Titan” (1926) [p]</div>
<div style="text-align: justify;">
Edwin-John Pratt (Canada, 1882): “The Titanic” (1935) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Pauline-Janet Smith (South Africa, 1882): “The Beadle” (1926)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William-Carlos Williams (USA, 1883): “Spring and All” (1923) [p] +</div>
<div style="text-align: justify;">
William-Carlos Williams (USA, 1883): “Paterson” (1958) [p] ++</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Khalil Gibran (Lebanon, 1883): “The Prophet” (1923) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Compton MacKenzie (Britain, 1883): “Sinister Street” (1914)</div>
<div style="text-align: justify;">
Compton MacKenzie (Britain, 1883): “Whisky Galore” (1947)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ralph Mottram (Britain, 1883): “The Spanish Farm” (1924)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Percy-Wyndham Lewis (Britain, 1884): “Tarr” (1918)</div>
<div style="text-align: justify;">
Percy-Wyndham Lewis (Britain, 1884): “The Apes of God” (1930)</div>
<div style="text-align: justify;">
Percy-Wyndham Lewis (Britain, 1884): “The Human Age” (1955) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Damon Runyon (USA, 1884): “The Idyll of Miss Sarah Brown” (1932)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Hugh Walpole (New Zealand, 1884): “Mr Perrin and Mr Trail” (1911)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James-Elroy Flecker (Britain, 1884): “The King of Alsander” (1914)</div>
<div style="text-align: justify;">
James-Elroy Flecker (Britain, 1884): “Hassan” (1922) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Karen “Isak Dinesen” Blixen (Denmark, 1885): “Seven Gothic Tales” (1934)</div>
<div style="text-align: justify;">
Karen “Isak Dinesen” Blixen (Denmark, 1885): “Out of Africa” (1937) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David-Herbert Lawrence (Britain, 1885): “Sons and Lovers” (1913) +</div>
<div style="text-align: justify;">
David-Herbert Lawrence (Britain, 1885): “The Rainbow” (1915) +</div>
<div style="text-align: justify;">
David-Herbert Lawrence (Britain, 1885): “Women in Love” (1920) +</div>
<div style="text-align: justify;">
David-Herbert Lawrence (Britain, 1885): “Aaron’s Rod” (1922)</div>
<div style="text-align: justify;">
David-Herbert Lawrence (Britain, 1885): “St Mawr” (1925)</div>
<div style="text-align: justify;">
David-Herbert Lawrence (Britain, 1885): “The Plumed Serpent” (1926)</div>
<div style="text-align: justify;">
David-Herbert Lawrence (Britain, 1885): “Lady Chatterley’s Lover” (1928)</div>
<div style="text-align: justify;">
David-Herbert Lawrence (Britain, 1885): “Birds Beasts and Flowers” (1923) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sinclair Lewis (USA, 1885): “Main Street” (1920)</div>
<div style="text-align: justify;">
Sinclair Lewis (USA, 1885): “Babbitt” (1920) +</div>
<div style="text-align: justify;">
Sinclair Lewis (USA, 1885): “Elmer Gentry” (1927)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ezra Pound (USA, 1885): “Cantos” (1970) [p] ++</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Willard (USA, 1885): “The Cat and the Canaries” (1922) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Andrew Young (Britain, 1885): “Winter Harvest” (1933) [p]</div>
<div style="text-align: justify;">
Andrew Young (Britain, 1885): “The Green Man” (1947) [p]</div>
<div style="text-align: justify;">
Andrew Young (Britain, 1885): “Into Hades” (1952) [p] +</div>
<div style="text-align: justify;">
Andrew Young (Britain, 1885): “A Traveller In Time” (1958) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Hilda Doolittle (USA, 1886): “Bid Me To Live” (1960)</div>
<div style="text-align: justify;">
Hilda Doolittle (USA, 1886): “Hymen” (1921) [p]</div>
<div style="text-align: justify;">
Hilda Doolittle (USA, 1886): “Helen in Egypt” (1961) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frances Cornford (Britain, 1886): “Mountains and Molehills” (1934)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ronald Firbank (Britain, 1886): “Vainglory” (1915) +</div>
<div style="text-align: justify;">
Ronald Firbank (Britain, 1886): “Inclinations” (1916)</div>
<div style="text-align: justify;">
Ronald Firbank (Britain, 1886): “Caprice” (1917)</div>
<div style="text-align: justify;">
Ronald Firbank (Britain, 1886): “The Flower Beneath the Foot” (1923)</div>
<div style="text-align: justify;">
Ronald Firbank (Britain, 1886): “Prancing Nigger” (1924) +</div>
<div style="text-align: justify;">
Ronald Firbank (Britain, 1886): “Cardinal Pirelli” (1926)</div>
<div style="text-align: justify;">
Ronald Firbank (Britain, 1886): “Valmouth” (1919)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sigfried Sassoon (Britain, 1886): “Memoirs of a Fox-hunting Man” (1928)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charles Williams (Britain, 1886): “War in Heaven” (1930)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ben Travers (Britain, 1886): “A Cuckoo in the Nest” (1925) [t]</div>
<div style="text-align: justify;">
Ben Travers (Britain, 1886): “Rookery Nook” (1926) [t] +</div>
<div style="text-align: justify;">
Ben Travers (Britain, 1886): “Plunder” (1928) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rex Stout (USA, 1886): “Fer de Lance” (1934)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charles Williams (Britain, 1886): “Descent into Hell” (1937)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Olaf Stapleton (Britain, 1886): “The Last and First Men” (1930)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edna Ferber (USA, 1887): “Showboat” (1926)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rupert Brooke (Britain, 1887): “The Old Vicarage” (1913) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robinson Jeffers (USA, 1887): “Tamar” (1924) [p] +</div>
<div style="text-align: justify;">
Robinson Jeffers (USA, 1887): “Roan Stallion” (1925) [p]</div>
<div style="text-align: justify;">
Robinson Jeffers (USA, 1887): “Cawdor” (1928) [p]</div>
<div style="text-align: justify;">
Robinson Jeffers (USA, 1887): “Thurso’s Landing” (1932) [p]</div>
<div style="text-align: justify;">
Robinson Jeffers (USA, 1887): “Medea” (1947) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Marianne Moore (USA, 1887): “Observations” (1924) [p] +</div>
<div style="text-align: justify;">
Marianne Moore (USA, 1887): “The Pangolin” (1936) [p]</div>
<div style="text-align: justify;">
Marianne Moore (USA, 1887): “What Are Years” (1941) [p]</div>
<div style="text-align: justify;">
Marianne Moore (USA, 1887): “Nevertheless” (1944) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edwin Muir (Britain, 1887): “Chorus of the Newly Dead” (1926) [p]</div>
<div style="text-align: justify;">
Edwin Muir (Britain, 1887): “The Labyrinth” (1949) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edith Sitwell (Britain, 1887): “Facade” (1923) [p]</div>
<div style="text-align: justify;">
Edith Sitwell (Britain, 1887): “The Sleeping Beauty” (1924) [p]</div>
<div style="text-align: justify;">
Edith Sitwell (Britain, 1887): “Gold Coast Customs” (1929) [p]</div>
<div style="text-align: justify;">
Edith Sitwell (Britain, 1887): “The Canticle of the Sun” (1949) [p]</div>
<div style="text-align: justify;">
Edith Sitwell (Britain, 1887): “The Outcasts” (1962) [p] +</div>
<div style="text-align: justify;">
Edith Sitwell (Britain, 1887): “Music and Ceremonies” (1963) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Joyce Cary (Britain, 1888): “Herself Surprised” (1941) +</div>
<div style="text-align: justify;">
Joyce Cary (Britain, 1888): “To Be a Pilgrim” (1942)</div>
<div style="text-align: justify;">
Joyce Cary (Britain, 1888): “The Horse’s Mouth” (1944)</div>
<div style="text-align: justify;">
Joyce Cary (Britain, 1888): “Prisoner of Grace” (1852)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ronald Knox (Britain, 1888): “Let Dons Delight” (1939)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas Lawrence (Britain, 1888): “Revolt in the Desert” (1927)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Katherine Mansfield (New Zealand, 1888): “The Garden Party” (1922) +</div>
<div style="text-align: justify;">
Katherine Mansfield (New Zealand, 1888): “At the Bay” (1922)</div>
<div style="text-align: justify;">
Katherine Mansfield (New Zealand, 1888): “Prelude” (1924)</div>
<div style="text-align: justify;">
Katherine Mansfield (New Zealand, 1888): “Little Girl” (1924)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jesse Tennyson (Britain, 1888): “A Pin to See the Peepshow” (1934)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Maxwell Anderson (USA, 1888): “Winterset” (1935) [t] +</div>
<div style="text-align: justify;">
Maxwell Anderson (USA, 1888): “Elizabeth the Queen” (1930) [t]</div>
<div style="text-align: justify;">
Maxwell Anderson (USA, 1888): “The Bad Seed” (1954) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Bridie (Britain, 1888): “The Anatomist” (1930) [t] +</div>
<div style="text-align: justify;">
James Bridie (Britain, 1888): “Tobias and the Angel” (1930) [t]</div>
<div style="text-align: justify;">
James Bridie (Britain, 1888): “Mr Bolfry” (1943) [t]</div>
<div style="text-align: justify;">
James Bridie (Britain, 1888): “Daphne Laureola” (1949) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Anita Loos (USA, 1888): “Gentlemen Prefer Blondes” (1925)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “Emperor Jones” (1920) [t] +</div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “Anna Christie” (1921) [t]</div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “Hairy Ape” (1922) [t]</div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “All God’s Chillun Got Wings” (1924) [t]</div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “Desire Under the Elms” (1924) [t]</div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “Lazarus Laughed” (1926) [t] +</div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “The Great God Brown” (1926) [t] +</div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “Strange Interlude” (1928) [t] +</div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “Mourning Becomes Elettra” (1931) [t] +</div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “Ah Wilderness” (1932) [t]</div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “Days Without End” (1934) [t]</div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “Iceman Cometh” (1946) [t] +</div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “A Moon for the Misbesgotten” (1952) [t] +</div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “Long Day’s Journey” (1953) [t] ++</div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “A Touch of the Poet” (1957) [t]</div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “Moon for the Misbegotten” (1957) [t]</div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “Hughie” (1959) [t]</div>
<div style="text-align: justify;">
Eugene O’Neill (USA, 1888): “More Stately Mansions” (1964) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Raymond Chandler (USA, 1888): “The Big Sleep” (1939) +</div>
<div style="text-align: justify;">
Raymond Chandler (USA, 1888): “Farewell my Love” (1940)</div>
<div style="text-align: justify;">
Raymond Chandler (USA, 1888): “Lady in the Lake” (1943)</div>
<div style="text-align: justify;">
Raymond Chandler (USA, 1888): “My Lovely” (1940)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Raymond VanDine (USA, 1888): “The Benson Murder Case” (1926)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas-Stearns Eliot (USA, 1888): “Prufrock” (1917) [p]</div>
<div style="text-align: justify;">
Thomas-Stearns Eliot (USA, 1888): “The Waste Land” (1922) [p] ++</div>
<div style="text-align: justify;">
Thomas-Stearns Eliot (USA, 1888): “Ash Wednesday” (1930) [p]</div>
<div style="text-align: justify;">
Thomas-Stearns Eliot (USA, 1888): “The Rock” (1934) [p]</div>
<div style="text-align: justify;">
Thomas-Stearns Eliot (USA, 1888): “Four Quartets” (1943) [p] +++</div>
<div style="text-align: justify;">
Thomas-Stearns Eliot (USA, 1888): “Murder in the Cathedral” (1935) [t] +</div>
<div style="text-align: justify;">
Thomas-Stearns Eliot (USA, 1888): “Family Reunion” (1939) [t]</div>
<div style="text-align: justify;">
Thomas-Stearns Eliot (USA, 1888): “The Cocktail Party” (1949) [t] +</div>
<div style="text-align: justify;">
Thomas-Stearns Eliot (USA, 1888): “The Confidential Clerk” (1953) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John-Crowe Ransom (USA, 1888): “Chills and Fever” (1924) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sutton Vane (Britain, 1888): “Outward Bound” (1923) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Clemence Dane/ Winifred Ashton (Britain, 1888): “Bill Of Divorcement” (1921) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Enid Bagnold (Britain, 1889): “National velvet” (1935)</div>
<div style="text-align: justify;">
Enid Bagnold (Britain, 1889): “Chalk Garden” (1956) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Helen Waddell (Ireland, 1889): “Peter Abelard” (1933)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George Kaufman (USA, 1889): “Dinner at Eight” (1932) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Conrad Aiken (USA, 1889): “Earth Triumphant” (1914) [p]</div>
<div style="text-align: justify;">
Conrad Aiken (USA, 1889): “Blue Voyage” (1927) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richmal Crompton (Britain, 1890): “Just William” (1922)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward Dahlberg (USA, 1890): “Olive of Minerva” (1976)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Claude McKay (USA, 1890): “Home to Harlem” (1928)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Chris Morley (USA, 1890): “Kitty Foyle” (1929)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Katherine Porter (USA, 1890): “Noon Wine” (1934)</div>
<div style="text-align: justify;">
Katherine Porter (USA, 1890): “Ship of Fools” (1962)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Conrad Richter (USA, 1890): “The Town” (1951)</div>
<div style="text-align: justify;">
Conrad Richter (USA, 1890): “The Waters of Kronos” (1960) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Agatha Christie (Britain, 1890): “Murder of Roger Ackroyd” (1926)</div>
<div style="text-align: justify;">
Agatha Christie (Britain, 1890): “Murder on the Orient Express” (1934) +</div>
<div style="text-align: justify;">
Agatha Christie (Britain, 1890): “Death on the Nile” (1938)</div>
<div style="text-align: justify;">
Agatha Christie (Britain, 1890): “Caribbean mystery” (1964)</div>
<div style="text-align: justify;">
Agatha Christie (Britain, 1890): “Mousetrap” (1952) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Howard-Phillips Lovecraft (USA, 1890): “Call of Chthulha” (1929) +</div>
<div style="text-align: justify;">
Howard-Phillips Lovecraft (USA, 1890): “At the Mountains of Madness” (1936)</div>
<div style="text-align: justify;">
Howard-Phillips Lovecraft (USA, 1890): “The Dunwich Horror” (1927)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ivor Gurney (Britain, 1890): “Severn and Somme” (1917) [p]</div>
<div style="text-align: justify;">
Ivor Gurney (Britain, 1890): “War’s Embers” (1919)[p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alan Herbert (Britain, 1890): “Secret battle” (1919)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Isaac Rosenberg (Britain, 1890): “Poems” (1918) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward Smith (USA, 1890): “The Skylark of Space” (1946)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mark Connelly (USA, 1890): “The Green Pastures” (1930) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Storm Jameson (Britain, 1891): “Cousin Honore`” (1940)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Henry Miller (USA, 1891): “Tropic of Cancer” (1934) +</div>
<div style="text-align: justify;">
Henry Miller (USA, 1891): “Tropic of Capricorn” (1939)</div>
<div style="text-align: justify;">
Henry Miller (USA, 1891): “The Air-Conditioned Nightmare (1947) [h]</div>
<div style="text-align: justify;">
Henry Miller (USA, 1891): “The Rosy Crucifixion” (1960) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sidney Howard (USA, 1891): “They Knew What they Wanted” (1924) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richard Aldington (Britain, 1892): “Death of a Hero” (1929)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Djuna Barnes (USA, 1892): “Nightwood” (1936) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Stella Benson (Britain, 1892): “Tobit Transplanted” (1930)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Pearl-Sydenstricker Buck (USA, 1892): “The Good Earth” (1931)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ivy Compton-Burnett (Britain, 1892): “Pastors and Masters” (1925)</div>
<div style="text-align: justify;">
Ivy Compton-Burnett (Britain, 1892): “Brothers and Sisters” (1929)</div>
<div style="text-align: justify;">
Ivy Compton-Burnett (Britain, 1892): “Men and Wives” (1931) +</div>
<div style="text-align: justify;">
Ivy Compton-Burnett (Britain, 1892): “A House and Its Head” (1935)</div>
<div style="text-align: justify;">
Ivy Compton-Burnett (Britain, 1892): “Daughters and Sons” (1937)</div>
<div style="text-align: justify;">
Ivy Compton-Burnett (Britain, 1892): “A Family and a Fortune” (1939)</div>
<div style="text-align: justify;">
Ivy Compton-Burnett (Britain, 1892): “Parents and Children” (1941)</div>
<div style="text-align: justify;">
Ivy Compton-Burnett (Britain, 1892): “Elders and Betters” (1944)</div>
<div style="text-align: justify;">
Ivy Compton-Burnett (Britain, 1892): “Manservants and Maidservants” (1947) +</div>
<div style="text-align: justify;">
Ivy Compton-Burnett (Britain, 1892): “A God and His Gifts” (1963) +</div>
<div style="text-align: justify;">
Ivy Compton-Burnett (Britain, 1892): “The Last and the First” (1969)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Garnett (Britain, 1892): “Lady Into Fox” (1922)</div>
<div style="text-align: justify;">
David Garnett (Britain, 1892): “A Man in the Zoo” (1924)</div>
<div style="text-align: justify;">
David Garnett (Britain, 1892): “Aspects” (1955)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Vita Sackville-West (Britain, 1892): “The Edwardians” (1930)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Osbert Sitwell (Britain, 1892): “Before the Bombardment” (1926)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Tolkien (Britain, 1892): “The Hobbit” (1937)</div>
<div style="text-align: justify;">
John Tolkien (Britain, 1892): “The Lord of the Rings” (1955) +</div>
<div style="text-align: justify;">
John Tolkien (Britain, 1892): “Silmarillion” (1977)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rebecca West (Britain, 1892): “The Return of the Soldier” (1918)</div>
<div style="text-align: justify;">
Rebecca West (Britain, 1892): “The Fountain Overflows” (1956) +</div>
<div style="text-align: justify;">
Rebecca West (Britain, 1892): “Birds Fall Down” (1966)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Elmer Rice (USA, 1892): “The Adding Machine” (1923) [t] +</div>
<div style="text-align: justify;">
Elmer Rice (USA, 1892): “On Trial” (1914) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Cain (USA, 1892): “The Postman Always Rings Twice” (1934) +</div>
<div style="text-align: justify;">
James Cain (USA, 1892): “Double Indemnity” (1944)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Hugh McDiamird (Britain, 1892): “A Drunk Man Looks at the Thistle” (1926) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George MacBeth (Britain, 1892): “The Broken Places” (1963) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Archibald MacLeish (USA, 1892): “Conquistador” (1932) [p]</div>
<div style="text-align: justify;">
Archibald MacLeish (USA, 1892): “JB” (1958) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edna Millay (USA, 1892): “The Ballad of the Harp Weaver” (1922) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Marquand (USA, 1893): “The Late George Apley” (1937)</div>
<div style="text-align: justify;">
John Marquand (USA, 1893): “H. M. Pulham Esquire” (1941)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Samuel-Nathaniel Behrman (USA, 1893): “The End of Summer” (1936) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sylvia-Townsend Warner (Britain, 1893): “Lolly Willowes” (1926) +</div>
<div style="text-align: justify;">
Sylvia-Townsend Warner (Britain, 1893): “Mr Fortune’s Maggot” (1927)</div>
<div style="text-align: justify;">
Sylvia-Townsend Warner (Britain, 1893): “Summer Will Show” (1936)</div>
<div style="text-align: justify;">
Sylvia-Townsend Warner (Britain, 1893): “After the Death of Don Juan” (1938)</div>
<div style="text-align: justify;">
Sylvia-Townsend Warner (Britain, 1893): “The Corner that Held Them” (1948)</div>
<div style="text-align: justify;">
Sylvia-Townsend Warner (Britain, 1893): “Opus 7″ (1931) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ben Hecht (USA, 1893): “Front Page” (1928) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Dorothy Sayers (Britain, 1893): “Strong Poison” (1930)</div>
<div style="text-align: justify;">
Dorothy Sayers (Britain, 1893): “Murder Must Advertise” (1933)</div>
<div style="text-align: justify;">
Dorothy Sayers (Britain, 1893): “Busman’s Honeymoon” (1938)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Wilfred Owen (Britain, 1893): “Poems” (1918) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William March (USA, 1893): “The Bad Seed” (1954)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Martin Boyd (Australia, 1893): “The Montforts” (1928)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Annie Winnifred Ellerman “Bryher” (Britain, 1894): “Visa for Avalon” (1965)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Aldous Huxley (Britain, 1894): “Crome Yellow” (1921)</div>
<div style="text-align: justify;">
Aldous Huxley (Britain, 1894): “Antic Hay” (1923)</div>
<div style="text-align: justify;">
Aldous Huxley (Britain, 1894): “Pointer Counter Pointer” (1928) +</div>
<div style="text-align: justify;">
Aldous Huxley (Britain, 1894): “Brave New World” (1932) +</div>
<div style="text-align: justify;">
Aldous Huxley (Britain, 1894): “Eyeless in Gaza” (1936)</div>
<div style="text-align: justify;">
Aldous Huxley (Britain, 1894): “The Devils of Loudon” (1952)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John-Boynton Priestley (Britain, 1894): “The Good Companions” (1929) +</div>
<div style="text-align: justify;">
John-Boynton Priestley (Britain, 1894): “Angel Pavement” (1930)</div>
<div style="text-align: justify;">
John-Boynton Priestley (Britain, 1894): “Bright Day” (1946)</div>
<div style="text-align: justify;">
John-Boynton Priestley (Britain, 1894): “The Image Men” (1968)</div>
<div style="text-align: justify;">
John-Boynton Priestley (Britain, 1894): “Dangerous Corner” (1932) [t] +</div>
<div style="text-align: justify;">
John-Boynton Priestley (Britain, 1894): “An Inspector Calls” (1946) [t]</div>
<div style="text-align: justify;">
John-Boynton Priestley (Britain, 1894): “I Have Been Here Before” (1937) [t]</div>
<div style="text-align: justify;">
John-Boynton Priestley (Britain, 1894): “Time and the Conways” (1937) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jean Rhys (Dominica, 1894): “Postures/Quartet” (1928)</div>
<div style="text-align: justify;">
Jean Rhys (Dominica, 1894): “Wide Sargasso Sea” (1966) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jean Toomer (USA, 1894): “Cane” (1922)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Dashiell Hammett (USA, 1894): “The Maltese Falcon” (1930) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward-Estlin Cummings (USA, 1894): “The Enormous Room” (1922) [h]</div>
<div style="text-align: justify;">
Edward-Estlin Cummings (USA, 1894): “And” (1925) [p]</div>
<div style="text-align: justify;">
Edward-Estlin Cummings (USA, 1894): “Is Five” (1926) [p]</div>
<div style="text-align: justify;">
John-Howard Lawson (USA, 1894): “Processional” (1925) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Paul Green (USA, 1894): “Abraham’s Bosom” (1927) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Gerhardie (Britain, 1895): “The Polyglots” (1925)</div>
<div style="text-align: justify;">
William Gerhardie (Britain, 1895): “Of Mortal Love” (1936)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Caroline Gordon (USA, 1895): “None Shall Look Back” (1937)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Graves (Britain, 1895): “I Claudius” (1934)</div>
<div style="text-align: justify;">
Robert Graves (Britain, 1895): “The Pier-Glass” (1921) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Leslie-Poles Hartley (Britain, 1895): “The Shrimp and the Anemone” (1944) +</div>
<div style="text-align: justify;">
Leslie-Poles Hartley (Britain, 1895): “Eustace and Hilda” (1947)</div>
<div style="text-align: justify;">
Leslie-Poles Hartley (Britain, 1895): “The Go-Between” (1950)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Clifford Kitchin (Britain, 1895): “The Book of Life” (1960)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Archibald MacDonell (Britain, 1895): “England Their England” (1933)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Malachi Whitaker (Britain, 1895): “The Crystal Fountain” (1949)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edmund Wilson (USA, 1895): “I Thought of Daisy” (1929)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Michael Arlen (Britain, 1895): “The Green Hat” (1924)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Neil Gordon (Britain, 1895): “The Shakespeare murders” (1933)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Jones (Britain, 1895): “In Parenthesis” (1937) [p] +</div>
<div style="text-align: justify;">
David Jones (Britain, 1895): “The Anathemata” (1952) [p] ++</div>
<div style="text-align: justify;">
David Jones (Britain, 1895): “The Sleeping Lord” (1974) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Joe Ackerley (Britain, 1896): “We Think the World of You” (1960)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert-Cedric Sheriff (Britain, 1896): “Journey’s End” (1928) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Louis Bromfield (USA, 1896): “Early Autumn” (1926)</div>
<div style="text-align: justify;">
Louis Bromfield (USA, 1896): “The Farm” (1933)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John DosPassos (USA, 1896): “Three Soldiers” (1921)</div>
<div style="text-align: justify;">
John DosPassos (USA, 1896): “Manhattan Transfer” (1925)</div>
<div style="text-align: justify;">
John DosPassos (USA, 1896): “U.S.A.” (1936) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Francis-Scott Fitzgerald (USA, 1896): “This Side of Paradise” (1920) +</div>
<div style="text-align: justify;">
Francis-Scott Fitzgerald (USA, 1896): “The Beautiful and The Damned” (1922) +</div>
<div style="text-align: justify;">
Francis-Scott Fitzgerald (USA, 1896): “The Great Gatsby” (1925) ++</div>
<div style="text-align: justify;">
Francis-Scott Fitzgerald (USA, 1896): “Tender is the Night” (1934) +</div>
<div style="text-align: justify;">
Francis-Scott Fitzgerald (USA, 1896): “The Last Tycoon” (1941)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Margaret Kennedy (Britain, 1896): “The Constant Nymph” (1924)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Philip Barry (USA, 1896): “The Philadelphia Story” (1939) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Sherriff (Britain, 1896): “Journey’s End” (1928) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Sherwood (USA, 1896): “Waterloo Bridge” (1930) [t]</div>
<div style="text-align: justify;">
Robert Sherwood (USA, 1896): “The Petrified Forest” (1934) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Dodie Smith (Britain, 1896): “Dear Octopus” (1938) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter Cheyney (Britain, 1896): “This Man is Dangerous” (1936)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edmund Blunden (Britain, 1896): “The Waggoner” (1920) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Austin Clarke (Ireland, 1896): “Flight to Africa” (1963) [p]</div>
<div style="text-align: justify;">
Austin Clarke (Ireland, 1896): “Mnemosyne Lay in Dust” (1966) [p] +</div>
<div style="text-align: justify;">
Austin Clarke (Ireland, 1896): “Tiresias” (1971) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Lettice Cooper (Britain, 1897): “National Provincial” (1938)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Faulkner (USA, 1897): “Sartoris” (1929)</div>
<div style="text-align: justify;">
William Faulkner (USA, 1897): “The Sound and the Fury” (1929) ++</div>
<div style="text-align: justify;">
William Faulkner (USA, 1897): “As I Lay Dying” (1930) +</div>
<div style="text-align: justify;">
William Faulkner (USA, 1897): “Sanctuary” (1931) +</div>
<div style="text-align: justify;">
William Faulkner (USA, 1897): “Light in August” (1932) ++</div>
<div style="text-align: justify;">
William Faulkner (USA, 1897): “Absalom Absalom” (1936)</div>
<div style="text-align: justify;">
William Faulkner (USA, 1897): “Hamlet” (1940)</div>
<div style="text-align: justify;">
William Faulkner (USA, 1897): “Intruder in the Dust” (1948) +</div>
<div style="text-align: justify;">
William Faulkner (USA, 1897): “Requiem for a Nun” (1951)</div>
<div style="text-align: justify;">
William Faulkner (USA, 1897): “A Fable” (1954)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Youstol Dispage (1897): “Piero Scaruffi” (1929) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Naomi Mitchison (Britain, 1897): “The Corn King and the Spring Queen” (1931)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kate O’Brien (Ireland, 1897): “Land of Spices” (1941)</div>
<div style="text-align: justify;">
Kate O’Brien (Ireland, 1897): “That Lady” (1946)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Liam O’Flaherty (Ireland, 1897): “The Informer” (1925)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thornton Wilder (USA, 1897): “The Bridge of San Luis Rey” (1927) +</div>
<div style="text-align: justify;">
Thornton Wilder (USA, 1897): “Heaven’s My Destination” (1934)</div>
<div style="text-align: justify;">
Thornton Wilder (USA, 1897): “The Eight Day” (1967)</div>
<div style="text-align: justify;">
Thornton Wilder (USA, 1897): “Our Town” (1938) [t] +</div>
<div style="text-align: justify;">
Thornton Wilder (USA, 1897): “The Skin of Our Teeth” (1942) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Henry Williamson (Britain, 1897): “Tarka the Otter” (1927)</div>
<div style="text-align: justify;">
Henry Williamson (Britain, 1897): “Patriot’s Progress” (1930)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Dawn Powell (USA, 1897): “The Golden Spur” (1962) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Carr (USA, 1897): “The Haunted House” (1934)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Louise Bogan (USA, 1897): “Body of This Death” (1923) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sacheverell Sitwell (Britain, 1897): “The Cyder Feast” (1927) [p]</div>
<div style="text-align: justify;">
Sacheverell Sitwell (Britain, 1897): “Agamemnon’s Tomb” (1933) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Winifred Holtby (Britain, 1898): “South Riding” (1935)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Clive-Staples Lewis (Britain, 1898): “Out of the Silent Planet” (1938) +</div>
<div style="text-align: justify;">
Clive-Staples Lewis (Britain, 1898): “Perelandra” (1943)</div>
<div style="text-align: justify;">
Clive-Staples Lewis (Britain, 1898): “The Lion The Witch and the Wardbrobe” (1956)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alec Waugh (Britain, 1898): “Loom of Youth” (1917)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Pamela Lyndon Travers (Australia, 1899): “Mary Poppins” (1934)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Lynn Riggs (1899): “Green Grow the Lilacs” (1931) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Elizabeth Bowen (Ireland, 1899): “Hotel” (1927)</div>
<div style="text-align: justify;">
Elizabeth Bowen (Ireland, 1899): “The House in Paris” (1935) +</div>
<div style="text-align: justify;">
Elizabeth Bowen (Ireland, 1899): “The Death of the Heart” (1938) +</div>
<div style="text-align: justify;">
Elizabeth Bowen (Ireland, 1899): “The Heat of the Day” (1949)</div>
<div style="text-align: justify;">
Elizabeth Bowen (Ireland, 1899): “World of Love” (1955)</div>
<div style="text-align: justify;">
Elizabeth Bowen (Ireland, 1899): “The Little Girls” (1964)</div>
<div style="text-align: justify;">
Elizabeth Bowen (Ireland, 1899): “Eva Trout” (1968)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ernest Hemingway (USA, 1899): “The Sun Also Rises” (1926) +</div>
<div style="text-align: justify;">
Ernest Hemingway (USA, 1899): “A Farewell to Arms” (1929) +</div>
<div style="text-align: justify;">
Ernest Hemingway (USA, 1899): “The Snows of Kilimanjaro” (1939)</div>
<div style="text-align: justify;">
Ernest Hemingway (USA, 1899): “For Whom The Bell Tolls” (1940)</div>
<div style="text-align: justify;">
Ernest Hemingway (USA, 1899): “The Old Man and the Sea” (1952)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Eric Linklater (Britain, 1899): “Private Angelo” (1946)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Janet Lewis (USA, 1899): “The Wife of Martin Guerre” (1941)</div>
<div style="text-align: justify;">
Janet Lewis (USA, 1899): “The Trial of Soren Qvist” (1947)</div>
<div style="text-align: justify;">
Janet Lewis (USA, 1899): “The Ghost of Monsieur Scarron” (1959)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Vladimir Nabokov (Russia, 1899): “Laughter in the Dark” (1932)</div>
<div style="text-align: justify;">
Vladimir Nabokov (Russia, 1899): “Invitation to a Beheading” (1938)</div>
<div style="text-align: justify;">
Vladimir Nabokov (Russia, 1899): “Lolita” (1955) +</div>
<div style="text-align: justify;">
Vladimir Nabokov (Russia, 1899): “Pnin” (1957) +</div>
<div style="text-align: justify;">
Vladimir Nabokov (Russia, 1899): “Pale Fire” (1962) +</div>
<div style="text-align: justify;">
Vladimir Nabokov (Russia, 1899): “Ada” (1969) ++</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Antonia White (Britain, 1899): “Frost in May” (1933)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Noel Coward (Britain, 1899): “The Vortex” (1924) [t]</div>
<div style="text-align: justify;">
Noel Coward (Britain, 1899): “Bitter Sweet” (1929) [t] +</div>
<div style="text-align: justify;">
Noel Coward (Britain, 1899): “Hay Fever” (1925) [t] +</div>
<div style="text-align: justify;">
Noel Coward (Britain, 1899): “Private Life” (1930) [t] +</div>
<div style="text-align: justify;">
Noel Coward (Britain, 1899): “Cavalcade” (1931) [t]</div>
<div style="text-align: justify;">
Noel Coward (Britain, 1899): “Design for Living” (1933) [t] +</div>
<div style="text-align: justify;">
Noel Coward (Britain, 1899): “Blithe Spirit” (1941) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William-Ripley Burnett (USA, 1899): “Little Caesar” (1929)</div>
<div style="text-align: justify;">
William-Ripley Burnett (USA, 1899): “High Sierra” (1941)</div>
<div style="text-align: justify;">
William-Ripley Burnett (USA, 1899): “The Asphalt Jungle” (1949)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ngaio Marsh (New Zealand, 1899): “A Man Lay Dead” (1934)</div>
<div style="text-align: justify;">
Ngaio Marsh (New Zealand, 1899): “Surfeit of Lampreys” (1941)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Hart Crane (USA, 1899): “White Buildings” (1926) [p] +</div>
<div style="text-align: justify;">
Hart Crane (USA, 1899): “The Bridge” (1930) [p] ++</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Allen Tate (USA, 1899): “Ode to the Confederate Dead” (1928) [p] +</div>
<div style="text-align: justify;">
Allen Tate (USA, 1899): “Mr Pope” (1928) [p]</div>
<div style="text-align: justify;">
Allen Tate (USA, 1899): “The Mediterranean” (1936) [p]</div>
<div style="text-align: justify;">
Allen Tate (USA, 1899): “The Swimmers” (1970) [p]</div>
<div style="text-align: justify;">
Allen Tate (USA, 1899): “The Fathers” (1938)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Walter Brierley (Britain, 1900): “Means Test Man” (1935)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Basil Bunting (Britain, 1900): “Villon” (1925) [p]</div>
<div style="text-align: justify;">
Basil Bunting (Britain, 1900): “The Spoils” (1951) [p] +</div>
<div style="text-align: justify;">
Basil Bunting (Britain, 1900): “Briggflatts” (1966) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Hilton (Britain, 1900): “Goodbye Mr Chips” (1934)</div>
<div style="text-align: justify;">
James Hilton (Britain, 1900): “Lost horizon” (1933)</div>
<div style="text-align: justify;">
James Hilton (Britain, 1900): “Random harvest” (1941)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Geoffry Household (Britain, 1900): “Rogue Male” (1939)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richard Hughes (Britain, 1900): “A High Wind in Jamaica” (1929) +</div>
<div style="text-align: justify;">
Richard Hughes (Britain, 1900): “In Hazard” (1938)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Margaret Mitchell (USA, 1900): “Gone With the Wind” (1936)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sean O’Faolain (Ireland, 1900): “A Nest of Simple Folk” (1933)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Victor-Sawdon Pritchett (Britain, 1900): “Dead Man Leading” (1937)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas Wolfe (USA, 1900): “Look Homeward Angel” (1929) +</div>
<div style="text-align: justify;">
Thomas Wolfe (USA, 1900): “Of Time and River” (1935) +</div>
<div style="text-align: justify;">
Thomas Wolfe (USA, 1900): “You Can’t Go Home Again” (1938)</div>
<div style="text-align: justify;">
Thomas Wolfe (USA, 1900): “The Web and the Rock” (1938)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Adrian Bell (Britain, 1901): “Corduroy” (1930)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Van Druten (Britain, 1901): “Old Acquaintance” (1940) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Collier (Britain, 1901): “His Monkey Wife” (1930)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Eleanor Dark (Australia, 1901): “Prelude to Christopher” (1934)</div>
<div style="text-align: justify;">
Eleanor Dark (Australia, 1901): “Return to Coolami” (1936)</div>
<div style="text-align: justify;">
Eleanor Dark (Australia, 1901): “The Timeless Land” (1941)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Xavier Herbert (Australia, 1901): “Capricornia” (1938)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rhys Davies (Britain, 1901): “Jubilee Blues” (1938)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Lewis Gibbon (Britain, 1901): “Sunset Song” (1932)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Hampson (Britain, 1901): “Saturday Night at the Greyhound” (1931)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Hanley (Ireland, 1901): “Boy” (1931) +</div>
<div style="text-align: justify;">
James Hanley (Ireland, 1901): “The Furys” (1935)</div>
<div style="text-align: justify;">
James Hanley (Ireland, 1901): “Closed Harbour” (1952) +</div>
<div style="text-align: justify;">
James Hanley (Ireland, 1901): “A Woman in the Sky” (1973)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Zora Hurston (USA, 1901): “Their Eyes Were Watching God” (1937)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Julia Strachey (Britain, 1901): “Cheerful Weather for the Wedding” (1932)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Glenway Wescott (USA, 1901): “Grandmothers” (1927)</div>
<div style="text-align: justify;">
Glenway Wescott (USA, 1901): “Pilgrim Hawk” (1940)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John VanDruten (Britain, 1901): “I am a Camera” (1951) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Gladys Mitchell (Britain, 1901): “Speedy Death” (1929)</div>
<div style="text-align: justify;">
Gladys Mitchell (Britain, 1901): “The Rising of the Moon” (1945)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Roy Campbell (South Africa, 1901): “The Flaming Terrapin” (1924) [p] +</div>
<div style="text-align: justify;">
Roy Campbell (South Africa, 1901): “Adamastor” (1930) [p]</div>
<div style="text-align: justify;">
Roy Campbell (South Africa, 1901): “Mithraic Emblems” (1936) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Laura Riding (USA, 1901): “The Close Chaplet” (1926) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kenneth Slessor (Australia, 1901): “Five Bells” (1939) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Anna Kavan (Britain, 1901): “The House of Sleep” (1947) +</div>
<div style="text-align: justify;">
Anna Kavan (Britain, 1901): “A Scarcity of Love” (1956)</div>
<div style="text-align: justify;">
Anna Kavan (Britain, 1901): “Ice” (1967)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Stella Gibbons (Britain, 1902): “Cold Comfort Farm” (1932)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frederick Green (Britain, 1902): “Odd Man Out” (1945)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Christian Stead (New Zealand, 1902): “The Death of the Body” (1986)</div>
<div style="text-align: justify;">
Christina Stead (Australia, 1902): “The Man Who Loved Chidren” (1940) +</div>
<div style="text-align: justify;">
Christina Stead (Australia, 1902): “Cotter’s England” (1966)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Steinbeck (USA, 1902): “Tortilla Flat” (1935)</div>
<div style="text-align: justify;">
John Steinbeck (USA, 1902): “Of Mice and Men” (1937)</div>
<div style="text-align: justify;">
John Steinbeck (USA, 1902): “The Grapes of Wrath” (1939) +</div>
<div style="text-align: justify;">
John Steinbeck (USA, 1902): “East of Eden” (1952)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Francis Stuart (Britain, 1902): “Black List” (1971)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Joseph Kesselring (USA, 1902): “Arsenic and Old Lace” (1941) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kenneth Fearing (USA, 1902): “Angel Arms” (1929) [p]</div>
<div style="text-align: justify;">
Kenneth Fearing (USA, 1902): “The Big Clock” (1946)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Langston Hughes (USA, 1902): “The Weary Blues” (1926) [p]</div>
<div style="text-align: justify;">
Langston Hughes (USA, 1902): “Montage of a Dream Deferred” (1951) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ogden Nash (USA, 1902): “Hard Lines” (1931) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Stevie Smith (Britain, 1902): “Novel on Yellow Paper” (1936)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kay Boyle (USA, 1903): “Plagued by the Nightingale” (1930)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frank Sargeson (New Zealand, 1903): “Memoirs of a Peon” (1965)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Countee Cullen (USA, 1903): “Color” (1925) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Clare Boothe-Luce (USA, 1903): “Women” (1937) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Erskine Caldwell (USA, 1903): “God’s Little Acre” (1933)</div>
<div style="text-align: justify;">
Erskine Caldwell (USA, 1903): “Tobacco Road” (1932) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Morley Callaghan (Canada, 1903): “Such is my Beloved” (1934)</div>
<div style="text-align: justify;">
Morley Callaghan (Canada, 1903): “More Joy in Heaven” (1937)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Cyril Connolly (Britain, 1903): “The Rock Pool” (1936)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Cozzens (USA, 1903): “Castaway” (1934) +</div>
<div style="text-align: justify;">
James Cozzens (USA, 1903): “The Just and The Unjust” (1942)</div>
<div style="text-align: justify;">
James Cozzens (USA, 1903): “By Love Possessed” (1957)</div>
<div style="text-align: justify;">
James Cozzens (USA, 1903): “Guard of Honor” (1948) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Dorothy Edwards (Britain, 1903): “Winter sonata” (1928)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Walter Greenwood (Britain, 1903): “Love on the Dole” (1933)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rosamund Lehmann (Britain, 1903): “Dusty Answer” (1927)</div>
<div style="text-align: justify;">
Rosamund Lehmann (Britain, 1903): “Echoing Grave” (1953)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Anais Nin (USA, 1903): “Ladders to Fire” (1946) +</div>
<div style="text-align: justify;">
Anais Nin (USA, 1903): “Children of the Albatross” (1947)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alan Paton (South Africa, 1903): “Cry the Beloved Country” (1948)</div>
<div style="text-align: justify;">
Alan Paton (South Africa, 1903): “Too Late the Phalarope” (1953)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Plomer (South Africa, 1903): “Turbott Wolfe” (1926)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Eileen-Arnot Robertson (Britain, 1903): “Four Frightened People” (1931)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frank Sagerson (New Zealand, 1903): “Memoirs of a Peon” (1965)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward Upward (Britain, 1903): “The Spiral Ascent” (1977)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Evelyn Waugh (Britain, 1903): “Decline and Fall” (1928)</div>
<div style="text-align: justify;">
Evelyn Waugh (Britain, 1903): “Vile Bodies” (1930)</div>
<div style="text-align: justify;">
Evelyn Waugh (Britain, 1903): “Black Mischief” (1932)</div>
<div style="text-align: justify;">
Evelyn Waugh (Britain, 1903): “A Handful of Dust” (1934) +</div>
<div style="text-align: justify;">
Evelyn Waugh (Britain, 1903): “Scoop” (1938)</div>
<div style="text-align: justify;">
Evelyn Waugh (Britain, 1903): “Brideshead Revisited” (1945)</div>
<div style="text-align: justify;">
Evelyn Waugh (Britain, 1903): “The Loved One” (1948)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Nathaniel West (USA, 1903): “A Cool Million” (1934)</div>
<div style="text-align: justify;">
Nathaniel West (USA, 1903): “The Day of the Locust” (1939) +</div>
<div style="text-align: justify;">
Nathaniel West (USA, 1903): “Miss Lonelyhearts” (1933) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Cornell Woolrich (USA, 1903): “The Bride Wore Black” (1940)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George Orwell (Britain, 1903): “1984″ (1949) +</div>
<div style="text-align: justify;">
George Orwell (Britain, 1903): “Burmese Days” (1934)</div>
<div style="text-align: justify;">
George Orwell (Britain, 1903): “The Clergyman’s Daughter” (1935)</div>
<div style="text-align: justify;">
George Orwell (Britain, 1903): “The Animal Farm” (1945)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Wyndham (Britain, 1903): “The Day of the Triffids” (1951)</div>
<div style="text-align: justify;">
John Wyndham (Britain, 1903): “Chrysalids” (1955)</div>
<div style="text-align: justify;">
John Wyndham (Britain, 1903): “Midwich Cuckoo” (1957)</div>
<div style="text-align: justify;">
John Wyndham (Britain, 1903): “Random Quest” (1961)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Farrell (USA, 1904): “Studs Lonigan” (1935)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Arthur-Rex-Dugard Fairburn (New Zealand, 1904): “Three Poems” (1952) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Graham Greene (Britain, 1904): “England Made Me” (1935)</div>
<div style="text-align: justify;">
Graham Greene (Britain, 1904): “Brighton Rock” (1938)</div>
<div style="text-align: justify;">
Graham Greene (Britain, 1904): “The Confidential Agent” (1939)</div>
<div style="text-align: justify;">
Graham Greene (Britain, 1904): “The Power and the Glory” (1940) +</div>
<div style="text-align: justify;">
Graham Greene (Britain, 1904): “The Heart of the Matter” (1948)</div>
<div style="text-align: justify;">
Graham Greene (Britain, 1904): “The Third Man” (1950)</div>
<div style="text-align: justify;">
Graham Greene (Britain, 1904): “The End of the Affair” (1951) +</div>
<div style="text-align: justify;">
Graham Greene (Britain, 1904): “The Quiet American” (1955)</div>
<div style="text-align: justify;">
Graham Greene (Britain, 1904): “Our Man in Havana” (1958)</div>
<div style="text-align: justify;">
Graham Greene (Britain, 1904): “Travels with My Aunt” (1969)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Patrick Hamilton (Britain, 1904): “Craven House” (1926)</div>
<div style="text-align: justify;">
Patrick Hamilton (Britain, 1904): “Hangover Square” (1941)</div>
<div style="text-align: justify;">
Patrick Hamilton (Britain, 1904): “The Slaves of Solitude” (1947)</div>
<div style="text-align: justify;">
Patrick Hamilton (Britain, 1904): “Rope” (1929) [t] +</div>
<div style="text-align: justify;">
Patrick Hamilton (Britain, 1904): “Gaslight” (1938) [t] +</div>
<div style="text-align: justify;">
Patrick Hamilton (Britain, 1904): “The Duke in Darkness” (1942) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Chris Isherwood (Britain, 1904): “Memorial” (1932) +</div>
<div style="text-align: justify;">
Chris Isherwood (Britain, 1904): “Mr Norris Changes Trains” (1935)</div>
<div style="text-align: justify;">
Chris Isherwood (Britain, 1904): “Goodbye to Berlin” (1939)</div>
<div style="text-align: justify;">
Chris Isherwood (Britain, 1904): “A Single Man” (1964)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Nancy Mitford (Britain, 1904): “Pursuit of Love” (1945)</div>
<div style="text-align: justify;">
Nancy Mitford (Britain, 1904): “Love in a Cold Climate” (1949)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Moss Hart (USA, 1904): “You Can’t Take it With You” (1936) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Margery Allingham (Britain, 1904): “Tiger in the Smoke” (1952)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Cecil Day-Lewis (Britain, 1904): “Transitional Poem” (1929) [p]</div>
<div style="text-align: justify;">
Cecil Day-Lewis (Britain, 1904): “Feathers to Iron” (1931) [p]</div>
<div style="text-align: justify;">
Cecil Day-Lewis (Britain, 1904): “The Magnetic Mountain” (1933) [p]</div>
<div style="text-align: justify;">
Cecil Day-Lewis (Britain, 1904): “Overtures to Death” (1938) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Louis Zukofsky (USA, 1904): “A” (1978) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edmond Hamilton (USA, 1904): “Star Kings” (1949)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Clifford Simak (USA, 1904): “Way Station” (1963)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ayn Rand (USA, 1905): “Fountainhead” (1943)</div>
<div style="text-align: justify;">
Ayn Rand (USA, 1905): “Atlas Shrugged” (1957)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mulk Anand (India, 1905): “Untouchable” (1935) +</div>
<div style="text-align: justify;">
Mulk Anand (India, 1905): “Coolie” (1936)</div>
<div style="text-align: justify;">
Mulk Anand (India, 1905): “The Village” (1939)</div>
<div style="text-align: justify;">
Mulk Anand (India, 1905): “Across the Black Waters” (1940)</div>
<div style="text-align: justify;">
Mulk Anand (India, 1905): “The Sword and the Sickle” (1942)</div>
<div style="text-align: justify;">
Mulk Anand (India, 1905): “The Private Life of an Indian Prince” (1953) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sylvia Ashton-Warner (New Zealand, 1905): “Spinster” (1958)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Herbert-Ernest Bates (Britain, 1905): “Fair Stood the Wind of France” (1944)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Herman Bosman (South Africa, 1905): “Willemsdorp” (1977)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Molly Keane (Ireland, 1905): “Rising Tide” (1937)</div>
<div style="text-align: justify;">
Molly Keane (Ireland, 1905): “Good Behavior” (1981) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Henry Green (Britain, 1905): “Living” (1929) +</div>
<div style="text-align: justify;">
Henry Green (Britain, 1905): “Party Going” (1939) +</div>
<div style="text-align: justify;">
Henry Green (Britain, 1905): “Caught” (1943)</div>
<div style="text-align: justify;">
Henry Green (Britain, 1905): “Loving” (1945)</div>
<div style="text-align: justify;">
Henry Green (Britain, 1905): “Concluding” (1948) +</div>
<div style="text-align: justify;">
Henry Green (Britain, 1905): “Nothing” (1950)</div>
<div style="text-align: justify;">
Henry Green (Britain, 1905): “Doting” (1952)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Elizabeth Jenkins (Britain, 1905): “The Tortoise and the Hare” (1954)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Arthur Koestler (Britain, 1905): “Darkness at Noon” (1940) +</div>
<div style="text-align: justify;">
Arthur Koestler (Britain, 1905): “Arrival and Departure” (1943)</div>
<div style="text-align: justify;">
Arthur Koestler (Britain, 1905): “The Age of Longing” (1951)</div>
<div style="text-align: justify;">
Arthur Koestler (Britain, 1905): “The Call Girls” (1972)</div>
<div style="text-align: justify;">
Arthur Koestler (Britain, 1905): “The Ghost in the Machine” (1968) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rosamond Lehmann (Britain, 1905): “Dusty Answer” (1927)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John O’Hara (USA, 1905): “Appointment in Samarra” (1934)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Anthony Powell (Britain, 1905): “Afternoon Men” (1931)</div>
<div style="text-align: justify;">
Anthony Powell (Britain, 1905): “A Question of Upbringing” (1951) +</div>
<div style="text-align: justify;">
Anthony Powell (Britain, 1905): “The Acceptance World” (1955)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mary Renault (Britain, 1905): “The Last of the Wine” (1956)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charles-Percy Snow (Britain, 1905): “Strangers and Brothers” (1940)</div>
<div style="text-align: justify;">
Charles-Percy Snow (Britain, 1905): “The Light and the Dark” (1947)</div>
<div style="text-align: justify;">
Charles-Percy Snow (Britain, 1905): “The Masters” (1951) +</div>
<div style="text-align: justify;">
Charles-Percy Snow (Britain, 1905): “The Affair” (1960)</div>
<div style="text-align: justify;">
Charles-Percy Snow (Britain, 1905): “The Corridors of Power” (1964) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Dalton Trumbo (USA, 1905): “Johnny Got His Gun” (1939)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rex Warner (Britain, 1905): “The Wild Goose Chase” (1937)</div>
<div style="text-align: justify;">
Rex Warner (Britain, 1905): “The Aerodrome” (1941) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert-Penn Warren (USA, 1905): “Night Rider” (1939)</div>
<div style="text-align: justify;">
Robert-Penn Warren (USA, 1905): “All the King’s Men” (1946) +</div>
<div style="text-align: justify;">
Robert-Penn Warren (USA, 1905): “World Enough And Time” (1950)</div>
<div style="text-align: justify;">
Robert-Penn Warren (USA, 1905): “Promises” (1957) [p]</div>
<div style="text-align: justify;">
Robert-Penn Warren (USA, 1905): “Now and Then” (1979) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Lilian Hellman (USA, 1905): “The Children’s Hour” (1934) [t]</div>
<div style="text-align: justify;">
Lilian Hellman (USA, 1905): “Another Part of the Forest” (1946) [t]</div>
<div style="text-align: justify;">
Lilian Hellman (USA, 1905): “The Little Foxes” (1939) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ellery Queen (USA, 1905): “The Roman Hat Mistery” (1929)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Norman Cameron (Britain, 1905): “The Winter House” (1935) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Patrick Kavanagh (Ireland, 1905): “The Great Hunger” (1942) [p] +</div>
<div style="text-align: justify;">
Patrick Kavanagh (Ireland, 1905): “A Soul For Sale” (1947) [p]</div>
<div style="text-align: justify;">
Patrick Kavanagh (Ireland, 1905): “Come Dance with Kitty Stobling” (1960) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kenneth Rexroth (USA, 1905): “The Phoenix and the Tortoise” (1944) [p]</div>
<div style="text-align: justify;">
Kenneth Rexroth (USA, 1905): “The Signature of All Things” (1950) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Eric Russell (Britain, 1905): “Sinister Barrier” (1943)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward Anderson (USA, 1905): “Thieves Like Us” (1937)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rasipuran-Krishnaswami Narayan (India, 1906): “The English Teacher (1945)</div>
<div style="text-align: justify;">
Rasipuran-Krishnaswami Narayan (India, 1906): “Mr Sampath” (1947)</div>
<div style="text-align: justify;">
Rasipuran-Krishnaswami Narayan (India, 1906): “The Guide” (1958) +</div>
<div style="text-align: justify;">
Rasipuran-Krishnaswami Narayan (India, 1906): “The Vendor of Sweets” (1967)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mollie Panter-Downes (Britain, 1906): “One Fine Day” (1947)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Henry Roth (USA, 1906): “Call It Sleep” (1934) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Laurens VanDerPost (South Africa, 1906): “The Face Beside the Fire” (1953)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Terence-Hanbury White (Britain, 1906): “The Once And Future King” (1958) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Clifford Odets (USA, 1906): “Awake and Sing” (1935) [t] +</div>
<div style="text-align: justify;">
Clifford Odets (USA, 1906): “Waiting for Lefty” (1935) [t]</div>
<div style="text-align: justify;">
Clifford Odets (USA, 1906): “The Golden Boy” (1937) [t]</div>
<div style="text-align: justify;">
Clifford Odets (USA, 1906): “The Big Knife” (1948) [t] +</div>
<div style="text-align: justify;">
Clifford Odets (USA, 1906): “Night Music” (1940) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Sloane (USA, 1906): “The Edge of Running Water” (1939)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Chase (Britain, 1906): “No Orchids for Miss Blandish” (1939)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Michael Innes (Britain, 1906): “Secret Vanguard” (1940)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jim Thompson (USA, 1906): “Pop 1280″ (1964) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Betjeman (Britain, 1906): “Mount Zion” (1933) [p]</div>
<div style="text-align: justify;">
John Betjeman (Britain, 1906): “Summoned By Bells” (1960) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ronald Bottrall (Britain, 1906): “The Loosening” (1931) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Empson (Britain, 1906): “Poems” (1935) [p]</div>
<div style="text-align: justify;">
William Empson (Britain, 1906): “The Gathering Storm” (1940) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Fredric Brown (USA, 1906): “What Mad Universe” (1949)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sidney Kingsley (USA, 1906): “Dead End” (1935) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Dorothy Baker (USA, 1907): “Young Man with a Horn” (1938)</div>
<div style="text-align: justify;">
Dorothy Baker (USA, 1907): “Trio” (1943)</div>
<div style="text-align: justify;">
Dorothy Baker (USA, 1907): “Cassandra at the Wedding” (1962) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Daphne DuMaurier (Britain, 1907): “Rebecca” (1938)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Margaret Rumer-Godden (Britain, 1907): “The Black Narcissus” (1939)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ray Hutchinson (Britain, 1907): “Testament” (1938)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Maura Laverty (Ireland, 1907): “Never No More” (1942)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richard Llewellyn (Britain, 1907): “How Green Was My Valley” (1939)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Michener (USA, 1907): “Sayonara” (1954)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Christopher Fry (Britain, 1907): “The Lady’s Not For Burning” (1948) [t] +</div>
<div style="text-align: justify;">
Christopher Fry (Britain, 1907): “Venus Observed” (1950) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Wystan-Hugh Auden (Britain, 1907): “The Ascent of F6″ (1937) [t]</div>
<div style="text-align: justify;">
Wystan-Hugh Auden (Britain, 1907): “Another Time” (1940) [p]</div>
<div style="text-align: justify;">
Wystan-Hugh Auden (Britain, 1907): “New Year Letter” (1941) [p] +</div>
<div style="text-align: justify;">
Wystan-Hugh Auden (Britain, 1907): “For The Time Being” (1945) [p]</div>
<div style="text-align: justify;">
Wystan-Hugh Auden (Britain, 1907): “The Age of Anxiety” (1947) [p] +</div>
<div style="text-align: justify;">
Wystan-Hugh Auden (Britain, 1907): “Nones” (1951) [p]</div>
<div style="text-align: justify;">
Wystan-Hugh Auden (Britain, 1907): “The Shield of Achilles” (1955) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alec-Derwent Hope (Australia, 1907): “The Wandering Islands” (1955) [p]</div>
<div style="text-align: justify;">
Alec-Derwent Hope (Australia, 1907): “Vivaldi Bird and Angel” (1960) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Hugh MacLennan (Canada, 1907): “Each Man’s Son” (1951)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Louis MacNeice (Britain, 1907): “Autumn Journal” (1939) [p] +</div>
<div style="text-align: justify;">
Louis MacNeice (Britain, 1907): “Ten Burnt Offerings” (1952) [p]</div>
<div style="text-align: justify;">
Louis MacNeice (Britain, 1907): “Autumn Sequel” (1954) [p]</div>
<div style="text-align: justify;">
Louis MacNeice (Britain, 1907): “Visitations” (1957) [p]</div>
<div style="text-align: justify;">
Louis MacNeice (Britain, 1907): “Solstices” (1961) [p] +</div>
<div style="text-align: justify;">
Louis MacNeice (Britain, 1907): “The Burning Perch” (1963) [p]</div>
<div style="text-align: justify;">
Louis MacNeice (Britain, 1907): “The Dark Tower” (1946) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Heinlein (USA, 1907): “Starship Troopers” (1959)</div>
<div style="text-align: justify;">
Robert Heinlein (USA, 1907): “Stranger in a Strange Land” (1961)</div>
<div style="text-align: justify;">
Robert Heinlein (USA, 1907): “All You Zombies” (1959)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Camp DeSprague (USA, 1907): “Lest Darkness Fall” (1941)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Nigel Balchin (Britain, 1908): “Darkness Falls From The Air” (1942)</div>
<div style="text-align: justify;">
Nigel Balchin (Britain, 1908): “Small Back Room” (1943)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jocelyn Brooke (Britain, 1908): “Military Orchid” (1948)</div>
<div style="text-align: justify;">
Jocelyn Brooke (Britain, 1908): “The Image of A Drawn Sword” (1950)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Arthur Calder-Marshall: (Britain, 1908): “The Scarlet Boy” (1961)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Pamela Frankau (Britain, 1908): “The Willow Cabin” (1949)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Martha Gellhorn (USA, 1908): “A Stricken Field” (1940)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Olivia Manning (Britain, 1908): “School for Love” (1951)</div>
<div style="text-align: justify;">
Olivia Manning (Britain, 1908): “The Balkan Trilogy” (1965) +</div>
<div style="text-align: justify;">
Olivia Manning (Britain, 1908): “The Levant Trilogy” (1980)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frederic Prokosch (USA, 1908): “Asiatics” (1935)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Raja Rao (India, 1908): “Kantharupa” (1938)</div>
<div style="text-align: justify;">
Raja Rao (India, 1908): “The Serpent and the Rope” (1960) +</div>
<div style="text-align: justify;">
Raja Rao (India, 1908): “The Cat and Shakespeare” (1965) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Luis L’Amour: (USA, 1908): “Hondo” (1953)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Maxwell (USA, 1908): “Time Will Darken It” (1948)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Saroyan (USA, 1908): “The Daring Young Man on the Flying Trapeze” (1934)</div>
<div style="text-align: justify;">
William Saroyan (USA, 1908): “My Name Is Aram” (1940)</div>
<div style="text-align: justify;">
William Saroyan (USA, 1908): “The Time of Your Life” (1936) [t] +</div>
<div style="text-align: justify;">
William Saroyan (USA, 1908): “My Heart’s in the Highlands” (1939) [t]</div>
<div style="text-align: justify;">
William Saroyan (USA, 1908): “Hello Out There” (1942) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richard Wright (USA, 1908): “The Outsider” (1953)</div>
<div style="text-align: justify;">
Richard Wright (USA, 1908): “The Native Son” (1940) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rodney Ackland (Britain, 1908): “The Dark River” (1941) [t]</div>
<div style="text-align: justify;">
Rodney Ackland (Britain, 1908): “The Pink Room” (1951) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ian Fleming (Britain, 1908): “Casino Royale” (1953)</div>
<div style="text-align: justify;">
Ian Fleming (Britain, 1908): “From Russia with Love” (1957)</div>
<div style="text-align: justify;">
Ian Fleming (Britain, 1908): “Dr No” (1958)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kathleen Raine (Britain, 1908): “Stone and Flower” (1943) [p] +</div>
<div style="text-align: justify;">
Kathleen Raine (Britain, 1908): “Living in Time” (1946) [p]</div>
<div style="text-align: justify;">
Kathleen Raine (Britain, 1908): “The Pythoness” (1949) [p]</div>
<div style="text-align: justify;">
Kathleen Raine (Britain, 1908): “The Year One” (1952) [p]</div>
<div style="text-align: justify;">
Kathleen Raine (Britain, 1908): “The Last Country” (1971) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Theodore Roethke (USA, 1908): “The Lost Son” (1948) [p] +</div>
<div style="text-align: justify;">
Theodore Roethke (USA, 1908): “The Waking” (1953) [p]</div>
<div style="text-align: justify;">
Theodore Roethke (USA, 1908): “Four for Sir John Davies” (1953) [p] +</div>
<div style="text-align: justify;">
Theodore Roethke (USA, 1908): “Dying Man” (1957) [p] +</div>
<div style="text-align: justify;">
Theodore Roethke (USA, 1908): “Meditations of an Old Woman” (1957) [p] +</div>
<div style="text-align: justify;">
Theodore Roethke (USA, 1908): “The Far Field” (1963) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jack Williamson (USA, 1908): “Legions of Space” (1947)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Agee (USA, 1909): “A Death in the Family” (1957)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Walter-Van-Tilburg Clark (USA, 1909): “The Ox-Bow Incident” (1940)</div>
<div style="text-align: justify;">
Walter-Van-Tilburg Clark (USA, 1909): “Track of the Cat” (1949)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Nelson Algren (USA, 1909): “A Walk On The Wild Side” (1956)</div>
<div style="text-align: justify;">
Nelson Algren (USA, 1909): “Never Come Morning” (1942)</div>
<div style="text-align: justify;">
Nelson Algren (USA, 1909): “The Man With The Golden Arm” (1949) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Walter Clark (USA, 1909): “The Ox-bow Incident” (1940)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Barbara Comyns (Britain, 1909): “The Vet’s Daughter” (1959)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Daniel Fuchs (USA, 1909): “Summer in Williamsburg” (1934)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Chester Himes (USA, 1909): “If He Hollers Let Him Go” (1945)</div>
<div style="text-align: justify;">
Chester Himes (USA, 1909): “The Primitive” (1955)</div>
<div style="text-align: justify;">
Chester Himes (USA, 1909): “For Love of Imabelle” (1957)</div>
<div style="text-align: justify;">
Chester Himes (USA, 1909): “Pinktoes” (1961)</div>
<div style="text-align: justify;">
Chester Himes (USA, 1909): “Cotton Comes to Harlem” (1963) +</div>
<div style="text-align: justify;">
Chester Himes (USA, 1909): “Blind Man With A Pistol” (1969) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Malcom Lowry (Britain, 1909): “Ultramarine” (1933)</div>
<div style="text-align: justify;">
Malcom Lowry (Britain, 1909): “Under the volcano” (1947) ++</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edgar Mittelholzer (Guyana, 1909): “A Morning at the Office” (1950)</div>
<div style="text-align: justify;">
Edgar Mittelholzer (Guyana, 1909): “Children of Kaywana” (1952)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Eudora Welty (USA, 1909): “Robber Bridegroom” (1942)</div>
<div style="text-align: justify;">
Eudora Welty (USA, 1909): “Delta Wedding” (1945)</div>
<div style="text-align: justify;">
Eudora Welty (USA, 1909): “The Golden Apples” (1949) +</div>
<div style="text-align: justify;">
Eudora Welty (USA, 1909): “The Optimist’s Daughter” (1972)</div>
<div style="text-align: justify;">
Eudora Welty (USA, 1909): “Losing Battles” (1970)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Eric Ambler (Britain, 1909): “Epitaph for a Spy” (1938)</div>
<div style="text-align: justify;">
Eric Ambler (Britain, 1909): “Uncommon Danger” (1937)</div>
<div style="text-align: justify;">
Eric Ambler (Britain, 1909): “The Mask of Dimitrios” (1939)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Reeves (Britain, 1909): “The Natural Need” (1936) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Stephen Spender (Britain, 1909): “Poems/ Pylons” (1933) [p] +</div>
<div style="text-align: justify;">
Stephen Spender (Britain, 1909): “Vienna” (1934) [p]</div>
<div style="text-align: justify;">
Stephen Spender (Britain, 1909): “Poems of Dedication/ Elegy for Margaret” (1947) [p] +</div>
<div style="text-align: justify;">
Stephen Spender (Britain, 1909): “Trial of a Judge” (1938) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Harry Kurnitz (USA, 1909): “Once More With Feeling” (1960) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Paul Bowles (USA, 1910): “The Sheltering Sky” (1949) +</div>
<div style="text-align: justify;">
Paul Bowles (USA, 1910): “Let It Come Down” (1952)</div>
<div style="text-align: justify;">
Paul Bowles (USA, 1910): “The Spider’s House” (1955)</div>
<div style="text-align: justify;">
Paul Bowles (USA, 1910): “Up Above The World” (1967)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Cooper (Britain, 1910): “Scenes from Provincial Life” (1950)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter DeVries (USA, 1910): “Mackerel Plaza” (1958)</div>
<div style="text-align: justify;">
Peter DeVries (USA, 1910): “The Blood of the Lamb” (1961)</div>
<div style="text-align: justify;">
Peter DeVries (USA, 1910): “Slouching Towards Kalamazoo” (1983) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George Green (Britain, 1910): “In the Making” (1952)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Wright Morris (USA, 1910): “The Inhabitants” (1946) +</div>
<div style="text-align: justify;">
Wright Morris (USA, 1910): “Field of Vision” (1956)</div>
<div style="text-align: justify;">
Wright Morris (USA, 1910): “Love Among the Cannibals” (1957) +</div>
<div style="text-align: justify;">
Wright Morris (USA, 1910): “Ceremony in Lone Tree” (1960)</div>
<div style="text-align: justify;">
Wright Morris (USA, 1910): “Plains Song” (1980)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charles Olson (USA, 1910): “In Cold Hell In Thicket” (1953) [p]</div>
<div style="text-align: justify;">
Charles Olson (USA, 1910): “Maximus” (1975) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Walter Allen (Britain, 1911): “All of a Lifetime” (1959)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sybille Bedford (Britain, 1911): “A Legacy” (1956) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Hortense Calisher (USA, 1911): “Textures of Life” (1963)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Fante (USA, 1911): “Wait Until Spring Bandini” (1938)</div>
<div style="text-align: justify;">
John Fante (USA, 1911): “Ask the Dust” (1939) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Golding (Britain, 1911): “Lord of the Flies” (1954) +</div>
<div style="text-align: justify;">
William Golding (Britain, 1911): “The Inheritors” (1955) +</div>
<div style="text-align: justify;">
William Golding (Britain, 1911): “Pincher Martin” (1956)</div>
<div style="text-align: justify;">
William Golding (Britain, 1911): “The Spire” (1965)</div>
<div style="text-align: justify;">
William Golding (Britain, 1911): “Darkness Visible” (1979) +</div>
<div style="text-align: justify;">
William Golding (Britain, 1911): “Rites of Passage” (1980)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Paul Goodman (USA, 1911): “Empire City” (1959) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rayner Heppenstall (Britain, 1911): “The Blaze of Noon” (1939)</div>
<div style="text-align: justify;">
Rayner Heppenstall (Britain, 1911): “The Connecting Door” (1962)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Flann O’Brien (Ireland, 1911): “At Swim-two-birds” (1939) ++</div>
<div style="text-align: justify;">
Flann O’Brien (Ireland, 1911): “The Third Policeman” (1966) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mervyn Peake (Britain, 1911): “Titus Groan” (1946) +</div>
<div style="text-align: justify;">
Mervyn Peake (Britain, 1911): “Gormenghast” (1950)</div>
<div style="text-align: justify;">
Mervyn Peake (Britain, 1911): “Mr Pye” (1953)</div>
<div style="text-align: justify;">
Mervyn Peake (Britain, 1911): “Titus Alone” (1959) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Terence Rattigan (Britain, 1911): “French Without Tears” (1936) [t]</div>
<div style="text-align: justify;">
Terence Rattigan (Britain, 1911): “While the Sun Shines” (1943) [t] +</div>
<div style="text-align: justify;">
Terence Rattigan (Britain, 1911): “The Winslow Boy” (1947) [t] +</div>
<div style="text-align: justify;">
Terence Rattigan (Britain, 1911): “The Browning Version” (1948) [t]</div>
<div style="text-align: justify;">
Terence Rattigan (Britain, 1911): “The Deep Blue Sea” (1952) [t]</div>
<div style="text-align: justify;">
Terence Rattigan (Britain, 1911): “Separate Tables” (1956) [t]</div>
<div style="text-align: justify;">
Terence Rattigan (Britain, 1911): “Ross” (1961) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Tennessee Williams (USA, 1911): “The Glass Menagerie” (1945) [t] +</div>
<div style="text-align: justify;">
Tennessee Williams (USA, 1911): “A Streetcar Named Desire” (1947) [t] ++</div>
<div style="text-align: justify;">
Tennessee Williams (USA, 1911): “The Roman Spring of Mrs Stone” (1950)</div>
<div style="text-align: justify;">
Tennessee Williams (USA, 1911): “Rose Tattoo” (1951) [t]</div>
<div style="text-align: justify;">
Tennessee Williams (USA, 1911): “Cat on a Hot Tin Roof” (1956) [t] +</div>
<div style="text-align: justify;">
Tennessee Williams (USA, 1911): “Suddenly Last Summer” (1958) [t] +</div>
<div style="text-align: justify;">
Tennessee Williams (USA, 1911): “The Sweet Bird of Youth” (1959) [t]</div>
<div style="text-align: justify;">
Tennessee Williams (USA, 1911): “The Night of the Iguana” (1961) [t] +</div>
<div style="text-align: justify;">
Tennessee Williams (USA, 1911): “Vieux Carre” (1979) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Elizabeth Bishop (USA, 1911): “North and South” (1946) [p]</div>
<div style="text-align: justify;">
Elizabeth Bishop (USA, 1911): “A Cold Spring” (1955) [p]</div>
<div style="text-align: justify;">
Elizabeth Bishop (USA, 1911): “Geometry III” (1976) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Allen Curnow (New Zealand, 1911): “Not In Narrow Seas” (1939) [p]</div>
<div style="text-align: justify;">
Allen Curnow (New Zealand, 1911): “At Dead Low Water” (1949) [p] +</div>
<div style="text-align: justify;">
Allen Curnow (New Zealand, 1911): “The Axe” (1948) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kenneth Patchen (USA, 1911): “Red Wine and Yellow Hair” (1949) [p]</div>
<div style="text-align: justify;">
Kenneth Patchen (USA, 1911): “Because It Is” (1960) [p] +</div>
<div style="text-align: justify;">
Kenneth Patchen (USA, 1911): “Memoirs of a Shy Pornographer” (1945)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James-Lloyd Carr (Britain, 1912): “A Month in the Country” (1980)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Cheever (USA, 1912): “The Wapshot Chronicle” (1957) +</div>
<div style="text-align: justify;">
John Cheever (USA, 1912): “The Wapshot Scandal” (1964)</div>
<div style="text-align: justify;">
John Cheever (USA, 1912): “Bullet Park” (1969)</div>
<div style="text-align: justify;">
John Cheever (USA, 1912): “The Falconer” (1977)</div>
<div style="text-align: justify;">
John Cheever (USA, 1912): “Oh What a Paradise It Seems” (1982)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Lawrence Durrell (Britain, 1912): “The Alexandria Quartet” (1960) +</div>
<div style="text-align: justify;">
Lawrence Durrell (Britain, 1912): “Bitter Lemons” (1957)</div>
<div style="text-align: justify;">
Lawrence Durrell (Britain, 1912): “Tunc” (1968)</div>
<div style="text-align: justify;">
Lawrence Durrell (Britain, 1912): “Nunquam” (1970)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Pamela Johnson (Britain, 1912): “Error of Judgement” (1962)</div>
<div style="text-align: justify;">
Pamela Johnson (Britain, 1912): “The Unspeakable Skipton” (1958)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Julian MacLaren-Ross: (Britain, 1912): “Of Love and Hunger” (1947)</div>
<div style="text-align: justify;">
Julian MacLaren-Ross: (Britain, 1912): “Bitten by a Tarantula” (1945)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mary McCarthy (USA, 1912): “The Company She Keeps” (1942)</div>
<div style="text-align: justify;">
Mary McCarthy (USA, 1912): “The Group” (1963)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Sansom (Britain, 1912): “The Body” (1949)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Elizabeth Taylor (Britain, 1912): “Palladian” (1946)</div>
<div style="text-align: justify;">
Elizabeth Taylor (Britain, 1912): “A Wreath of Roses” (1949)</div>
<div style="text-align: justify;">
Elizabeth Taylor (Britain, 1912): “A Game of Hide and Seek” (1951) +</div>
<div style="text-align: justify;">
Elizabeth Taylor (Britain, 1912): “Angel” (1957) +</div>
<div style="text-align: justify;">
Elizabeth Taylor (Britain, 1912): “In a Summer Season” (1961)</div>
<div style="text-align: justify;">
Elizabeth Taylor (Britain, 1912): “The Wedding Group” (1968)</div>
<div style="text-align: justify;">
Elizabeth Taylor (Britain, 1912): “Mrs Palfrey at the Claremont” (1971) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mary Wesley (Britain, 1912): “Jumping the Queue” (1983)</div>
<div style="text-align: justify;">
Mary Wesley (Britain, 1912): “Camomile Lawn” (1984)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Patrick White (Australia, 1912): “The Aunt’s Story” (1948)</div>
<div style="text-align: justify;">
Patrick White (Australia, 1912): “The Tree of Man” (1955)</div>
<div style="text-align: justify;">
Patrick White (Australia, 1912): “Voss” (1957) ++</div>
<div style="text-align: justify;">
Patrick White (Australia, 1912): “Riders in the Chariot” (1961) +</div>
<div style="text-align: justify;">
Patrick White (Australia, 1912): “The Solid Mandala” (1966) +</div>
<div style="text-align: justify;">
Patrick White (Australia, 1912): “The Vivisector” (1970) +</div>
<div style="text-align: justify;">
Patrick White (Australia, 1912): “The Eye of the Storm” (1973)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Youstol Dispage (1912): “Piero Scaruffi” (1989) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Garson Kanin (USA, 1912): “Born Yesterday” (1946) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Julian Symons (Britain, 1912): “Progress of a Crime” (1960)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Roy Fuller (Britain, 1912): “Brutus Orchard” (1957) [p]</div>
<div style="text-align: justify;">
Roy Fuller (Britain, 1912): “Image of a Society” (1956)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Denis Glover (New Zealand, 1912): “Arawata Bill” (1952) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Irving Layton (Canada, 1912): “A Red Carpet for the Sun” (1959) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alfred VanVogt (USA, 1912): “Slan” (1946)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robertson Davies (Canada, 1913): “The Salterton Trilogy” (1958)</div>
<div style="text-align: justify;">
Robertson Davies (Canada, 1913): “The Deptford Trilogy” (1975) +</div>
<div style="text-align: justify;">
Robertson Davies (Canada, 1913): “The Cornish Trilogy” (1991)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Tillie Olsen (USA, 1913): “Yonnondio” (1974)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Barbara Pym (Britain, 1913): “Some Tame Gazelle” (1950) +</div>
<div style="text-align: justify;">
Barbara Pym (Britain, 1913): “Excellent Women” (1952) +</div>
<div style="text-align: justify;">
Barbara Pym (Britain, 1913): “A Glass of Blessings” (1958)</div>
<div style="text-align: justify;">
Barbara Pym (Britain, 1913): “Quartet in Autumn” (1977) ++</div>
<div style="text-align: justify;">
Barbara Pym (Britain, 1913): “The Sweet Dove Died” (1978) +</div>
<div style="text-align: justify;">
Barbara Pym (Britain, 1913): “A Few Green Leaves” (1980)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Elizabeth Smart (Canada, 1913): “By Grand Central Station I Sat Down and Wept” (1945) +</div>
<div style="text-align: justify;">
Elizabeth Smart (Canada, 1913): “The Assumption of Rogues and Rascals” (1978)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jerome Weidman (USA, 1913): “I Can Get It For You Wholesale” (1937)</div>
<div style="text-align: justify;">
Jerome Weidman (USA, 1913): “Fourth Street East” (1970)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Angus Wilson (Britain, 1913): “Hemlock and After” (1952) +</div>
<div style="text-align: justify;">
Angus Wilson (Britain, 1913): “Anglosaxon Attitudes” (1956)</div>
<div style="text-align: justify;">
Angus Wilson (Britain, 1913): “The Middle Age of Mrs Eliot” (1958)</div>
<div style="text-align: justify;">
Angus Wilson (Britain, 1913): “Old Men at the Zoo” (1961)</div>
<div style="text-align: justify;">
Angus Wilson (Britain, 1913): “Late Call” (1964) +</div>
<div style="text-align: justify;">
Angus Wilson (Britain, 1913): “No Laughing Matter” (1967)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Inge (USA, 1913): “Come Back Little sheila” (1950) [t] +</div>
<div style="text-align: justify;">
William Inge (USA, 1913): “Picnic” (1953) [t]</div>
<div style="text-align: justify;">
William Inge (USA, 1913): “Bus Stop” (1955) [t]</div>
<div style="text-align: justify;">
William Inge (USA, 1913): “The Dark At the Top of the Stairs” (1957) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Irwin Shaw (USA, 1913): “Bury the Dead” (1936) [t] +</div>
<div style="text-align: justify;">
Irwin Shaw (USA, 1913): “The Young Lions” (1948) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George Barker (Britain, 1913): “Calamiterror” (1937) [p]</div>
<div style="text-align: justify;">
George Barker (Britain, 1913): “Eros in Dogma” (1944) [p]</div>
<div style="text-align: justify;">
George Barker (Britain, 1913): “The True Confessions” (1950) [p] +</div>
<div style="text-align: justify;">
George Barker (Britain, 1913): “Villa Stellar” (1978) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Muriel Rukeyser (USA, 1913): “The Book of the Dead” (1938) [p] +</div>
<div style="text-align: justify;">
Muriel Rukeyser (USA, 1913): “The Outer Banks” (1967) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Delmore Schwartz (USA, 1913): “In Dreams Begin Responsibilities” (1938) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Karl Shapiro (USA, 1913): “Person Place and Thing” (1942) [p]</div>
<div style="text-align: justify;">
Karl Shapiro (USA, 1913): “V Letter” (1944) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Douglas Stewart (New Zealand, 1913): “The Fire On The Snow” (1944) [t]</div>
<div style="text-align: justify;">
Douglas Stewart (New Zealand, 1913): “Sun Orchids” (1952) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ronald-Stuart Thomas (Britain, 1913): “Song at the Year’s Turning” (1955) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alfred Bester (USA, 1913): “The Demolished Man” (1953)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Gavin Maxwell (Britain, 1914): “Ring of Bright Water” (1960) [h]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Gibson (USA, 1914): “Miracle Worker” (1959) [t] +</div>
<div style="text-align: justify;">
William Gibson (USA, 1914): “Golda” (1977) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
WilliamV Burroughs (USA, 1914): “The Naked Lunch” (1959) +</div>
<div style="text-align: justify;">
WilliamV Burroughs (USA, 1914): “Nova Express” (1964)</div>
<div style="text-align: justify;">
William Burroughs (USA, 1914): “The Soft Machine” (1968) +</div>
<div style="text-align: justify;">
William Burroughs (USA, 1914): “Junkie” (1953)</div>
<div style="text-align: justify;">
William Burroughs (USA, 1914): “The Ticket that Exploded” (1962) +</div>
<div style="text-align: justify;">
William Burroughs (USA, 1914): “The Exterminator” (1974)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Ellison (USA, 1914): “The Invisible man” (1952) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Hersey (USA, 1914): “A Bell for Adano” (1944)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Randall Jarrell (USA, 1914): “Pictures From an Institution” (1954)</div>
<div style="text-align: justify;">
Randall Jarrell (USA, 1914): “The Woman at the Washington Zoo” (1960) [p]</div>
<div style="text-align: justify;">
Randall Jarrell (USA, 1914): “The Lost World” (1965) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Laurie Lee (Britain, 1914): “Cider With Rosie” (1959)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ross Lockridge (USA, 1914): “Raintree Country” (1948)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Colin MacInnes (Australia, 1914): “City of Spades” (1957)</div>
<div style="text-align: justify;">
Colin MacInnes (Australia, 1914): “Absolute Beginners” (1959)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Bernard Malamud (USA, 1914): “The Natural” (1951)</div>
<div style="text-align: justify;">
Bernard Malamud (USA, 1914): “The Assistant” (1959) +</div>
<div style="text-align: justify;">
Bernard Malamud (USA, 1914): “The Tenants” (1971)</div>
<div style="text-align: justify;">
Bernard Malamud (USA, 1914): “Dubin Lives” (1979)</div>
<div style="text-align: justify;">
Bernard Malamud (USA, 1914): “God’s Grace” (1982)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Budd Schulberg (USA, 1914): “What Makes Sammy Run” (1941)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ronald Duncan (Zimbabwe, 1914): “This Way To The Tomb” (1946) [t] +</div>
<div style="text-align: justify;">
Ronald Duncan (Zimbabwe, 1914): “St Spiv” (1950) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Berryman (USA, 1914): “Homage to Mistress Bradstreet” (1956) [p] +</div>
<div style="text-align: justify;">
John Berryman (USA, 1914): “77 Dream Songs” (1964) [p] +</div>
<div style="text-align: justify;">
John Berryman (USA, 1914): “His Toy, His Dream, His Rest” (1968) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Norman Nicholson (Britain, 1914): “Five Rivers” (1944) [p]</div>
<div style="text-align: justify;">
Norman Nicholson (Britain, 1914): “The Pot Geranium” (1954) [p]</div>
<div style="text-align: justify;">
Norman Nicholson (Britain, 1914): “The Old Man of the Mountains” (1946) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charles-Hubert Sisson (Britain, 1914): “The London Zoo” (1961) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Dylan Thomas (Britain, 1914): “Under the Milk Wood” (1953) [t] +</div>
<div style="text-align: justify;">
Dylan Thomas (Britain, 1914): “The Map of Love” (1939) [p]</div>
<div style="text-align: justify;">
Dylan Thomas (Britain, 1914): “Deaths and Entrances” (1946) [p] +</div>
<div style="text-align: justify;">
Dylan Thomas (Britain, 1914): “In Country Sleep” (1951) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Walter Baxter (Britain, 1915): “Look Down in Mercy” (1951)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Saul Bellow (USA, 1915): “The Dangling Man” (1944)</div>
<div style="text-align: justify;">
Saul Bellow (USA, 1915): “The Victim” (1947)</div>
<div style="text-align: justify;">
Saul Bellow (USA, 1915): “The Adventures of Augie March” (1953) +</div>
<div style="text-align: justify;">
Saul Bellow (USA, 1915): “Seize the day” (1956)</div>
<div style="text-align: justify;">
Saul Bellow (USA, 1915): “Henderson the Rain King” (1959) +</div>
<div style="text-align: justify;">
Saul Bellow (USA, 1915): “Herzog” (1964) ++</div>
<div style="text-align: justify;">
Saul Bellow (USA, 1915): “Mr Sammler’s Planet” (1970)</div>
<div style="text-align: justify;">
Saul Bellow (USA, 1915): “Humboldt’s Gift” (1975) +</div>
<div style="text-align: justify;">
Saul Bellow (USA, 1915): “The Dean’s December” (1982)</div>
<div style="text-align: justify;">
Saul Bellow (USA, 1915): “More Die of Heartbreak” (1987)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richard Condon (USA, 1915): “Prizzi’s Honour” (1988)</div>
<div style="text-align: justify;">
Richard Condon (USA, 1915): “The Manchurian Candidate” (1959)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Goyen (USA, 1915): “Arcadio” (1982)</div>
<div style="text-align: justify;">
William Goyen (USA, 1915): “Come the Restorer” (1974)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jean Stafford (USA, 1915): “Boston Adventure” (1944) +</div>
<div style="text-align: justify;">
Jean Stafford (USA, 1915): “The Mountain Lion” (1947)</div>
<div style="text-align: justify;">
Jean Stafford (USA, 1915): “The Catherine Wheel” (1951)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Denton Welch (Britain, 1915): “In Youth Is Pleasure” (1945)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Arthur Miller (USA, 1915): “All My Sons” (1947) [t] +</div>
<div style="text-align: justify;">
Arthur Miller (USA, 1915): “Death of a Salesman” (1949) [t] ++</div>
<div style="text-align: justify;">
Arthur Miller (USA, 1915): “The Crucible” (1953) [t]</div>
<div style="text-align: justify;">
Arthur Miller (USA, 1915): “A View From the Bridge” (1955) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ross MacDonald (USA, 1915): “The Moving Target” (1949)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Khushwant Singh (India,1915): “Train to Pakistan” (1956)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas Merton (USA, 1915): “Figures for an Apocalypse” (1947) [p]</div>
<div style="text-align: justify;">
Thomas Merton (USA, 1915): “The Tears of the Blind Lions” (1949) [p]</div>
<div style="text-align: justify;">
Thomas Merton (USA, 1915): “The Strange Islands” (1957) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Judith Wright (Australia, 1915): “Woman to Man” (1949) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Lester DelRey (USA, 1915): “The Eleventh Commandement” (1962)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Henry Kuttner (USA, 1915): “Beyond Earth’s Gates” (1954)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Anthony Burgess (Britain, 1916): “A Clockwork Orange” (1962) +</div>
<div style="text-align: justify;">
Anthony Burgess (Britain, 1916): “Enderby” (1963)</div>
<div style="text-align: justify;">
Anthony Burgess (Britain, 1916): “Kingdom of the Wicked” (1985)</div>
<div style="text-align: justify;">
Anthony Burgess (Britain, 1916): “Earthly Powers” (1980) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Burns (USA, 1916): “Gallery” (1947)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Roald Dahl (Britain, 1916): “Gremlins” (1943)</div>
<div style="text-align: justify;">
Roald Dahl (Britain, 1916): “James and the Giant Peach” (1961)</div>
<div style="text-align: justify;">
Roald Dahl (Britain, 1916): “Charlie and the Chocolate Factory” (1964)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Penelope Fitzgerald (Britain, 1916): “Bookshop” (1978)</div>
<div style="text-align: justify;">
Penelope Fitzgerald (Britain, 1916): “Offshore” (1979) +</div>
<div style="text-align: justify;">
Penelope Fitzgerald (Britain, 1916): “Beginning of Spring” (1988)</div>
<div style="text-align: justify;">
Penelope Fitzgerald (Britain, 1916): “Gate of Angels” (1990)</div>
<div style="text-align: justify;">
Penelope Fitzgerald (Britain, 1916): “The Blue Flower” (1998) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Elizabeth Hardwick (USA, 1916): “Sleepless Nights” (1979)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Paule Marshall (USA, 1916): “Brown Girl” (1959)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robin Maugham (Britain, 1916): “Servant” (1948)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Walker Percy (USA, 1916): “The Moviegoer” (1961) +</div>
<div style="text-align: justify;">
Walker Percy (USA, 1916): “The Last Getleman” (1966)</div>
<div style="text-align: justify;">
Walker Percy (USA, 1916): “Love In the Ruins” (1971) +</div>
<div style="text-align: justify;">
Walker Percy (USA, 1916): “The Second Coming” (1980)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Harold Robbins (USA, 1916): “Dream Merchants” (1949)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edith Templeton (Britain, 1916): “Summer in the Country” (1950) +</div>
<div style="text-align: justify;">
Edith Templeton (Britain, 1916): “Living on Yesterday” (1951)</div>
<div style="text-align: justify;">
Edith Templeton (Britain, 1916): “Island of Desire” (1952)</div>
<div style="text-align: justify;">
Edith Templeton (Britain, 1916): “Gordon” (1966)</div>
<div style="text-align: justify;">
Edith Templeton (Britain, 1916): “Murder in Estoril” (1992) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Philip Toynbee (Britain, 1916): “Tea with Mrs Goodman” (1947)</div>
<div style="text-align: justify;">
Philip Toynbee (Britain, 1916): “Pantaloon” (1961) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Ciardi (USA, 1916): “Person to Person” (1964) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Gascoyne (Britain, 1916): “Man’s Life Is This Meat” (1936) [p]</div>
<div style="text-align: justify;">
David Gascoyne (Britain, 1916): “Poems 1937-1942″ (1943) [p] +</div>
<div style="text-align: justify;">
David Gascoyne (Britain, 1916): “A Vagrant” (1950) [p]</div>
<div style="text-align: justify;">
David Gascoyne (Britain, 1916): “Night Thoughts” (1956) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sidney Sheldon (USA, 1917): “The Other Side of Midnight” (1974)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Louis Auchincloss (USA, 1917): “Sybil” (1952)</div>
<div style="text-align: justify;">
Louis Auchincloss (USA, 1917): “Rectors of Justin” (1964)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jane Bowles (USA, 1917): “Two Serious Ladies” (1943)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Suyin Han (China, 1917): “Destination Chungking” (1943)</div>
<div style="text-align: justify;">
Suyin Han (China, 1917): “Winter Love” (1962)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Carson McCullers (USA, 1917): “The Heart is a Lonely Hunter” (1940) +</div>
<div style="text-align: justify;">
Carson McCullers (USA, 1917): “Reflections in a Golden Eye” (1941)</div>
<div style="text-align: justify;">
Carson McCullers (USA, 1917): “The Member of the Wedding” (1946)</div>
<div style="text-align: justify;">
Carson McCullers (USA, 1917): “Ballad of the Sad Cafe” (1951)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jack Story (Britain, 1917): “The Trouble with Harry” (1949)</div>
<div style="text-align: justify;">
Jack Story (Britain, 1917): “Live Now Pay Later” (1963)</div>
<div style="text-align: justify;">
Jack Story (Britain, 1917): “Morag’s Flying Fortress” (1976)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter Taylor (USA, 1917): “A Summons to Memphis” (1986)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Anderson (USA, 1917): “Tea and Sympathy” (1953) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Whiting (Britain, 1917): “Saint’s Day” (1951) [t]</div>
<div style="text-align: justify;">
John Whiting (Britain, 1917): “The Devils” (1961) [t]</div>
<div style="text-align: justify;">
John Whiting (Britain, 1917): “The Devils” (1961) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Lowell (USA, 1917): “Benito Cereno” (1964) [t]</div>
<div style="text-align: justify;">
Robert Lowell (USA, 1917): “Lord Weary’s Castle” (1946) [p]</div>
<div style="text-align: justify;">
Robert Lowell (USA, 1917): “Mills of the Kavanaughs” (1951) [p] +</div>
<div style="text-align: justify;">
Robert Lowell (USA, 1917): “Life Studies” (1959) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James McAuley (Australia, 1917): “Under Aldebaran” (1946) [p]</div>
<div style="text-align: justify;">
James McAuley (Australia, 1917): “A Vision of Ceremony” (1956) [p] +</div>
<div style="text-align: justify;">
James McAuley (Australia, 1917): “Captain Quiros” (1964) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Arthur Clarke (Britain, 1917): “The Deep Range” (1957)</div>
<div style="text-align: justify;">
Arthur Clarke (Britain, 1917): “2001 A Space Odyssey” (1968) +</div>
<div style="text-align: justify;">
Arthur Clarke (Britain, 1917): “Rendesvouz With Rama” (1973)</div>
<div style="text-align: justify;">
Arthur Clarke (Britain, 1917): “Childhood’s End” (1953)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Gwendolyn Brooks (USA, 1917): “Annie Allen” (1949) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Penelope Mortimer (Britain, 1918): “The Pumpkin Eater” (1962)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Percy-Howard Newby (Britain, 1918): “The Picnic at Sakkara” (1955)</div>
<div style="text-align: justify;">
Percy-Howard Newby (Britain, 1918): “Something to Answer For” (1969)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Isaac Rosenfeld (USA, 1918): “Passage From Home” (1946)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Muriel Spark (Britain, 1918): “Memento Mori” (1959) +</div>
<div style="text-align: justify;">
Muriel Spark (Britain, 1918): “Peckam Rye” (1960)</div>
<div style="text-align: justify;">
Muriel Spark (Britain, 1918): “The Prime of Miss Jean Brodie” (1961) +</div>
<div style="text-align: justify;">
Muriel Spark (Britain, 1918): “The Girls of Slender Means” (1963)</div>
<div style="text-align: justify;">
Muriel Spark (Britain, 1918): “The Driver’s Seat” (1970)</div>
<div style="text-align: justify;">
Muriel Spark (Britain, 1918): “Loitering With Intent” (1981)</div>
<div style="text-align: justify;">
Muriel Spark (Britain, 1918): “A Far Cry from Kensington” (1988)</div>
<div style="text-align: justify;">
Muriel Spark (Britain, 1918): “Symposium” (1990)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mickey Spillane (USA, 1918): “I the Jury” (1947)</div>
<div style="text-align: justify;">
Mickey Spillane (USA, 1918): “Kiss Me Deadly” (1952) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Philip Farmer (USA, 1918): “Makers of Universe” (1965)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
TheodoreV Sturgeon (USA, 1918): “More Than Human” (1953)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter Abrahams (South Africa, 1919): “This Island Now” (1966)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Lawrence Ferlinghetti (USA, 1919): “A Coney Island of the Mind” (1958) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Shirley Jackson (USA, 1919): “The Lottery” (1948) +</div>
<div style="text-align: justify;">
Shirley Jackson (USA, 1919): “Hangsaman” (1951)</div>
<div style="text-align: justify;">
Shirley Jackson (USA, 1919): “The Sundial” (1958)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Doris Lessing (Zimbabwe, 1919): “Martha Quest” (1952) +</div>
<div style="text-align: justify;">
Doris Lessing (Zimbabwe, 1919): “The Golden Notebook” (1962) +</div>
<div style="text-align: justify;">
Doris Lessing (Zimbabwe, 1919): “The Four-Gated City” (1969)</div>
<div style="text-align: justify;">
Doris Lessing (Zimbabwe, 1919): “Briefing for a Descent Into Hell” (1971)</div>
<div style="text-align: justify;">
Doris Lessing (Zimbabwe, 1919): “The Summer Before the Dark” (1973)</div>
<div style="text-align: justify;">
Doris Lessing (Zimbabwe, 1919): “The Marriages Between Zones Three, Four and Five” (1980)</div>
<div style="text-align: justify;">
Doris Lessing (Zimbabwe, 1919): “The Good Terrorist” (1985)</div>
<div style="text-align: justify;">
Doris Lessing (Zimbabwe, 1919): “The Fifth Child” (1988)</div>
<div style="text-align: justify;">
Doris Lessing (Zimbabwe, 1919): “The Sirian Experiments” (1981)</div>
<div style="text-align: justify;">
Doris Lessing (Zimbabwe, 1919): “Love Again” (1996)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Stanley Middleton (Britain, 1919): “Holiday” (1974)</div>
<div style="text-align: justify;">
Stanley Middleton (Britain, 1919): “Distractions” (1975)</div>
<div style="text-align: justify;">
Stanley Middleton (Britain, 1919): “In a Strange Land” (1979)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Eskia Mphahlele (South Africa, 1919): “Down Second Ave” (1959)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Iris Murdoch (Britain, 1919): “Under the Net” (1954) +</div>
<div style="text-align: justify;">
Iris Murdoch (Britain, 1919): “Flight from the Enchanter” (1955)</div>
<div style="text-align: justify;">
Iris Murdoch (Britain, 1919): “The Bell” (1958)</div>
<div style="text-align: justify;">
Iris Murdoch (Britain, 1919): “A Severed Head” (1961) +</div>
<div style="text-align: justify;">
Iris Murdoch (Britain, 1919): “A Fairly Honorable Defeat” (1970)</div>
<div style="text-align: justify;">
Iris Murdoch (Britain, 1919): “An Accidental Man” (1971)</div>
<div style="text-align: justify;">
Iris Murdoch (Britain, 1919): “The Black Prince” (1973) +</div>
<div style="text-align: justify;">
Iris Murdoch (Britain, 1919): “The Sacred and Profane Love Machine” (1974)</div>
<div style="text-align: justify;">
Iris Murdoch (Britain, 1919): “The Sea The Sea” (1978) +</div>
<div style="text-align: justify;">
Iris Murdoch (Britain, 1919): “The Good Apprentice” (1985)</div>
<div style="text-align: justify;">
Iris Murdoch (Britain, 1919): “The Green Knight” (1994)</div>
<div style="text-align: justify;">
Iris Murdoch (Britain, 1919): “Jackson’s Dilemma” (1996)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jerome Salinger (USA, 1919): “The Catcher in the Rye” (1951) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jerome Salinger (USA, 1919): “Franny and Zooey” (1951)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Norman-Frederick Simpson (Britain, 1919): “One Way Pendulum” (1959) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Duncan (USA, 1919): “The Venice Poem” (1948) [p] +</div>
<div style="text-align: justify;">
Robert Duncan (USA, 1919): “Passages” (1968) [p]</div>
<div style="text-align: justify;">
Robert Duncan (USA, 1919): “The Structure of Rhyme” (1968) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frederick Pohl (USA, 1919): “Space Merchants” (1953)</div>
<div style="text-align: justify;">
Frederick Pohl (USA, 1919): “Gateway” (1976)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richard Adams (Britain, 1920): “Shardik” (1974)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Keith Douglas (Britain, 1920): “Poems” (1944) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charles Bukowski (USA, 1920): “Post Office” (1971)</div>
<div style="text-align: justify;">
Charles Bukowski (USA, 1920): “Tales of Ordinary Madness” (1972)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mario Puzo (USA, 1920): “The Fortunate Pilgrim” (1964)</div>
<div style="text-align: justify;">
Mario Puzo (USA, 1920): “The Godfather” (1969)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Paul Scott (Britain, 1920): “The Jewel in the Crown” (1966) +</div>
<div style="text-align: justify;">
Paul Scott (Britain, 1920): “The Day of the Scorpion” (1968)</div>
<div style="text-align: justify;">
Paul Scott (Britain, 1920): “Towers of Silence” (1972)</div>
<div style="text-align: justify;">
Paul Scott (Britain, 1920): “Staying On” (1977)</div>
<div style="text-align: justify;">
Paul Scott (Britain, 1920): “Division of the Spoils” (1975)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Amos Tutuola (Nigeria, 1920): “The Palm-wine Drinkard” (1952) +</div>
<div style="text-align: justify;">
Amos Tutuola (Nigeria, 1920): “My Life in the Bush of Ghosts” (1954)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Donald Windham (USA, 1920): “Two People” (1965)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Phyllis-Dorothy James (Britain, 1920): “Cover Her Face” (1962)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Amy Clampitt (USA, 1920): “The Kingfisher” (1983) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Howard Nemerov (USA, 1920): “The Salt Garden (1955) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Isaac Asimov (USA, 1920): “Foundation” (1953)</div>
<div style="text-align: justify;">
Isaac Asimov (USA, 1920): “Foundation and Empire” (1953)</div>
<div style="text-align: justify;">
Isaac Asimov (USA, 1920): “Foundation’s Edge ” (1982)</div>
<div style="text-align: justify;">
Isaac Asimov (USA, 1920): “Second Foundation ” (1953)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ray Bradbury (USA, 1920): “Fahrenheit 451″ (1953) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frank Herbert (USA, 1920): “Destination Void” (1966)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Elizabet Berridge (Britain, 1921): “The Rose Under Glass” (1961)</div>
<div style="text-align: justify;">
Elizabet Berridge (Britain, 1921): “Across the Common” (1964)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George-Mackay Brown (Britain, 1921): “Greenvoe” (1972) +</div>
<div style="text-align: justify;">
George-Mackay Brown (Britain, 1921): “Besides the Ocean of Time” (1994)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Cyprian Ekwensi (Nigeria, 1921): “When Love Whispers” (1947)</div>
<div style="text-align: justify;">
Cyprian Ekwensi (Nigeria, 1921): “Jagua Nana” (1961) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alex Haley (USA, 1921): “Roots” (1976)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “Palace of the Peacock” (1960) ++</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “The Far Journey of Oudin” (1961) +</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “Whole Armour” (1962) +</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “Secret Ladder” (1963) +</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “Heartland” (1964)</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “The Eye of the Scarecrow” (1965) +</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “Tumatumari” (1968)</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “The Angel at the Gate” (1982)</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “Black Marsden” (1972)</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “Companions of the Day and Night” (1975)</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “Da Silva da Silva’s Cultivated Wilderness” (1977) +</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “The Tree of the Sun” (1978)</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “Genesis of the Clowns” (1977)</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “Carnival” (1985)</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “The Infinite Rehearsal” (1987)</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “The Four Banks of the River of Space” (1990)</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “Resurrection at Sorrow Hill” (1993)</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “The Dark Jester” (2001)</div>
<div style="text-align: justify;">
Wilson Harris (Guyana, 1921): “The Mask of the Beggar” (2003)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Jones (USA, 1921): “From Here to Eternity” (1951) +</div>
<div style="text-align: justify;">
James Jones (USA, 1921): “Some Came Running” (1957)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Brian Moore (Britain, 1921): “Judith Hearne” (1955) +</div>
<div style="text-align: justify;">
Brian Moore (Britain, 1921): “The Luck of Ginger Coffey” (1960)</div>
<div style="text-align: justify;">
Brian Moore (Britain, 1921): “While I Am Mary Dunne” (1968)</div>
<div style="text-align: justify;">
Brian Moore (Britain, 1921): “The Great victorian Collection” (1975) +</div>
<div style="text-align: justify;">
Brian Moore (Britain, 1921): “The Doctor’s Wife” (1976)</div>
<div style="text-align: justify;">
Brian Moore (Britain, 1921): “Cold Heaven” (1983)</div>
<div style="text-align: justify;">
Brian Moore (Britain, 1921): “The Statement” (1995)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Gabriel Okara (Nigeria, 1921): “The Voice” (1960) +</div>
<div style="text-align: justify;">
Gabriel Okara (Nigeria, 1921): The Fisherman’s Invocation” (1978) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Patricia Highsmith (USA, 1921): “Strangers on a Train” (1950)</div>
<div style="text-align: justify;">
Patricia Highsmith (USA, 1921): “The Talented Mr Ripley” (1955) +</div>
<div style="text-align: justify;">
Patricia Highsmith (USA, 1921): “Deep Water” (1957)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richard Wilbur (USA, 1921): “Things of This World” (1956) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Blish (USA, 1921): “A Case of Conscience” (1958)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mona Van Duyn (USA, 1921): “Near Changes” (1990) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Hayden Carruth (USA, 1921): “Scrambled Eggs and Whiskey” (1996) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kingsley Amis (Britain, 1922): “Lucky Jim” (1954) +</div>
<div style="text-align: justify;">
Kingsley Amis (Britain, 1922): “Ending Up” (1974)</div>
<div style="text-align: justify;">
Kingsley Amis (Britain, 1922): “Old Devils” (1986)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Vance Bourjailj (USA, 1922): “End of My Life” (1947)</div>
<div style="text-align: justify;">
Vance Bourjailj (USA, 1922): “The Violated” (1958) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Braine (Britain, 1922): “Room at the Top” (1957)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Hone Tuwhare (New Zealand, 1922): “Something Nothing” (1974) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kendrick Smithyman (New Zealand, 1922): “Inheritance” (1962) [p]</div>
<div style="text-align: justify;">
Kendrick Smithyman (New Zealand, 1922): “Reading the Maps” (1977) [p] +</div>
<div style="text-align: justify;">
Kendrick Smithyman (New Zealand, 1922): “Stories About Wooden Keyboards” (1985) [p]</div>
<div style="text-align: justify;">
Kendrick Smithyman (New Zealand, 1922): “Atua Wera” (1995) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Demby (USA, 1922): “Beetlecreek” (1950)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Gaddis (USA, 1922): “The Recognitions” (1955) ++</div>
<div style="text-align: justify;">
William Gaddis (USA, 1922): “JR” (1976) +</div>
<div style="text-align: justify;">
William Gaddis (USA, 1922): “Carpenter’s Gothic” (1985) +</div>
<div style="text-align: justify;">
William Gaddis (USA, 1922): “A Frolic of His Own” (1994)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mavis Gallant (Canada, 1922): “Green Water Green Sky” (1959)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jack Kerouac (USA, 1922): “On the Road” (1957)</div>
<div style="text-align: justify;">
Jack Kerouac (USA, 1922): “The Subterraneans” (1958)</div>
<div style="text-align: justify;">
Jack Kerouac (USA, 1922): “Dharma Bums” (1958)</div>
<div style="text-align: justify;">
Jack Kerouac (USA, 1922): “Doctor Sax” (1959)</div>
<div style="text-align: justify;">
Jack Kerouac (USA, 1922): “Big Sur” (1962)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Philip Larkin (Britain, 1922): “Girl in winter” (1947)</div>
<div style="text-align: justify;">
Philip Larkin (Britain, 1922): “The North Ship” (1945) [p]</div>
<div style="text-align: justify;">
Philip Larkin (Britain, 1922): “The Less Deceived” (1955) [p] +</div>
<div style="text-align: justify;">
Philip Larkin (Britain, 1922): “The Whitsun Weddings” (1964) [p]</div>
<div style="text-align: justify;">
Philip Larkin (Britain, 1922): “High Windows” (1974) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Grace Paley (USA, 1922): “The Little Disturbances of Man” (1959)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kurt Vonnegut (USA, 1922): “Player Piano” (1952)</div>
<div style="text-align: justify;">
Kurt Vonnegut (USA, 1922): “The Sirens of Titan” (1959) +</div>
<div style="text-align: justify;">
Kurt Vonnegut (USA, 1922): “Mother Night” (1961)</div>
<div style="text-align: justify;">
Kurt Vonnegut (USA, 1922): “Cat’s Cradle” (1963) +</div>
<div style="text-align: justify;">
Kurt Vonnegut (USA, 1922): “God Bless You” (1965)</div>
<div style="text-align: justify;">
Kurt Vonnegut (USA, 1922): “Slaughterhouse 5″ (1969) +</div>
<div style="text-align: justify;">
Kurt Vonnegut (USA, 1922): “Breakfast of Champions” (1973)</div>
<div style="text-align: justify;">
Kurt Vonnegut (USA, 1922): “Slapstick” (1976)</div>
<div style="text-align: justify;">
Kurt Vonnegut (USA, 1922): “Jailbird” (1979)</div>
<div style="text-align: justify;">
Kurt Vonnegut (USA, 1922): “Deadeye Dick” (1982)</div>
<div style="text-align: justify;">
Kurt Vonnegut (USA, 1922): “Galapagos” (1985)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Calder Willingham (USA, 1922): “Natural Child” (1952)</div>
<div style="text-align: justify;">
Calder Willingham (USA, 1922): “Rambling Rose” (1972)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Donald Davie (Britain, 1922): “Brides of Reason” (1955) [p]</div>
<div style="text-align: justify;">
Donald Davie (Britain, 1922): “Three for Water Music” (1981) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Nadine Gordimer (South Africa, 1923): “The Late Bourgeois World” (1967)</div>
<div style="text-align: justify;">
Nadine Gordimer (South Africa, 1923): “A Guest of Honor” (1971)</div>
<div style="text-align: justify;">
Nadine Gordimer (South Africa, 1923): “The Conservationist” (1974) +</div>
<div style="text-align: justify;">
Nadine Gordimer (South Africa, 1923): “The Burger’s Daughter” (1979) ++</div>
<div style="text-align: justify;">
Nadine Gordimer (South Africa, 1923): “My Son’s Story” (1990)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Joseph Heller (USA, 1923): “Catch 22″ (1961) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Elizabeth Howard (Britain, 1923): “The Beautiful Visit” (1950)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Elizabeth Jolley (Britain, 1923): “Miss Peabody’s Inheritance” (1983)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Francis King (Britain, 1923): “Act of Darkness” (1983)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Norman Mailer (USA, 1923): “The Naked and The Dead” (1948) +</div>
<div style="text-align: justify;">
Norman Mailer (USA, 1923): “The Deer Park” (1955)</div>
<div style="text-align: justify;">
Norman Mailer (USA, 1923): “The American Dream” (1965)</div>
<div style="text-align: justify;">
Norman Mailer (USA, 1923): “The Executioner’s Song” (1979) +</div>
<div style="text-align: justify;">
Norman Mailer (USA, 1923): “Harlot’s Ghost” (1991)</div>
<div style="text-align: justify;">
Norman Mailer (USA, 1923): “The Castle in the Forest” (2007)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Mortimer (Britain, 1923): “Paradise Postponed” (1985)</div>
<div style="text-align: justify;">
John Mortimer (Britain, 1923): “The Judge” (1967) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Nicholas Mosley (Britain, 1923): “Meeting Place” (1962)</div>
<div style="text-align: justify;">
Nicholas Mosley (Britain, 1923): “Accident” (1965) +</div>
<div style="text-align: justify;">
Nicholas Mosley (Britain, 1923): “Hopeful Monsters” (1990)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Purdy (USA, 1923): “Malcolm” (1959) +</div>
<div style="text-align: justify;">
James Purdy (USA, 1923): “The Nephew” (1960)</div>
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James Purdy (USA, 1923): “Eustache Chisolm” (1967)</div>
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James Purdy (USA, 1923): “Cabot Wright Begins” (1964)</div>
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James Purdy (USA, 1923): “Jeremy’s Version” (1970)</div>
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James Purdy (USA, 1923): “I am Elijah Thrush” (1972)</div>
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James Purdy (USA, 1923): “In a Shallow Grave” (1975) +</div>
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James Purdy (USA, 1923): “In the Hollow of His Hand” (1986)</div>
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James Purdy (USA, 1923): “Garments in the living wear” (1989)</div>
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Bernice Rubens (Britain, 1923): “Madame Sousatzka” (1962) +</div>
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Bernice Rubens (Britain, 1923): “The Elected Member/ The Chosen People” (1969) +</div>
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Bernice Rubens (Britain, 1923): “Spring Sonata” (1979)</div>
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Bernice Rubens (Britain, 1923): “A Solitary Grief” (1991)</div>
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Bernice Rubens (Britain, 1923): “Mother Russia” (1992)</div>
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Bernice Rubens (Britain, 1923): “Autobiopsy” (1993)</div>
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Samuel Selvon (Trinidad, 1923): “A Brighter Sun” (1952) +</div>
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Samuel Selvon (Trinidad, 1923): “Lonely Londoners” (1956)</div>
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<br /></div>
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Brendan Behan (Ireland, 1923): “The Quare Fellow” (1955) [t] +</div>
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Brendan Behan (Ireland, 1923): “The Hostage” (1958) [t] +</div>
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Paddy Chayefsky (USA, 1923): “Marty” (1953) [t] +</div>
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James Dickey (USA, 1923): “Deliverance” (1970)</div>
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James Dickey (USA, 1923): “Into the Stone” (1960) [p]</div>
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James Dickey (USA, 1923): “Helmets” (1964) [p]</div>
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James Dickey (USA, 1923): “Buckdancer’s Choice” (1965) [p] +</div>
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James Dickey (USA, 1923): “The Eye-Beaters” (1970)</div>
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<br /></div>
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Anthony Hecht (USA, 1923): “A Summoning of Stones” (1954) [p]</div>
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Anthony Hecht (USA, 1923):”The Hard Hours” (1967) [p] +</div>
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Anthony Hecht (USA, 1923):”Millions of Strange Shadows” (1977) [p]</div>
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Anthony Hecht (USA, 1923):”The Venetian Vespers” (1980) [p]</div>
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Anthony Hecht (USA, 1923):”The Transparent Man” (1990) [p]</div>
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<br /></div>
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Denise Levertov (USA, 1923): “Overland to the Islands” (1958) [p]</div>
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Denise Levertov (USA, 1923): “With Eyes at the Back of Our Heads” (1959) [p]</div>
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Denise Levertov (USA, 1923): “O Taste and See” (1964) [p] +</div>
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Denise Levertov (USA, 1923): “The Sorrow Dance” (1967) [p]</div>
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Louis Simpson (USA, 1923): “At the End of the Open Road” (1963) [p]</div>
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<br /></div>
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Philip Whalen (USA, 1923): “Like I Say” (1960) [p]</div>
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Philip Whalen (USA, 1923): “Memoirs of an Interglacial Age” (1960) [p]</div>
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Philip Whalen (USA, 1923): “High Grade” (1966) [p] +</div>
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Gordon Dickson (USA, 1923): “Genetic General” (1960)</div>
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Jack Vance (USA, 1923): “Dragon Masters” (1963)</div>
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Paula Fox (USA, 1923): “Desperate Characters” (1970)</div>
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Paula Fox (USA, 1923): “The Widow’s Children” (1976)</div>
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James Kirkup (Britain, 1923): “The Spring Journey” (1954) [p]</div>
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<br /></div>
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Louis Johnson (New Zealand, 1924): “Stanza and Scene” (1945) [p]</div>
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John Haines (USA, 1924): “Letter to Patience” (2006) [p] +</div>
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James Baldwin (USA, 1924): “Go Tell It On The Mountain” (1953) +</div>
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James Baldwin (USA, 1924): “Giovanni’s Room” (1956)</div>
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James Baldwin (USA, 1924): “Another Country” (1962)</div>
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James Baldwin (USA, 1924): “Blues for Mr Charlie” (1964) [t]</div>
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Thomas Berger (USA, 1924): “The Little Big Man” (1964)</div>
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Thomas Berger (USA, 1924): “Killing Time” (1967)</div>
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John Bowen (Britain, 1924): “Squeak” (1983)</div>
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Truman Capote (USA, 1924): “Breakfast at Tiffany’s” (1958)</div>
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Truman Capote (USA, 1924): “In Cold Blood” (1966) +</div>
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Truman Capote (USA, 1924): “Other Voices” (1948)</div>
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Evan Connell (USA, 1924): “Mrs Bridge” (1969)</div>
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Thomas Flanagan (Ireland, 1924): “The Year of the French” (1979) +</div>
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Thomas Flanagan (Ireland, 1924): “Tenants of Time” (1987)</div>
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<br /></div>
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Janet Frame (New Zealand, 1924): “Owls Do Cry” (1956) +</div>
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Janet Frame (New Zealand, 1924): “Faces in the Water” (1961)</div>
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Janet Frame (New Zealand, 1924): “The Edge of the Alphabet” (1962)</div>
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Janet Frame (New Zealand, 1924): “Scented Gardens For The Blind” (1963) ++</div>
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Janet Frame (New Zealand, 1924): “The Adaptable Man” (1965)</div>
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Janet Frame (New Zealand, 1924): “The Rainbirds” (1968)</div>
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Janet Frame (New Zealand, 1924): “Intensive Care” (1970)</div>
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Janet Frame (New Zealand, 1924): “Daughter Buffalo” (1972)</div>
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Janet Frame (New Zealand, 1924): “The Carpathians” (1988) +</div>
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<br /></div>
<div style="text-align: justify;">
William Gass (USA, 1924): “Omensetter’s Luck” (1966) +</div>
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William Gass (USA, 1924): “Willie Master’s Lonesome Wife” (1970)</div>
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William Gass (USA, 1924): “Tunnel” (1994)</div>
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<div style="text-align: justify;">
Herbert Gold (USA, 1924): “Salt” (1963)</div>
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Kamala Markandaya (India, 1924): “Nectar in a Sieve” (1954)</div>
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Kamala Markandaya (India, 1924): “The Nowhere Man” (1972) +</div>
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Kamala Markandaya (India, 1924): “Golden Honeycomb” (1977)</div>
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<br /></div>
<div style="text-align: justify;">
Terry Southern (USA, 1924): “Flash and Filigree” (1958) +</div>
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Terry Southern (USA, 1924): “Magic Christian” (1959)</div>
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Peter George (Britain, 1924): “Two Hours to Doom” (1958)</div>
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Francis Wyndham (Britain, 1924): “The Other Garden” (1987)</div>
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Robert Bolt (Britain, 1924): “A Man For All Seasons” (1954) [t]</div>
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<br /></div>
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Dennis Brutus (South Africa, 1924): “Sirens, Knuckles and Boots” (1962) [p]</div>
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Dennis Brutus (South Africa, 1924): “Letters to Martha” (1968) [p] +</div>
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<br /></div>
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Nissim Ezekiel (India, 1924): “Time To Change” (1952) [p]</div>
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<br /></div>
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Ismith Khan (Trinidad, 1925): “The Jumbie Bird” (1961)</div>
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Edward Gorey (USA, 1925): “The Unstrung Harp” (1953)</div>
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Nina Bawden (Britain, 1925): “Tortoise by Candlelight” (1963)</div>
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Kashyap Deepakhttp://www.blogger.com/profile/05724719354478570994noreply@blogger.com2tag:blogger.com,1999:blog-3432816720253160432.post-42995574036252231702012-11-14T20:38:00.000-08:002012-11-14T20:38:00.094-08:00Books Chronolgy<div dir="ltr" style="text-align: left;" trbidi="on">
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<h2 style="background-color: white; border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; clear: both; color: #555555; margin: 10px 0px 0px; padding: 0px 5px 3px; text-align: -webkit-auto;">
<span style="font-family: Verdana, sans-serif; font-size: small; text-align: -webkit-auto;">Chronology of English Literature</span></h2>
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<span style="font-family: Verdana, sans-serif; font-size: small; text-align: -webkit-auto;">Note: Kindly check and matched the date with your book. If anything wrong, please notify via comment or SMS at <b>+91 98960 63800 </b></span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span>
<b><span style="font-family: Verdana, sans-serif;">William Shakespeare (1564 1615):</span></b><br />
<span style="font-family: Verdana, sans-serif;">“Venus and Adonis” (1593)</span></div>
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<span style="font-family: Verdana, sans-serif;">“The Rape of Lucrece” (1594) </span></div>
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<span style="font-family: Verdana, sans-serif;">“Sonnets” (1609) </span></div>
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<span style="font-family: Verdana, sans-serif;">“The Comedy of Errors” (1592) </span></div>
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<span style="font-family: Verdana, sans-serif;">“The Taming of the Shrew” (1593) </span></div>
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<span style="font-family: Verdana, sans-serif;">“The Two Gentlemen of Verona” (1594)</span></div>
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<span style="font-family: Verdana, sans-serif;">“Love’s Labour’s Lost” (1594)</span></div>
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<span style="font-family: Verdana, sans-serif;">“Richard II” (1595)</span></div>
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<span style="font-family: Verdana, sans-serif;">“A Midsummer Night’s Dream” (1595)</span></div>
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<span style="font-family: Verdana, sans-serif;">“Romeo and Juliet” (1595)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Merchant of Venice” (1596)</span></div>
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<span style="font-family: Verdana, sans-serif;">“Henry IV” (1597) </span></div>
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<span style="font-family: Verdana, sans-serif;">“Much Ado About Nothing” (1599) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“As You Like It” (1599) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Merry Wives of Windsor” (1599)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Julius Caesar” (1599)</span></div>
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<span style="font-family: Verdana, sans-serif;">“Twelfth Night” (1600) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Hamlet” (1601)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Troilus and Cressida” (1602)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“All’s Well That Ends Well” (1602)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Measure for Measure” (1604) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Othello” (1604)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“King Lear” (1605)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Antony and Cleopatra” (1606)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Macbeth” (1606)</span></div>
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<span style="font-family: Verdana, sans-serif;">“Coriolanus” (1608)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Timon of Athens” (1608)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"> “Cymbeline” (1610)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Winter’s Tale” (1610)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Tempest” (1611)</span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>Thomas Nashe (1567)</b></span><br />
<span style="font-family: Verdana, sans-serif;">“The Unfortunate Traveller” (1594)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Pierce Penniless” (1592)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Summer’s Last Will and Testament” (1592)</span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>John Davies (1569)</b></span><br />
<span style="font-family: Verdana, sans-serif;">“Orchestra” (1596) </span></div>
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<span style="font-family: Verdana, sans-serif;">“Nosce Teipsum” (1599)</span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>Thomas Dekker (1570)</b></span><br />
<span style="font-family: Verdana, sans-serif;">“Shoemaker’s Holiday” (1599)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Honest Whore” (1605)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Wonderful Yeare” (1603)</span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>Thomas Middleton (1570): </b></span><br />
<span style="font-family: Verdana, sans-serif;">“A Chast Mayd in Cheapeside” (1611)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“A Trick to Catch the Old One” (1608)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Changeling” (1622) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Women Beware Women” (1627)</span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>John Donne (1572)</b>:</span><br />
<span style="font-family: Verdana, sans-serif;">“Songs and Sonnets” (1601)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Elegies” (1601)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“An Anatomy of the World” (1611)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Of the Progress of the Soul” (1612)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Holy Sonnets” (1618)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Progresse of the Soule” (1601)</span></div>
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<span style="font-family: Verdana, sans-serif;"><b>Ben Jonson (1572):</b></span><br />
<span style="font-family: Verdana, sans-serif;">Every Man Out of His Humour” (1606) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Volpone” (1606)</span></div>
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<span style="font-family: Verdana, sans-serif;">“Epicene” (1609)</span></div>
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<span style="font-family: Verdana, sans-serif;">“The Alchemist (1610)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Bartholomew Fair” (1614)</span></div>
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<span style="font-family: Verdana, sans-serif;">“The Forest” (1616)</span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>Thomas Heywood (1574):</b></span><br />
<span style="font-family: Verdana, sans-serif;">"A Woman Killed with Kindness” (1603)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Wise Woman of Hogsdon” (1604)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Fair Maid of the West” (1631)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The English Traveller” (1633)</span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>John Marston (1575)</b>:</span><br />
<span style="font-family: Verdana, sans-serif;">“Dutch Courtezan” (1605)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Malcontent” (1604)</span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>Robert Burton (1577)</b>:</span><br />
<span style="font-family: Verdana, sans-serif;">“The Anatomy of Melancholy” (1621)</span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>John Webster (1580)</b> </span><br />
<span style="font-family: Verdana, sans-serif;">“The White Devil” (1612)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Dutchesse of Malfy” (1623)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><br /></span>
<span style="font-family: Verdana, sans-serif;"><b>Phineas Fletcher (1582)</b>:</span><br />
<span style="font-family: Verdana, sans-serif;">“The Purple Island” (1633)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>Philip Massinger (1583)</b></span><br />
<span style="font-family: Verdana, sans-serif;">“The Roman Actor” (1626)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“New Way to Pay Old Debts” (1632)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“A City Madam” (1632) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Picture” (1629) </span></div>
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<span style="font-family: Verdana, sans-serif;"><br /></span></div>
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<span style="font-family: Verdana, sans-serif;"><b>Francis Beaumont (1584)</b></span><br />
<span style="font-family: Verdana, sans-serif;">“The Knight of Burning Pestle” (1607) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Woman Hater” (1606)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">Beaumont & Fletcher “The Maides Tragedy” (1611)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">Beaumont & Fletcher</span><span style="font-family: Verdana, sans-serif;"> “The Coxcombe” (1610)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>John Ford (1586)</b></span><br />
<span style="font-family: Verdana, sans-serif;">“Love’s Sacrifice” (1630) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“‘Tis a Pity She’s a Whore” (1633) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Broken Heart” (1633) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>James Shirley (1596)</b></span><br />
<span style="font-family: Verdana, sans-serif;">“The Traytor” (1631) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Cardinal” (1641) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Lady of Pleasure” (1635) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“St Patrick of Ireland” (1640)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>Thomas Browne (1605)</b></span><br />
<span style="font-family: Verdana, sans-serif;"> “Religio Medici” (1642)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>John Milton (1608)</b></span><br />
<span style="font-family: Verdana, sans-serif;">“Arcades” (1633)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Comus” (1634) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Paradise Lost” (1667)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Paradise Regained” (1671)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Samson Agonistes” (1671)</span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>Andrew Marvell (1621)</b></span><br />
<span style="font-family: Verdana, sans-serif;">“The Garden” (1633)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Horatian Ode upon Cromwell’s Return from Ireland” (1659)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“A Dialogue Between the Resolved Soul and Created Pleasure” (1681)</span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>John Dryden (1631)</b></span><br />
<span style="font-family: Verdana, sans-serif;">“Heroic Stanzas” (1659)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Rival Ladies” (1664) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Indian Queen” (1664)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Annus Mirabilis” (1667)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Conquest of Granada” (1670)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Marriage A` la Mode” (1672)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“All for Love” (1678) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Absalom and Achitophel” (1681)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Medall” (1682) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“MacFlecknoe” (1682)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Religio Laici” (1682) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Hind and the Panther” (1687)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“A Song for Saint Cecilia’s Day” (1687)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Alexander’s Feast” (1697)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>George Etherege (1634)</b></span><br />
<span style="font-family: Verdana, sans-serif;">“She Wou’d If She Cou’d” (1668)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Man Of Mode” (1676) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>William Wycherley (1640)</b></span><br />
<span style="font-family: Verdana, sans-serif;">“Plain Dealer” (1673)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Country Wife” (1675)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>Afra Behn (1640)</b></span><br />
<span style="font-family: Verdana, sans-serif;"> “Oroonoko” (1688)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Abdelazar” (1677)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>Daniel DeFoe (1660):</b></span><br />
<span style="font-family: Verdana, sans-serif;">“Robinson Crusoe” (1719)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Moll Flanders” (1722)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Roxana” (1724)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>Jonathan Swift (1667)</b></span><br />
<span style="font-family: Verdana, sans-serif;">“Tale of a Tub” (1704)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Gulliver’s Travels” (1726) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“A Modest Proposal” (1729)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“On the Death of Dr Swift” (1731)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>William Congreve (1670)</b></span><br />
<span style="font-family: Verdana, sans-serif;">“The Way of the World” (1700)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Old Bachelor” (1693)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Double Leader” (1694)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"> “Love for Love” (1695)</span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>John Gay (1685)</b></span><br />
<span style="font-family: Verdana, sans-serif;">“The Beggar’s Opera”" (1728) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Shepherd’s Week”" (1714)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Trivia”" (1715)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>Alexander Pope (1688):</b></span><br />
<span style="font-family: Verdana, sans-serif;"> “The Rape of the Lock” (1714)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Dunciad” (1743) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Epistles to Arbuthnot” (1735)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Elegy to the Memory of an Unfortunate Lady” (1717)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Eloisa to Abelard” (1717)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Imitations of Horace” (1738)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“An Essay on Man” (1734) </span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>Samuel Richardson (1689)</b></span><br />
<span style="font-family: Verdana, sans-serif;"> “Pamela” (1740)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Clarissa” (1747)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>Henry Fielding (Britain, 1707):</b></span><br />
<span style="font-family: Verdana, sans-serif;">"Joseph Andrews” (1742)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Jonathan Wild” (1743)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Tom Jones” (1749)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“Amelia” (1751)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><b>Samuel Johnson (1709)</b></span><br />
<span style="font-family: Verdana, sans-serif;"> “Rasselas” (1759)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;">“The Vanity of Human Wishes” (1749)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"> “The Lives of the English Poets” (1783)</span></div>
<div style="text-align: justify;">
<span style="font-family: Verdana, sans-serif;"><br /></span>
</div>
</div>
Kashyap Deepakhttp://www.blogger.com/profile/05724719354478570994noreply@blogger.com0tag:blogger.com,1999:blog-3432816720253160432.post-26099923376624438562012-11-09T07:42:00.000-08:002012-11-09T07:45:51.154-08:00UGC-NET Solved Paper<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">1. The
term ‘Comparative Literature’ was first
used in English in 1848 by _____. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Walter Pater <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (B) Matthew Arnold <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) John Ruskin <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) D.G. Rossetti <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">2. The
first academic treatment to the subject
of Comparative Literature was given by ______ in his book called Comparative Literature. <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (A) H.M. Posnett <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) Francois Jost <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) Elisabeth Frenzel <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) N.P. Stallknecht <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">3. Who is
of the view that a study of literary
relationships is dangerous ? <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Horst Frenz <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) René Etiémble <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) S.S. Prawar <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (D) Jean M. Carré <o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">4.
According to H.H. Remak, ‘World
Literature’, when compared to Comparative Literature, suggests an
element of _______. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(A) Space
<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(B)
Quality <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"><b>(C) Time</b> <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(D)
Intensity <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">5. The
methodology of influence study was
advocated by _________. <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (A) The <st1:place w:st="on"><st1:placename w:st="on">French</st1:placename> <st1:placetype w:st="on">School</st1:placetype></st1:place>
of Comparatists <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) The <st1:place w:st="on"><st1:placename w:st="on">American</st1:placename> <st1:placetype w:st="on">School</st1:placetype></st1:place>
of Comparatists <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) The German Comparatists <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) The Russian Comparatists <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">6. An
American version of the creed of British
Romanticism is ______. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) “Hugh Selvyn Mauberley” <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) “Because I could not stop for Death” <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (C) The
Leaves of Grass<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) “North of <st1:city w:st="on"><st1:place w:st="on">Boston</st1:place></st1:city>” <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">7.
Westerners generally thought of history
as _______. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) the sum total of more or less random data. <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (B) a remembrance of things past. <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) ceaselessly unfolding and constantly
flowing events. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) phenomena that have occurred at a specific time. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">8. “The
word ‘Romantic’ has come to mean many
things that … it means nothing at all,”
declared <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Walter Pater <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) John Keats <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (C) A.D. Lovejoy <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) Matthew Arnold <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">9. Which
historian treated literary history ignoring the historical and mechanical order
of succession of events, but focused on human experience ? <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (A) Robert Spiller <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) George Saintsbury <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) Compton-Rickett <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) W.H. Hudson <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">10. Which
of the following terms “stresses the
beginning, rather than the duration, of
a time span of considerable length” ? <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(A)
Period <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(B) Age <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;">(C) Era <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(D)
Century <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">11. Who
championed the theory of an inexorable step-by-step progression of the three
major kinds, epic, lyric and drama, in Greek literary history ? <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Ulrich Weisstein <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) Quintilian <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) S.S. Prawer <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (D) Alexander Veselovsky <o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">12. One
of the first writer to discuss the separation of the literary genre from other
aspects of literature was _____. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(A)
Brunetiere <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"><b>(B) <st1:city w:st="on"><st1:place w:st="on">Cicero</st1:place></st1:city> </b><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(C)
Quintilian <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(D)
Horace <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">13. Genre
is a journal published by ____. (Wrong
Ans)<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) <st1:place w:st="on"><st1:placename w:st="on">Indiana</st1:placename>
<st1:placetype w:st="on">University</st1:placetype></st1:place> <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) The <st1:place w:st="on"><st1:placetype w:st="on">University</st1:placetype> of <st1:placename w:st="on">Illinois</st1:placename></st1:place>
<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) <st1:place w:st="on"><st1:placename w:st="on">Columbia</st1:placename>
<st1:placetype w:st="on">University</st1:placetype></st1:place> <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) <st1:place w:st="on"><st1:placename w:st="on">Princeton</st1:placename>
<st1:placetype w:st="on">University</st1:placetype></st1:place> <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">14. The
first literary work to discuss ‘genre’ is ______. <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (A) Plato’s Republic<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) Horace’s Ars Poetica<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) Longinus’ On the Sublime<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) Aristotle’s Poetics<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">15. Who
separated the choric poetry from monodic poetry ? <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"><b> (A) The Greeks</b> <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(B) The
Romans <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(C) The
Germans <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(D) The
French <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">16.
Identify the work from among the following that does not have an Oedipal theme/
motif : <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A)
Desire under the Elms by O’Neill <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B)
Hamlet by Shakespeare <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (C) The
White Devil by Webster <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) The
Infernal Machine by Cocteau <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">17. The
archetypes of the anima and the animus
were mentioned by ______. <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (A) Carl Jung
<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) Karen Horney <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) Melanie Klein <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) Jessic Weston <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">18. The
study of the Electra theme from the Classical Age to the present is an instance
of <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Synchronic study <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) Monochronic study <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) Anachronic study <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (D) Diachronic study <o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">19. A
critic who compares Valmiki’s Ramayana and Tulsi Das’ Ram Charit Manas as literary epics is doing <b> (A)
a Diachronic study <o:p></o:p></b></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) a Synchronic study <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) an Archetypal study <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) a Myth study <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">20. The
German equivalent for the term “Thematology” is _______. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A)
Gestalt<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B)
Wissenschaft<o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (C)
Stoffgeschichte<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D)
Geistesgeschicht<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">21. The
Malayalam novel Chemmeen and the Tamil
novel Amma Vandaal have been compared
for their common theme of ______. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Tradition and modernity <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) Man-woman relationship <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (C) Adultery and its consequences <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) Society and women <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">22. One
of the novels on the subject of the Muslim invasion of <st1:country-region w:st="on"><st1:place w:st="on">India</st1:place></st1:country-region> – Jai Somnath – is by ________. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Narmad <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (B) K.M. Munshi <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) Harinarayan Apte <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) Dharmavir Bharati <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">23. Which
of the following plays of Vijay Tendulkar has a historical setting ? <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A)
Sakharam Binder<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B)
Kanyadaan<o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (C)
Ghasiram Kotwal<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D)
Silence ! The Court is in Session <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">24.
Select the correct set from the following : <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) (i) Bankim Chandra, Gora (ii) Saratchandra, Srikant (iii) Tagore, Anandmath<o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (B) (i) Bankim Chandra, Anandmath (ii) Saratchandra, Srikant (iii) Tagore, Gora<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) (i) Bankim Chandra, Srikant (ii) Saratchandra, Gora (iii) Tagore, Anandmath<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) (i) Bankim Chandra, Srikant (ii) Saratchandra, Anandmath (iii) Tagore, Gora <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">25.
Identify the correct chronological sequence of the following Hindi authors : <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (A) Jaishankar Prasad, Premchand, Yashpal,
Mohan Rakesh <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) Jaishankar Prasad, Yashpal, Premchand,
Mohan Rakesh <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) Premchand, Jaishankar Prasad, Yashpal,
Mohan Rakesh <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) Premchand, Jaishankar Prasad, Mohan
Rakesh, Yashpal <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">26.
According to Dryden, Horace’s Ars
Poetica, translated by Ben Jonson, is an example of ______. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Adaptation (B) Imitation <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) Paraphrase <b>(D) Metaphrase </b><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">27. The
works of the novelist Balzac were translated by _______. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Samuel Putnam <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (B) Marian Ayton Crawford <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) H.D.P. Lee <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) Michael Grant <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">28.
Identify the author of the following statement : <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> “A badly written book is only a blunder; but a
bad translation of a good book is a crime.” <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Martin Luther <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) Matthew Arnold <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (C) P.B. Shelley <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) Gilbert Highet <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">29. Who
wrote the famous essay “On Translating Homer” ? <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Alexander Pope <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) John Dryden <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (C) Matthew Arnold <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) Una Ellis Fermor<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">30. Name
the translator-critic who has elaborated on the seven different strategies on translation
: <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (A) Andre Lefevere <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) Henry Gifford <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) B.Q. Morgan <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) Octavio Paz <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">31. Who,
among the following, focuses on language and text exclusively ? <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (A) Derrida <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(B) Lacan
<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(C) Julia
Kristeva <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(D)
Foucoult <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">32.
Identify the author of the statement : “Spoken words are the symbols of mental
experiences … and written words are the symbols of spoken words.” <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) <st1:city w:st="on"><st1:place w:st="on">Stanley</st1:place></st1:city>
Fish <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (B) Aristotle <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) Saussure <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) Schleiermacher <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">33.
Identify the author of The English Moses : <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Stephen Greenblatt <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (B) Thomas Harriot <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) Schleiermacher <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) E.M.W. Tillyard <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">34. The
first feminist text in Tamil was ________. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A)
Mannil Ciruther<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B)
Paanchali Capatam<o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (C)
Kothai Theevu<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D)
Thunaivi<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">35.
Therukkoothu is the folk art form in ______. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"><b> (A) Tamil</b> <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(B)
Malayalam <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(C)
Gujarati <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(D) Oriya
<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">36. Who
discusses “Reception Aesthetics” in Comparative Literature ? <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Hyppolite Taine <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (B) Robert Spiller <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) Anna Balakian <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) J.T. Shaw <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">37.
“Influence and Literary Fortune” is an essay written by ________. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Arthur E. Kunst <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) Mary Gaithen <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) Leon Edel <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (D) Anna Balakian <o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">38.
Plutarch’s Biographies would constitute,
in the area of influence studies, an instance of <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Recovery <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(B)
Affinity <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;">(C) Source <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(D)
Parody <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">39. Who
among the following thinkers exerted a tremendous impact on literature ? <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (A) Karl Marx
<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) <st1:city w:st="on"><st1:place w:st="on">Arnold</st1:place></st1:city>
Toynbee <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) Claudio Guillen <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) Frank Jost <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">40. Who
made the statement “one of the most complex problems in the study of literary
influence is direct and indirect influence” ? <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(A) David
H. Malone <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;">(B) J.T. Shaw <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(C) Ihab
H. Hassan <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(D)
Alexander Pushkin<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">41. The
term ‘grotesque’ used to refer to a literary style/technique has its origins in
. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(A)
Painting <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"><b>(B) Architecture </b><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(C) Music
<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">(D) Dance
<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">42. One
of the significant works on Literature and the Arts – Music and Literature – was written by <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (A) Calvin S. Brown <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) Albrecht Schöne <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) Joseph Kerman <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) Ulrich Weisstein <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">43. A
comparative study of the minds of the criminal heroism Dostoievsky’s Crime and
Punishment and Richard Wright’s Native
Son involves the disciplines of ______. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Literary Studies and Sociology <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (B) Literary Studies and Psychology <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) Literary Studies and Anthropology <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) Literary Studies and Legal Studies <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">44.
Identify the literary text which can be illuminated by a study of Anthropology
: <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (A) The
<st1:place w:st="on"><st1:placename w:st="on">Waste</st1:placename> <st1:placetype w:st="on">Land</st1:placetype></st1:place><o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B)
Four Quartets<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) The
Cocktail Party<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D)
Gerontion <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">45. Which
of the following texts is open for an analysis from the perspective of
political theory ? <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) The
Way of the World<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) Major
Barbara<o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (C)
Henry IV Part One<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) The
Birthday Party<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">46. The
concept of ‘Wilderness Romance’ is employed in the study of American <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">novels by
the practitioners of _______. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Feminist Criticism <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) Sociological Criticism <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (C) Eco Criticism <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) Psychological Criticism <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">47.
Mallarme, the French symbolist poet, influenced ______. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) W.H. Auden <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) Dylan Thomas <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (C) T.S. Eliot <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) Hart Crane <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">48. The
English translation of Omar Khayyam’s Rubaiyyat is by ______. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) Bayard Taylor <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) George Madison <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (C) Edward Fitzgerald <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) John Ciardi <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">49. The
playwright who wrote a “heroic tragedy” in the late 17th century was _____. <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (A) John Milton <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) William Congreve <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) Jean Racine <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (D) John Dryden <o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;">50. The
major practitioners of the theatre of the Absurd were _______. <o:p></o:p></span></div>
<div class="MsoNormal">
<b><span style="font-family: Verdana, sans-serif;"> (A) Ionesco, Beckett, Adamoff <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (B) Beckett, Adamoff, Brecht <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (C) Anouilh, Ionesco, Beckett <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Verdana, sans-serif;"> (D) Ionesco, Anouilh, Adamoff</span><span style="font-family: Calibri; font-size: 10pt;"><o:p></o:p></span></div>
</div>
Kashyap Deepakhttp://www.blogger.com/profile/05724719354478570994noreply@blogger.com8tag:blogger.com,1999:blog-3432816720253160432.post-47894400329822458942012-11-05T18:29:00.001-08:002012-12-13T06:36:03.931-08:00<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
<div style="text-align: justify;">
John Hawkes (USA, 1925): “The Cannibal” (1949) +</div>
<div style="text-align: justify;">
John Hawkes (USA, 1925): “Beetle Leg” (1951)</div>
<div style="text-align: justify;">
John Hawkes (USA, 1925): “Lime Twig” (1960) +</div>
<div style="text-align: justify;">
John Hawkes (USA, 1925): “Second Skin” (1963) +</div>
<div style="text-align: justify;">
John Hawkes (USA, 1925): “Blood Oranges” (1971)</div>
<div style="text-align: justify;">
John Hawkes (USA, 1925): “Death Sleep” (1974)</div>
<div style="text-align: justify;">
John Hawkes (USA, 1925): “Travesty” (1976)</div>
<div style="text-align: justify;">
John Hawkes (USA, 1925): “Passion Artist” (1979)</div>
<div style="text-align: justify;">
John Hawkes (USA, 1925): “Virginie” (1982)</div>
<div style="text-align: justify;">
John Hawkes (USA, 1925): “Adventures in the Alaskan Skin Trade” (1985)</div>
<div style="text-align: justify;">
John Hawkes (USA, 1925): “Whistlejacket” (1988)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alex LaGuma (South Africa, 1925): “A Walk in the Night” (1962) +</div>
<div style="text-align: justify;">
Alex LaGuma (South Africa, 1925): “The Stone Country” (1967)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Flannery O’Connor (USA, 1925): “Wise Blood” (1952)</div>
<div style="text-align: justify;">
Flannery O’Connor (USA, 1925): “A Good Man Is Hard to Find” (1955)</div>
<div style="text-align: justify;">
Flannery O’Connor (USA, 1925): “The Violent Bear It Away” (1960) +</div>
<div style="text-align: justify;">
Flannery O’Connor (USA, 1925): “Everything That Rises Must Converge” (1964)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Styron (USA, 1925): “Lie Down in Darkness” (1951)</div>
<div style="text-align: justify;">
William Styron (USA, 1925): “Set This House on Fire” (1960)</div>
<div style="text-align: justify;">
William Styron (USA, 1925): “The Confessions of Nat Turner” (1967)</div>
<div style="text-align: justify;">
William Styron (USA, 1925): “Sophie’s Choice” (1979) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frank Tuohy (Britain, 1925): “Ice Saints” (1964)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Gore Vidal (USA, 1925): “The City and the Pillar” (1948)</div>
<div style="text-align: justify;">
Gore Vidal (USA, 1925): “Myra Breckinridge” (1968) +</div>
<div style="text-align: justify;">
Gore Vidal (USA, 1925): “Myron” (1974)</div>
<div style="text-align: justify;">
Gore Vidal (USA, 1925): “Duluth” (1983)</div>
<div style="text-align: justify;">
Gore Vidal (USA, 1925): “Lincoln” (1984)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Wain (Britain, 1925): “Hurry On Down” (1953)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Wharton (USA, 1925): “Birdy” (1979)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Pamela Gems (Britain, 1925): “Dusa Fish Stas and Vi” (1976) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Elmore Leonard (USA, 1925): “La Brava” (1983)</div>
<div style="text-align: justify;">
Elmore Leonard (USA, 1925): “Get Shorty” (1990)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ian-Hamilton Finlay (Britain, 1925): “Rapel” (1963) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kenneth Koch (USA, 1925): “Ko Seasons On Earth” (1959) [p] +</div>
<div style="text-align: justify;">
Kenneth Koch (USA, 1925): “When The Sun Tries To Go On” (1960) [p] +</div>
<div style="text-align: justify;">
Kenneth Koch (USA, 1925): “The Art of Love” (1975)</div>
<div style="text-align: justify;">
Kenneth Koch (USA, 1925): “New Addresses” (2000)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Brian Aldiss (Britain, 1925): “Hothouse” (1962)</div>
<div style="text-align: justify;">
Brian Aldiss (Britain, 1925): “Non-stop” (1958)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Harry Harrison (USA, 1925): “Make Room” (1966)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Russell Hoban (USA, 1925): “Turtle Diary” (1975)</div>
<div style="text-align: justify;">
Russell Hoban (USA, 1925): “Riddley Walker” (1980) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Reaney (Canada, 1926): “The Red Heart” (1949) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Berger (USA, 1926): “G” (1972) +</div>
<div style="text-align: justify;">
John Berger (USA, 1926): “Pig Earth” (1979)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Anthony Shaffer (Britain, 1926): “Sleuth” (1970) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Christopher Middleton (Britain, 1926): “The Lonely Suppers of W.V. Baloon” (1975) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Christine Brooke-Rose: (Britain, 1926): “Out” (1964)</div>
<div style="text-align: justify;">
Christine Brooke-Rose: (Britain, 1926): “Such” (1966)</div>
<div style="text-align: justify;">
Christine Brooke-Rose: (Britain, 1926): “Xorandor” (1986)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Donleavy (USA, 1926): “The Ginger Man” (1955)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Fowles (Britain, 1926): “The Collector” (1963)</div>
<div style="text-align: justify;">
John Fowles (Britain, 1926): “The Magus” (1966)</div>
<div style="text-align: justify;">
John Fowles (Britain, 1926): “The French Lieutenant’s Woman” (1969) +</div>
<div style="text-align: justify;">
John Fowles (Britain, 1926): “Daniel Martin” (1976)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Roy Heath (Guyana, 1926): “The Murderer” (1978)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas Hinde (Britain, 1926): “Mr Nicholas” (1952)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John-Clellon Holmes (USA, 1926): “The Horn” (1958)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Knowles (USA, 1926): “A Separate Peace” (1959)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Harper Lee (USA, 1926): “To Kill a Mockingbird” (1960) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alison Lurie (USA, 1926): “The War Between the Tates” (1974)</div>
<div style="text-align: justify;">
Alison Lurie (USA, 1926): “Foreign Affairs” (1985) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward Wallant (USA, 1926): “The Human Season” (1960)</div>
<div style="text-align: justify;">
Edward Wallant (USA, 1926): “The Tenants of Moonbloom” (1963)</div>
<div style="text-align: justify;">
Edward Wallant (USA, 1926): “The Pawnbroker” (1961) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Nicholas Wollaston (Britain, 1926): “Cafe de Paris” (1988)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Herman Wouk (USA, 1926): “The Caine Mutiny” (1951)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Hugh Leonard (Ireland, 1926): “The Poker Session” (1963) [t]</div>
<div style="text-align: justify;">
Hugh Leonard (Ireland, 1926): “A Life” (1979) [t]</div>
<div style="text-align: justify;">
Hugh Leonard (Ireland, 1926): “Da” (1973) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Murray Schisgal (USA, 1926): “Luv” (1963) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter Shaffer (Britain, 1926): “Five Finger Exercise” (1958) [t]</div>
<div style="text-align: justify;">
Peter Shaffer (Britain, 1926): “Black Comedy” (1965) [t]</div>
<div style="text-align: justify;">
Peter Shaffer (Britain, 1926): “Equus” (1973) [t] +</div>
<div style="text-align: justify;">
Peter Shaffer (Britain, 1926): “Amadeus” (1979) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Youstol Dispage (1926): “Piero Scaruffi” (1989) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ed McBain (USA, 1926): “Cop Hater” (1956)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Baxter (New Zealand, 1926): “Beyond the Palisade” (1944) [p]</div>
<div style="text-align: justify;">
James Baxter (New Zealand, 1926): “Traveller’s Litany” (1955) [p]</div>
<div style="text-align: justify;">
James Baxter (New Zealand, 1926): “Howrah Bridge” (1961) [p] +</div>
<div style="text-align: justify;">
James Baxter (New Zealand, 1926): “Pig Island Letters” (1966) [p]</div>
<div style="text-align: justify;">
James Baxter (New Zealand, 1926): “The Wide Open Cage” (1959) [t]</div>
<div style="text-align: justify;">
James Baxter (New Zealand, 1926): “The Band Rotunda” (1967) [t]</div>
<div style="text-align: justify;">
James Baxter (New Zealand, 1926): “The Sore-Footed Man” (1967) [t]</div>
<div style="text-align: justify;">
James Baxter (New Zealand, 1926): “The Devil and Mr Mulcahy” (1967) [t]</div>
<div style="text-align: justify;">
James Baxter (New Zealand, 1926): “The Temptations of Oedipus” (1970) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Bly (USA, 1926): “Silence in the Snowy Fields” (1962) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Creeley (USA, 1926): “For Love” (1962) [p]</div>
<div style="text-align: justify;">
Robert Creeley (USA, 1926): “Words” (1967) [p]</div>
<div style="text-align: justify;">
Robert Creeley (USA, 1926): “Pieces” (1969) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Allen Ginsberg (USA, 1926): “Howl” (1955) [p]</div>
<div style="text-align: justify;">
Allen Ginsberg (USA, 1926): “Kaddish” (1961) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Elizabeth Jennings (Britain, 1926): “A Way of Looking” (1955) [p] +</div>
<div style="text-align: justify;">
Elizabeth Jennings (Britain, 1926): “The Mind Has Mountains” (1966) [p]</div>
<div style="text-align: justify;">
Elizabeth Jennings (Britain, 1926): “Extending The Territory” (1985) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Merrill (USA, 1926): “The Diblos Notebook” (1965)</div>
<div style="text-align: justify;">
James Merrill (USA, 1926): “Nights and Days” (1966) [p] +</div>
<div style="text-align: justify;">
James Merrill (USA, 1926): “Braving the Elements” (1972) [p]</div>
<div style="text-align: justify;">
James Merrill (USA, 1926): “The Changing Light at Sandover (1982) [p] ++</div>
<div style="text-align: justify;">
James Merrill (USA, 1926): “The Inner Room (1988) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frank O’Hara (USA, 1926): “Meditations in an Emergency” (1956) [p] +</div>
<div style="text-align: justify;">
Frank O’Hara (USA, 1926): “Second Avenue” (1960) [p]</div>
<div style="text-align: justify;">
Frank O’Hara (USA, 1926): “Lunch Poems” (1964) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William-DeWitt Snodgrass (USA, 1926): “Heart’s Needle” (1959) [p]</div>
<div style="text-align: justify;">
William-DeWitt Snodgrass (USA, 1926): “The Fuehrer Bunker” (1995) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Poul Anderson (USA, 1926): “Tau Zero” (1970)</div>
<div style="text-align: justify;">
Poul Anderson (USA, 1926): “The Boat of a Million Years” (1989)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edmund Cooper (Britain, 1926): “Five to Twelve” (1968)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Burt Blechman (USA, 1927): “How Much” (1962)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Aidan Higgins (Britain, 1927): “Langrishe Go Down” (1966) +</div>
<div style="text-align: justify;">
Aidan Higgins (Britain, 1927): “Balcony of Europe” (1972)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richard Murphy (Ireland, 1927): “Sailing to an Island” (1963) [p]</div>
<div style="text-align: justify;">
Richard Murphy (Ireland, 1927): “The Battle of Auighrim” (1968) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Nayantara Sahgal (India, 1927): “Plans for Departure” (1985)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter Matthiessen (USA, 1927): “At Play in the Fields of the Lord” (1965)</div>
<div style="text-align: justify;">
Peter Matthiessen (USA, 1927): “Killing Mr Watson” (1990)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Broderick (Ireland, 1927): “The Waking of Willie Ryan” (1965)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James-Leo Herlihy (USA, 1927): “Blue Denim” (1958) [t]</div>
<div style="text-align: justify;">
James-Leo Herlihy (USA, 1927): “Midnight Cowboy” (1965)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ruth-Prawer Jhabvala (Britain, 1927): “Esmond in India” (1958)</div>
<div style="text-align: justify;">
Ruth-Prawer Jhabvala (Britain, 1927): “The Householder” (1960)</div>
<div style="text-align: justify;">
Ruth-Prawer Jhabvala (Britain, 1927): “Heat and Dust” (1975) +</div>
<div style="text-align: justify;">
Ruth-Prawer Jhabvala (Britain, 1927): “Is Search of Love and Beauty” (1983)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George Lamming (Barbados, 1927): “In the Castle of my Skin” (1963)</div>
<div style="text-align: justify;">
George Lamming (Barbados, 1927): “Natives of My Person” (1972) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Simon Raven (Britain, 1927): “The Rich Pay Late” (1964)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ann Jellicoe (Britain, 1927): “The Knack” (1961) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter Nichols (Britain, 1927): “A Day in the Death of Joe Egg” (1967) [t] +</div>
<div style="text-align: justify;">
Peter Nichols (Britain, 1927): “The National Health” (1969) [t]</div>
<div style="text-align: justify;">
Peter Nichols (Britain, 1927): “Chez Nous” (1974) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Neil Simon (USA, 1927): “Come Blow Your Home” (1961) [t] +</div>
<div style="text-align: justify;">
Neil Simon (USA, 1927): “Barefoot in the Park” (1961) [t] +</div>
<div style="text-align: justify;">
Neil Simon (USA, 1927): “The Odd Couple” (1965) [t] +</div>
<div style="text-align: justify;">
Neil Simon (USA, 1927): “Plaza Suite” (1968) [t] +</div>
<div style="text-align: justify;">
Neil Simon (USA, 1927): “The Out-of-towners” (1970) [t] +</div>
<div style="text-align: justify;">
Neil Simon (USA, 1927): “Gingerbread Lady” (1970) [t]</div>
<div style="text-align: justify;">
Neil Simon (USA, 1927): “Biloxi Blues” (1985) [t]</div>
<div style="text-align: justify;">
Neil Simon (USA, 1927): “Brighton Beach Memoirs” (1983) [t]</div>
<div style="text-align: justify;">
Neil Simon (USA, 1927): “Broadway Bound” (1986) [t]</div>
<div style="text-align: justify;">
Neil Simon (USA, 1927): “Lost in Yonkers” (1991) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter Dickinson (Britain, 1927): “Hindsight” (1984)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Paul Abelman (Britain, 1927): “I Hear Voices (1958)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Ashbery (USA, 1927): “Some Trees” (1956) [p]</div>
<div style="text-align: justify;">
John Ashbery (USA, 1927): “Rivers and Mountains” (1966) [p]</div>
<div style="text-align: justify;">
John Ashbery (USA, 1927): “The Double Dream of Spring” (1970) [p]</div>
<div style="text-align: justify;">
John Ashbery (USA, 1927): “The System” (1972) [p] +</div>
<div style="text-align: justify;">
John Ashbery (USA, 1927): “Self-Portrait in a Convex Mirror: (1975) [p] ++</div>
<div style="text-align: justify;">
John Ashbery (USA, 1927): “Houseboat Days” (1977) [p] +</div>
<div style="text-align: justify;">
John Ashbery (USA, 1927): “As We Know” (1979) [p]</div>
<div style="text-align: justify;">
John Ashbery (USA, 1927): “A Wave” (1984) [p] +</div>
<div style="text-align: justify;">
John Ashbery (USA, 1927): “April Galleons” (1987) [p]</div>
<div style="text-align: justify;">
John Ashbery (USA, 1927): “Flow Chart” (1991) [p]</div>
<div style="text-align: justify;">
John Ashbery (USA, 1927): “Wakefulness” (1998) [p]</div>
<div style="text-align: justify;">
John Ashbery (USA, 1927): “Chinese Whispers” (2002) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Galway Kinnell (USA, 1927): “What A Kingdom It Was” (1960) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William-Stanley Merwin (USA, 1927): “A Mask for Janus” (1952) [p]</div>
<div style="text-align: justify;">
William-Stanley Merwin (USA, 1927): “The Carrier of Ladders” (1970) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
May Swenson (USA, 1927): “Another Animal” (1954) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charles Tomlinson (Britain, 1927): “The Necklace” (1955) [p]</div>
<div style="text-align: justify;">
Charles Tomlinson (Britain, 1927): “Skywriting” (2003) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Daniel Keyes (USA, 1927): “Flowers for Algernon” (1966)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas Rogers (USA, 1927): “Confessions of a Child of the Century” (1972)</div>
<div style="text-align: justify;">
Thomas Rogers (USA, 1927): “At The Shores” (1980)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alfred Chester (USA, 1928): “The Exquisite Corpse” (1967)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charles Dyer (Britain, 1928): “Staircase” (1966) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frank Marcus (Britain, 1928): “The Killing of Sister George” (1965) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Andrew Salkey (Jamaica, 1928): “A Quality of Violence” (1959)</div>
<div style="text-align: justify;">
Andrew Salkey (Jamaica, 1928): “An Escape to an Autumn Pavement” (1960)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mike Doyle (New Zealand, 1928): “Stonedancer” (1976) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Stan Barstow (Britain, 1928): “A Kind Of Loving” (1960)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Iain-Crichton Smith (Britain, 1928): “Deer on the High Hills” (1962) [p]</div>
<div style="text-align: justify;">
Iain-Crichton Smith (Britain, 1928): “Notebooks of Robinson Crusoe” (1974) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Anita Brookner (Britain, 1928): “Providence” (1982) +</div>
<div style="text-align: justify;">
Anita Brookner (Britain, 1928): “Hotel du Lac” (1984) +</div>
<div style="text-align: justify;">
Anita Brookner (Britain, 1928): “Family and Friends” (1985)</div>
<div style="text-align: justify;">
Anita Brookner (Britain, 1928): “Incidents in the Rue Laugier” (1995)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jane Gardam (Britain, 1928): “God on the Rocks” (1978)</div>
<div style="text-align: justify;">
Jane Gardam (Britain, 1928): “Crusoe’s Daughter” (1985)</div>
<div style="text-align: justify;">
Jane Gardam (Britain, 1928): “Queen of the Tambourine” (1991) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Kennaway (Britain, 1928): “Tunes of Glory” (1956)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Kennedy (USA, 1928): “Legs” (1975)</div>
<div style="text-align: justify;">
William Kennedy (USA, 1928): “Billy Phelan’s Greatest Game” (1978)</div>
<div style="text-align: justify;">
William Kennedy (USA, 1928): “Ironweed” (1983) +</div>
<div style="text-align: justify;">
William Kennedy (USA, 1928): “Flaming Corsage” (1996)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Cynthia Ozick (USA, 1928): “Trust” (1966) +</div>
<div style="text-align: justify;">
Cynthia Ozick (USA, 1928): “The Cannibal Galaxy” (1983)</div>
<div style="text-align: justify;">
Cynthia Ozick (USA, 1928): “The Messiah of Stockholm” (1987) +</div>
<div style="text-align: justify;">
Cynthia Ozick (USA, 1928): “The Puttermesser Papers” (1997)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Hubert Selby (USA, 1928): “Last Exit to Brooklyn” (1964) +</div>
<div style="text-align: justify;">
Hubert Selby (USA, 1928): “The Room” (1971)</div>
<div style="text-align: justify;">
Hubert Selby (USA, 1928): “Demon” (1976)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alan Sillitoe (Britain, 1928): “Saturday Night and Sunday Morning” (1958) +</div>
<div style="text-align: justify;">
Alan Sillitoe (Britain, 1928): “The Loneliness of the Long Distance Runner” (1959)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Trevor (Ireland, 1928): “Old Boys” (1964)</div>
<div style="text-align: justify;">
William Trevor (Ireland, 1928): “The Boarding House” (1965)</div>
<div style="text-align: justify;">
William Trevor (Ireland, 1928): “The Love Department” (1967)</div>
<div style="text-align: justify;">
William Trevor (Ireland, 1928): “Mrs Eckdorf in O’Neill’s Hotel” (1970)</div>
<div style="text-align: justify;">
William Trevor (Ireland, 1928): “The Children of Dynmouth” (1976) +</div>
<div style="text-align: justify;">
William Trevor (Ireland, 1928): “Fools of Fortune” (1983) +</div>
<div style="text-align: justify;">
William Trevor (Ireland, 1928): “Felicia’s Journey” (1994) +</div>
<div style="text-align: justify;">
William Trevor (Ireland, 1928): “The Hill Bachelors” (2001)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward Albee (USA, 1928): “Delicate Balance” (1965) [t]</div>
<div style="text-align: justify;">
Edward Albee (USA, 1928): “Seascape” (1975) [t]</div>
<div style="text-align: justify;">
Edward Albee (USA, 1928): “Three Tall Women” (1992) [t]</div>
<div style="text-align: justify;">
Edward Albee (USA, 1928): “Who’s Afraid of Virginia Woolf” (1962) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Mercer (Britain, 1928): “Flint” (1970) [t] +</div>
<div style="text-align: justify;">
David Mercer (Britain, 1928): “A Suitable Case for Treatment” (1962) [t] +</div>
<div style="text-align: justify;">
David Mercer (Britain, 1928): “In Two Minds” (1967) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas Kinsella (Ireland, 1928): “Another September” (1958) [p]</div>
<div style="text-align: justify;">
Thomas Kinsella (Ireland, 1928): “Notes from the Land of the Dead” (1972) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Anne Sexton (USA, 1928): “Live or Die” (1966) [p] +</div>
<div style="text-align: justify;">
Anne Sexton (USA, 1928):”The Death Notebooks” (1974) [p]</div>
<div style="text-align: justify;">
Anne Sexton (USA, 1928):”The Awful Rowing Toward God” (1974) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Philip Dick (USA, 1928): “Do Androids Dream” (1968) +</div>
<div style="text-align: justify;">
Philip Dick (USA, 1928): “The Simulacra” (1964)</div>
<div style="text-align: justify;">
Philip Dick (USA, 1928): “A Maze of Death” (1970)</div>
<div style="text-align: justify;">
Philip Dick (USA, 1928): “Flow My Tears” (1974)</div>
<div style="text-align: justify;">
Philip Dick (USA, 1928): “A Scanner Darkly” (1977)</div>
<div style="text-align: justify;">
Philip Dick (USA, 1928): “Valis” (1981) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James White (Britain, 1928): “Dream Millenium” (1974)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Maya Angelou (USA, 1928): “Just Give Me a Cool Drink of Water ‘fore I Diiie” (1971) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jane Gardam (Britain, 1928): “God on the Rocks” (1978)</div>
<div style="text-align: justify;">
Jane Gardam (Britain, 1928): “The Queen of the Tambourine” (1991)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richard Howard (USA, 1929): “Untitled Subjects” (1969) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Attipat-Krishnaswami Ramanujan (India, 1929): “The Striders” (1966) [p] +</div>
<div style="text-align: justify;">
Attipat-Krishnaswami Ramanujan (India, 1929): “Second Sight” (1986) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Lynne Banks (Britain, 1929): “The L-shaped Room” (1960)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ursula-Askham Fanthorpe (Britain, 1929): “Side Effects” (1978) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter Porter (Australia, 1929): “Words Without Music” (1968) [p]</div>
<div style="text-align: justify;">
Peter Porter (Australia, 1929): “Preaching to the Converted” (1972) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Brigid Brophy (Britain, 1929): “Hackenfeller’s Ape” (1953)</div>
<div style="text-align: justify;">
Brigid Brophy (Britain, 1929): “Flesh” (1962)</div>
<div style="text-align: justify;">
Brigid Brophy (Britain, 1929): “The Finishing Touch” (1963)</div>
<div style="text-align: justify;">
Brigid Brophy (Britain, 1929): “The Snow Ball” (1964) +</div>
<div style="text-align: justify;">
Brigid Brophy (Britain, 1929): “In Transit” (1969)</div>
<div style="text-align: justify;">
Brigid Brophy (Britain, 1929): “Palace Without Chairs” (1978) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frederick Exley (USA, 1929): “A Fan’s Notes” (1968)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Dan Jacobson (South Africa, 1929): “The Beginners” (1966)</div>
<div style="text-align: justify;">
Dan Jacobson (South Africa, 1929): “The Rape of Tamar” (1970) +</div>
<div style="text-align: justify;">
Dan Jacobson (South Africa, 1929): “The Confessions of Josef Baisz” (1977)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Chaim Potok (USA, 1929): “The Promise” (1970)</div>
<div style="text-align: justify;">
Chaim Potok (USA, 1929): “The Name is Asher Lev” (1972)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Tom Sharpe (Britain, 1929): “Riotous Assembly” (1971)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Gilbert Sorrentino (USA, 1929): “Mulligan’s Stew” (1979)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
George Steiner (USA, 1929): “The Portage to San Cristobal of A.H.” (1981)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Keith Waterhouse (Britain, 1929): “Billy Liar” (1959)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Brian Friel (Ireland, 1929): “Philadelphia Here I Come” (1964) [t] +</div>
<div style="text-align: justify;">
Brian Friel (Ireland, 1929): “Freedom fo the city” (1973) [t]</div>
<div style="text-align: justify;">
Brian Friel (Britain, 1929): “Translations” (1980) [t]</div>
<div style="text-align: justify;">
Brian Friel (Ireland, 1929): “Dancing at Lughnasa” (1990) [t] +</div>
<div style="text-align: justify;">
Brian Friel (Britain, 1929): “Molly Sweeney” (1994) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Osborne (Britain, 1929): “Look Back in Anger” (1956) [t] +</div>
<div style="text-align: justify;">
John Osborne (Britain, 1929): “The Entertainer” (1957) [t] +</div>
<div style="text-align: justify;">
John Osborne (Britain, 1929): “Inadmissible Evidence” (1964) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ira Levin (USA, 1929): “A Kiss Before Dying” (1953)</div>
<div style="text-align: justify;">
Ira Levin (USA, 1929): “Rosemary’s Baby” (1967) +</div>
<div style="text-align: justify;">
Ira Levin (USA, 1929): “The Stepford Wives” (1972) +</div>
<div style="text-align: justify;">
Ira Levin (USA, 1929): “The Boys From Brazil” (1976)</div>
<div style="text-align: justify;">
Ira Levin (USA, 1929): “Sliver” (1991)</div>
<div style="text-align: justify;">
Ira Levin (USA, 1929): “Death Trap” (1978) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ed Dorn (USA, 1929): “Gunslinger” (1975) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thom Gunn (Britain, 1929): “The Sense of Movement” (1957) [p] +</div>
<div style="text-align: justify;">
Thom Gunn (Britain, 1929): “My Sad Captains” (1961) [p]</div>
<div style="text-align: justify;">
Thom Gunn (Britain, 1929): “The Man With Night Sweats” (1992) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Hollander (USA, 1929): “A Crackling of Thorns” (1958) [p]</div>
<div style="text-align: justify;">
John Hollander (USA, 1929): “Spectral Emanations” (1978) [p]</div>
<div style="text-align: justify;">
John Hollander (USA, 1929): “Tesserae” (1988) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Adrienne Rich (USA, 1929): “Snapshots of a Daughter-in-Law” (1963) [p] +</div>
<div style="text-align: justify;">
Adrienne Rich (USA, 1929): “Diving into the Wreck” (1973) [p]</div>
<div style="text-align: justify;">
Adrienne Rich (USA, 1929): “An Atlas of the Difficult world” (1991) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Joseph McElroy (USA, 1930): “A Smuggler’s Bible” (1966) +</div>
<div style="text-align: justify;">
Joseph McElroy (USA, 1930): “Hind’s Kidnap” (1969)</div>
<div style="text-align: justify;">
Joseph McElroy (USA, 1930): “Ancient History” (1971)</div>
<div style="text-align: justify;">
Joseph McElroy (USA, 1930): “Lookout Cartridge” (1974) +</div>
<div style="text-align: justify;">
Joseph McElroy (USA, 1930): “Plus” (1977)</div>
<div style="text-align: justify;">
Joseph McElroy (USA, 1930): “Women and Men” (1987) ++</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Chinua Achebe (Nigeria, 1930): “Things Fall Apart” (1958) +</div>
<div style="text-align: justify;">
Chinua Achebe (Nigeria, 1930): “The Arrow of God” (1964) +</div>
<div style="text-align: justify;">
Chinua Achebe (Nigeria, 1930): “Anthills of the Savannah” (1987)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Barth (USA, 1930): “The Floating Opera” (1956) +</div>
<div style="text-align: justify;">
John Barth (USA, 1930): “The Sotweed Factory” (1960) +</div>
<div style="text-align: justify;">
John Barth (USA, 1930): “The End of the Road” (1961)</div>
<div style="text-align: justify;">
John Barth (USA, 1930): “Giles Goat Boy” (1966) ++</div>
<div style="text-align: justify;">
John Barth (USA, 1930): “Letters” (1979)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Harold Brodkey (USA, 1930): “The Runaway Soul” (1991)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Stanley Elkin (USA, 1930): “Boswell” (1964)</div>
<div style="text-align: justify;">
Stanley Elkin (USA, 1930): “A Bad Man” (1967)</div>
<div style="text-align: justify;">
Stanley Elkin (USA, 1930): “The Dick Gibson Show” (1971) +</div>
<div style="text-align: justify;">
Stanley Elkin (USA, 1930): “The Franchiser” (1976)</div>
<div style="text-align: justify;">
Stanley Elkin (USA, 1930): “The Living End” (1980)</div>
<div style="text-align: justify;">
Stanley Elkin (USA, 1930): “George Mills” (1982) +</div>
<div style="text-align: justify;">
Stanley Elkin (USA, 1930): “The Magic Kingdom” (1985)</div>
<div style="text-align: justify;">
Stanley Elkin (USA, 1930): “Mrs Ted Bliss” (1995)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Elaine Feinstein (Britain, 1930): “Mother’s Daughter” (1988)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jon Silkin (Britain, 1930): “Nature with Man” (1965) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Timothy Findley (Canada, 1930): “Famous Last Words” (1981)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Bruce Dawe (Australia, 1930): “Beyond the Subdivisions” (1969) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Bruce Friedman (USA, 1930): “Stern” (1962)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Maureen Howard (USA, 1930): “Expensive Habits” (1986)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Hughes (Britain, 1930): “The Major” (1964)</div>
<div style="text-align: justify;">
David Hughes (Britain, 1930): “The Pork Butcher” (1984)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jennifer Johnston (Ireland, 1930): “How Many Miles to Babylon” (1974) +</div>
<div style="text-align: justify;">
Jennifer Johnston (Ireland, 1930): “Shadows on Our Skin” (1977)</div>
<div style="text-align: justify;">
Jennifer Johnston (Ireland, 1930): “Old Jest” (1979)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Harry Mathews (USA, 1930): “The Conversations” (1962) +</div>
<div style="text-align: justify;">
Harry Mathews (USA, 1930): “The Sinking of the Odradek Stadium” (1972)</div>
<div style="text-align: justify;">
Harry Mathews (USA, 1930): “Cigarettes” (1987)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Norman Podhoretz (USA, 1930): “Making It” (1968)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Wilfred Sheed (Britain, 1930): “Office Politics” (1966)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Barry Unsworth (Britain, 1930): “Mooncracker’s Gift” (1973)</div>
<div style="text-align: justify;">
Barry Unsworth (Britain, 1930): “Pascali’s Island” (1980) +</div>
<div style="text-align: justify;">
Barry Unsworth (Britain, 1930): “Stone Virgin” (1985) +</div>
<div style="text-align: justify;">
Barry Unsworth (Britain, 1930): “Sugar and Rum” (1988)</div>
<div style="text-align: justify;">
Barry Unsworth (Britain, 1930): “Sacred Hunger” (1992)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Douglas Woolf (USA, 1930): “Hypocritic Days” (1955)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Arden (Britain, 1930): “The Waters of Babylon” (1957) [t] +</div>
<div style="text-align: justify;">
John Arden (Britain, 1930): “Live Like Pigs” (1958) [t] +</div>
<div style="text-align: justify;">
John Arden (Britain, 1930): “Armstrong’s Last Goodnight” (1964) [t]</div>
<div style="text-align: justify;">
John Arden (Britain, 1930): “Serjeant Musgrave’s Dance” (1959) [t] ++</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Harold Pinter (Britain, 1930): “The Room” (1957) [t]</div>
<div style="text-align: justify;">
Harold Pinter (Britain, 1930): “The Birthday Party” (1958) [t] +</div>
<div style="text-align: justify;">
Harold Pinter (Britain, 1930): “The Caretaker” (1959) [t] +</div>
<div style="text-align: justify;">
Harold Pinter (Britain, 1930): “The Dumb Waiter” (1960) [t]</div>
<div style="text-align: justify;">
Harold Pinter (Britain, 1930): “Homecoming” (1964) [t] +</div>
<div style="text-align: justify;">
Harold Pinter (Britain, 1930): “Tea Party” (1965) [t]</div>
<div style="text-align: justify;">
Harold Pinter (Britain, 1930): “Old Times” (1971) [t]</div>
<div style="text-align: justify;">
Harold Pinter (Britain, 1930): “No Man’s Land” (1975) [t]</div>
<div style="text-align: justify;">
Harold Pinter (Britain, 1930): “Betrayal” (1978) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Derek Walcott (Trinidad, 1930): “In A Green Night” (1962) [p]</div>
<div style="text-align: justify;">
Derek Walcott (Trinidad, 1930): “The Castaway” (1965) [p]</div>
<div style="text-align: justify;">
Derek Walcott (Trinidad, 1930): “The Gulf” (1969) [p]</div>
<div style="text-align: justify;">
Derek Walcott (Trinidad, 1930): “Another Life”" (1973) [p] ++</div>
<div style="text-align: justify;">
Derek Walcott (Trinidad, 1930): “Sea Grapes” (1976) [p]</div>
<div style="text-align: justify;">
Derek Walcott (Trinidad, 1930): “The Schooner Flight” (1979) [p] +</div>
<div style="text-align: justify;">
Derek Walcott (Trinidad, 1930): “The Star-Apple Kingdom” (1979) [p] +</div>
<div style="text-align: justify;">
Derek Walcott (Trinidad, 1930): “The Fortunate Traveller” (1981) [p] +</div>
<div style="text-align: justify;">
Derek Walcott (Trinidad, 1930): “The Spoiler’s Return” (1981) [p]</div>
<div style="text-align: justify;">
Derek Walcott (Trinidad, 1930): “Midsummer” (1984) [p]</div>
<div style="text-align: justify;">
Derek Walcott (Trinidad, 1930): “Omeros” (1990) [p] +</div>
<div style="text-align: justify;">
Derek Walcott (Trinidad, 1930): “Dream on Monkey Mountain” (1967) [t] +</div>
<div style="text-align: justify;">
Derek Walcott (Trinidad, 1930): “O Babylon” (1976) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ruth Rendell (Britain, 1930): “The Face of Trespass” (1974) +</div>
<div style="text-align: justify;">
Ruth Rendell (Britain, 1930): “Judgement in Stone” (1977)</div>
<div style="text-align: justify;">
Ruth Rendell (Britain, 1930): “The Lake of Darkness” (1980)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward-Kamau Brathwaite (Barbados, 1930): “The Arrivants” (1973) [p] ++</div>
<div style="text-align: justify;">
Edward-Kamau Brathwaite (Barbados, 1930): “Mother Poem” (1977) [p] +</div>
<div style="text-align: justify;">
Edward-Kamau Brathwaite (Barbados, 1930): “Sun Poems” (1982) [p]</div>
<div style="text-align: justify;">
Edward-Kamau Brathwaite (Barbados, 1930): “X/Self” (1987) [p]</div>
<div style="text-align: justify;">
Edward-Kamau Brathwaite (Barbados, 1930): “Middle Passages” (1992) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Gregory Corso (USA, 1930): “The Happy Birthday of Death” (1960) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Roy Fisher (Britain, 1930): “The City” (1961) [p]</div>
<div style="text-align: justify;">
Roy Fisher (Britain, 1930): “The Furnace” (1986) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ted Hughes (Britain, 1930): “The Hawk In The Rain” (1957) [p]</div>
<div style="text-align: justify;">
Ted Hughes (Britain, 1930): “Lupercal” (1960) [p] +</div>
<div style="text-align: justify;">
Ted Hughes (Britain, 1930): “Crow” (1970) [p] +</div>
<div style="text-align: justify;">
Ted Hughes (Britain, 1930): “Prometheus on His Crag” (1973) [p]</div>
<div style="text-align: justify;">
Ted Hughes (Britain, 1930): “Orghast” (1968) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Gary Snyder (USA, 1930): “Riprap” (1959) [p]</div>
<div style="text-align: justify;">
Gary Snyder (USA, 1930): “Cold Mountain Poems” (1965) [p]</div>
<div style="text-align: justify;">
Gary Snyder (USA, 1930): “Songs for Gaia” (1979) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Anthony Thwaite (Britain, 1930): “The Owl in the Tree” (1963) [p] +</div>
<div style="text-align: justify;">
Anthony Thwaite (Britain, 1930): “The Stones of Emptiness” (1967) [p]</div>
<div style="text-align: justify;">
Anthony Thwaite (Britain, 1930): “Inscriptions” (1973) [p] +</div>
<div style="text-align: justify;">
Anthony Thwaite (Britain, 1930): “New Confessions” (1974) [p]</div>
<div style="text-align: justify;">
Anthony Thwaite (Britain, 1930): “Victorian Voices” (1980) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James-Graham Ballard (Britain, 1930): “The Crystal World” (1966)</div>
<div style="text-align: justify;">
James-Graham Ballard (Britain, 1930): “Crash” (1973) +</div>
<div style="text-align: justify;">
James-Graham Ballard (Britain, 1930): “Empire of the Sun” (1984)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Lorraine Hansberry (USA, 1930): “A Raisin in the Sun” (1959) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Walter Abish (USA, 1931): “How German Is It” (1980)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter Mathers (Australia, 1931): “Trap” (1966)</div>
<div style="text-align: justify;">
Peter Mathers (Australia, 1931): “Wort Papers” (1972)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Gary StOmer (St Lucia, 1931): “The Lights on the Hill” (1986)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Carolin Blackwood (Britain, 1931): “Stepdaughter” (1976)</div>
<div style="text-align: justify;">
Carolin Blackwood (Britain, 1931): “The Fate Of Mary Rose” (1981)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ruth Fainlight (USA, 1931): “Cages” (1967) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Isabel Colegate (Britain, 1931): “The Shooting Party” (1980)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edgar-Lawrence Doctorow (USA, 1931): “The Book of Daniel” (1971) +</div>
<div style="text-align: justify;">
Edgar-Lawrence Doctorow (USA, 1931): “Ragtime” (1975) +</div>
<div style="text-align: justify;">
Edgar-Lawrence Doctorow (USA, 1931): “Loon Lake” (1980)</div>
<div style="text-align: justify;">
Edgar-Lawrence Doctorow (USA, 1931): “The World’s Fair” (1985)</div>
<div style="text-align: justify;">
Edgar-Lawrence Doctorow (USA, 1931): “Billy Bathgate” (1989)</div>
<div style="text-align: justify;">
Edgar-Lawrence Doctorow (USA, 1931): “Waterworks” (1994)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Janice Elliott (Britain, 1931): “Secret Places” (1981)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Maurice Gee (New Zealand, 1931): “Plumb” (1978)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Shirley Hazzard (Australia, 1931): “The Transit of Venus” (1980) +</div>
<div style="text-align: justify;">
Shirley Hazzard (Australia, 1931): “The Great Fire” (2003)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alice Munro (Canada, 1931): “Lives of Girls and Women” (1971) +</div>
<div style="text-align: justify;">
Alice Munro (Canada, 1931): “The Beggar Maid/ Who Do You Think You Are” (1978)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frederic Raphael (USA, 1931): “The Glittering Prizes” (1976)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mordecai Richler (Canada, 1931): “The Apprenticeship of Duddy Kravitz” (1959)</div>
<div style="text-align: justify;">
Mordecai Richler (Canada, 1931): “St Urbain’s Horseman” (1971) +</div>
<div style="text-align: justify;">
Mordecai Richler (Canada, 1931): “Solomon Gursky Was Here” (1990)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jane Rule (USA, 1931): “Desert of the Heart” (1964)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Colin Wilson (Britain, 1931): “Ritual in the Dark” (1960)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Tom Wolfe (USA, 1931): “The Bonfire of Vanities” (1987) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter Barnes (Britain, 1931): “The Ruling Class” (1968) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter Barnes (Britain, 1931): “Leonardo’s Last Supper” (1969) [t]</div>
<div style="text-align: justify;">
Peter Barnes (Britain, 1931): “Noonday Demons” (1970) [t]</div>
<div style="text-align: justify;">
Peter Barnes (Britain, 1931): “The Bewitched” (1974) [t] +</div>
<div style="text-align: justify;">
Peter Barnes (Britain, 1931): “Laughter” (1978) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John LeCarre (Britain, 1931): “Call For The Dead” (1960)</div>
<div style="text-align: justify;">
John LeCarre (Britain, 1931): “The Spy Who Came In From the Cold” (1965)</div>
<div style="text-align: justify;">
John LeCarre (Britain, 1931): “The Honorable Schoolboy” (1977)</div>
<div style="text-align: justify;">
John LeCarre (Britain, 1931): “The Little Drummer Girl” (1983)</div>
<div style="text-align: justify;">
John LeCarre (Britain, 1931): “The Perfect Spy” (1986) +</div>
<div style="text-align: justify;">
John LeCarre (Britain, 1931): “The Russia House” (1989)</div>
<div style="text-align: justify;">
John LeCarre (Britain, 1931): “The Night Manager” (1993)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Derek Raymond (Britain, 1931): “He Died With His Eyes Open” (1983)</div>
<div style="text-align: justify;">
Derek Raymond (Britain, 1931): “I Was Dora Suarez” (1990)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
PBitek Okot (Uganda, 1931): “Song of Lawino” (1966) [p] +</div>
<div style="text-align: justify;">
PBitek Okot (Uganda, 1931): “Song of Ocal” (1970) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Adrian Henri (Britain, 1932): “Autobiography” (1971) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sara Banerji (Britain, 1932): “Cobwebwalking” (1986)</div>
<div style="text-align: justify;">
Sara Banerji (Britain, 1932): “Absolute Hush” (1991)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ronald Ribman (USA, 1932): “Harry Noon and Night” (1965) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Corrington (Britain, 1932): “The Actes and Monuments” (1979)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Malcom Bradbury (Britain, 1932): “Eating People is Wrong” (1959) +</div>
<div style="text-align: justify;">
Malcom Bradbury (Britain, 1932): “History Man” (1975)</div>
<div style="text-align: justify;">
Malcom Bradbury (Britain, 1932): “Rates of Exchange” (1983)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Coover (USA, 1932): “The Universal Baseball Association” (1968)</div>
<div style="text-align: justify;">
Robert Coover (USA, 1932): “The Origin of the Brunists” (1966) +</div>
<div style="text-align: justify;">
Robert Coover (USA, 1932): “The Public Burning” (1977)</div>
<div style="text-align: justify;">
Robert Coover (USA, 1932): “Gerald’s Party” (1986)</div>
<div style="text-align: justify;">
Robert Coover (USA, 1932): “Pinocchio in Venice” (1991)</div>
<div style="text-align: justify;">
Robert Coover (USA, 1932): “John’s Wife” (1996)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alice-Thomas Ellis (Britain, 1932): “27th Kingdom” (1982)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Eva Figes (Britain, 1932): “Winter Journey” (1967)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Vidiadha-Surajprasad Naipaul (India, 1932): “The Mystic Masseur” (1957)</div>
<div style="text-align: justify;">
Vidiadha-Surajprasad Naipaul (India, 1932): “The Suffrage of Elvira” (1958)</div>
<div style="text-align: justify;">
Vidiadha-Surajprasad Naipaul (India, 1932): “A House For Mr Biswas” (1961) +</div>
<div style="text-align: justify;">
Vidiadha-Surajprasad Naipaul (India, 1932): “In a Free State” (1971)</div>
<div style="text-align: justify;">
Vidiadha-Surajprasad Naipaul (India, 1932): “Guerrillas” (1975)</div>
<div style="text-align: justify;">
Vidiadha-Surajprasad Naipaul (India, 1932): “A Bend in the River” (1979) +</div>
<div style="text-align: justify;">
Vidiadha-Surajprasad Naipaul (India, 1932): “The Enigma of Arrival” (1987)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Arun-Balkrishna Kolatkar (India, 1932): “Jejuri” (1976) [p] +</div>
<div style="text-align: justify;">
Arun-Balkrishna Kolatkar (India, 1932): “Kala Ghoda Poems” (2004) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edna O’Brien (Ireland, 1932): “The Country Girls Trilogy” (1964) +</div>
<div style="text-align: justify;">
Edna O’Brien (Ireland, 1932): “August is a Wicked Mouth” (1965)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Julia O’Faolain (Britain, 1932): “No Country for Young Men” (1980)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sylvia Plath (USA, 1932): “The Bell Jar” (1966) +</div>
<div style="text-align: justify;">
Sylvia Plath (USA, 1932): “The Colossus” (1960) [p]</div>
<div style="text-align: justify;">
Sylvia Plath (USA, 1932): “Ariel” (1965) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter Redgrove (Britain, 1932): “In the Country of the Skin” (1973)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ronald Sukenick (USA, 1932): “98.5″ (1975)</div>
<div style="text-align: justify;">
Ronald Sukenick (USA, 1932): “Out” (1973)</div>
<div style="text-align: justify;">
Ronald Sukenick (USA, 1932): “Up” (1968)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Updike (USA, 1932): “Poorhouse Fair” (1958)</div>
<div style="text-align: justify;">
John Updike (USA, 1932): “Rabbitt Run” (1960) +</div>
<div style="text-align: justify;">
John Updike (USA, 1932): “The Centaur” (1963)</div>
<div style="text-align: justify;">
John Updike (USA, 1932): “Of the Farm” (1965)</div>
<div style="text-align: justify;">
John Updike (USA, 1932): “Couples” (1968)</div>
<div style="text-align: justify;">
John Updike (USA, 1932): “Bech” (1970)</div>
<div style="text-align: justify;">
John Updike (USA, 1932): “Rabbitt Redux” (1971)</div>
<div style="text-align: justify;">
John Updike (USA, 1932): “The Coup” (1978)</div>
<div style="text-align: justify;">
John Updike (USA, 1932): “Rabbitt is Rich” (1981)</div>
<div style="text-align: justify;">
John Updike (USA, 1932): “The Witches of Eastwick” (1984) +</div>
<div style="text-align: justify;">
John Updike (USA, 1932): “Roger’s Version” (1986) +</div>
<div style="text-align: justify;">
John Updike (USA, 1932): “Rabbit at Rest” (1990)</div>
<div style="text-align: justify;">
John Updike (USA, 1932): “In the Beauty of the Lilies” (1995)</div>
<div style="text-align: justify;">
John Updike (USA, 1932): “Toward the End of Time” (1997)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Athol Fugard (South Africa, 1932): “The Blood Knot” (1961) [t] +</div>
<div style="text-align: justify;">
Athol Fugard (South Africa, 1932): “Boesman and Lena” (1969) [t] +</div>
<div style="text-align: justify;">
Athol Fugard (South Africa, 1932): “Sizwe Bansi Is Dead” (1972) [t]</div>
<div style="text-align: justify;">
Athol Fugard (South Africa, 1932): “Master Harold and the Boys” (1982) [t]</div>
<div style="text-align: justify;">
Athol Fugard (South Africa, 1932): “Tsotsi” (1960)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jack Gelber (USA, 1932): “Connection” (1959) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Arnold Wesker (Britain, 1932): “Chicken Soup with Barley” (1958) [t] +</div>
<div style="text-align: justify;">
Arnold Wesker (Britain, 1932): “The Kitchen” (1959) [t]</div>
<div style="text-align: justify;">
Arnold Wesker (Britain, 1932): “Roots” (1959) [t]</div>
<div style="text-align: justify;">
Arnold Wesker (Britain, 1932): “Chips with Everything” (1962) [t]</div>
<div style="text-align: justify;">
Arnold Wesker (Britain, 1932): “Their Very Own” (1965) [t]</div>
<div style="text-align: justify;">
Arnold Wesker (Britain, 1932): “The Friends” (1970) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Geoffrey Hill (Britain, 1932): “For The Unfallen” (1959) [p] +</div>
<div style="text-align: justify;">
Geoffrey Hill (Britain, 1932): “King Log” (1968) [p]</div>
<div style="text-align: justify;">
Geoffrey Hill (Britain, 1932): “Mercian Hymns” (1971) [p] +</div>
<div style="text-align: justify;">
Geoffrey Hill (Britain, 1932): “Tenebrae” (1978) [p]</div>
<div style="text-align: justify;">
Geoffrey Hill (Britain, 1932): “The Mystery of the Charity of Charles Peguy” (1983) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Christopher Okigbo (Nigeria, 1932): “Heavensgate” (1962) [p] +</div>
<div style="text-align: justify;">
Christopher Okigbo (Nigeria, 1932): “Limits” (1964) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter Redgrove (Britain, 1932): “The Collector” (1959) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Punyakante Wijenaike (Sri Lanka, 1932): “The Waiting Earth” (1966)</div>
<div style="text-align: justify;">
Punyakante Wijenaike (Sri Lanka, 1932): “Giraya” (1971)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Stephen Vizinczey (Hungary, 1933): “In Praise of Older Women” (1965)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward Lucie-Smith (Jamaica, 1933): “Towards Silence” (1968) [p]</div>
<div style="text-align: justify;">
Edward Lucie-Smith (Jamaica, 1933): “The Well Wishers” (1974) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Anne Stevenson (USA, 1933): “Correspondences” (1974) [p]</div>
<div style="text-align: justify;">
Anne Stevenson (USA, 1933): “The Fiction Makers” (1985) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Donald Barthelme (USA, 1933): “Paradise” (1986)</div>
<div style="text-align: justify;">
Donald Barthelme (USA, 1933): “Snow White” (1967)</div>
<div style="text-align: justify;">
Donald Barthelme (USA, 1933): “The Dead Father” (1975) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Maureen Duffy (Britain, 1933): “The Microcosm” (1966)</div>
<div style="text-align: justify;">
Maureen Duffy (Britain, 1933): “Love Child” (1971) +</div>
<div style="text-align: justify;">
Maureen Duffy (Britain, 1933): “Gor Saga” (1981)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ernest Gaines (USA, 1933): “Te Autobiography of Miss Jane Pitman” (1971)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Gardner (USA, 1933): “Grendel” (1971) +</div>
<div style="text-align: justify;">
John Gardner (USA, 1933): “The Wreckage of Agathon” (1970)</div>
<div style="text-align: justify;">
John Gardner (USA, 1933): “The Sunlight Dialogues” (1972)</div>
<div style="text-align: justify;">
John Gardner (USA, 1933): “October Light” (1976)</div>
<div style="text-align: justify;">
John Gardner (USA, 1933): “Freddy’s Book” (1980)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Bryan Johnson (Britain, 1933): “Travelling People” (1963)</div>
<div style="text-align: justify;">
Bryan Johnson (Britain, 1933): “Albert Angelo” (1964)</div>
<div style="text-align: justify;">
Bryan Johnson (Britain, 1933): “The Unfortunates” (1969)</div>
<div style="text-align: justify;">
Bryan Johnson (Britain, 1933): “Christy Malry’s Own Double Entry” (1973) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jerzy Kosinski (Poland, 1933): “The Painted Bird” (1965) +</div>
<div style="text-align: justify;">
Jerzy Kosinski (Poland, 1933): “Steps” (1968)</div>
<div style="text-align: justify;">
Jerzy Kosinski (Poland, 1933): “Being There” (1971) +</div>
<div style="text-align: justify;">
Jerzy Kosinski (Poland, 1933): “The Devil Tree” (1973)</div>
<div style="text-align: justify;">
Jerzy Kosinski (Poland, 1933): “Cockpit” (1975)</div>
<div style="text-align: justify;">
Jerzy Kosinski (Poland, 1933): “Blind Date” (1977)</div>
<div style="text-align: justify;">
Jerzy Kosinski (Poland, 1933): “Passion Play” (1979)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Penelope Lively (Britain, 1933): “The Road to Lichfield” (1977)</div>
<div style="text-align: justify;">
Penelope Lively (Britain, 1933): “Treasures of Time” (1979)</div>
<div style="text-align: justify;">
Penelope Lively (Britain, 1933): “According to Mark” (1984)</div>
<div style="text-align: justify;">
Penelope Lively (Britain, 1933): “Moon Tiger” (1987) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Cormac McCarthy (USA, 1933): “Child of God” (1973)</div>
<div style="text-align: justify;">
Cormac McCarthy (USA, 1933): “Suttree” (1979) +</div>
<div style="text-align: justify;">
Cormac McCarthy (USA, 1933): “Blood Meridian” (1985)</div>
<div style="text-align: justify;">
Cormac McCarthy (USA, 1933): “All the Pretty Horses” (1992) +</div>
<div style="text-align: justify;">
Cormac McCarthy (USA, 1933): “The Border Trilogy” (1998) +</div>
<div style="text-align: justify;">
Cormac McCarthy (USA, 1933): “The Road” (2006)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Reynolds Price (USA, 1933): “Clockers” (1992)</div>
<div style="text-align: justify;">
Reynolds Price (USA, 1933): “The Surface of the Earth” (1975) +</div>
<div style="text-align: justify;">
Reynolds Price (USA, 1933): “Kate Vaiden” (1986)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Philip Roth (USA, 1933): “Goodbye Columbus” (1959)</div>
<div style="text-align: justify;">
Philip Roth (USA, 1933): “Letting Go” (1962)</div>
<div style="text-align: justify;">
Philip Roth (USA, 1933): “Portnoy’s Complaint” (1969)</div>
<div style="text-align: justify;">
Philip Roth (USA, 1933): “The Great American Novel” (1973)</div>
<div style="text-align: justify;">
Philip Roth (USA, 1933): “My Life as a Man” (1974)</div>
<div style="text-align: justify;">
Philip Roth (USA, 1933): “Professor of Desire” (1977)</div>
<div style="text-align: justify;">
Philip Roth (USA, 1933): “The Ghost Writer” (1979) +</div>
<div style="text-align: justify;">
Philip Roth (USA, 1933): “Zuckerman Unbound” (1981) +</div>
<div style="text-align: justify;">
Philip Roth (USA, 1933): “The Anatomy Lesson” (1983)</div>
<div style="text-align: justify;">
Philip Roth (USA, 1933): “The Prague Orgy” (1985)</div>
<div style="text-align: justify;">
Philip Roth (USA, 1933): “Counterlife” (1987)</div>
<div style="text-align: justify;">
Philip Roth (USA, 1933): “Deception” (1990)</div>
<div style="text-align: justify;">
Philip Roth (USA, 1933): “Operation Shylock” (1993)</div>
<div style="text-align: justify;">
Philip Roth (USA, 1933): “Sabbath Theatre” (1995)</div>
<div style="text-align: justify;">
Philip Roth (USA, 1933): “American Pastoral” (1997)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Susan Sontag (USA, 1933): “Benefactor” (1963)</div>
<div style="text-align: justify;">
Susan Sontag (USA, 1933): “Death kit” (1967)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Storey (Britain, 1933): “The Sporting Life” (1960) +</div>
<div style="text-align: justify;">
David Storey (Britain, 1933): “Flight into Camden” (1960)</div>
<div style="text-align: justify;">
David Storey (Britain, 1933): “Radcliffe” (1963)</div>
<div style="text-align: justify;">
David Storey (Britain, 1933): “Saville” (1976)</div>
<div style="text-align: justify;">
David Storey (Britain, 1933): “Arnold Middleton” (1967) [t]</div>
<div style="text-align: justify;">
David Storey (Britain, 1933): “The Restoration of Arnold Middleton” (1967) [t] +</div>
<div style="text-align: justify;">
David Storey (Britain, 1933): “Celebration” (1969) [t]</div>
<div style="text-align: justify;">
David Storey (Britain, 1933): “Changing Room” (1971) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Michael Frayn (Britain, 1933): “Noises Off” (1982) [t]</div>
<div style="text-align: justify;">
Michael Frayn (Britain, 1933): “Spies” (2002)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Joe Orton (Britain, 1933): “Entertaining Mr Sloane” (1964) [t] +</div>
<div style="text-align: justify;">
Joe Orton (Britain, 1933): “Loot” (1966) [t] +</div>
<div style="text-align: justify;">
Joe Orton (Britain, 1933): “What the Butler Saw” (1969) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Elechi Amadi (Nigeria, 1934): “The Concubine” (1966)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Chris Wallace-Crabbe (Australia, 1934): “The Music Of Division” (1959) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Beryl Bainbridge (Britain, 1934): “The Dressmaker” (1973)</div>
<div style="text-align: justify;">
Beryl Bainbridge (Britain, 1934): “The Bottle Factory Outing” (1974) +</div>
<div style="text-align: justify;">
Beryl Bainbridge (Britain, 1934): “Injury Time” (1977)</div>
<div style="text-align: justify;">
Beryl Bainbridge (Britain, 1934): “An Awfully Big Adventure” (1989)</div>
<div style="text-align: justify;">
Beryl Bainbridge (Britain, 1934): “Every Man For Himself” (1996)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kamala Das (India, 1924): “Summer in Calcutta” (1965) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Wendell Berry (USA, 1934): “The Memory of Old Jack” (1974)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Leonard Cohen (Canada, 1934): “Beautiful Losers” (1966)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Joan Didion (USA, 1934): “Run River” (1963)</div>
<div style="text-align: justify;">
Joan Didion (USA, 1934): “Play It As It Lays” (1970) +</div>
<div style="text-align: justify;">
Joan Didion (USA, 1934): “A Book of Common Prayers” (1977)</div>
<div style="text-align: justify;">
Joan Didion (USA, 1934): “Democracy” (1984)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alan Garner (Britain, 1934): “The Owl Service” (1967)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alasdair Gray (Britain, 1934): “Lanark” (1981) +</div>
<div style="text-align: justify;">
Alasdair Gray (Britain, 1934): “Janine” (1982)</div>
<div style="text-align: justify;">
Alasdair Gray (Britain, 1934): “Poor Things” (1992)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ronald Harwood (South Africa, 1934): “Articles of Faith” (1973)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Malouf (Australia, 1934): “Bicycle” (1970) [p]</div>
<div style="text-align: justify;">
David Malouf (Australia, 1934): “First Things Last” (1980) [p]</div>
<div style="text-align: justify;">
David Malouf (Australia, 1934): “An Imaginary Life” (1978) +</div>
<div style="text-align: justify;">
David Malouf (Australia, 1934): “Remembering Babylon” (1993)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John McGahern (Ireland, 1934): “The Dark” (1965)</div>
<div style="text-align: justify;">
John McGahern (Ireland, 1934): “The Pornographer” (1979)</div>
<div style="text-align: justify;">
John McGahern (Ireland, 1934): “Amongst Women” (1990) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Scott Momaday (USA, 1934): “House Made of Dawn” (1969)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Rechy (USA, 1934): “City of Night” (1963) +</div>
<div style="text-align: justify;">
John Rechy (USA, 1934): “Vampires” (1971)</div>
<div style="text-align: justify;">
John Rechy (USA, 1934): “Marylin’s Daughter” (1988)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ann Schlee (Britain, 1934): “Rhine Journey” (1980)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rudy Wiebe (Canada, 1934): “Temptations of Big Bear” (1973)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Amiri Baraka (USA, 1934): “Dutchman” (1964) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alan Bennett (Britain, 1934): “An Englishman Abroad” (1983) [t]</div>
<div style="text-align: justify;">
Alan Bennett (Britain, 1934): “The Madness of George III” (1991) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward Bond (Britain, 1934): “The Pope’s Wedding” (1962) [t]</div>
<div style="text-align: justify;">
Edward Bond (Britain, 1934): “Saved” (1965) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Margaretta D’Arcy (Ireland, 1934): “whose is the Kingdom” (1988) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ronald Harwood (South Africa, 1934): “The Dresser” (1983) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
LeRoi Jones (USA, 1934): “Dutchman” (1964) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Wole Soyinka (Nigeria, 1934): “The Interpreters” (1965)</div>
<div style="text-align: justify;">
Wole Soyinka (Nigeria, 1934): “Season of Anomy” (1973) +</div>
<div style="text-align: justify;">
Wole Soyinka (Nigeria, 1934): “The Swamp Dwellers” (1959) [t]</div>
<div style="text-align: justify;">
Wole Soyinka (Nigeria, 1934): “A Dance of the Forests” (1960) [t] +</div>
<div style="text-align: justify;">
Wole Soyinka (Nigeria, 1934): “The Road” (1965) [t]</div>
<div style="text-align: justify;">
Wole Soyinka (Nigeria, 1934): “Madmen and Specialists” (1971) [t] +</div>
<div style="text-align: justify;">
Wole Soyinka (Nigeria, 1934): “Idanre” (1968) [p]</div>
<div style="text-align: justify;">
Wole Soyinka (Nigeria, 1934): “A Shuttle In The Crypt” (1968) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Brunner (Britain, 1934): “Stand on Zanzibar” (1968)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Harlan Ellison (USA, 1934): “Man With Nine Lives” (1959)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Gardner Herb (USA, 1934): “I’m Not Rappaport” (1986) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alan Bennett (Britain, 1934): “Card” (1911)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ruskin Bond (India, 1934): “Our Trees Still Grow In Dehra” (1992)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kofi Awoonor (Ghana, 1935): “Rediscovery” (1964) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Michael Horovitz (Britain, 1935): “The Wolverhampton Wanderer” (1971) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Glyn Hughes (Britain, 1935): “Where I Used to Play On The Green” (1982)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ed Bullins (USA, 1935): “Duplex” (1970) [t]</div>
<div style="text-align: justify;">
Ed Bullins (USA, 1935): “The Taking of Miss Janie” (1975) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richard Brautigan (USA, 1935): “A Confederate General” (1964)</div>
<div style="text-align: justify;">
Richard Brautigan (USA, 1935): “Trout Fishing in America” (1967)</div>
<div style="text-align: justify;">
Richard Brautigan (USA, 1935): “In Watermelon Sugar” (1968) +</div>
<div style="text-align: justify;">
Richard Brautigan (USA, 1935): “Sombrero Fallout” (1976)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Andre Brink (South Africa, 1935): “Looking on Darkness” (1974) +</div>
<div style="text-align: justify;">
Andre Brink (South Africa, 1935): “A Dry White Season” (1979)</div>
<div style="text-align: justify;">
Andre Brink (South Africa, 1935): “The Other Side of Silence” (2002)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James-Gordon Farrell (Britain, 1935): “The Siege of Krishnapur” (1973)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Zulfikar Ghose (India, 1935): “Hulme’s Investigations into the Bogart Script” (1981)</div>
<div style="text-align: justify;">
Zulfikar Ghose (India, 1935): “The Triple Mirror of the Self” (1992) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Diane Johnson (USA, 1935): “The Shadow Knows” (1974)</div>
<div style="text-align: justify;">
Diane Johnson (USA, 1935): “Le Divorce” (1997)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas Keneally (Australia, 1935): “The Chant of Jimmy Blacksmith” (1972) +</div>
<div style="text-align: justify;">
Thomas Keneally (Australia, 1935): “Schindler’s Ark” (1982)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ken Kesey (USA, 1935): “Sometimes a Great Notion” (1964)</div>
<div style="text-align: justify;">
Ken Kesey (USA, 1935): “One Flew Over The Cuckoo’s Nest” (1962) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Lodge (Britain, 1935): “Out of the Shelter” (1970)</div>
<div style="text-align: justify;">
David Lodge (Britain, 1935): “Changing Places” (1975) +</div>
<div style="text-align: justify;">
David Lodge (Britain, 1935): “How Far Can We Go” (1980)</div>
<div style="text-align: justify;">
David Lodge (Britain, 1935): “Nice Work” (1988)</div>
<div style="text-align: justify;">
David Lodge (Britain, 1935): “Small World” (1984)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edna-Annie Proulx (USA, 1935): “Postcards” (1992) +</div>
<div style="text-align: justify;">
Edna-Annie Proulx (USA, 1935): “Shipping News” (1993) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Carol Shields (USA, 1935): “Small Ceremonies” (1976)</div>
<div style="text-align: justify;">
Carol Shields (USA, 1935): “Swann” (1987) +</div>
<div style="text-align: justify;">
Carol Shields (USA, 1935): “Stone Diaries” (1993) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Andrew Sinclair (Britain, 1935): “Breaking of Bumbo” (1959)</div>
<div style="text-align: justify;">
Andrew Sinclair (Britain, 1935): “My Friend Judas” (1959)</div>
<div style="text-align: justify;">
Andrew Sinclair (Britain, 1935): “Gog” (1967) +</div>
<div style="text-align: justify;">
Andrew Sinclair (Britain, 1935): “Magog” (1972)</div>
<div style="text-align: justify;">
Andrew Sinclair (Britain, 1935): “King Ludd” (1988)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Randolph Stow (Australia, 1935): “To the Islands” (1958)</div>
<div style="text-align: justify;">
Randolph Stow (Australia, 1935): “Tourmaline” (1963)</div>
<div style="text-align: justify;">
Randolph Stow (Australia, 1935): “The Merry-go-round in the Sea” (1965) +</div>
<div style="text-align: justify;">
Randolph Stow (Australia, 1935): “Visitants” (1979) +</div>
<div style="text-align: justify;">
Randolph Stow (Australia, 1935): “A Counterfeit Silence” (1969) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Donald-Michael Thomas (Britain, 1935): “The Flute Player” (1979)</div>
<div style="text-align: justify;">
Donald-Michael Thomas (Britain, 1935): “White Hotel” (1981) +</div>
<div style="text-align: justify;">
Donald-Michael Thomas (Britain, 1935): “Sphinx” (1986)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jeff Torrington (Britain, 1935): “Swing Hammer Swing” (1992)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Tom Wakefield (Britain, 1935): “Lot’s Wife” (1989)</div>
<div style="text-align: justify;">
Tom Wakefield (Britain, 1935): “War Paint” (1993)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Youstol Dispage (1935): “Piero Scaruffi” (1989) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Fay Weldon (Britain, 1935): “Praxis” (1978) +</div>
<div style="text-align: justify;">
Fay Weldon (Britain, 1935): “The Life and Loves of a She-devil” (1983)</div>
<div style="text-align: justify;">
Fay Weldon (Britain, 1935): “The Cloning of Joanna May” (1990)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Dennis Potter (Britain, 1935): “Blue Remembered Hills” (1979) [t]</div>
<div style="text-align: justify;">
Dennis Potter (Britain, 1935): “The Singing Detective” (1989) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Trevor Griffiths (Britain, 1935): “The Occupation” (1970) [t]</div>
<div style="text-align: justify;">
Trevor Griffiths (Britain, 1935): “Oi for England” (1982) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Larry Kramer (USA, 1935): “Normal Heart” (1985) [t]</div>
<div style="text-align: justify;">
Larry Kramer (USA, 1935): “The Destiny of Me” (1991) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John McGrath (Britain, 1935): “The Cheviot” (1973) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Julian Mitchell (Britain, 1935): “Another Country” (1981) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas Murphy (Britain, 1935): “the Famine” (1966) [t]</div>
<div style="text-align: justify;">
Thomas Murphy (Britain, 1935): “the Gigli Concert” (1983) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jack Richardson (USA, 1935): “Xmas in Las Vegas” (1965) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ellen Gilchrist (USA, 1935): “In The Land of Dreamy Dreams” (1981)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Silverberg (USA, 1935): “Nightwings” (1969)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jon Stallworthy (Britain, 1935): “A Familiar Tree” (1978) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ward Just (USA, 1935): “An Unfinished Season” (2005)</div>
<div style="text-align: justify;">
Ward Just (USA, 1935): “Echo House” (1997)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Lewis Nkosi (South Africa, 1936): “Mating Birds” (1986)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Brendan Kennelly (Ireland, 1936): “Good Souls to Survive” (1967) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Daryl Hine (Canada, 1936): “The Devil’s Picture Book” (1960) [p]</div>
<div style="text-align: justify;">
Daryl Hine (Canada, 1936): “The Wooden Horse” (1965) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Clarence Major (USA, 1936): “All-Night Visitors” (1969)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Antonia Byatt (Britain, 1936): “The Virgin in the Garden” (1978) +</div>
<div style="text-align: justify;">
Antonia Byatt (Britain, 1936): “Still-Life (1985) +</div>
<div style="text-align: justify;">
Antonia Byatt (Britain, 1936): “Possession” (1990) ++</div>
<div style="text-align: justify;">
Antonia Byatt (Britain, 1936): “The Babel Tower (1996)</div>
<div style="text-align: justify;">
Antonia Byatt (Britain, 1936): “The Biographer’s Tale (2001)</div>
<div style="text-align: justify;">
Antonia Byatt (Britain, 1936): “A Whistling woman (2002)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Andrew Davies (Britain, 1936): “Getting Hurt” (1989)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Don DeLillo (USA, 1936): “Running Dogs” (1978)</div>
<div style="text-align: justify;">
Don DeLillo (USA, 1936): “Names” (1982)</div>
<div style="text-align: justify;">
Don DeLillo (USA, 1936): “White Noise” (1985) +</div>
<div style="text-align: justify;">
Don DeLillo (USA, 1936): “Libra” (1988)</div>
<div style="text-align: justify;">
Don DeLillo (USA, 1936): “Underworld” (1997)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Stephen Dixon (USA, 1936): “Interstate” (1985)</div>
<div style="text-align: justify;">
Stephen Dixon (USA, 1936): “Garbage” (1988)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Nell Dunn (Britain, 1936): “Poor Cow” (1967)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William McIlvanney (Britain, 1936): “Docherty” (1975)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Larry McMurtry (USA, 1936): “Horseman Pass By” (1961)</div>
<div style="text-align: justify;">
Larry McMurtry (USA, 1936): “The Last Picture Show” (1966)</div>
<div style="text-align: justify;">
Larry McMurtry (USA, 1936): “Terms of Endearment” (1977)</div>
<div style="text-align: justify;">
Larry McMurtry (USA, 1936): “Lonesome Dove” (1985) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Tom Robbins (USA, 1936): “Another Roadside Attraction” (1971)</div>
<div style="text-align: justify;">
Tom Robbins (USA, 1936): “Still Life With Woodpecker” (1980)</div>
<div style="text-align: justify;">
Tom Robbins (USA, 1936): “Even Cowgirls Get the Blues” (1975) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John-Pepper Clark (Nigeria, 1936): “Song Of A Goat” (1961) [t] +</div>
<div style="text-align: justify;">
John-Pepper Clark (Nigeria, 1936): “The Masquerade” (1964) [t]</div>
<div style="text-align: justify;">
John-Pepper Clark (Nigeria, 1936): “Ozidi” (1966) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Simon Gray (Britain, 1936): “Rear Column” (1978) [t]</div>
<div style="text-align: justify;">
Simon Gray (Britain, 1936): “Quartermaine’s Terms” (1981) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Rudkin (Britain, 1936): “Afore Night Comes” (1960) [t]</div>
<div style="text-align: justify;">
David Rudkin (Britain, 1936): “The Sons of Light” (1976) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
JeanClaude VanItallie (USA, 1936): “The Serpent” (1969) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jeremy Prynne (Britain, 1936): “Kitchen Poems” (1968) [p]</div>
<div style="text-align: justify;">
Jeremy Prynne (Britain, 1936): “The Oval Window” (1983) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Hunter Thompson (USA, 1937): “Fear And Loathing in Las Vegas” (1973)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter Pouncey (Britain, 1937): “Rules for Old Men Waiting” (2005)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Paul Bailey (Britain, 1937): “At the Jerusalem” (1967)</div>
<div style="text-align: justify;">
Paul Bailey (Britain, 1937): “Gabriel’s Lament” (1986) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jerome Charyn (USA, 1937): “Blue Eyes” (1975)</div>
<div style="text-align: justify;">
Jerome Charyn (USA, 1937): “Tar Baby” (1973)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Anita Desai (India, 1937): “Fire on the Mountain” (1977) +</div>
<div style="text-align: justify;">
Anita Desai (India, 1937): “Clear Light of Day” (1980)</div>
<div style="text-align: justify;">
Anita Desai (India, 1937): “In Custody” (1984)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Roger McGough (Britain, 1937): “Summer with Monika” (1967) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Fuller (Britain, 1937): “Flying to Nowhere” (1983) +</div>
<div style="text-align: justify;">
John Fuller (Britain, 1937): “The Burning Boys” (1989)</div>
<div style="text-align: justify;">
John Fuller (Britain, 1937): “The Illusionists” (1980) [p] +</div>
<div style="text-align: justify;">
John Fuller (Britain, 1937): “The Beautiful Inventions” (1983) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Bessie Head (South Africa, 1937): “Maru” (1971)</div>
<div style="text-align: justify;">
Bessie Head (South Africa, 1937): “A Question of Power” (1974) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Kelley (USA, 1937): “A Different Drummer” (1962)</div>
<div style="text-align: justify;">
William Kelley (USA, 1937): “Dem” (1967)</div>
<div style="text-align: justify;">
William Kelley (USA, 1937): “Dunford Travels Everywhere” (1970)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Toby Olson (USA, 1937): “Dorit in Lesbos” (1989)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas Pynchon (USA, 1937): “The Crying of Lot 49″ (1966)</div>
<div style="text-align: justify;">
Thomas Pynchon (USA, 1937): “Gravity’s Rainbow” (1973) ++</div>
<div style="text-align: justify;">
Thomas Pynchon (USA, 1937): “V” (1963) +</div>
<div style="text-align: justify;">
Thomas Pynchon (USA, 1937): “Against the Day” (2006)</div>
<div style="text-align: justify;">
Thomas Pynchon (USA, 1937): “Vineland” (1990)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Erich Segal (USA, 1937): “Love Story” (1970)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Emma Tennant (Britain, 1937): “The Time of the Crack” (1973)</div>
<div style="text-align: justify;">
Emma Tennant (Britain, 1937): “Hotel de Dream” (1976)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Toole (USA, 1937): “A Confederacy of Dunces” (1969)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Steven Berkoff (Britain, 1937): “East” (1975) [t]</div>
<div style="text-align: justify;">
Steven Berkoff (Britain, 1937): “Greek” (1979) [t] +</div>
<div style="text-align: justify;">
Steven Berkoff (Britain, 1937): “Decadence” (1981) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Arthur Kopit (USA, 1937): “Oh Dad Poor Dad” (1960) [t]</div>
<div style="text-align: justify;">
Arthur Kopit (USA, 1937): “Chamber Music” (1963) [t]</div>
<div style="text-align: justify;">
Arthur Kopit (USA, 1937): “Indians” (1968) [t] +</div>
<div style="text-align: justify;">
Arthur Kopit (USA, 1937): “Wings” (1978) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Tom Stoppard (Britain, 1937): “Rosencrantz And Guildenstern Are Dead” (1967) [t] +</div>
<div style="text-align: justify;">
Tom Stoppard (Britain, 1937): “Jumpers” (1972) [t] +</div>
<div style="text-align: justify;">
Tom Stoppard (Britain, 1937): “Travesties” (1972) [t]</div>
<div style="text-align: justify;">
Tom Stoppard (Britain, 1937): “The Real Thing” (1984) [t] +</div>
<div style="text-align: justify;">
Tom Stoppard (Britain, 1937): “Hapgood” (1988) [t]</div>
<div style="text-align: justify;">
Tom Stoppard (Britain, 1937): “Arcadia” (1993) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Fuller (Britain, 1937: “Epistles to Several Persons” (1973) [p]</div>
<div style="text-align: justify;">
John Fuller (Britain, 1937: “The Illusionists” (1980) [p] +</div>
<div style="text-align: justify;">
John Fuller (Britain, 1937: “Stones and Fires” (1996) [p]</div>
<div style="text-align: justify;">
John Fuller (Britain, 1937: “Flying to Nowhere” (1983)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Tony Harrison (Britain, 1937): “The Loiners” (1970) [p]</div>
<div style="text-align: justify;">
Tony Harrison (Britain, 1937): “The School of Eloquence” (1978) [p] +</div>
<div style="text-align: justify;">
Tony Harrison (Britain, 1937): “The Gaze of the Gorgon” (1992) [p]</div>
<div style="text-align: justify;">
Tony Harrison (Britain, 1937): “”The Trackers of Oxyrynchus” (1988) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Roger Zelazny (USA, 1937): “Dream Masters” (1966)</div>
<div style="text-align: justify;">
Roger Zelazny (USA, 1937): “This Immortal/ And Call Me Conrad” (1966)</div>
<div style="text-align: justify;">
Roger Zelazny (USA, 1937): “Lord of Light” (1968)</div>
<div style="text-align: justify;">
Roger Zelazny (USA, 1937): “Nine Princes in Amber” (1970) +</div>
<div style="text-align: justify;">
Roger Zelazny (USA, 1937): “Rose for Ecclesiastes)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Renata Adler (USA, 1938): “Speedboat” (1976)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Shashi Deshpande (India, 1938): “A Matter of Time” (1996)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frances Horovitz (Britain, 1938): “Snow Light Water Light” (1983) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Raymond Carver (USA, 1938): “Will You Please Be Quiet Please (1976) +</div>
<div style="text-align: justify;">
Raymond Carver (USA, 1938): “What We Talk about When We Talk about Love (1981)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Margaret Forster (Britain, 1938): “Georgy Girl” (1965)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Allan Massie (Britain, 1938): “The Sins of the Fathers” (1991)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frank Moorhouse (Australia, 1938): “The Electrical Experience” (1974) +</div>
<div style="text-align: justify;">
Frank Moorhouse (Australia, 1938): “The Everlasting Secret Family” (1980)</div>
<div style="text-align: justify;">
Frank Moorhouse (Australia, 1938): “Dark Palace” (2001)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Ngugi (Kenya, 1938): “Weep Not Child” (1954)</div>
<div style="text-align: justify;">
James Ngugi (Kenya, 1938): “A Grain of Wheat” (1967)</div>
<div style="text-align: justify;">
James Ngugi (Kenya, 1938): “Petals of Blood” (1977) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Joyce-Carol Oates (USA, 1938): “A Garden of Earthly Delights” (1967) +</div>
<div style="text-align: justify;">
Joyce-Carol Oates (USA, 1938): “Expensive People” (1968)</div>
<div style="text-align: justify;">
Joyce-Carol Oates (USA, 1938): “Them” (1969) +</div>
<div style="text-align: justify;">
Joyce-Carol Oates (USA, 1938): “Bellefleur” (1980) +</div>
<div style="text-align: justify;">
Joyce-Carol Oates (USA, 1938): “You Must Remember This” (1988)</div>
<div style="text-align: justify;">
Joyce-Carol Oates (USA, 1938): “Black Water” (1992)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ishmael Reed (USA, 1938): “Mumbo Jumbo” (1972)</div>
<div style="text-align: justify;">
Ishmael Reed (USA, 1938): “The Yellow Black Radio Broke Down” (1969)</div>
<div style="text-align: justify;">
Ishmael Reed (USA, 1938): “Freelance Pallbearers” (1967)</div>
<div style="text-align: justify;">
Ishmael Reed (USA, 1938): “The Last Days of Louisiana Red” (1974) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Stone (USA, 1938): “Children of Light” (1986)</div>
<div style="text-align: justify;">
Robert Stone (USA, 1938): “Dog Soldiers” (1974)</div>
<div style="text-align: justify;">
Robert Stone (USA, 1938): “A Hall of Mirrors” (1966) +</div>
<div style="text-align: justify;">
Robert Stone (USA, 1938): “A Flag for Sunrise” (1981)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rudolph Wurlitzer (USA, 1938): “Flats” (1970)</div>
<div style="text-align: justify;">
RudolphV Wurlitzer (USA, 1938): “Nog” (1969)</div>
<div style="text-align: justify;">
Rudolph Wurlitzer (USA, 1938): “Quake” (1972)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Caryl Churchill (Britain, 1938): “Light Shining in Buckinghamshire” (1976) [t] +</div>
<div style="text-align: justify;">
Caryl Churchill (Britain, 1938): “Cloud Nine” (1979) [t]</div>
<div style="text-align: justify;">
Caryl Churchill (Britain, 1938): “Top Girls” (1982) [t]</div>
<div style="text-align: justify;">
Caryl Churchill (Britain, 1938): “Mad Forest” (1990) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Martin Sherman (USA, 1938): “Passing By” (1974) [t]</div>
<div style="text-align: justify;">
Martin Sherman (USA, 1938): “Bent” (1978) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Les Murray (Australia, 1938): “Poems Against Economics” (1972) [p]</div>
<div style="text-align: justify;">
Les Murray (Australia, 1938): “The Boys Who Stole the Funeral” (1980) [p]</div>
<div style="text-align: justify;">
Les Murray (Australia, 1938): “Subhuman Redneck Poems” (1996) [p] +</div>
<div style="text-align: justify;">
Les Murray (Australia, 1938): “Fredy Neptune” (1999) [p] +</div>
<div style="text-align: justify;">
Les Murray (Australia, 1938): “Poems the Size of Photographs” (2002) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charles Simic (USA, 1938): “What the Grass Says” (1967) [p]</div>
<div style="text-align: justify;">
Charles Simic (USA, 1938): “Charon’s Cosmology” (1977) [p] +</div>
<div style="text-align: justify;">
Charles Simic (USA, 1938): “Classic Ballroom Dances” (1980) [p]</div>
<div style="text-align: justify;">
Charles Simic (USA, 1938): “Unending Blues” (1986) [p]</div>
<div style="text-align: justify;">
Charles Simic (USA, 1938): “The World Doesn’t End” (1990) [p] +</div>
<div style="text-align: justify;">
Charles Simic (USA, 1938): “Hotel Insomnia” (1992) [p]</div>
<div style="text-align: justify;">
Charles Simic (USA, 1938): “A Wedding in Hell” (1994) [p]</div>
<div style="text-align: justify;">
Charles Simic (USA, 1938): “Walking the Black Cat” (1996) [p] +</div>
<div style="text-align: justify;">
Charles Simic (USA, 1938): “Jackstraws” (1999) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Frederick Forsyth (Britain, 1938): “The Odessa File” (1973)</div>
<div style="text-align: justify;">
Frederick Forsyth (Britain, 1938): “The Day of the Jackal” (1972) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Albert Wendt (Western Samoa, 1939): “Inside Us the Dead” (1976) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Nikos Gatzoyiannis “Nicholas Gage” (Greece, 1939): “Eleni” (1983)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Stephen Dunn (USA, 1939): “Loosestrife” (1996) [p]</div>
<div style="text-align: justify;">
Stephen Dunn (USA, 1939): “Different Hours” (2000) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ayi-Kwei Armah (Ghana, 1939): “The Beautyful Ones Are not Yet Born” (1968)</div>
<div style="text-align: justify;">
Ayi-Kwei Armah (Ghana, 1939): “Fragments” (1971)</div>
<div style="text-align: justify;">
Ayi-Kwei Armah (Ghana, 1939): “Why Are We So Blest” (1972)</div>
<div style="text-align: justify;">
Ayi-Kwei Armah (Ghana, 1939): “Two Thousand Seasons” (1973) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Margaret Atwood (Canada, 1939): “The Edible Woman” (1969)</div>
<div style="text-align: justify;">
Margaret Atwood (Canada, 1939): “Surfacing” (1972) +</div>
<div style="text-align: justify;">
Margaret Atwood (Canada, 1939): “Life Before Man” (1979)</div>
<div style="text-align: justify;">
Margaret Atwood (Canada, 1939): “The Handmaid’s Tale” (1986) +</div>
<div style="text-align: justify;">
Margaret Atwood (Canada, 1939): “Cat’s Eye” (1989)</div>
<div style="text-align: justify;">
Margaret Atwood (Canada, 1939): “Alias Grace” (1996) +</div>
<div style="text-align: justify;">
Margaret Atwood (Canada, 1939): “The Blind Assassin” (2000) +</div>
<div style="text-align: justify;">
Margaret Atwood (Canada, 1939): “Oryx and Crake” (2003)</div>
<div style="text-align: justify;">
Margaret Atwood (Canada, 1939): “The Circle Game” (1964) [p]</div>
<div style="text-align: justify;">
Margaret Atwood (Canada, 1939): “You Are Happy” (1974) [p]</div>
<div style="text-align: justify;">
Joan Brady (USA, 1939): “Theory of War” (1993)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Georgina Hammick (Britain, 1939): “People for Lunch” (1987)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Melvyn Bragg (Britain, 1939): “For Want of a Nail” (1965) +</div>
<div style="text-align: justify;">
Melvyn Bragg (Britain, 1939): “The Second Inheritance” (1966)</div>
<div style="text-align: justify;">
Melvyn Bragg (Britain, 1939): “The Hired Man” (1969)</div>
<div style="text-align: justify;">
Melvyn Bragg (Britain, 1939): “A Time to Dance” (1990)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Crumley (USA, 1939): “Last kiss” (1978)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Margaret Drabble (Britain, 1939): “A Summer-bird Cage” (1963)</div>
<div style="text-align: justify;">
Margaret Drabble (Britain, 1939): “The Millstone” (1965)</div>
<div style="text-align: justify;">
Margaret Drabble (Britain, 1939): “Jerusalm the Golden” (1967) +</div>
<div style="text-align: justify;">
Margaret Drabble (Britain, 1939): “The Waterfall” (1969)</div>
<div style="text-align: justify;">
Margaret Drabble (Britain, 1939): “The Needle’s Eye” (1972)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Barbara Hanrahan (Australia, 1939): “The Scent of Eucalyptus” (1973)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Barry Hines (Britain, 1939): “A Kestrel For a Knave” (1968)</div>
<div style="text-align: justify;">
Barry Hines (Britain, 1939): “The Gamekeeper” (1975)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Lindsay Clarke (Britain, 1939): “The Chymical Wedding” (1989)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Michael Moorcock (Britain, 1939): “The Dancers at the End of Time” (1976)</div>
<div style="text-align: justify;">
Michael Moorcock (Britain, 1939): “The Condition of Muzak” (1977)</div>
<div style="text-align: justify;">
Michael Moorcock (Britain, 1939): “Gloriana” (1978) +</div>
<div style="text-align: justify;">
Michael Moorcock (Britain, 1939): “Mother London” (1988)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Nye (Britain, 1939): “Falstaff” (1976)</div>
<div style="text-align: justify;">
Robert Nye (Britain, 1939): “Memoirs of Lord Byron” (1989)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alexander Theroux (USA, 1939): “Darconville’s Cat” (1981)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Colin Thubron (Britain, 1939): “A Cruel Madness” (1984)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alan Ayckbourn (Britain, 1939): “Relatively Speaking” (1967) [t]</div>
<div style="text-align: justify;">
Alan Ayckbourn (Britain, 1939): “How The Other Half Loves” (1969) [t]</div>
<div style="text-align: justify;">
Alan Ayckbourn (Britain, 1939): “The Norman Conquest” (1974) [t] +</div>
<div style="text-align: justify;">
Alan Ayckbourn (Britain, 1939): “Just Between Ourselves” (1976) [t]</div>
<div style="text-align: justify;">
Alan Ayckbourn (Britain, 1939): “Taking Steps” (1980) [t]</div>
<div style="text-align: justify;">
Alan Ayckbourn (Britain, 1939): “Woman in Mind” (1985) [t]</div>
<div style="text-align: justify;">
Alan Ayckbourn (Britain, 1939): “A Small Family Business” (1987) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Shelagh Delaney (Britain, 1939): “A Taste of Honey” (1956) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mustapha Matura (Britain, 1939): “As Time Goes By” (1971) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Seamus Heaney (Ireland, 1939): “Death of a Naturalist” (1966) [p] +</div>
<div style="text-align: justify;">
Seamus Heaney (Ireland, 1939): “Station Island” (1984) [p] +</div>
<div style="text-align: justify;">
Seamus Heaney (Ireland, 1939): “The Haw Lantern” (1987) [p]</div>
<div style="text-align: justify;">
Seamus Heaney (Ireland, 1939): “Seeing Things” (1991) [p]</div>
<div style="text-align: justify;">
Seamus Heaney (Ireland, 1939): “The Spirit Level” (1996) [p]</div>
<div style="text-align: justify;">
Seamus Heaney (Ireland, 1939): “Opened Ground” (1999) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Michael Longley (Ireland, 1939): “Gorse Fires” (1991) [p] +</div>
<div style="text-align: justify;">
Michael Longley (Ireland, 1939): “The Weather in Japan” (2000) [p]</div>
<div style="text-align: justify;">
Michael Moorcock (Britain, 1939): “Alien Heat” (1976)</div>
<div style="text-align: justify;">
Michael Moorcock (Britain, 1939): “Cornelius Chronicles” (1977)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Bobbie-Ann Mason (USA, 1940): “In Country” (1985)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Russell Banks (USA, 1940): “Affliction” (1990)</div>
<div style="text-align: justify;">
Russell Banks (USA, 1940): “The Sweet Hereafter” (1992)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Angela Carter (Britain, 1940): “The Magic Toyshop” (1967)</div>
<div style="text-align: justify;">
Angela Carter (Britain, 1940): “Nights at the Circus” (1984) +</div>
<div style="text-align: justify;">
Angela Carter (Britain, 1940): “Wise Children” (1991)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Bruce Chatwin (Britain, 1940): “The Viceroy of Ouidah” (1980)</div>
<div style="text-align: justify;">
Bruce Chatwin (Britain, 1940): “On the Black Hill” (1982) +</div>
<div style="text-align: justify;">
Bruce Chatwin (Britain, 1940): “Utz” (1988) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Coetzee (South Africa, 1940): “In the Heart of the Country” (1977) +</div>
<div style="text-align: justify;">
John Coetzee (South Africa, 1940): “Waiting for the Barbarians” (1980) +</div>
<div style="text-align: justify;">
John Coetzee (South Africa, 1940): “Life and Times of Michele K” (1983) +</div>
<div style="text-align: justify;">
John Coetzee (South Africa, 1940): “The Age of Iron” (1990)</div>
<div style="text-align: justify;">
John Coetzee (South Africa, 1940): “Disgrace” (1999)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Cook (Britain, 1940): “Albert’s Memorial” (1972) +</div>
<div style="text-align: justify;">
David Cook (Britain, 1940): “Happy Endings” (1974)</div>
<div style="text-align: justify;">
David Cook (Britain, 1940): “Walter” (1978)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rachel Ingalls (USA, 1940): “Mrs Caliban” (1982)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rich Kostelanetz (USA, 1940): “Imaged Words and Worded Images” (1970) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas McGuane (USA, 1940): “Keep the Change” (1989)</div>
<div style="text-align: justify;">
Thomas McGuane (USA, 1940): “Ninety-two in the Shade” (1973)</div>
<div style="text-align: justify;">
Thomas McGuane (USA, 1940): “Something to be Desired” (1984)</div>
<div style="text-align: justify;">
Thomas McGuane (USA, 1940): “Sporting Club” (1969)</div>
<div style="text-align: justify;">
Thomas McGuane (USA, 1940): “Bushwhacked Piano” (1971)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Bharati Mukherjee (India, 1940): “Jasmine” (1989)</div>
<div style="text-align: justify;">
Bharati Mukherjee (India, 1940): “The Holder of the World” (1993) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Plante (USA, 1940): “The Francoeur Trilogy” (1982) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edmund White (USA, 1940): “Forgetting Elena” (1973) +</div>
<div style="text-align: justify;">
Edmund White (USA, 1940): “A Boy’s Own Story” (1982)</div>
<div style="text-align: justify;">
Edmund White (USA, 1940): “Caracole” (1985)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jack Hibberd (Australia, 1940): “A Stretch of the Imagination” (1973) [t] +</div>
<div style="text-align: justify;">
Jack Hibberd (Australia, 1940): “Dimboola” (1974) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Oswald Mtshali (South Africa, 1940): “Sounds of a Cowhide Drum” (1971) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Stephen Dobyns (USA, 1941): “Concurring Beasts” (1972) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Gregory Benford (USA, 1941): “Timescape” (1980)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Piers-Paul Read (Britain, 1941): “A Married Man” (1979)</div>
<div style="text-align: justify;">
Piers-Paul Read (Britain, 1941): “Season in the West” (1988)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Paul Theroux (USA, 1941): “Picture Palace” (1979) +</div>
<div style="text-align: justify;">
Paul Theroux (USA, 1941): “Mosquito Coast” (1982)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Barbara Trapido (South Africa, 1941): “Brother of the More Famous Jack” (1982)</div>
<div style="text-align: justify;">
Barbara Trapido (South Africa, 1941): “The Travelling Hornplayer” (1998)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Anne Tyler (USA, 1941): “Earthly Possessions” (1977)</div>
<div style="text-align: justify;">
Anne Tyler (USA, 1941): “Dinner at the Homesick Restaurant” (1982) +</div>
<div style="text-align: justify;">
Anne Tyler (USA, 1941): “The Accidental Tourist” (1985)</div>
<div style="text-align: justify;">
Anne Tyler (USA, 1941): “The Breathing Lessons” (1988) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Heathcote Williams (Britain, 1941): “AC/DC” (1970) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Anne Rice (USA, 1941): “Interview With the Vampire” (1976)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Hass (USA, 1941): “Field Guide” (1973) [p]</div>
<div style="text-align: justify;">
Robert Hass (USA, 1941): “Praise” (1979) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ama-Ata Aidoo (Ghana, 1942): “The Dilemma of a Ghost” (1965) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Hugo Williams (Britain, 1942): “Symptoms of Love” (1965) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Susan Hill (Britain, 1942): “I’m the King of the Castle” (1970)</div>
<div style="text-align: justify;">
Susan Hill (Britain, 1942): “Strange Meeting” (1971)</div>
<div style="text-align: justify;">
Susan Hill (Britain, 1942): “The Bird of Night” (1972) +</div>
<div style="text-align: justify;">
Susan Hill (Britain, 1942): “Woman in Black” (1983)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Janette-Turner Hospital (Australia, 1942): “Charades” (1989)</div>
<div style="text-align: justify;">
Janette-Turner Hospital (Australia, 1942): “The Last Magician” (1992) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Irving (USA, 1942): “The Water-method Man” (1972)</div>
<div style="text-align: justify;">
John Irving (USA, 1942): “The World According to Garp” (1978) +</div>
<div style="text-align: justify;">
John Irving (USA, 1942): “Hotel New Hampshire” (1981)</div>
<div style="text-align: justify;">
John Irving (USA, 1942): “Cider House Rules” (1985)</div>
<div style="text-align: justify;">
John Irving (USA, 1942): “Prayer for Owen Meany” (1989)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Howard Jacobson (Britain, 1942): “Coming From Behind” (1983)</div>
<div style="text-align: justify;">
Howard Jacobson (Britain, 1942): “Peeping Tom” (1984) +</div>
<div style="text-align: justify;">
Howard Jacobson (Britain, 1942): “Redback” (1986)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Erica Jong (USA, 1942): “Fear of Flying” (1974)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Garrison Keillor (USA, 1942): “Lake Wobegon Days” (1985)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Bernar MacLaverty (Britain, 1942): “Lamb” (1980)</div>
<div style="text-align: justify;">
Bernar MacLaverty (Britain, 1942): “Cal” (1983)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Anita Mason (Britain, 1942): “The Illusionist” (1983)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Toni Morrison (USA, 1942): “The Bluest Eyes” (1970) +</div>
<div style="text-align: justify;">
Toni Morrison (USA, 1942): “Sula” (1973) +</div>
<div style="text-align: justify;">
Toni Morrison (USA, 1942): “Song of Solomon” (1977) +</div>
<div style="text-align: justify;">
Toni Morrison (USA, 1942): “Tar Baby” (1981) +</div>
<div style="text-align: justify;">
Toni Morrison (USA, 1942): “Beloved” (1987) +</div>
<div style="text-align: justify;">
Toni Morrison (USA, 1942): “Jazz” (1992)</div>
<div style="text-align: justify;">
Toni Morrison (USA, 1942): “Paradise” (1997)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Williamson (Australia, 1942): “The Coming of Stork” (1970) [t]</div>
<div style="text-align: justify;">
David Williamson (Australia, 1942): “Don’s Party” (1971) [t]</div>
<div style="text-align: justify;">
David Williamson (Australia, 1942): “The Removalists” (1972) [t] +</div>
<div style="text-align: justify;">
David Williamson (Australia, 1942): “The Club” (1977) [t]</div>
<div style="text-align: justify;">
David Williamson (Australia, 1942): “Travelling North” (1979) [t]</div>
<div style="text-align: justify;">
David Williamson (Australia, 1942): “Emerald City” (1987) [t]</div>
<div style="text-align: justify;">
David Williamson (Australia, 1942): “Brilliant Lies” (1993) [t]</div>
<div style="text-align: justify;">
David Williamson (Australia, 1942): “Sanctuary” (1994) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Douglas Dunn (Britain, 1942): “St Kilda’s Parliament” (1981) [p]</div>
<div style="text-align: justify;">
Douglas Dunn (Britain, 1942): “Elegies” (1985) [p] +</div>
<div style="text-align: justify;">
Douglas Dunn (Britain, 1942): “Dante’s Drum Kit” (1993) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Michael Crichton (USA, 1942): “The Andromeda Strain” (1969)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Samuel Delany (USA, 1942): “Stars in My Pocket” (1984)</div>
<div style="text-align: justify;">
Samuel Delany (USA, 1942): “Dhalgren” (1975)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sena Jeter Naslund (USA, 1942): “Ahab’s Wife” (1999)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mike Leigh (Britain, 1943): “Abigail’s Party” (1977) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Pat Barker (Britain, 1943): “Union Street” (1982)</div>
<div style="text-align: justify;">
Pat Barker (Britain, 1943): “The Century’s Daughter” (1986) +</div>
<div style="text-align: justify;">
Pat Barker (Britain, 1943): “Regeneration” (1991)</div>
<div style="text-align: justify;">
Pat Barker (Britain, 1943): “The Eye In The Door” (1993)</div>
<div style="text-align: justify;">
Pat Barker (Britain, 1943): “The Ghost Road” (1995)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter Carey (Australia, 1943): “Bliss” (1981)</div>
<div style="text-align: justify;">
Peter Carey (Australia, 1943): “Illywhacker” (1986) +</div>
<div style="text-align: justify;">
Peter Carey (Australia, 1943): “Oscar and Lucinda” (1988) +</div>
<div style="text-align: justify;">
Peter Carey (Australia, 1943): “The Tax Inspector” (1992)</div>
<div style="text-align: justify;">
Peter Carey (Australia, 1943): “The Unusual Life of Tristan Smith” (1994)</div>
<div style="text-align: justify;">
Peter Carey (Australia, 1943): “True History Of The Kelly Gang” (2001)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Justin Cartwright (South Africa, 1943): “Interior” (1988)</div>
<div style="text-align: justify;">
Justin Cartwright (South Africa, 1943): “Look at it This Way” (1990)</div>
<div style="text-align: justify;">
Justin Cartwright (South Africa, 1943): “Masai Dreaming” (1993) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Fredrick Barthelme (USA, 1943): “Two Against One” (1988)</div>
<div style="text-align: justify;">
Fredrick Barthelme (USA, 1943): “Second Marriage” (1984)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Pete Dexter (USA, 1943): “God’s Pocket” (1984)</div>
<div style="text-align: justify;">
Pete Dexter (USA, 1943): “Paris Trout” (1988) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mary Flanagan (USA, 1943): “Rose Reason” (1991)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Steven Millhauser (USA, 1943): “Edwin Mullhouse” (1972)</div>
<div style="text-align: justify;">
Steven Millhauser (USA, 1943): “Martin Dressler” (1996)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Michael Ondaatje (Canada, 1943): “The Dainty Monster” (1967) [p]</div>
<div style="text-align: justify;">
Michael Ondaatje (Canada, 1943): “The Left Handed Poems” (1970) [p]</div>
<div style="text-align: justify;">
Michael Ondaatje (Canada, 1943): “There’s a Trick With A Knife” (1979) [p]</div>
<div style="text-align: justify;">
Michael Ondaatje (Canada, 1943): “In the Skin of a Lion” (1987)</div>
<div style="text-align: justify;">
Michael Ondaatje (Canada, 1943): “The English Patient” (1992) +</div>
<div style="text-align: justify;">
Michael Ondaatje (Canada, 1943): Ondaatje: “Anil’s Ghost” (2000)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Iain Sinclair (Britain, 1943): “White Chappell Scarlet Tracings” (1987) +</div>
<div style="text-align: justify;">
Iain Sinclair (Britain, 1943): “Downriver” (1991)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rose Tremain (Britain, 1943): “Restoration” (1989)</div>
<div style="text-align: justify;">
Rose Tremain (Britain, 1943): “Music and Silence” (1999)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sam Shepard (USA, 1943): “La Turista” (1967) [t]</div>
<div style="text-align: justify;">
Sam Shepard (USA, 1943): “Operation Sidewinder” (1970) [t]</div>
<div style="text-align: justify;">
Sam Shepard (USA, 1943): “The Tooth of Crime” (1972) [t]</div>
<div style="text-align: justify;">
Sam Shepard (USA, 1943): “Curse of the Starving Class” (1978) [t]</div>
<div style="text-align: justify;">
Sam Shepard (USA, 1943): “Buried Child” (1979) [t] +</div>
<div style="text-align: justify;">
Sam Shepard (USA, 1943): “Fool for Love” (1983) [t] +</div>
<div style="text-align: justify;">
Sam Shepard (USA, 1943): “A Life of the Mind” (1985) [t]</div>
<div style="text-align: justify;">
Sam Shepard (USA, 1943): “Simpatico” (1993) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Michael Wilcox (Britain, 1943): “Lent” (1983) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Nikki Giovanni (USA, 1943): “Black Feeling Black Talk Black Judgement” (1970) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Sweetman (Britain, 1943): “Looking into the Deep End” (1981) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Timoshenko Aslanides (Australia, 1943): “Passacaglia and Fugue” (1979) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Gilbert Adair (Britain, 1944): “Love and Death on Long Island” (1990)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Carol Rumens (Britain, 1944): “From Berlin to Heaven” (1990) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Witi Ihimaera (New Zealand, 1944): “Tangi” (1973)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Constantine (Britain, 1944): “Madder” (1987) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kit Wright (Britain, 1944): “The Bear Looked Over the Mountain” (1977) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Lisa Alther (USA, 1944): “Kinflicks” (1976)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Buchi Emecheta (Nigeria, 1944): “The Slave Girl” (1977)</div>
<div style="text-align: justify;">
Buchi Emecheta (Nigeria, 1944): “Gwendolen” (1989)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richard Ford (USA, 1944): “Sportswriter” (1986)</div>
<div style="text-align: justify;">
Richard Ford (USA, 1944): “Independence Day” (1996) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Christopher Hope (South Africa, 1944): “Kruger’s Alp” (1984) +</div>
<div style="text-align: justify;">
Christopher Hope (South Africa, 1944): “My Chocolate Redeemer” (1989)</div>
<div style="text-align: justify;">
Christopher Hope (South Africa, 1944): “Serenity House” (1992)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Shena MacKay (Britain, 1944): “Redhill Rococo” (1987)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Armistead Maupin (USA, 1944): “Tales of the City” (1978)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sue Miller (USA, 1944): “Good Mother” (1986)</div>
<div style="text-align: justify;">
Sue Miller (USA, 1944): “Family Pictures” (1990)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alice Walker (USA, 1944): “Third Life of George Copeland” (1970)</div>
<div style="text-align: justify;">
Alice Walker (USA, 1944): “Meridian” (1976)</div>
<div style="text-align: justify;">
Alice Walker (USA, 1944): “The Color Purple” (1981)</div>
<div style="text-align: justify;">
Alice Walker (USA, 1944): “Temple of My Familiar” (1989)</div>
<div style="text-align: justify;">
Alice Walker (USA, 1944): “Possessing the Secret of Joy” (1992)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alexander Buzo (Australia, 1944): “Norm and Ahmed” (1967) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Paul Durcan (Ireland, 1944): “The Berlin Wall Cafe’” (1985) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Craig Raine (Britain, 1944): “The Onion, Memory” (1978) [p]</div>
<div style="text-align: justify;">
Craig Raine (Britain, 1944): “A Martian Sends a Postcard Home” (1979) [p] +</div>
<div style="text-align: justify;">
Craig Raine (Britain, 1944): “History” (1994) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mongane-Wally Serote (South Africa, 1944): “Yakhal’Inkomo” (1972) [p] +</div>
<div style="text-align: justify;">
Mongane-Wally Serote (South Africa, 1944): “No Baby Must Weep” (1975) [p]</div>
<div style="text-align: justify;">
Mongane-Wally Serote (South Africa, 1944): “”History is the Home Address” (2004) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Vernor Vinge (USA, 1944): “A Fire Upon the Deep” (1993)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Nuruddin Farah (Somalia, 1945): “From a Crooked Rib (1970)</div>
<div style="text-align: justify;">
Nuruddin Farah (Somalia, 1945): “Sweet and Sour Milk” (1979)</div>
<div style="text-align: justify;">
Nuruddin Farah (Somalia, 1945): “Maps” (1986)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Banville (Ireland, 1945): “Doctor Copernicus” (1976)</div>
<div style="text-align: justify;">
John Banville (Ireland, 1945): “Kepler” (1981) +</div>
<div style="text-align: justify;">
John Banville (Ireland, 1945): “The Newton Letter” (1981)</div>
<div style="text-align: justify;">
John Banville (Ireland, 1945): “MEfisto” (1986)</div>
<div style="text-align: justify;">
John Banville (Ireland, 1945): “The Invention of Solitude” (1982)</div>
<div style="text-align: justify;">
John Banville (Ireland, 1945): “The Book of Evidence” (1989) +</div>
<div style="text-align: justify;">
John Banville (Ireland, 1945): “The Sea” (2005)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Annie Dillard (USA, 1945): “Living By Fiction” (1982)</div>
<div style="text-align: justify;">
Annie Dillard (USA, 1945): “Tinker Creek” (1974)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jenny Diski (Britain, 1945): “Nothing Natural” (1986)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Andrew Harvey (Britain, 1945): “Burning Houses” (1985)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Shiva Naipaul (India, 1945): “Fireflies” (1970)</div>
<div style="text-align: justify;">
Shiva Naipaul (India, 1945): “The Chip-Chip Gatherers” (1973)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charles Palliser (USA, 1947): “Quincunx” (1989)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Shobha De (India, 1947): “Sultry Days” (1994)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Tobias Wolff (USA, 1945): “Barracks Thief” (1984)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Wendy Cope (Britain, 1945): “Making Cocoa for Kingsley Amis” (1986) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Olen Butler (USA, 1945): “A Good Scent from a Strange Mountain” (1992)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
August Wilson (USA, 1945): “Ma Rainey’s Black Bottom” (1982) [t]</div>
<div style="text-align: justify;">
August Wilson (USA, 1945): “Fences” (1985) [t] +</div>
<div style="text-align: justify;">
August Wilson (USA, 1945): “Joe Turner’s Come and Gone” (1988) [t]</div>
<div style="text-align: justify;">
August Wilson (USA, 1945): “The Piano Lesson” (1990) [t] +</div>
<div style="text-align: justify;">
August Wilson (USA, 1945): “Radio Golf” (2005) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Julian Barnes (Britain, 1946): “Metroland” (1980)</div>
<div style="text-align: justify;">
Julian Barnes (Britain, 1946): “Flaubert’s Parrot” (1985) +</div>
<div style="text-align: justify;">
Julian Barnes (Britain, 1946): “A History of the World in 10 1/2 Chapters” (1989) +</div>
<div style="text-align: justify;">
Julian Barnes (Britain, 1946): “Talking It Over” (1991)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jim Crace (Britain, 1946): “Continent” (1986) +</div>
<div style="text-align: justify;">
Jim Crace (Britain, 1946): “The Gift of Stones” (1988)</div>
<div style="text-align: justify;">
Jim Crace (Britain, 1946): “Being Dead” (1997)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alan Judd (Britain, 1946): “A Breed of Heroes” (1981)</div>
<div style="text-align: justify;">
Alan Judd (Britain, 1946): “Short of Glory” (1984) +</div>
<div style="text-align: justify;">
Alan Judd (Britain, 1946): “Tango” (1989)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Kelman (Britain, 1946): “A Disaffection” (1989)</div>
<div style="text-align: justify;">
James Kelman (Britain, 1946): “How Late It Was How Late” (1994)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Tim O’Brien Tim (USA, 1946): “Northern Lights” (1974)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Marina Warner (Britain, 1946): “The Lost Father” (1988)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Howard Barker (Britain, 1946): “Scenes From An Execution” (1984) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alan Bleasdale (Britain, 1946): “Having A Ball” (1981) [t]</div>
<div style="text-align: justify;">
Alan Bleasdale (Britain, 1946): “Are You Lonesome Tonight” (1985) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Christopher Hampton (Britain, 1946): “When Did You Last See My Mother” (1966) [t]</div>
<div style="text-align: justify;">
Christopher Hampton (Britain, 1946): “The Philanthropist” (1970) [t] +</div>
<div style="text-align: justify;">
Christopher Hampton (Britain, 1946): “Savages” (1973) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Stephen King (USA, 1946): “Salem’s Lot” (1975)</div>
<div style="text-align: justify;">
Stephen King (USA, 1946): “The Shining” (1977) +</div>
<div style="text-align: justify;">
Stephen King (USA, 1946): “It” (1986)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Brian Patten (Britain, 1946): “Armada” (1996) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter Reading (Britain, 1946): “Diplopic” (1983) [p] +</div>
<div style="text-align: justify;">
Peter Reading (Britain, 1946): “Stet” (1986) [p] +</div>
<div style="text-align: justify;">
Peter Reading (Britain, 1946): “Ukulele Music” (1985)</div>
<div style="text-align: justify;">
Peter Reading (Britain, 1946): “Final Demands” (1988)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rudy Rucker (USA, 1946): “Hollow Earth” (1990)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Patrick Neate (Britain, 1946): “Twelve Bar Blues” (2001)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Marina Lewycka (Britain, 1946): “A Short History of Tractors in Ukranian” (2005)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Patricia Anthony (USA, 1947): “Cold Allies” (1993)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Marilynne Robinson (USA, 1947): “Housekeeping” (1981) +</div>
<div style="text-align: justify;">
Marilynne Robinson (USA, 1947): “Gilead” (2005) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Pritish Nandy (India, 1947): “From the Outer Bank of the Brahmaputra” (1969) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Michael Ignatieff (Canada, 1947): “Scar Tissue” (1993)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Stephen Donaldson (USA, 1947): “Chronicles of Thomas Convenant” (1977)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ann Beattie (USA, 1947): “Chilly Scenes” (1976)</div>
<div style="text-align: justify;">
Ann Beattie (USA, 1947): “Love Always” (1985)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kathy Acker (USA, 1947): “Blood and Guts in High School” (1984)</div>
<div style="text-align: justify;">
Kathy Acker (USA, 1947): “My Death My Life by PierPaolo Pasolini” (1984)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Paul Auster (USA, 1947): “In the Country Of Last Things” (1988)</div>
<div style="text-align: justify;">
Paul Auster (USA, 1947): “New York Trilogy” (1986) +</div>
<div style="text-align: justify;">
Paul Auster (USA, 1947): “Moon Palace” (1989)</div>
<div style="text-align: justify;">
Paul Auster (USA, 1947): “Music of Chance” (1991)</div>
<div style="text-align: justify;">
Paul Auster (USA, 1947): “Leviathan” (1992)</div>
<div style="text-align: justify;">
Paul Auster (USA, 1947): “Mr Vertigo” (1994) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Keri Hulme (New Zealand, 1947): “Bone People” (1985) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Salman Rushdie (India, 1947): “Grimus” (1975) +</div>
<div style="text-align: justify;">
Salman Rushdie (India, 1947): “Midnight’s Children” (1980) ++</div>
<div style="text-align: justify;">
Salman Rushdie (India, 1947): “The Satanic Verses” (1988) +</div>
<div style="text-align: justify;">
Salman Rushdie (India, 1947): “The Moor’s Last Sigh” (1995)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Hare (Britain, 1947): “Slag” (1970) [t] +</div>
<div style="text-align: justify;">
David Hare (Britain, 1947): “Knuckle” (1974) [t]</div>
<div style="text-align: justify;">
David Hare (Britain, 1947): “Plenty” (1978) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Liz Lochhead (Britain, 1947): “Perfect Days” (1997) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Mamet (USA, 1947): “Duck Variations” (1972) [t]</div>
<div style="text-align: justify;">
David Mamet (USA, 1947): “American Buffalo” (1975) [t] +</div>
<div style="text-align: justify;">
David Mamet (USA, 1947): “Glengarry Glen Ross” (1983) [t] +</div>
<div style="text-align: justify;">
David Mamet (USA, 1947): “Oleanna” (1993) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Willy Russell (Britain, 1947): “Educating Rita” (1980) [t] +</div>
<div style="text-align: justify;">
Willy Russell (Britain, 1947): “Blood Brothers” (1981) [t]</div>
<div style="text-align: justify;">
Willy Russell (Britain, 1947): “Shirley Valentine” (1986) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Michael Dibdin (Britain, 1947): “Ratking” (1988)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sara Paretsky (USA, 1947): “Indemnity Only” (1982)</div>
<div style="text-align: justify;">
Sara Paretsky (USA, 1947): “Toxic Shock” (1988)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Florence Anthony/ Ai (USA, 1947): “Cruelty” (1973) [p]</div>
<div style="text-align: justify;">
Florence Anthony/ Ai (USA, 1947): “Killing Floor” (1979) [p]</div>
<div style="text-align: justify;">
Florence Anthony/ Ai (USA, 1947): “Sin” (1986) [p]</div>
<div style="text-align: justify;">
Florence Anthony/ Ai (USA, 1947): “Fate” (1991) [p]</div>
<div style="text-align: justify;">
Florence Anthony/ Ai (USA, 1947): “Vice” (1999) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Derek Mahon (Britain, 1947): “Courtyards in Delft” (1981) [p]</div>
<div style="text-align: justify;">
Derek Mahon (Britain, 1947): “The Hunt by Night” (1982) [p] +</div>
<div style="text-align: justify;">
Derek Mahon (Britain, 1947): “The Hudson Letter” (1996) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Arvind Mehrotra (India, 1947): “Nine Enclosures” (1976) [p]</div>
<div style="text-align: justify;">
Arvind Mehrotra (India, 1947): “The Transfiguring Places” (1998) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Stephen Donaldson (USA, 1947): “Chronicles of Thomas Convenant” (1977)</div>
<div style="text-align: justify;">
Stephen Donaldson (USA, 1947): “The Real Story” (1990)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Clare Boylan (Ireland, 1948): “Holy Pictures” (1983)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mda Zakes (South Africa, 1948): “We Shall Sing for the Fatherland” (1973) [t]</div>
<div style="text-align: justify;">
Mda Zakes (South Africa, 1948): “Ways of Dying” (1991)</div>
<div style="text-align: justify;">
Mda Zakes (South Africa, 1948): “She Plays with the Darkness” (1995)</div>
<div style="text-align: justify;">
Mda Zakes (South Africa, 1948): “The Heart Of Redness” (2000) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Thomas-Coraghessan Boyle (USA, 1948): “Water Music” (1982)</div>
<div style="text-align: justify;">
Thomas-Coraghessan Boyle (USA, 1948): “World’s End ” (1987) +</div>
<div style="text-align: justify;">
Thomas-Coraghessan Boyle (USA, 1948): “The Tortilla Curtain” (1995)</div>
<div style="text-align: justify;">
Thomas-Coraghessan Boyle (USA, 1948): “Drop City” (2003)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Maggie Gee (Britain, 1948): “Light Years” (1985)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Janet Hobhouse (USA, 1948): “Dancing in the Dark” (1983)</div>
<div style="text-align: justify;">
Janet Hobhouse (USA, 1948): “November” (1987)</div>
<div style="text-align: justify;">
Janet Hobhouse (USA, 1948): “The Furies” (1991) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ian McEwan (Britain, 1948): “Cement Garden” (1978)</div>
<div style="text-align: justify;">
Ian McEwan (Britain, 1948): “The Comfort of Strangers” (1981)</div>
<div style="text-align: justify;">
Ian McEwan (Britain, 1948): “The Child in Time” (1987) +</div>
<div style="text-align: justify;">
Ian McEwan (Britain, 1948): “Enduring Love” (1997)</div>
<div style="text-align: justify;">
Ian McEwan (Britain, 1948): “Amsterdam” (1998) +</div>
<div style="text-align: justify;">
Ian McEwan (Britain, 1948): “Atonement (2001)</div>
<div style="text-align: justify;">
Ian McEwan (Britain, 1948): “Saturday (2005)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Deborah Moggach (Britain, 1948): “Porky” (1983)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Clive Sinclair (Britain, 1948): “Bibliosexuality” (1973)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Robert Steiner (USA, 1948): “Quill” (1978)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Nigel Williams (Britain, 1948): “Class Enemy” (1978) [t]</div>
<div style="text-align: justify;">
Nigel Williams (Britain, 1948): “My Life Closed Twice” (1977)</div>
<div style="text-align: justify;">
Nigel Williams (Britain, 1948): “Wimbledon Poisoner” (1994)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Howard Brenton (Britain, 1948): “Revenge” (1969) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Edgar (Britain, 1948): “Two Kinds of Angel” (1970) [t]</div>
<div style="text-align: justify;">
David Edgar (Britain, 1948): “Mary Barnes” (1978) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Michael Dransfield (Australia, 1948): “Streets of the Long Voyage” (1970) [p]</div>
<div style="text-align: justify;">
Michael Dransfield (Australia, 1948): “The Second Month of Spring” (1980) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Timothy Steele (USA, 1948): “The Color Wheel” (1994) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Ellroy (USA, 1948): “American Tabloid” (1995)</div>
<div style="text-align: justify;">
James Ellroy (USA, 1948): “Black Dahlia” (1987)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Gibson (USA, 1948): “Neuromancer” (1984) +</div>
<div style="text-align: justify;">
William Gibson (USA, 1948): “Monalisa Overdrive” (1988)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Peter Ackroyd (Britain, 1949): “Hawksmoor” (1985)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Olga Broumas (USA, 1949): “Beginning With O” (1976) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Christopher Reid (Britain, 1949): “Arcadia” (1979) [p] +</div>
<div style="text-align: justify;">
Christopher Reid (Britain, 1949): “Katerina Brac” (1985) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Scott Turow (USA, 1949): “Presumed Innocent” (1987)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Gayl Jones (USA, 1949): “Corregidora” (1975) +</div>
<div style="text-align: justify;">
Gayl Jones (USA, 1949): “Eva’s Man” (1976)</div>
<div style="text-align: justify;">
Gayl Jones (USA, 1949): “The Healing” (1998)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kathryn Kramer (USA, 1949): “A Handbook for Visitors from Outer Space” (1984)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Martin Amis (Britain, 1949): “The Rachel Papers” (1974)</div>
<div style="text-align: justify;">
Martin Amis (Britain, 1949): “Dead Babies” (1975)</div>
<div style="text-align: justify;">
Martin Amis (Britain, 1949): “Money” (1984) +</div>
<div style="text-align: justify;">
Martin Amis (Britain, 1949): “London Fields” (1989) +</div>
<div style="text-align: justify;">
Martin Amis (Britain, 1949): “Time’s Arrow” (1991)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Denis Johnson (USA, 1949): “Angels” (1983)</div>
<div style="text-align: justify;">
Denis Johnson (USA, 1949): “Stars at Noon” (1986)</div>
<div style="text-align: justify;">
Denis Johnson (USA, 1949): “Fiskadoro” (1985)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Michele Roberts (Britain, 1949): “Daughters of the House” (1992)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Graham Swift (Britain, 1949): “The Sweet-shop Owner” (1980)</div>
<div style="text-align: justify;">
Graham Swift (Britain, 1949): “Shuttlecock” (1981)</div>
<div style="text-align: justify;">
Graham Swift (Britain, 1949): “Waterland” (1984) +</div>
<div style="text-align: justify;">
Graham Swift (Britain, 1949): “Last Orders” (1996)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Wilcox (USA, 1949): “Miss Undine’s Living Room” (1987)</div>
<div style="text-align: justify;">
James Wilcox (USA, 1949): “Modern Baptists” (1983)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Fenton (Britain, 1949): “Children in Exile” (1984) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Tom Paulin (Britain, 1949): “Fivemiletown” (1987) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ken Follett (Britain, 1949): “Eye of the Needle” (1979)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richard Russo (USA, 1949): “Empire Falls” (2002)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Lois McMaster-Bujold (USA, 1949): “The Mountains of Mourning” (1989)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Charles Frazier (USA, 1950): “Cold Mountain” (1997)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward Jones (USA, 1950): “The Known World” (2004) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jorie Graham (USA, 1950): “Materialism” (1993) [p]</div>
<div style="text-align: justify;">
Jorie Graham (USA, 1950): “Hybrids of Plants and of Ghosts” (1980) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Gary Indiana (USA, 1950): “Horse Crazy” (1988)</div>
<div style="text-align: justify;">
Gary Indiana (USA, 1950): “Rent Boy” (1994) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sara Maitland (Britain, 1950): “Daughter of Jerusalem” (1978)</div>
<div style="text-align: justify;">
Sara Maitland (Britain, 1950): “Virgin Territory” (1984)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Timothy Mo (China, 1950): “The Monkey King” (1978) +</div>
<div style="text-align: justify;">
Timothy Mo (China, 1950): “Sour Street” (1982)</div>
<div style="text-align: justify;">
Timothy Mo (China, 1950): “An Insular Possession” (1986)</div>
<div style="text-align: justify;">
Timothy Mo (China, 1950): “Redundancy of Courage” (1991)</div>
<div style="text-align: justify;">
Timothy Mo (China, 1950): “Brownout on Breadfruit Boulevard” (1995)</div>
<div style="text-align: justify;">
Timothy Mo (China, 1950): “Renegade or Halo2″ (1999)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Bradley (USA, 1950): “The Chaneysville Incident” (1981)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jane Smiley (USA, 1950): “Barn Blind” (1980)</div>
<div style="text-align: justify;">
Jane Smiley (USA, 1950): “Greenlanders” (1988)</div>
<div style="text-align: justify;">
Jane Smiley (USA, 1950): “A Thousand Acres” (1991) +</div>
<div style="text-align: justify;">
Jane Smiley (USA, 1950): “Moo” (1995)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Andrew-Norman Wilson (Britain, 1950): “The Sweets of Pimlico” (1977)</div>
<div style="text-align: justify;">
Andrew-Norman Wilson (Britain, 1950): “The Healing Art” (1980)</div>
<div style="text-align: justify;">
Andrew-Norman Wilson (Britain, 1950): “Who Was Oswald Fish” (1981)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Edward Hirsch (USA, 1950): “Wild Gratitude” (1986) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Blake Morrison (Britain, 1950): “Dark Glasses” (1984) [p]</div>
<div style="text-align: justify;">
Blake Morrison (Britain, 1950): “The Ballad of the Yorkshire Ripper” (1987) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ahdaf Soueif (Egypt, 1950): “The Map Of Love” (1999)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Grace Nichols (Guyana, 1950): “I Is a Long-Memoried Woman” (1983) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
David Brin (USA, 1950): “Earth” (1990)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Karen-Joy Fowler (USA, 1950): “The Jane Austen Book Club” (2004)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Redfield (USA, 1950): “Celestine Prophecy” (1993)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Allan Sealy (India, 1951): “The Trotter-Nama” (1988) +</div>
<div style="text-align: justify;">
Allan Sealy (India, 1951): “The Everest Hotel” (1998)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Paul Muldoon (Britain, 1951): “Immram” (1980) [p] +</div>
<div style="text-align: justify;">
Paul Muldoon (Britain, 1951): “Madoc A Mystery” (1990) [p]</div>
<div style="text-align: justify;">
Paul Muldoon (Britain, 1951): “The Annals of Chile” (1994) [p]</div>
<div style="text-align: justify;">
Paul Muldoon (Britain, 1951): “Moy Sand and Gravel” (2002) [p] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Greg Bear (USA, 1951): “Eon” (1985)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Orson Scott-Card (USA, 1951): “Hart’s Hope” (1983)</div>
<div style="text-align: justify;">
Orson Scott-Card (USA, 1951): “Ender’s Game” (1985) +</div>
<div style="text-align: justify;">
Orson Scott-Card (USA, 1951): “Speaker for the Dead” (1986)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Oscar Hijuelos (USA, 1951): “Our House in the Last World” (1983) +</div>
<div style="text-align: justify;">
Oscar Hijuelos (USA, 1951): “The Mambo Kings Play Songs of Love” (1989)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Walter Mosley (USA, 1952): “The Man in My Basement” (2003)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Beth Henley (USA, 1952): “Crimes of the Heart” (1979) [t] +</div>
<div style="text-align: justify;">
Beth Henley (USA, 1952): “The Miss Firecracker Contest” (1984) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
William Boyd (Britain, 1952): “A Good Man in Africa” (1981)</div>
<div style="text-align: justify;">
William Boyd (Britain, 1952): “An Ice-cream War” (1982)</div>
<div style="text-align: justify;">
William Boyd (Britain, 1952): “The New Confessions” (1987) +</div>
<div style="text-align: justify;">
William Boyd (Britain, 1952): “Blue Afternoon” (1993)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Helen Flint (USA, 1952): “Return Journey” (1987) +</div>
<div style="text-align: justify;">
Helen Flint (USA, 1952): “In Full Possession” (1989)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Hilary Mantel (Britain, 1952): “Every Day is Mother’s Day” (1985) +</div>
<div style="text-align: justify;">
Hilary Mantel (Britain, 1952): “Vacant Possession” (1986)</div>
<div style="text-align: justify;">
Hilary Mantel (Britain, 1952): “Eight Months on Ghazzah St” (1988)</div>
<div style="text-align: justify;">
Hilary Mantel (Britain, 1952): “Fludd” (1989) +</div>
<div style="text-align: justify;">
Hilary Mantel (Britain, 1952): “A Place Of Greater Safety” (1992)</div>
<div style="text-align: justify;">
Hilary Mantel (Britain, 1952): “An Experiment in Love” (1995)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jayne-Anne Phillips (USA, 1952): “Machine Dreams” (1984)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Padgett Powell (USA, 1952): “Edisto” (1984)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Stephen Poliakoff (Britain, 1952): “Hitting Town” (1975) [t]</div>
<div style="text-align: justify;">
Stephen Poliakoff (Britain, 1952): “Strawberry Fields” (1977) [t]</div>
<div style="text-align: justify;">
Stephen Poliakoff (Britain, 1952): “Caught on a Train” (1980) [t] +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Philip Gross (Britain, 1952): “The Ice Factory” (1984) [p]</div>
<div style="text-align: justify;">
Philip Gross (Britain, 1952): “The Wasting Game” (1998) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Andrew Motion (Britain, 1952): “Natural Causes” (1987) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Vikram Seth (India, 1952): “The Golden Gate” (1986)</div>
<div style="text-align: justify;">
Vikram Seth (India, 1952): “A Suitable Boy” (1993) +</div>
<div style="text-align: justify;">
Vikram Seth (India, 1952): “An Equal Music” (1999)</div>
<div style="text-align: justify;">
Vikram Seth (India, 1952): “Mappings” (1980) [p]</div>
<div style="text-align: justify;">
Vikram Seth (India, 1952): “The Humble Administrator’s Garden” (1985) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Michael Cunningham (USA, 1952): “A Home at the End of the World” (1990)</div>
<div style="text-align: justify;">
Michael Cunningham (USA, 1952): “The Hours” (1999)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richard Vetere (USA, 1952): “The Third Miracle” (1997) +</div>
<div style="text-align: justify;">
Richard Vetere (USA, 1952): “Hale the Hero” (1990) [t]</div>
<div style="text-align: justify;">
Richard Vetere (USA, 1952): “Gangster Apparel” (1993) [t]</div>
<div style="text-align: justify;">
Richard Vetere (USA, 1952): “The Engagement” (1998) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rohinton Mistry (India, 1952): “A Fine Balance” (1996)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jennifer Egan (USA, 1952): “Invisible Circus” (1995)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Franz Wright (USA, 1953): “Walking to Martha’s Vineyard” (2004) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Ronald Frame (Britain, 1953): “A Woman of Judah” (1988)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alice McDermott (USA, 1953): “Charming Billy” (1998) +</div>
<div style="text-align: justify;">
Alice McDermott (USA, 1953): “A Bigamists’ Daughter” (1982) +</div>
<div style="text-align: justify;">
Alice McDermott (USA, 1953): “That Night” (1987)</div>
<div style="text-align: justify;">
Alice McDermott (USA, 1953): “At Weddings and Wakes” (1992)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Lisa StAubin (Britain, 1953): “Keepers of the House” (1982)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Walter Williams (USA, 1953): “Hardwired” (1986)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Shirley (USA, 1953): “Eclipse Corona” (1990)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Neil Astley (Britain, 1953): “The End of My Tether” (2002)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Adam Zameenzad (Kenya, 1954): “Thirteenth House” (1987)</div>
<div style="text-align: justify;">
Adam Zameenzad (Kenya, 1954): “Cyrus Cyrus” (1990)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alan Holinghurst (Britain, 1954): “The Line of Beauty” (2004)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Iain Banks (Britain, 1954): “The Wasp Factory” (1984)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
James Buchan (Britain, 1954): “Heart’s Journey in Winter” (1995)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Fiona Pitt-Kethley (USA, 1954): “Sky Ray Lolly” (1986) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Louise Erdrich (USA, 1954): “Love Medicine” (1985)</div>
<div style="text-align: justify;">
Louise Erdrich (USA, 1954): “The Beet Queen” (1986)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Mary Gaitskill (USA, 1954): “Two Girls Fat and Thin” (1991)</div>
<div style="text-align: justify;">
Mary Gaitskill (USA, 1954): “Veronica” (2005)</div>
<div style="text-align: justify;">
<br />
Carlo Gebler (Ireland, 1954): “The Eleventh Summer” (1985)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alan Hollinghurst (Britain, 1954): “The Swimming-pool Party” (1988) +</div>
<div style="text-align: justify;">
Alan Hollinghurst (Britain, 1954): “The Folding Star” (1994)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kazuo Ishiguro (Britain, 1954): “A Pale View of Hills” (1982)</div>
<div style="text-align: justify;">
Kazuo Ishiguro (Britain, 1954): “An Artist of the Floating World” (1986) +</div>
<div style="text-align: justify;">
Kazuo Ishiguro (Britain, 1954): “The Remains of the Day” (1989) +</div>
<div style="text-align: justify;">
Kazuo Ishiguro (Britain, 1954): “The Unconsoled” (1995) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Hanif Kureishi (Britain, 1954): “The Buddha of Suburbia” (1990) +</div>
<div style="text-align: justify;">
Hanif Kureishi (Britain, 1954): “The Black Album” (1995)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Adam Mars-Jones (Britain, 1954): “The Waters of Thirst” (1993)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Tim Parks (Britain, 1954): “Tongues of Flame” (1985)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jeremy Reed (Britain, 1954): “By The Fisheries” (1985) +</div>
<div style="text-align: justify;">
Jeremy Reed (Britain, 1954): “Inhabiting Shadows” (1990)</div>
<div style="text-align: justify;">
Jeremy Reed (Britain, 1954): “Diamond Nebula” (1994)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Anthony Minghella (Britain, 1954): “Made in Bangkok” (1986) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Iain Banks (Britain, 1954): “Consider Phlebas” (1987)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Bruce Sterling (USA, 1954): “Schismatrix” (1985)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Francisco Goldman (USA, 1954): “The Long Night of White Chickens” (1998)</div>
<div style="text-align: justify;">
Francisco Goldman (USA, 1954): “The Divine Husband” (2005)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jones Adam Mars: (Britain, 1955): “Waters of Thirst” (1993)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Neil Bissoondath (Trinidad, 1955): “Casual Brutality” (1988)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Grisham (USA, 1955): “The Firm” (1991)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jay McInerney (USA, 1955): “Bright Lights Big City” (1984) +</div>
<div style="text-align: justify;">
Jay McInerney (USA, 1955): “Ransom” (1985)</div>
<div style="text-align: justify;">
Jay McInerney (USA, 1955): “Story of my Life” (1988)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Candia McWilliam (Britain, 1955): “A Case of Knives” (1988) +</div>
<div style="text-align: justify;">
Candia McWilliam (Britain, 1955): “A Little Stranger” (1989)</div>
<div style="text-align: justify;">
Candia McWilliam (Britain, 1955): “Debatable Land” (1994)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alexander Stuart (Britain, 1955): “War Zone” (1989)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Louise Page (Britain, 1955): “Salonika” (1982) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Carol-Ann Duffy (Britain, 1955): “Standing Female Nude” (1985) [p] +</div>
<div style="text-align: justify;">
Carol-Ann Duffy (Britain, 1955):”Selling Manhattan” (1987) [p]</div>
<div style="text-align: justify;">
Carol-Ann Duffy (Britain, 1955):”Mean Time” (1993) [p] +</div>
<div style="text-align: justify;">
Carol-Ann Duffy (Britain, 1955):”Feminine Gospels” (2002) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alan Jenkins (Britain, 1955): “Harm” (1994) [p]</div>
<div style="text-align: justify;">
Alan Jenkins (Britain, 1955): “The Drift” (2000) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Terry Johnson (Britain, 1955): “Insignificance” (1982) [t] +</div>
<div style="text-align: justify;">
Terry Johnson (Britain, 1955): “Hysteria” (1993) [t]</div>
<div style="text-align: justify;">
Terry Johnson (Britain, 1955): “Hitchcock Blonde” (2003) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Brian Morton (USA, 1955): “Starting Out in the Evening” (1998)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Geraldine Brooks (Australia, 1955): “March” (2005)</div>
<div style="text-align: justify;">
<br />
Jack Womack (USA, 1956): “Random Acts Of Senseless Violence” (1993)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jin Xuefei/ Ha Jin (China, 1956): “Waiting” (1999) +</div>
<div style="text-align: justify;">
Jin Xuefei/ Ha Jin (China, 1956): “War Trash” (2005)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Alexander Jablokov (USA, 1956): “Nimbus” (1993)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Sashi Tharoor (India, 1956): “The Great Indian Novel” (1989)</div>
<div style="text-align: justify;">
<br />
Upamanyu Chatterjee (India, 1956): “English August” (1988)</div>
<div style="text-align: justify;">
<br />
Gish Jen (USA, 1956): “Typical American” (1991)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Andrea Levy (Britain, 1956): “Small Island” (2003)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Shashi Tharoor (India, 1956): “Great Indian Novel” (1989)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
John Stephen Fry (Britain, 1957): “The Hippopotamus” (1994)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Richard Powers (USA, 1957): “The Echo Maker” (2006)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Nicholson Baker (USA, 1957): “Mezzanine” (1988)</div>
<div style="text-align: justify;">
Nicholson Baker (USA, 1957): “The Fermata” (1994)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Amitav Ghosh (India, 1957): “Circle of Reason” (1986)</div>
<div style="text-align: justify;">
Amitav Ghosh (India, 1957): “The Shadow Lines” (1988) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Susan Minot (USA, 1957): “Monkeys” (1986)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Lorrie Moore (USA, 1957): “Who Will Run The Frog Hospital” (1994)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Tony Kushner (USA, 1957): “Angels in America” (1991) [t] +</div>
<div style="text-align: justify;">
Tony Kushner (USA, 1957): “Slavs” (1994) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Michael Hofmann (Britain, 1957): “Acrimony” (1986) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Kyoko Mori (Japan, 1957): “Stone Field True Arrow” (2000)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Claudia Emerson (Australia, 1957): “Pinion” (2002) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Anne Michaels (Canada, 1958): “Fugitive Pieces” (1997)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Michelle de Kretser (Sri Lanka, 1958): “The Hamilton Case” (2003)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Roddy Doyle (Ireland, 1958): “Commitments” (1987)</div>
<div style="text-align: justify;">
Roddy Doyle (Ireland, 1958): “Paddy Clarke Ha Ha Ha” (1993) +</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Caryl Phillips (St Kitts, 1958): “The Final Passage” (1985) +</div>
<div style="text-align: justify;">
Caryl Phillips (St Kitts, 1958): “Higher Ground” (1989)</div>
<div style="text-align: justify;">
Caryl Phillips (St Kitts, 1958): “Crossing the River” (1993)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Benjamin Zephaniah (Britain, 1958): “Pen Rhythm” (1980) [p]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Rabih Alameddine (Lebanon, 1959): “Koolaids” (1998)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jeanette Winterson (Britain, 1959): “Oranges Are Not The Only Fruit” (1985)</div>
<div style="text-align: justify;">
Jeanette Winterson (Britain, 1959): “The Passion” (1987)</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Jim Cartwright (Britain, 1959): “Road” (1986) [t] +</div>
<div style="text-align: justify;">
Jim Cartwright (Britain, 1959): “Two” (1989) [t] +</div>
<div style="text-align: justify;">
Jim Cartwright (Britain, 1959): “The Rise And Fall Of Little Voice” (1992) [t]</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Pat Cadigan (USA, 1959): “Mindplayers” (1987)</div>
<div style="text-align: justify;">
<br />
Jonathan Franzen (USA, 1959): “Strong Motion” (1992)</div>
<div style="text-align: justify;">
Jonathan Franzen (USA, 1959): “The Corrections” (2001)</div>
<div style="text-align: justify;">
<br />
Ben Okri (Nigeria, 1959): “The Landscapes Within” (1981)</div>
<div style="text-align: justify;">
Ben Okri (Nigeria, 1959): “The Famished Road” (1991) +</div>
<div style="text-align: justify;">
Ben Okri (Nigeria, 1959): “Astonishing the Gods” (1995)</div>
<div style="text-align: justify;">
<br />
Neal Stephenson (USA, 1959): “Diamond age” (1994)</div>
<div style="text-align: justify;">
Neal Stephenson (USA, 1959): “Snow Crash” (1991)</div>
<div style="text-align: justify;">
Neal Stephenson (USA, 1959): “Cryptonomicon” (1999)</div>
<div style="text-align: justify;">
<br />
Ian McDonald (Britain, 1960): “Terminal Cafe” (1994)</div>
<div style="text-align: justify;">
<br />
David Leavitt (USA, 1960): “The Lost Language of Cranes” (1986)</div>
<div style="text-align: justify;">
<br />
Jeffrey Eugenides (USA, 1960): “The Virgin Suicides” (1993)</div>
<div style="text-align: justify;">
Jeffrey Eugenides (USA, 1960): “Middlesex” (2003)</div>
<div style="text-align: justify;">
<br />
Douglas Coupland (Canad , 1961): “Generacion X” (1991)</div>
<div style="text-align: justify;">
Douglas Coupland (Canad , 1961): “Girlfriend in a Coma” (1998) +</div>
<div style="text-align: justify;">
<br />
Arundhati Roy (India, 1961): “The God of Small Things” (1997) +</div>
<div style="text-align: justify;">
<br />
Vikram Chandra (India, 1961): “Red Earth and Pouring Rain” (1995)</div>
<div style="text-align: justify;">
<br />
Andrea Dunbar (Britain, 1961): ” Rita, Sue and Bob too” (1982) [t]</div>
<div style="text-align: justify;">
<br />
Will Self (Britain, 1961): “The Quantity Theory of Insanity” (1991) +</div>
<div style="text-align: justify;">
Will Self (Britain, 1961): “My Ideas of Fun” (1993)</div>
<div style="text-align: justify;">
<br />
Richard Flanagan (Australia, 1961): “Death of a River Guide” (1996)</div>
<div style="text-align: justify;">
Richard Flanagan (Australia, 1961): “The Sound of One Hand Clapping” (1997)</div>
<div style="text-align: justify;">
Richard Flanagan (Australia, 1961): “Gould’s Book of Fish” (2002)</div>
<div style="text-align: justify;">
<br />
Lan Cao (Vietnam, 1961): “Monkey Bridge” (1997)</div>
<div style="text-align: justify;">
<br />
David Foster Wallace (USA, 1962): “Infinite Jest” (1996)</div>
<div style="text-align: justify;">
<br />
Walter Kirn (USA, 1962): “Thumbsucker” (1999)</div>
<div style="text-align: justify;">
<br />
Mark Haddon (Britain, 1962): “The Curious Incident of the Dog in the Night-Time” (2003)</div>
<div style="text-align: justify;">
<br />
Ali Smith (Britain, 1962): “The Accidental” (2004)</div>
<div style="text-align: justify;">
<br />
Andrew Bovell (Australia, 1962): “Speaking in Tongues” (2000) [t]</div>
<div style="text-align: justify;">
<br />
Anne Enright (Ireland, 1962): “The Gathering” (2007)</div>
<div style="text-align: justify;">
<br />
Simon Armitage (Britain, 1963): “The Dead Sea Poems” (1995) [p]</div>
<div style="text-align: justify;">
Simon Armitage (Britain, 1963): “Cloudcuckooland” (1997) [p]</div>
<div style="text-align: justify;">
Simon Armitage (Britain, 1963): “Killing Time” (1999) [p]</div>
<div style="text-align: justify;">
<br />
Yann Martel (Canada, 1963): “Life of Pi” (2002)</div>
<div style="text-align: justify;">
<br />
Michael Chabon (USA, 1963): “The Amazing Adventures of Kavalier and Clay” (2000)</div>
<div style="text-align: justify;">
<br />
Michael-Symmons Roberts (Britain, 1963): “Corpus” (2004) [p]</div>
<div style="text-align: justify;">
<br />
Graeme Aitken (New Zealand, 1963): “50 Ways of Saying Fabulous” (1995)</div>
<div style="text-align: justify;">
<br />
Bret-Ellis Easton (USA, 1964): “Less Than Zero” (1985)</div>
<div style="text-align: justify;">
<br />
Jonathan Lethem (USA, 1964): Motherless Brooklyn (1999)</div>
<div style="text-align: justify;">
Jonathan Lethem (USA, 1964): “Fortress of Solitude” (2003)</div>
<div style="text-align: justify;">
<br />
Dan Brown (USA, 1964): “Angels & Demons” (2000)</div>
<div style="text-align: justify;">
Dan Brown (USA, 1964): “The Da Vinci Code” (2003)</div>
<div style="text-align: justify;">
<br />
Donna Tartt (USA, 1964): “The Secret History” (1992)</div>
<div style="text-align: justify;">
<br />
Patrick Marber (Britain, 1964): “Dealer’s Choice” (1995) [t]</div>
<div style="text-align: justify;">
Patrick Marber (Britain, 1964): “Closer” (1997) [t] +</div>
<div style="text-align: justify;">
<br />
Chang-rae Lee (South Korea, 1965): “Native Speaker” (1995)</div>
<div style="text-align: justify;">
Chang-rae Lee (South Korea, 1965): “Aloft” (2004)</div>
<div style="text-align: justify;">
<br />
Sunetra Gupta (Britain, 1965): “Memories of Rain” (1992)</div>
<div style="text-align: justify;">
Sunetra Gupta (Britain, 1965): “The Glassblower’s Breath” (1993)</div>
<div style="text-align: justify;">
<br />
Joanne Rowling (Britain, 1965): “Harry Potter and the Philosopher’s Stone” (1997)</div>
<div style="text-align: justify;">
<br />
Nadeem Aslam (Pakistan, 1966): “Season of the Rainbirds” (1993)</div>
<div style="text-align: justify;">
Nadeem Aslam (Pakistan, 1966): “Maps for Lost Lovers” (2004)</div>
<div style="text-align: justify;">
<br />
Nilanjana “Jhumpa Lahiri” Sudeshna (USA, 1967): “Interpreter Of Maladies” (2000)</div>
<div style="text-align: justify;">
Nilanjana “Jhumpa Lahiri” Sudeshna (USA, 1967): “The Namesake” (2003)</div>
<div style="text-align: justify;">
<br />
Monica Ali (Bangladesh, 1967): “Brick Lane” (2003)</div>
<div style="text-align: justify;">
<br />
Junot D¡az (Dominican Republic, 1968): “The Brief Wondrous Life of Oscar Wao” (2007)</div>
<div style="text-align: justify;">
<br />
David Mitchell (Britain, 1969): “Number9dream” (2001)</div>
<div style="text-align: justify;">
David Mitchell (Britain, 1969): “Ghostwritten” (2001)</div>
<div style="text-align: justify;">
David Mitchell (Britain, 1969): “Cloud Atlas” (2004)</div>
<div style="text-align: justify;">
<br />
David Auburn (USA, 1969): “Proof” (2000) [t]</div>
<div style="text-align: justify;">
<br />
Edwidge Danticat (Haiti, 1969): “Breath Eyes Memory” (1994)</div>
<div style="text-align: justify;">
Edwidge Danticat (Haiti, 1969): “The Farming of the Bones” (1999) +</div>
<div style="text-align: justify;">
Edwidge Danticat (Haiti, 1969): “The Dew Breaker” (2004)</div>
<div style="text-align: justify;">
<br />
Dave Eggers (Britain, 1970): “A Heartbreaking Work of Staggering Genius” (2000)</div>
<div style="text-align: justify;">
<br />
Kiran Desai (India, 1971): “The Inheritance of Loss” (2006)</div>
<div style="text-align: justify;">
Kiran Desai (India, 1971): “Hullabaloo in the Guava Orchard” (1998)</div>
<div style="text-align: justify;">
<br />
Yiyun Li (China, 1972): “A Thousand Years of Good Prayers” (2006)</div>
<div style="text-align: justify;">
<br />
Nicole Krauss (USA, 1974): “Man Walks Into a Room” (2002)</div>
<div style="text-align: justify;">
<br />
Leontia Flynn (1974): “These Days” (2004) [p]</div>
<div style="text-align: justify;">
<br />
Zadie Smith (Britain, 1975): “White Teeth” (2000)</div>
<div style="text-align: justify;">
Zadie Smith (Britain, 1975): “On Beauty” (2005)</div>
<div style="text-align: justify;">
<br />
Jonathan Safran Foer (USA, 1977): “Everything Is Illuminated” (2002) </div>
</div>
Kashyap Deepakhttp://www.blogger.com/profile/05724719354478570994noreply@blogger.com0tag:blogger.com,1999:blog-3432816720253160432.post-56000947787366435072012-11-03T18:47:00.002-07:002012-11-03T19:08:11.728-07:00Important<div dir="ltr" style="text-align: left;" trbidi="on">
<span style="color: #222222; font-family: Georgia; line-height: 15.75pt; text-align: justify;"><ol>
<li><span style="line-height: 15.75pt;">In the 1950s French
writer Alain Robbe-Grillet experimented with a new type of novel, </span><b style="line-height: 15.75pt;">nouveau
roman</b><span style="line-height: 15.75pt;">, meaning it anti novel or new novel, in which the author is transparent
and does not intrude on the narrative.</span></li>
<li><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">American writer Harlan
Ellison’s A <b>Boy and His Dog</b> (1975) is a cycle of narrative, science fiction and </span><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">black comedy of survival in the wake of a
nuclear war.</span></li>
<li><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">Ousmane Sembène's </span><b style="line-height: 15.75pt;">Xala (</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">1973) is the drawn
of Senegal's independence from France. El Hadji Kader Beye is the hero of the
novel.</span></li>
<li><span style="line-height: 15.75pt;">“Molly Bloom” soliloquy
in Joyce’s novel </span><b style="line-height: 15.75pt;">Ulysses</b><span style="line-height: 15.75pt;"> (1922).</span></li>
<li><span style="line-height: 15.75pt;">Keats suggested Shelley
to “Curb your magnanimity and be more of a poet’</span></li>
<li><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">The following writers
come from Ireland: GB Shah, W B Yeats, James Joyce, Seamus Heaney, Oscar Wilde.
(IMP)</span><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> </span></li>
<li><span style="line-height: 15.75pt;">Hobbes, the English
Philosopher (1588 – 1679) believed that “Man was merely a Body, or better a
Machine in motion. Thus, what is the Heart but a Spring, and the Nerves but
many Strings and the Joints but so may Wheels”.</span></li>
<li><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">‘</span><b style="line-height: 15.75pt;">The Waste Land</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">’ (1921) is both a public or private poem by T. S.
Eliot, born in America and resided in England.</span></li>
<li><span style="color: #222222;">Christopher
Marlowe (1564-1593)</span><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">, born in the same year that Shakespeare born.</span></li>
<li><span style="line-height: 15.75pt;">Nigerian writer Wole
Soyinka became the first African and first black writer to win the Nobel Prize
for literature in 1986</span></li>
<li><span style="line-height: 15.75pt;">Sigmund Freud is
associated with enormously influential perspective or practice psychoanalysis.</span></li>
<li><span style="line-height: 15.75pt;">Lawrence very closely
describes the working life of the labourers in “</span><b style="line-height: 15.75pt;">Sons and Lovers</b><span style="line-height: 15.75pt;">” (1913). (IMP)</span></li>
<li><b style="line-height: 15.75pt;"><span style="color: #222222; font-family: Georgia;">Wuthering Heights</span></b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> (1847) is the single novel and masterpiece of Emily Bronte.</span></li>
<li><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">The Nigerian author Ben
Okri won the Booker Prize for his novel </span><b style="line-height: 15.75pt;">Famished
Road (</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">1991). Notably, the book is narrated by a “spirit-child.” who dreams
a better world of ‘inspired hope’. (IMP)</span></li>
<li><span style="line-height: 15.75pt;">‘The one remains, the
many change and pass; Heaven’s light for ever shines, earth’s shadow fly’ lines
from </span><b style="line-height: 15.75pt;">Adonaïs</b><span style="line-height: 15.75pt;"> (1821) by Shelley, written on the death of Keats. is in 495 lines in 55 Spenserian stanzas, was composed in the spring of 1821 immediately after April 11, when Shelley heard of Keats' death</span></li>
<li><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">Mathew Arnold describes
Shelley “a beautiful and ineffectual angel beating in the void his luminous
wings in vain”.</span><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> </span></li>
<li><b style="line-height: 15.75pt;"><span style="color: #222222; font-family: Georgia;"><span style="color: #222222;">The Tragical History of Doctor Faustus</span></span></b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> (1588) is play of Christopher
Marlowe.</span></li>
<li><span style="line-height: 15.75pt;">Legouis says “Wordsworth
saw Nature and Man with new eyes”.</span></li>
<li><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> </span><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">‘</span><b style="line-height: 15.75pt;">Pygmalion’</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">
was Satire on the rigid class system in England. It is described as ‘</span><b style="line-height: 15.75pt;">A Romantic in Five Acts</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">’ by Shaw
whereas it is anti-romantic in Spirit</span></li>
<li><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">Senegalese Léopold Sédar
Senghor edited </span><b style="line-height: 15.75pt;">Anthologie de la nouvelle
poésie nègre et malgache de langue française</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> whose English rendering is </span><b style="line-height: 15.75pt;">Anthology of the New Black and Malagasy
Poetry in the French Language.</b></li>
<li><b style="line-height: 15.75pt;">Historia von Dr. Johann
Fausten</b><span style="line-height: 15.75pt;"> (1587), published in Frankfurt.</span></li>
<li><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">“Byron’s </span><b style="line-height: 15.75pt;">Don Juan </b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">(unfinished) is a success
because it is a satirical panorama of the ruling classes of his time” (W. H.
Auden).</span></li>
<li><span style="line-height: 15.75pt;">The 1805 text of ‘</span><b style="line-height: 15.75pt;">The
Prelude</b><span style="line-height: 15.75pt;">’ is found, edited and printed by Ernest De Selin Court in 13 books
(1850 version in 14 books)</span></li>
<li><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">In </span><span style="color: #222222;">Old English,</span><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> few books were written; most of those were
written in Latin, for religious purposes. Most of those that got written
have disappeared. Four books of Old English poetry exist today. All seem to
have been written about the year 1000. First (the so-called <b>Junius Manuscript</b>)
contains stories from the Old Testament turned into Old English poetry:
Genesis, Exodus, and Daniel. Second (<b>The Vercelli Book</b>, which turned up, rather
mysteriously, in a small town in northern Italy) contains Christian poems
based on themes from the New Testament or lives of saints; the best known of
these is the “Dream of the Rood,” spoken by the cross on which Jesus was
crucified. Third (<b>The Exeter Book</b>) is a kind of anthology of different short
poems; it contains “The Wanderer,” “The Seafarer,” and “The Wife’s Lament.” The
fourth (known as the <b>Cotton Manuscript</b>, or, more formally, <b>MS Cotton Vitellius
A. xv</b>), contains <b>Beowulf</b>. This manuscript was badly burned in 1731; today
it is carefully preserved in the British Museum, in London, but its edges keep
flaking off, making it harder and harder to read.</span></li>
<li><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">E. M.</span><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> </span><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">Forster’s <b>Howards End</b> tells the story of two
families: </span><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> </span><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">the Schlegels and the
Wilcoxes.</span></li>
<li><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">The religious poems in
the old English written under the influence of Cynewulf, known as Cynewulf
Cycle. The best-known “The Dream of the Rood,” (comes under </span><b style="line-height: 15.75pt;">The Vercelli Book—</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">a collection of Christian
poems based on themes from the New Testament or lives of saints) spoken by the
the </span><span style="color: #222222;">Ruthwell Cross
of Northumbria</span><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> on which Jesus was crucified. </span></li>
<li><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">“In <b>Hamlet</b> we see a
great, an almost enormous intellectual activity and a proportionate aversion to
real action consequent upon it.”</span><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> </span><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">Says Coleridge.</span></li>
<li><b style="line-height: 15.75pt;"><span style="color: #222222; font-family: Georgia;">The Christ , Elene , Juliana and Fates of the Apostles</span></b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> poems are a religious reflection of
Anglo-Saxon ideals, they are best picture of Christianity as it appeared in <span style="color: #222222;">England</span> during the eighth and ninth centuries.</span></li>
<li><span style="line-height: 15.75pt;">The oldest surviving
English poem in the form of a dream or vision </span><b style="line-height: 15.75pt;">The Rood</b><span style="line-height: 15.75pt;"> falls into three parts:
the opening words of the dreamer, the words spoken by the Rood, and the words
of the dreamer, after the dream is over.</span></li>
<li><b style="line-height: 15.75pt;">Wuthering Heights</b><span style="line-height: 15.75pt;"> was
adapted to the screen in a 1939 production directed by William Wyler and
starring Merle Oberon, Laurence Olivier, and David Niven.</span></li>
<li><span style="line-height: 15.75pt;">Dorothea Brooke is the
heroine of George Eliot’s (pen name Mary Ann Evans) novel </span><b style="line-height: 15.75pt;">Middlemarch.</b></li>
<li><span style="line-height: 15.75pt;">Browning had a “robust
optimism” unlike the other Victorian poets who were worriers and doubters.</span></li>
<li><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">American writer,
Hawthorne wrote </span><b style="line-height: 15.75pt;">The Great Stone Face</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">.</span></li>
<li><b style="line-height: 15.75pt;"><span style="color: #222222; font-family: Georgia;">Anne of Green Gables</span></b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> (1908) and its sequels are written by L. M. Montgomery.</span></li>
<li><span style="line-height: 15.75pt;">It is said of Jane
Austen that she involves the ‘Critical Intelligence’ of her readers. The
prevailing interest is not only in ‘aesthetic delight’ but also in a sense of
moral conviction.</span></li>
<li><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">Swifts’ <b>Gulliver’s Travel</b> (1726) is a ‘mock utopia’. Gulliver legends: </span><b style="line-height: 15.75pt;">The Borrowers</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> by Mary Norton; H. G.
Wells’s </span><b style="line-height: 15.75pt;">Food of the Gods</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">; </span><b style="line-height: 15.75pt;">Honey, I Shrunk the Kids</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> and its sequel
</span><b style="line-height: 15.75pt;">Honey, I Blew Up the Baby</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">; “</span><b style="line-height: 15.75pt;">Hundred Worlds</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">”</span></li>
<li><span style="line-height: 15.75pt;">“If nature leads to God,
she also leads to Man.” Wordsworth’s vision of Nature</span></li>
<li><span style="line-height: 15.75pt;">Main character of Joseph
Conrad's famous novella </span><b style="line-height: 15.75pt;">Heart of Darkness</b><span style="line-height: 15.75pt;"> (1902) is Kurtz. (IMP)</span></li>
<li><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">Yann Martel, a Canadian </span><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> </span><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">wrote </span><b style="line-height: 15.75pt;">Life
of PI (2001)</b><span style="color: #222222; font-family: Georgia;"><span style="line-height: 15.75pt;"><b> </b>a fantasy </span>adventurous novel<span style="line-height: 15.75pt;"> with protagonist Piscine Molitor Patel who is nicknamed as Pi.</span></span></li>
<li><span style="line-height: 15.75pt;">'</span><b style="line-height: 15.75pt;">Harry Potter and the
Deathly Hallows</b><span style="line-height: 15.75pt;">' is J. K. Rowling's last book of the Harry Potter Series which
was published in 2007.</span></li>
<li><span style="line-height: 15.75pt;">Keri Hulme’s novel, </span><b style="line-height: 15.75pt;">The
Bone People</b><span style="line-height: 15.75pt;"> (1983) focuses on the relationship of a woman, a boy, and the boy’s
adoptive father.</span></li>
<li><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">American humorist SAMUEL
LANGHORNE CLEMENS carries the penname of "MARK TWAIN”. A few popular
sketches of him are </span><b style="line-height: 15.75pt;">The Jumping Frog </b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;">(1867),
</span><b style="line-height: 15.75pt;">Sketches New and Old</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> (1873), </span><b style="line-height: 15.75pt;">Adventures of Tom Sawyer</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> (1876), </span><b style="line-height: 15.75pt;">Life on the Mississippi</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> (1883), </span><b style="line-height: 15.75pt;">Huckleberry Finn</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> (1885), </span><b style="line-height: 15.75pt;">The American Claimant</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> (1892), </span><b style="line-height: 15.75pt;">Tom Sawyer Abroad</b><span style="color: #222222; font-family: Georgia; line-height: 15.75pt;"> (1894)</span></li>
</ol>
</span><ol>
</ol>
<div style="text-align: justify;">
<br /></div>
</div>
Kashyap Deepakhttp://www.blogger.com/profile/05724719354478570994noreply@blogger.com0tag:blogger.com,1999:blog-3432816720253160432.post-507388714539602062012-10-31T19:20:00.000-07:002012-10-31T19:20:02.181-07:00Questions<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
<div class="MsoNormal" style="text-align: center;">
<b><span style="font-family: Verdana, sans-serif;">Important Questions for UGC-NET English</span></b></div>
<div class="MsoNormal">
<br /></div>
<ol start="1" style="margin-top: 0in;" type="1">
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">Battle
of Hastings was decided in the year 1066 A.D.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">The
alternative title for the play ‘<b>All
For Love</b>’ is ‘<b>The World Well
Lost</b>’.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">Coleridge’s
<b>Biographia Literaria</b> means
‘literary biography’.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">In <b>Paradise Lost</b> among the fallen
angles Belial came last.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">In
1611 King James Version of Bible is Published also called complete Bible.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">The
sub-title of Blake’s <b>Songs of
Innocence and Experience</b> is ‘showing the two contrary states of the
human soul.’</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">Tales
in <b>Canterbury Tales</b> which are
Chaucer’s own: Tale of Malibeus and The Parson’s Tale.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;"><b>Frankenstein</b> was written by Mary
Shelley.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">The
three principles of the French Revolution are ‘liberty, equality, and
fraternity’.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;"><b>Empedocles on Etna</b> is a drama of
Mathew Arnold.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">Literally
‘Astrophel’ means ‘one enamoured of the star’ and ‘Stella’ which is a hat
in term, means ‘star’. </span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">Coleridge’s
play is <b>Remorse</b>.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">Shakespeare
performed in The Globe.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">Elizabethan
revenge tragedies – Shakespeare’s <b>Hamlet</b>
and Kyd’s <b>The Spanish Tragedy</b>.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">Poets
mentioned in Dr. Johnson’s <b>Lives of
the Poets (1767)</b> –Dryden, Gay, Cowley.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">Who
founded “Pre-Raphaelite Brotherhood” are D.G. Rosette, William Holman
Hunt, Ford Maddox Brown, and the painter Millais.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">Two
blank verse tragedies of the Restoration Period.are John Crown’s <b>Caligula and Thyestes</b>. Dryden’s <b>All for Love or,The World Well Lost</b>.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">William
Morris is the author of ‘<b>The
Earthly <st1:place w:st="on">Paradise</st1:place>’</b>.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;"><b>Areopagitiea</b> is an important prose
work by <st1:city w:st="on">Milton</st1:city>.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;"><b>Ralph Roister Doister</b>, written by
Nicholas Udall is the first extant English Comedy.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">Elizabeth
Barrett Browning is the author of ‘<b>Sonnets
from the Portuguese</b>’.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">“<b>An Essay on Man</b>” is a poem writer
by pope.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">The
full name of Browning’s wife is Elizabeth Barrett Browning.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">Emily
Bronte only novel is ‘<b>Weathering
Heights</b>’.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">The
English philosopher and statesman of the 16thcentury Thomas More imagined
an ideal state in Utopia</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">‘The
Lion, Angel and Lamb’ signify in Act-iii of <b>She sloops to Conquer</b> were the names of the inn rooms.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">The
sonnet sequence ‘<b>Amoretti’</b>
written by Edmund Spenser consists of 89 sonnets.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">Curragh
is a small Irish fishing boat.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">“Mammon”
is a <st1:country-region w:st="on">Syria</st1:country-region>
word that means ‘riches’ or wealth. He was believed to be the God of
riches.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">‘The
Rake’s Progress in Act-iv of <b>‘She
Stoops to Conquer’</b> is a famous set of prints by the artist William
Hogarth depicting the progressive ruin of young man including in the
pursuit of pleasure.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">In <b>Major Barbara</b> the seven millstones that are to be
lifted from ‘man’s neck’ are – food, clothing, taxes, rent, children,
respectability and shelter.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">Spenser
composed <b>Epithlamion</b> as a wedding
gift to Elizabeth Boyle.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">‘White
board’ that Maurya buys symbolically suggestive of death. </span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">Thomas
Shadwell, a rivel poet of Dryden, used tautology in his literary works.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">Spinning
wheel and oilskins were used by the Aran islanders which show that were
very primitive.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">The
word ‘Pandemonium’ literally means ‘the home of all the demons.' Mulciber was the
architect of the Pandemonium in <b>Paradise
Lost</b> Book-1.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">Mermaids
are imaginary creatures upward human and downward fish. They are belived
to produce sweet songs that soothes every one.</span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;">The
word “New fangleness” means objectionable novelty that replaces something
good and old. </span></li>
<li class="MsoNormal"><span style="font-family: Verdana, sans-serif;"><st1:city w:st="on">Sidney</st1:city> was incapable
of writhing poetry. Not a single word flow from his pen. <st1:city w:st="on">Sidney</st1:city> regarded his pen as truant as if
it is not obeying his commands.</span></li>
</ol>
</div>
Kashyap Deepakhttp://www.blogger.com/profile/05724719354478570994noreply@blogger.com4tag:blogger.com,1999:blog-3432816720253160432.post-74777888400318451832012-09-06T09:35:00.001-07:002012-09-06T09:35:08.351-07:00UGC NET June 2012 Paper II<div dir="ltr" style="text-align: left;" trbidi="on"><br />
<div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">1. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">To refer to the unresolvable difficulties a text may open up, Derrida makes use of the term :<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) aporia<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) difference<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) erasure<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) supplement<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">2. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Who, among the following English playwrights, scripted the film </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Shakespeare in Love</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) Harold Pinter<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) Alan Bennett<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) Caryl Churchill<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) Tom Stoppard<o:p></o:p></span></b></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">3. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Arrange the following in the chronological order :<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">1. Mary Wollstonecraft’s</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Vindication of the Rights of Women<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">2. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Lyrical Ballads <o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">3. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">French Revolution<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">4. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Percy’s Reliques of Ancient English Poetry<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) 4, 3, 1, 2<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) 3, 2, 1, 2<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) 1, 2, 4, 3<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) 2, 1, 3, 4<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">4. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Which of the following employs a narrative structure in which the main action is relayed at second hand through an enclosing frame story ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Sons and Lovers<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Ulysses<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Power and the Glory<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) </span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Heart of Darkness<o:p></o:p></span></b></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">5. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">The Irish Dramatic Movement was heralded by such figures as<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) W. B. Yeats, Lady Gregoryand Edward Martyn<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) Jonathan Swift and his contemporaries<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) H. Drummond, Edward Irving and John Ervine<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) Oscar Wilde and his contemporaries<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">6. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Which poem by Chaucer was written on the death of Blanche, Wife of John of Gaunt ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Troilus and Criseyde<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The House of Fame<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) </span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Book of Duchess<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Legend of Good Women<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">7. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Tragedy of Ferrex and Porrex </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">is the other title of<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) </span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Gorboduc<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Ralph Roister Doister<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Damon and Pythias<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Lamentable Tragedy<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">8. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Who of the following poets is Australian ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) Austin Clarke<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) Judith Wright<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) Edwin Muir<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) Derek Walcott<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">9. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">“He found it [English] brick and left it marble”, remarked one great writer on another. Who were they ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) <st1:city w:st="on"><st1:place w:st="on">Milton</st1:place></st1:city> on Shakespeare<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) Dryden on <st1:city w:st="on"><st1:place w:st="on">Milton</st1:place></st1:city><o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) Johnson on Dryden<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) Jonson on Shakespeare<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">10. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Who, among the following, is a Nobel Laureate ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) Tony Morrison<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) Seamus Heaney<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) Ted Hughes<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) Geoffrey Hill<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">11. List – I List – II<o:p></o:p></span></div><div class="MsoNormal"><st1:place w:st="on"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">I.</span></st1:place><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;"> “Because I could not stop for death…” a. Robert Frost<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">II. “O Captain ! My Captain!” b. William Carlos Williams<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">III. “Two roads diverged in a wood….” c. Emily Dickinson<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">IV. “So much depends /upon” d. Walt Whitman<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">The correctly matched series would be :<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) I-d; II-c; III-b; IV-a<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) I-a; II-b; III-c; IV-d<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) I-b; II-a; III-d; IV-c<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) I-c; II-d; III-a; IV-b<o:p></o:p></span></b></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">12. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">The predominant tone and thrust of Jonathan Swift’s “A Modest Proposal” are<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) comic<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) solemn<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) hortatory<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) irony<o:p></o:p></span></b></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">13. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">I sit in one of the </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">dives </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">On <st1:street w:st="on"><st1:address w:st="on">Fifty Second Street</st1:address></st1:street>, Uncertain and afraid As the clever hopes expire Of a low dishonest decade. So begins Auden’s “September 1, 1939”. What is the meaning of the word in italics ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) bench<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) night club<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) house<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) park<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">14. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">C. K. Ogden and I. A. Richards were reputed in the 1930s for introducing<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) Practical Criticism<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) New Criticism<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) Standard English Project<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) Basic English Project<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">15. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">In which of the following works does Mrs. Malaprop appear ?<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) </span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Rivals<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">She Stoops to Conquer<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Mysteries of Udolpho<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Way of the World<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">16. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Which of the following statements about Christopher Marlowe are true ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">I. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Edward II </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">was written in the last year of Marlowe’s life.<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">II. Many critics consider </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Doctor Faustus </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">to be Marlowe’s best play.<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">III. His </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Spanish Tragedy comes </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">a close second.<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">IV. Marlowe was less educated than Shakespeare.<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) I and II are true.<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) II and III are true.<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) II and IV are true.<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) III and IV are true.<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">17. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">“Art for Art’s Sake” </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">became a rallying cry for<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) the Aesthetes<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) the Symbolists<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) the Imagists<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) the <st1:place w:st="on"><st1:placename w:st="on">Art</st1:placename> <st1:placename w:st="on">Noveau</st1:placename> <st1:placetype w:st="on">School</st1:placetype></st1:place><o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">18. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Confessions of an English Opium Eater </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">is a literary work by</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;"><o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) S. T. Coleridge<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) P. B. Shelley<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) Thomas De Quincey<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) Lord Byron<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">19. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Which of the following statements about </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Canterbury Tales </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">is true ?<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) “The General Prologue’ is appended to </span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The <st1:city w:st="on"><st1:place w:st="on">Canterbury</st1:place></st1:city> Tales.<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) In all, Chaucer tells thirty tales in this work.<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Canterbury Tales </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">remained unfinished at the time of its author’s death.<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) The Wife of <st1:city w:st="on"><st1:place w:st="on">Bath</st1:place></st1:city>, The Clerk, Sir Gawain and The Franklin are characters and tale-tellers in this work.<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">20. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Who, among the following, was a Catholic novelist, an Intelligence Officer, a film critic and set his fictions in far-away places wrecked by political conflicts ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) Anthony Powell<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) Evelyn Waugh<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) William Golding<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) Graham Greene<o:p></o:p></span></b></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">21. List – I List – II<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">1. Good sense is the body of poetic genius <st1:place w:st="on">I.</st1:place> Brooks, “The Formalist Critic”<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">2. Poetry is the breath and a finer spirit of II. <st1:city w:st="on"><st1:place w:st="on">Sidney</st1:place></st1:city>, Defence/ An Apology for Poetry<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">all knowledge. <o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">3. Literary criticism is a description III. Wordsworth, </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Preface to Lyrical Ballads</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;"><br />
and evaluation of its object<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">4. Nature never set forth the earth in as rich IV. Coleridge, </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Biographia Literaria<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">a tapestry as diverse poets have done<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;"> 1 2 3 4<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) IV III I II<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) II IV III I<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) III II I IV<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) IV II I III<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">22. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">In which of the following travel books does Mark Twain give an account of his visit to <st1:country -region="-region" w:st="on"><st1:place w:st="on">India</st1:place></st1:country> ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">A Tramp Abroad<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Roughing It<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Innocents Abroad<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) </span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Following the Equator<o:p></o:p></span></b></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">23. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">William Blake’s famous poems such as “<st1:city w:st="on"><st1:place w:st="on">London</st1:place></st1:city>”, “The Sick Rose”, and “The Tyger” appear in<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Songs of Innocence<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) </span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Songs of Experience<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Marriage of Heaven and Hell<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Vision of the Daughters of <st1:place w:st="on">Albion</st1:place><o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">24. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Who among the following English artists illustrated the novels of Dickens and Scott ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) Richard Hogarth<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) Joshua Reynolds<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) George Cruishank<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) John Tennial<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">25. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">The last of </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Gulliver’s Travels </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">is to<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) The Land of the Houyhnhnms<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) The <st1:place w:st="on"><st1:placetype w:st="on">Land</st1:placetype> of <st1:placename w:st="on">Homosapiens</st1:placename></st1:place><o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) The Land of the Hurricanes<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) The Newfound Land<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">26. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Madam Merle is a character in<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Great Gatsby<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) </span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Portrait of a Lady<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Jungle<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Heart is a Lonely Hunter<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">27. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">In which of the following scenes of </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Waste Land </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">do we have a departure from Standard English ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) The typist scene<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) The pub scene<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) The hyacinth garden scene<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) The Chapel Perilous scene<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">28. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">The words “If it were done when tis one, then twere well / It were done quickly…” are uttered by<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) Hamlet<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) Lear<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) Othello<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) Macbeth<o:p></o:p></span></b></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">29. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">John Dryden’s </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Absalom and Achotophel </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">a<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) religious tract<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) political allegory<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) comic verse epic<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) comedy<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">30. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">The term ‘the comedy of menace’ isassociated with the early plays of<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) <st1:city w:st="on"><st1:place w:st="on">Arnold</st1:place></st1:city> Wesker<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) John Arden<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) Harold Pinter<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) David Hare<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">31. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Examine the following statements and identify one of them which is not true.<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) Rudyard Kipling died in the year 1936.<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) He was born in <st1:country -region="-region" w:st="on">India</st1:country> but schooled in <st1:country -region="-region" w:st="on"><st1:place w:st="on">England</st1:place></st1:country>.<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) He returned to <st1:country -region="-region" w:st="on">India</st1:country> as a police constable in <st1:country -region="-region" w:st="on"><st1:place w:st="on">Burma</st1:place></st1:country>.<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) He is the author of </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Jungle Book </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">and </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Barrack Room Ballads.<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">32. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">What is the correct combination of the following ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">I. Balachandra Rajan a. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The TamarindTree<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">II. R. K. Narayan b. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Coffer Dams<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">III. Kamala Markandaya c. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Dark Dancer<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">IV. Romen Basu d. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Dark Room<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) I – c; II – d; III – b; IV – b<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) I – d; II – a; III – b; IV – c<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) I – c; II – a; III – d; IV – b<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) I – d; II – c; III – a; IV – b<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">33. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Name the poet who chooses his successor and the successor-poet whom Dryden satirises in his famous poem.<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) James Shirley and Chris Shirley<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) Henry Treece and Charles Triesten<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) Richard Flecknoe and Thomas Shadwell<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) Thomas Percy and Samuel Pepys<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">34. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">“If______ comes, can_______ be far behind ?” (Shelley, “Ode to the West Wind”)<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) winter, spring<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) autumn, summer<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) wind, rains<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) spring, winter<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">35. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">The following passages are the very first lines of well-known works. Match the lines and the works :<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">I. Let us go then, you and I…..<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">II. Call me Ishmael…..<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">III. When shall we three meet again ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">IV. He disappeared in the dead of winter<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">V. I wish either….begot me …..<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">a. Moby Dick<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">b. Macbeth<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">c. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">“The Love Song of J. Alfred Prufrock”<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">d. Tristram Shandy<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">e. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">“In Memory of W. B. Yeats”<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) I-</span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">c</span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">; II-</span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">a</span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">; III-</span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">b</span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">; IV-</span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">e</span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">; V-</span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">d<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) I-</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">e</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">; II-</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">b</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">; III-</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">a</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">; IV-</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">c</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">; V-</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">d<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) I-</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">b</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">; II-</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">a</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">; III-</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">d</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">; IV-</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">e</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">; V-</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">c<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) I-</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">b</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">; II-</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">e</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">; III-</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">d</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">; IV-</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">c</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">; V-</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">a<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">36. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Which of the following is not a revenge tragedy ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) Hamlet<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) The Duchess of Malfi<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) Volpone<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Gorboduc<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">37. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">What is a </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">neologism </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) A word with roots in a nativelanguage<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) A word whose meaning changes with every renewed use<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) A word newly coined or used in a new sense<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) An obsession with new words and phrases<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">38. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Which of the following is not true of Edward Said’s </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Orientalism </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) Makes use of Foucault’s concept of discursive formulation<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) Is one of the founding texts of Postcolonial theory<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) Makes use of Barthes’s concept of writerly text<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) Utilises the Gramscian notion of hegemony<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">39. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Thomas Love Peacock classified poetry into 4 periods. They are :<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) carbon, gold, silver and brass<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) brass, silver, gold and diamond<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) iron, gold, silver and brass<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) gold, platinum, silver and diamond<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">40. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Which among the following novels has more than one ending ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Lucky Jim<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Prime of Jean Brodie<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) </span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The French Lieutenant’s Woman<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Clockwork <st1:city w:st="on"><st1:place w:st="on">Orange</st1:place></st1:city><o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">41. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">“You have seen how a man was made a slave; you shall see how a slave was<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">made a man” is an example of<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) Bathos<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) Epistrophe<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) Chiasmus<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) Anti-climax<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">42. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Which of the following statements is NOT correct ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) Chaucer used the rhyme royal, a stanzaic form in some of his major poems.<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) Chaucer was the author of </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Legend of Good Women.<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) Chaucer wrote in English when the court poetry of his day was written in Anglo-Norman and Latin.<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) Chaucer wrote </span></b><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Book Named the Governor<o:p></o:p></span></b></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">43. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Material feminism studies inequality in terms of<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) only gender<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) only class<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) both class and gender<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) only patriarchy<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">44. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Who among the following is not an Irish writer ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) Oscar Wilde<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) Oliver Goldsmith<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) Edmund Burke<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) Thomas Gray<o:p></o:p></span></b></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">45. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Entries in </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">The Diary of Samuel Pepys </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">begins after<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) The Restoration<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) The Glorious Revolution<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) The Reformation<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) The French Revolution<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">46. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">In a poem, a line may either be </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">endstopped </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">or<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) rhymed<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) broken<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) accented<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) run-on<o:p></o:p></span></b></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">47. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Which of the following poets wrote the essay “Naipaul’s <st1:country -region="-region" w:st="on"><st1:place w:st="on">India</st1:place></st1:country> and Mine” ?<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) Kamala Das<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) R. Parthasarthy<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) A. K. Ramanujam<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) Nissim Ezekiel<o:p></o:p></span></b></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">48. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Match the following :<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">I. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">James Joyce </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">1. Peter Ackroyd<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">II. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">T. S. Eliot </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">2. James Boswell<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">III. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Life of Johnson </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">3. Samuel Johnson<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">IV. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;">Lives of </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">4. Poets 4. Richard</span><span style="font-family: Calibri; mso-bidi-font-family: Times-Italic; mso-bidi-font-style: italic;"> </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">Ellman<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) I-3, II-4, III-1, IV-2<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) I-4, II-1, III-2, IV-3<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) I-1, II-2, III-3, IV-4<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) I-2, II-3, III-1, IV-4<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">49. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">“The pen is mightier than the sword” is an example of<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) simile<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) image<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) conceit<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) metonymy<o:p></o:p></span></b></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Bold; mso-bidi-font-weight: bold;">50. </span><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">An epilogue is<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(A) prefixed to a text which it introduces.<o:p></o:p></span></div><div class="MsoNormal"><b><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(B) suffixed to a text which it sums up or extends.<o:p></o:p></span></b></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(C) a piece of writing or speech that formally begins a book.<o:p></o:p></span></div><div class="MsoNormal"><span style="font-family: Calibri; mso-bidi-font-family: Times-Roman;">(D) a piece of writing or speech that bears no relation to the text at hand.<o:p></o:p></span></div></div>Kashyap Deepakhttp://www.blogger.com/profile/05724719354478570994noreply@blogger.com3tag:blogger.com,1999:blog-3432816720253160432.post-27657091630064218532012-08-25T20:24:00.003-07:002012-08-25T20:26:33.280-07:00UGC-NET June 2012<div dir="ltr" style="text-align: left;" trbidi="on"><div dir="ltr" style="text-align: left;" trbidi="on"><div style="text-align: center;"><b><span style="font-family: Verdana, sans-serif; font-size: x-large;">UGC-NET June 2012</span></b></div><div style="text-align: center;"><b><span style="font-family: Verdana, sans-serif; font-size: x-large;">Solved Paper III</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">1. In Ben Jonson’s Volpone, the animal imagery includes</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(a) the fox and the vulture</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(b) the fly and the cockroach</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(c) the fly, the crow and the raven</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(d) the fox, the vulture and the goat</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (a) and (b) are correct.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) only (d) is correct.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (b) and (d) are correct.</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (a) and (c) are correct. </span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">2. Salman Rushdie’s “Imaginary Homelands” is _______.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) a discussion of imperialist assumptions.</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) an essay that propounds an anti essentialist view of place.</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) an existential lament on triumphant colonialism.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) an orientalist description of his favourite homelands.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">3. Identify the incorrect statement below :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(a) BASIC was an experiment initiated by C. K. Ogden and I. A. Richards from 1926 to about 1940.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(b) Expanded, BASIC read : Broadly Ascertained Scientific International Course.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(c) BASIC English was an attempt to reduce the number of essential words to 850.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(d) While keeping to normal constructions, BASIC failed as an experiment because its documents were far too complicated and technical to understand.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (a) & (b)</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (b) & (d)</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (a) & (c)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (c) & (d)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">4. Items in a published book appear in the following order :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Index, Copyright Page, Bibliography, Footnotes</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Copyright Page, Bibliography, Index, Footnotes</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Copyright Page, Footnotes, Bibliography, Index</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Bibliography, Copyright Page, Index, Footnotes</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">5. Match the following :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(I) James Thomson, Oliver Goldsmith, (a) Metaphysical poets</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">William Cowper, George Crabbe</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(II) George Herbert, Henry Vaughan, (b) Transitional Poets</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">Andrew Marvell, Abraham Cowley, John Donne</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(III) Rupert Brooke, Wilfred Owen, Siegfried Sassoon, (c) War Poets</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">Edmund Blunden, Robert Graves.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(IV) W. H. Davies, Walter de la Mare, (d) Georgians</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">John Drinkwater, Rupert Brooke</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(I) (II) (III) (IV)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (d) (a) (c) (b)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (d) (b) (d) (a)</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (b) (a) (c) (d)</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (a) (c) (d) (b)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">6. The following phrases from Shakespeare have become the titles of famous works. Identify the correctly</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">matched group.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(I) Pale Fire (a) Thomas Hardy</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(II) The Sound and the Fury (b) Somerset Maugham</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(III) Rosencrantz and Guildenstern are Dead (c) William Faulkner</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(IV) Under the Greenwood Tree (d) Tom Stoppard</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(V) Of Cakes and Ale (e) Vladimir Nabokov</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(I) (II) (III) (IV) (V)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (e) (d) (c) (a) (b)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (d) (e) (b) (c) (a)</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (e) (c) (d) (a) (b)</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (c) (d) (b) (e) (a)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">7. Identify the statement that is NOT TRUE among those that explain “stage directions” in drama.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Stage directions inform readers how to stage, perform or imagine the play.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) The place, time of action, design of the set and at times characters’ actions or tone of voice are indicated by stage directions.</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Stage directions are often italicized in the text of a play in order to be spoken aloud.</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Stage directions may appear at the beginning of a play, before a scene or attached to a line of dialogue.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">8. The emergence of the concept of “World literature” is associated with :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(a) Friedrich Schiller</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(b) Johann Wolfgang von Goethe</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(c) Johann Goltfried Herder</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(d) Immanuel Kant</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (a) & (b)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (c) & (d)</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (b) & (c)</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (a) & (d)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">9. Günter Grass’s Tin Drum is part of a trilogy known as the Danzig trilogy. The other two novels are :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) The Flounder and Dog Years </span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) The Rat and Cat and Mouse </span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Cat and Mouse and Dog Years </span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Crabwalk and The Rat </span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"> </span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">10. The hostess proudly announces that the family can afford a servant and her daughters have nothing to do with the kitchen. Who is the proud mother in this Jane Austen novel ?</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Mrs. Morland</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Lady Catherine de Burgh</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Mrs. Bennet</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Mrs. Dashwood</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">11. When Keats writes about the “beaker full” of “The blushful Hippocrene”, Hippocrene is</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) the fountain of the horse</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) a spring sacred to the Muses</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Mount Helicon produced from a blow of Pegasus</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Both (A) & (B)</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">12. Which of the following statements on The Prelude by William Wordsworth is/are not true ?</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(a) The Prelude was published posthumously.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(b) In this poem, Wordsworth records his development as a poet.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(c) The poem runs to 14 books; at crucial stages the poet celebrates the sublime natural scenery in developing his spiritual, moral and imaginative nature.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(d) Poems like “Michael”, “The Old Cumberland Beggar”, “She dwelt among the untrodden ways”, “Nutting” etc. are the highlights of this volume.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (a) to (d) are true.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (a) is not true.</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (d) is not true.</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Only (c) is true.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">13. Assertion (A) : At the end of Heart of Darkness, Marlow tells a lie to the Intended about Kurtz when he tells her “The last word he pronounced was – your name”.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">Reason (R) : Marlow tells this lie because he is secretly in love with the Intended and tells her what she wants to hear.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Both (A) and (R) are true ; (R) is the correct explanation.</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Both (A) and (R) are true, but (R) is not the correct explanation.</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (A) is true, but (R) is false.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (A) is false, but (R) is true.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">14. Ear-training in ELT is easily achieved by :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(a) composition</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(b) dictation</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(c) cloze tests</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(d) listening exercises</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(e) précis writing</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (c) and (e)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (a), (c) and (e)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (b), (c) and (d)</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (b) and (d) </span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">15. William Shakespeare’s Julius Caesar, Antony and Cleopatra and Coriolanusare based on</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Holinshed’s Chronicles</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Folk-tales and legends</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Older Roman Plays</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Plutarch’s Lives</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">16. The basic concept that creation was ordered, that every species exists in a hierarchy of status, from God to the lowest creature, was prevalent in the Renaissance. In this hierarchical continuum, man occupies the middle position between the animal kinds and the angels. This world view is known as :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Humanism</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) The Enlightenment</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) The Great Chain of Being</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Calvinism</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">17. In Virginia Woolf’s To the Lighthouse the lighthouse does not symbolize :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) permanence at the heart of change.</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) change in the unchanging world.</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) celebration of life in the heart of death.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) celebration of order in the heart of chaos.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">18. “Can one imagine any private soldier, in the nineties or now, reading Barrack-Room Ballads and feeling that here was a writer who spoke for him ? It is very hard to do so. [….] When heis writing not of British but of “loyal” Indians he carries the ‘Salaam, Sahib’ motif to sometimes disgusting lengths. Yet it remains true that he has far more interest in the common soldier, far more anxiety that he shall get a fair deal, than most of the “liberals” of his day and our own. He sees that the soldier is neglected, meanly underpaid and hypocritically despised by the people whose incomes he safeguards”.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) This is E. M. Forster’s “India, Again”.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) This is Malcolm Muggeridge on E. M. Forster’s India.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) This is T. S. Eliot on Rudyard Kipling.</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) This is George Orwell on Rudyard Kipling.</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">19. In the well-known poem “ To his coy mistress”, the word coy means</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) shy</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) timid</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) voluptuous</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) sensuous</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">20. From the following list, identify “backformation”:</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">Sulk, bulk, stoke, poke, swindle, bundle.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Sulk, bulk, stoke, poke</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Stoke, poke, swindle, bundle</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Sulk, stoke, bundle</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Bulk, poke, bundle</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">21. “It blurs distinctions among literary, non-literary and cultural texts, showing how all three intercirculate, share in, and mutually constitute each other.” What does it in this statement stand for ?</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Marxism</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Structuralism</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Formalism</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) New Historicism</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">22. For, though, I’ve no idea.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">What this accoutred frowsty ____ is worth,</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">It pleases me to stand in silence here.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(Fill in the blank)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) bar</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) barn</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) attic</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) alcove</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">23. Which of the following novels is NOT a Partition novel ?</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Azadi</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Tamas</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Clear Light of the Day</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) That Long Silence</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">24. Of the following characters, which one does not belong to A House for Mr. Biswas ?</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Raghu</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Ralph Singh</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Dehuti</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Tara</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">25. In English literature, the trope of the vampire was used for the first time by :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Matthew Gregory Lewis</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) John Polidori</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) John Stagg</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Bram Stoker</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">26. Why is “Universal grammar” so called ?</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) It is a set of basic grammatical principles universally followed and easily recognized by people.</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) It is a set of basic grammatical principles assumed to be fundamental to all natural languages.</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) It is a set of advanced grammatical principles assumed to be fundamental to all natural languages.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) It is a set of universally respected practices that have come, in time, to be known as “grammar”.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">27. Identify the novel with the wrong subtitle listed below :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Middlemarch, a Study of Provincial Life</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Tess of the D’Urbervilles, A Pure Woman</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) The Mayor of Casterbridge, A Man of Character</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Felix Holt, the Socialist</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">28. Match List – I with List – II.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(I) David Malouf (a) The Solid Mandala</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(II) Patrick White (b) Wild Cat Falling</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(III) Peter Carey (c) Remembering Babylon</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(IV) Colin Johnson (d) True History of the Kelly Gang</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(I) (II) (III) (IV)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (a) (c) (b) (d)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (c) (a) (d) (b)</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (b) (c) (a) (d)</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (c) (d) (b) (a)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">29. The opening sentence of Tolstoy’s Anna Karenina, “Happy families are all alike, every unhappy family is unhappy in its own way.” The specific cause of the unhappiness in Oblonsky’s house was the husband’s affair with :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) a kitchen – maid</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) an English governess</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) a French governess</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) a socialite</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">30. This periodical had the avowed intention “to enliven morality with wit and to temper wit with morality… to bring philosophy out of the closets and libraries, schools and colleges, to dwell in clubs and assemblies, at tea-tables and coffee houses”. It also promoted family, marriage and courtesy. The periodical under reference is :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) The Tatler</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) The Spectator</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) The Gentleman’s Magazine</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) The London Magazine</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">31. Assertion (A) : “Tam O’ Shanter” by John Clare is about the experience of an ordinary human being and became quite popular during that time.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">Reason (R) : John Clare, having suffered bouts of madness, could really feel for the misery of common man. In the context of the two statements, which of the following is correct ?</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Both (A) and (R) are true and (R) explains (A).</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Both (A) and (R) are true, but (R) does not explain (A).</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (A) is true but (R) is false.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (A) is false but (R) is true.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">32. Alexander Pope’s An Essay in Criticism :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(a) Purports to define “wit” and “nature” as they apply to the literature of his age.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(b) Claims no originality in the thought that governs this work.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(c) is a prose essay that gives us such quotes as “A little learning is a dangerous thing !”</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(d) Appeared in 1701.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (c) and (d) are incorrect.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (a) and (b) are incorrect.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (a) to (d) are correct.</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) only (a) and (d) are correct.</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">33. What is register ?</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) The way in which a language registers in the minds of its users.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) The way users of a language register the nuances of that language.</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) A variety of language used in social situations or one specially designed for the subject it deals with.</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) A variety of language used in non-professional or informal situations by professionals.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">34. Jeremy Collier’s Short View of the Immorality and Profaneness of the English Stage (1698) attacked</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) the practice of mixing tragic and comic themes in Shakespeare’s plays.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) the bawdiness of “low” characters in Shakespeare’s plays.</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) the coarseness and ugliness of Restoration Theatre.</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) irreligious themes and irreverent attitudes in the plays of the seventeenth century.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">35. One of the most important themes the speakers debate in Dryden’s An Essay on Dramatic Poesy is</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) European and non-European perceptions of reality.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) English and non-English perceptions of reality.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><b>(C) the relative merits of French and English theatre</b>.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) the relative merits of French and English poetry.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">36. Identify the correctly matched pair :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Amitav Ghosh – All About H. Halterr</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Anita Desai – Inheritance of Loss</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Shashi Deshpande – A Bend in the Ganges</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Salman Rushdie – The Enchantress of Florence</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">37. Match the following correctly :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(I) Langue / Parole (a) Noam Chomsky</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(II) Competence / Performance (b) C. S. Pierce</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(III) Ieonic / Indexical (c) Ferdinand de Saussure</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(IV) Readerly / Writerly (d) Roland Barthes</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(I) (II) (III) (IV)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (c) (b) (a) (d)</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (c) (a) (b) (d)</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (a) (c) (d) (b)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (b) (c) (a) (d)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">38. 1. Joy Kogawa (a) Bloody Rites</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">2. M. G. (b) Obasan Vasanjee</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">3. Sky Lee (c) The Gunny Sack</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">4. Arnold (d) Disappearing Itwaru Moon Café</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (d) (a) (b) (c)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (a) (d) (c) (b)</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (b) (c) (d) (a)</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (a) (b) (c) (d)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">39. Why does Jean Baudrillard adopt Disneyland as his own sign ?</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Disneyland is by far the most eminently noticeable cultural sign in the post modern world.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Disneyland captures ‘essences’ and ‘non-essences’ of Reality more convincingly than other cultural venues.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><b>(C) Disneyland is an artefact that so obviously announces its own fictiveness that it would seem to imply some </b><b>counter balancing reality.</b></span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Disneyland is both ‘appearance’ and ‘reality’ in the post modern visual game of handy-dandy.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">40. Which of the following statements is NOT TRUE of Dante Gabriel Rossetti ?</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) D. G. Rossetti was a Londoner, the son of an Italian refugee who taught Italian at King’s college.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Rossetti formed the PreRaphaelite Brotherhood with Holman Hunt, Ford Madox Brown and Painter Millais.</span></div><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) He married Christina Georgina who was a poet in her right.</span></b></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Rossetti’s “Blessed Damozel” displays his remarkable gifts as a poet and painter.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">41. Goethe’s Faust (Part I , Scene 1) opens in :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) heaven</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) hell</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">C) forest</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Faust’s study</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">42. “Is it their single-mind-sized skulls or a trained Body, or genius, or a nestful of brats Gives their days this bullet and automatic purpose….” (Thrushes) In the above lines what does ‘their’ refer to and what quality</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">of ‘their’ does the poet speak of ?</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">I. Human beings and their intelligence</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">II. The thrushes and their concentration in achieving what they set out for</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">III. The efficiency of the thrushes in getting at their prey</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">IV. All the above</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Only III is correct.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Only IV is correct.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) I and II are correct.</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) II and III are correct.</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">43. Find the odd (wo)man out :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">Belladonna – Engenides – The Typist – Marie – Madame Sosostris – the ruinbibber – Tiresias – the Youngman</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">Carbuncular</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Belladonna</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Madame Sosostris</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Tiresias</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) The ruin – bibber</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">44. Wilkie Collins’s novel, The Moonstone (1868) tells the story of ______.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) a detective’s exploits in Victorian England.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) a doctor’s adventures in a Middle-Eastern Suburb.</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) a fabulous yellow diamond stolen from an Indian shrine.</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) illegal mining of diamonds in eastern U.P. during British rule.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">45. Identify the correctly matched group :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(I) “Because I could not stop for death… (a) Walt Whitman</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(II) “O Captain ! My Captain!” (b) William Carlos Williams</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(III) “Two roads diverged in a wood…” (c) Emily Dickinson</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(IV) “So much depends upon…” d) Robert Frost</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(I) (II) (III) (IV)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (a) (b) (c) (d)</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (c) (a) (d) (b)</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (a) (c) (b) (d)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (c) (a) (b) (d)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">46. “Nowstop your noses, readers, all and some, For here’s a tun of midnight– work tocome, Og, from a treason-tavern rolling home. Round as a globe and liquor’d e’vry chink, Goodly and great he rails behind his link”. In the above passage from Absalom and Achitophel, link means :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) a connection in the court</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) a hired servant who carries a lighted torch</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) a social tie</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) a rich patron</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">47. Which among the following is NOT a typical “Indian English Poem” by Nissim Ezekiel ?</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) “How the English Lessons Ended”</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) “The Railway Clerk”</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) “Goodbye Party for Miss Pushpa T.S.”</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) “The Patriot”</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">48. Match the correct pair :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(I) George Eliot 1.Ellis Bell</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(II) Saki 2.Mary Anne Evans</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(III) Emily Bronte 3. Samuel Langhorne Clemens</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(IV) Mark Twain 4. H. H. Munro</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(I) (II) (III) (IV)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) 2 3 1 4</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) 2 4 1 3</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) 1 3 4 2</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) 3 2 1 4</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">49. In Canto 17 of the Inferno, the monster Geryon represents ______.</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) fraud</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) usury</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) sloth</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) gluttony</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">50. I-A. Richards’s famous experiment with poems and his Cambridge students is detailed in Practical Criticism : A Study of Literary Judgement (1929). Richards was astonished by</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) the poor quality of his students’ “stock responses”</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) the very astute remarks made by his students</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) the non-availability of poems, worthy of class-room attention</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) the success of his experiment</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">51. Based on the following description, identify the text in reference : This is a play in which no one comes, no one goes, nothing happens. In its opening scene a man struggles hard to remove his boot. The play was originally written in French, later translated into English. It was first performed in 1953.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Look Back in Anger</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Waiting for Godot</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) The Zoo Story</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) The Birthday Party</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">52. One of the following Canterbury Tales is in prose, identify.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) The Pardoner’s Tale</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) The Parson’s Tale</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) The Monk’s Tale</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) The Knight’s Tale</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">53. In his distinction between imagination and fancy, Coleridge identifies the following :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(a) it dissolves, diffuses, dissipates, in order to recreate.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(b) it has aggregative and associative power.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(c) it plays with fixities and definites.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(d) it has shaping and modifying power.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">The correct combination reads :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (a) and (b) for fancy; (c) and (d) for imagination.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (a) and (c) for fancy; (b) and (d) for imagination.</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (b) and (c) for fancy; (a) and (d) for imagination.</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (c) and (d) for fancy; (a) and (b) for imagination.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">54. Julia Kristeva’s ‘Intertextuality’ derives from :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(a) Saussure’s signs</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(b) Chomsky’s deep structure</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(c) Bakhtin’s dialogism</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(d) Derrida’s difference</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (a) and (d)</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (a) and (c)</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (c) and (d)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (a) and (b)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">55. Ralph Ellison enjoys subverting myths about white purity through characters like :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(a) Norton</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(b) Bledsoe</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(c) Rhinehart</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(d) all of the above</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (a) and (b)</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (a), (b) and (c)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (b) and (c)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (a) and (c)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">56. Which of the following is NOT TRUE of Ralph Waldo Emerson ?</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) He wrote essays on New England scenery, woodcraft and plantations.</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) He was an eloquent pulpit orator, a member of the Unitarian Church under William Chawming.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) In essays like “Nature”, he elaborates on the importance of seeing familiar things in new ways.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) His famous “American Scholar” was delivered as an address before the Phi Beta Kappa Society at Cambridge in 1837.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">57. “Exorcism” is the title of Act III of who’s Afraid of Virginia Woolf ? What is the significance of ‘exorcism’ in the context of the play ?</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) The casting out of evil spirits</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Deconstructing of myths involving marriage, fertility and sons</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Facing life without illusions</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Exposing all attempts at illusionmaking</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">58. “Womanist is to feminist as purple is to lavender”. This is an important statement defining the womanist</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">perspective advanced by</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Toni Morrison</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Zora Neale Hurston</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Alice Walker</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Bell Hooks</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">59. Identify the mismatched pair in the following where characters in Golding’s Lord of the Flies fit the</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">allegorized pattern of virtues and vices.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Ralph - rationality</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Piggy - pragmatism</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Jack - pity</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Simon - innocence</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">60. A Subaltern perspective is one where</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Power-structures define and determine your command of language and language of command in an uneven world.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><strong>(B) The politically dispossessed could be voiceless, written out of the historical record and ignored because their </strong><strong>activities do not count for “Cultural” or “Structured”.</strong></span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><strong>(</strong>C) You don’t know what your ‘story’ is, how to deal with a ‘story’ and therefore you are forced to putstereotyped situations in it to please your listeners.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) You begin to see how we live, how we have been living, how we have been led to imagine ourselves, how our language has trapped as well as liberated us.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">61. (a) “Interlanguage” is a term we owe to M.A.K. Halliday.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(b) Interlanguage develops an autonomous and self-contained grammatical system</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(c) It is a distinct stage in a learner’s progress in the study of a second language.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(d) It owes nothing at all either to the learner’s native or target / second language.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (d) is correct.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (b) is correct.</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (a) and (c) are correct.</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (c) and (d) are correct.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">62. In a classic statement that inaugurated Feminist thought in English, we read : “A woman writing thinks back through her mothers”. Where does this occur ?</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Virginia Woolf’s A Room of One’s Own</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Kate Millet’s Sexual Politics</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Gertrude Stein’s Three Lives</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Mary Hiatt’s The Way Women Write.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">63. Identify the correctly matched pair of translators and translations.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(I) A. K. Ramanujan (a) The Ramayana</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(II) Manmathanath Dutt (b) The Bhagavad Gita</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(III) Mohini Chatterjee (c) Speaking of Shiva</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(IV) Romesh Chandra Dutt (d) The Mahabharata</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"> (I) (II) (III) (IV)</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (c) (d) (b) (a)</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (d) (c) (a) (b)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (d) (a) (b) (c)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (b) (a) (d) (c)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">64. Assertion (A) : In The Power and the Glory, Greene shows how the Whisky Priest transcends his weakness for drink and his human fears, moving towards martyrdom.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">Reason (R) : Transcendence in Greene’s novels is generally an outcome of love for humanity, but pride is also an essential ingredient in the Priest’s character.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (A) is true, but (R) is false.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (A) is false, but (R) is true.</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Both (A) and (R) are true, but (R) is not the correct explanation for (A).</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Both (A) and (R) are true and (R) is the correct explanation for (A).</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">65. Which of the following statements on John Dryden is incorrect ?</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(a) John Milton and John Dryden were contemporaries.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(b) Dryden was a Royalist, while Milton fiercely opposed monarchy.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(c) Dryden wrote a play on the Mughal Emperor Humayun.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(d) Dryden was appointed the Poet Laureate of England in 1668.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (a) is incorrect.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (d) is incorrect.</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (c) is incorrect.</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (b) and (c) are incorrect.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">66. “Like walking, criticism is a pretty nearly universal art; both require a constant intricate shifting and catching of balance; neither can be questioned much in process; and few perform either really well. For either a new terrain is fatiguing and awkward, and in our day most men prefer paved walks and some form of rapid transport- some easy theory or overmastering dogma.” (R.P.Blackmur, “A Critic’s Job of Work”)</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(a) Blackmur compares walking with criticism because he considers both to be “arts” of a similar kind that call for attention to detail and utmost care.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(b) Blackmur admits that some people do however manage to be good critics and good walkers. </span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(c) Critics prefer tried and tested approaches for much the same reason as Walkers would look for paved walks and rapid transport.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(d) Blackmur does not quite give us the equivalents of “Some paved walks and some form of rapid transport” in order to press his comparison.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (a) and (d) are correct.</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (a) and (c) are correct.</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) only (d) is correct.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) only (b) is correct.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">67. The world dominated by cold and hypocritical materialists is represented by William Blake in the</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">mythological figure of</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Urizen</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Albion</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Geryon</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Satan</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">68. Identify the correctly matched group :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Third Space – Wolfgang Iser Hybridity – Edward Soja Reception aesthetics – Ferdinand de Saussure Langue – Homi Bhabha</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Third Space – Ernst Bloch Hybridity – Edward Said Reception aesthetics – Eve K. Sedgwick Langue – G.S. Frazer</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><strong>(C) Third Space – Edward Soja Hybridity – Homi Bhabha Reception aesthetics – Wolfgang Iser Langue –</strong><strong>Ferdinand de Saussure</strong></span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Third Space – G. S. Frazer Hybridity – Eve K. Sedgwick Reception aesthetics – Edward Soja Langue –Edward Said</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">69. Which of the following can be best described as :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(i) the first statement of Bernard Shaw’s idea of Life Force;</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(ii) a play dealing with a woman’s pursuit of her mate; and</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(iii) a play whose third act called “Don Juan in Hell” is both unconventional and hilarious ?</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) The Devil’s Disciple</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Man and Superman</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Candida</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Arms and the Man</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">70. Identify the untrue statement on the CONTACT ZONE below :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) “The contact zone” is a space where disparate cultures meet, clash and grapple with each other.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) In Postcolonial societies “contact” suggests the historical moment when settler and indigenous cultures firstmet.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) The idea of the Contact Zone was first proposed and defined by Mary Louise Pratt’s Imperial Eyes : Travel Writing and Transculturation (1992)</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) It is believed that the Contact Zone was largely instrumental in spearheading nationalist movements across the world.</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">71. Name the novel in which</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">I. the protagonist is a war veteran called Tayo.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">II. Tayo returns from World War II, thoroughly disillusioned and haunted by his violent actions of war time.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">III. Tayo seeks consolation and counsel from old Betonie.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">IV. The protagonist realizes the importance of harmonizing humanity and the universe.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) Beloved</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) Ceremony</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) Daisy Miller</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) Enter, Conversing</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">72. One of the following poems in Men and Women is addressed to Elizabeth Barrett Browning by the poet.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) “In Three Days”</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) “By the Fireside”</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) “One Way of Love”</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) “One Word More”</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">73. Match List-I with List-II according to the codes given below : List – I List – II</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">I. Tennessee Williams 1. Emperor Jones</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">II. Eugene O’Neill 2. A Streetcar Named Desire</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">III. Lorraine Hansberry 3. After the Fall</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">IV. Arthur Miller 4. A Raisin in the Sun </span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">I II III IV</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) 3 1 4 2</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) 1 3 2 4</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) 4 2 3 1</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) 2 1 4 3</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">74. Match the correct pair :</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">I. Theatre of Cruelty 1. Safdar Hashmi</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">II. Theatre of the Oppressed 2. Georg Kaiser</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">III. Expressionist Theatre 3. Jerzy Grotowsky</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">IV. Agitprop 4. Augusto Bal</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">I II III IV</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) 1 2 4 3</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) 3 4 2 3</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) 2 3 1 4</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) 4 1 3 2</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">75. Bertolt Brecht’s Epic Theatre</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(a) turns the spectator into an observer</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(b) wears down the spectator’s capacity for action</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(c) relies on argument</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(d) presents man as a process</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(A) (a) and (d) are correct; (b) and (c) are incorrect.</span></div><div style="text-align: justify;"><strong><span style="font-family: Verdana, sans-serif; font-size: x-small;">(B) (a), (c) and (d) are correct; (b) is wrong.</span></strong></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(C) (b) and (d) are correct; (a) and (c) are incorrect.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif; font-size: x-small;">(D) (a), (b) and (c) are correct; (d) is incorrect. </span></div></div><br />
</div>Kashyap Deepakhttp://www.blogger.com/profile/05724719354478570994noreply@blogger.com2tag:blogger.com,1999:blog-3432816720253160432.post-45079095524313780042012-01-09T08:33:00.001-08:002012-01-09T08:38:33.110-08:00Teaching Aptitute<div dir="ltr" style="text-align: left;" trbidi="on"><div style="text-align: center;">EVALUATING YOUR OWN TEACHING</div><div style="text-align: center;">By L. Dee Fink</div><div style="text-align: justify;">Introduction:</div><div style="text-align: justify;">Each year faculty members in institutions of higher education take on the task of teaching others. For most of these people, this is a recurring task. In fact, for the majority, this is the central task of a life-long career. Assuming that no one is perfect and therefore everyone has room for improvement, evaluation is the means by which we try to identify which aspects of our teaching are good and which need to be changed. The question then arises as to who should take responsibility for doing this evaluation. My belief is that evaluation is an inherent part of good teaching. Therefore it is the teacher himself or herself who should take primary responsibility for doing the evaluation. This chapter offers a basic definition of evaluation, state a few reasons why one should invest time and effort into evaluation, describe five techniques for evaluation, and identify resources for helping us evaluate and improve our teaching. </div><div style="text-align: justify;"></div><a name='more'></a>A Definition of "Evaluation": <br />
<div style="text-align: justify;">Doing good evaluation is like doing good research. In both cases, you are trying to answer some important questions about an important topic. The key to doing both activities well is (a) identifying the right questions to ask and (b) figuring out how to answer them. What are the key questions in the evaluation of teaching? Basically they are: "How well am I teaching? Which aspects of my teaching are good and which need to be improved?" The first question attempts to provide a global assessment, while the second is analytical and diagnostic in character. Before moving to the task of figuring out how to answer these questions, we should look at the reasons for taking time to evaluate. </div><div style="text-align: justify;">Why Evaluate?</div><div style="text-align: justify;">It takes a certain amount of time and effort to effectively evaluate our own teaching. Is this a wise use of time? I would argue that it is, for three reasons. First, consider the following diagram:</div><div style="text-align: justify;">Figure 1</div><div style="text-align: justify;">The Effect of Evaluation on Our Teaching</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Regardless of how good or how poor we are as teachers, we all have the potential to get better over time (see the arrow in Figure 1). Yet some teachers continually improve and approach their potential (see arrow) while others experience a modest improvement early in their career and then seem to level off in quality or sometimes even decline (see arrow). Why? I would argue that the primary difference between those who do and those who do not improve, is that only the former gather information about their teaching and make an effort to improve some aspect of it -- every time they teach. </div><div style="text-align: justify;">A second reason to evaluate is to document the quality of one's teaching for others. All career professionals have other people who need to know about the quality of their teaching. It may be the person's current department or institution head, or it may be a potential employer. But once people teach, they have a track record, and others need and want to know how well they taught. The only way a teacher can provide them with that information is to gather it, and that means evaluation. Teaching portfolios are becoming a common way of communicating this information to others. As it turns out, putting a portfolio together also helps the teacher understand his or her own teaching better. (See Zubizarreta, this volume.) </div><div style="text-align: justify;">Third, there is a very personal and human need to evaluate. This is for our own mental and psychological satisfaction. It is one thing to do a good job and think that it went well; it is quite another, and a far more enjoyable experience, to have solid information and thereby know we did a good job. That knowledge, that certainty, is possible only if we do a thorough job of evaluation. </div><div style="text-align: justify;">If evaluation is worth doing then, how do we do it? There are five basic sources of information that teachers can use to evaluate their teaching. All evaluation efforts use one or more of these basic sources. Each of these five sources has a unique value as well as an inherent limitation. In the following portion of this chapter, I will discuss the unique value, recommended frequency, limitation, and appropriate response to that limitation, for each of the five sources of information. </div><div style="text-align: justify;">Figure 2</div><div style="text-align: justify;">TECHNIQUES FOR EVALUATING YOUR OWN TEACHING</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Techniques </div><div style="text-align: justify;">Unique Value and</div><div style="text-align: justify;">Recommended Frequency Limitations Appropriate</div><div style="text-align: justify;">Response to</div><div style="text-align: justify;">Limitations </div><div style="text-align: justify;">1. Self-monitoring</div><div style="text-align: justify;"> </div><div style="text-align: justify;">2. Audio-tape/video-tape</div><div style="text-align: justify;"> </div><div style="text-align: justify;">3. Information from students </div><div style="text-align: justify;">a. Questionnaires </div><div style="text-align: justify;">(1) Beginning of year</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">(2) Mid-year</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">(3) End-of-year</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">b. Interviews</div><div style="text-align: justify;"> </div><div style="text-align: justify;">4. Students' test results </div><div style="text-align: justify;">5. Outside observers </div><div style="text-align: justify;">a. Fellow faculty member</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">b. Admin./Senior Fac. Member</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">c. OU Instruc. Devel. Prog.</div><div style="text-align: justify;">Dee Fink & Arlene Knight</div><div style="text-align: justify;">Phone: 5-2323</div><div style="text-align: justify;"> </div><div style="text-align: justify;"> </div><div style="text-align: justify;">SELF-MONITORING: Self-monitoring is what people do semi-automatically and semi-consciously whenever they teach. Most of their mental activity is concerned with making the presentation or leading the discussion. But one portion of their mental attention is concerned with "How is it going?" "Are they with me?" "Am I losing them?" "Are they interested or bored?" </div><div style="text-align: justify;">Unique Value. The first value of this is that it is immediate and constant. You do not have to wait a week or a day or even an hour to get the results. It happens right away. Hence adjustments are possible right away. </div><div style="text-align: justify;">The second value is that this information is automatically created in terms that are meaningful to the teacher because it is the teacher who creates the information. It is the teacher, not someone else, who looks at the situation and says "This is what is happening." This does not mean that we always know why it is happening, or what to do about it if it is something we do not like. But we do have our own sense of what is happening. </div><div style="text-align: justify;">Frequency. This does and should happen all the time. We may only take a mental pause every few minutes to size up the situation. But by comparison with the other sources of information discussed below, this takes place continuously. </div><div style="text-align: justify;">Limitation. The very strength of this source is also its weakness. Because this information is created by us for us, it is also subject to our own biases and misinterpretations. I thought they were understanding the material. I thought they looked interested --when in fact they weren't. We all have our own blind spots and lack complete objectivity. This means that, at times, we are going to misread the responses of students to our teaching. </div><div style="text-align: justify;">Appropriate Response. What can be done about the subjectivity of self-monitoring? Turn to an objective source of information, one without subjective bias. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Audiotape and Videotape Recordings: Modern technology has given us relatively inexpensive and easy access to audio and video recordings of what we do as teachers. We can put a small audio recorder on the teachers desk or put a video recorder on the side of the classroom and let it run during a class session. Then later we can listen to or view it. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Special value. The value of this kind of information is that it gives us totally objective information. It tells us exactly what we really said, what we really did, not what we thought we said or did. How much time did I spend on this topic? How many times did I ask questions? How often did I move around? These are questions the audio and video recordings can answer with complete accuracy and objectivity. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Frequency. I had the experience of giving a workshop once that was recorded. Listening to the recording later, I discovered to my surprise that I had some disruptive speech patterns of which I was completely unaware. And I am an experienced observer of teachers! The lesson from this was that, no matter how good we are at monitoring others, we can only devote a certain amount of our mental attention to monitoring our own teaching; hence we miss things. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">As a result of that experience, I now try to do an audio recording at least once or preferably twice in each full-semester course I teach. This gives me a chance to see if any speech problems are still there or if new ones have cropped up. If they have, the second recording tells me if I have gotten them under control. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Video recordings are probably useful once every year or two. What do we look like to others? As we grow older, we change, and we need to know what the continuously anew me looks like to others. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Limitation. What could be more valuable than the objective truth of audio and video recordings? Unfortunately the unavoidable problem with this information is that it is true but meaningless -- by itself. The recordings can tell me if I spoke at the rate of 20 words per minute, or 60 words, but they can't tell me whether that was too slow or too fast for the students. They can tell me whether I moved and gestured and smiled, but it can't tell me if those movements and facial expressions helped or hindered student learning. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Appropriate response. To determine the effect of my teaching behavior, rather than the behavior itself, I need to find another source of information. (Are you starting to see the pattern here?) </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Information from Students: As the intended beneficiaries of all teaching, students are in a unique position to help their teachers in the evaluation process. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Special value. If we want to know whether students find our explanations of a topic clear, or whether students find our teaching exciting or dull, who else could possibly answer these kinds of questions better than the students themselves? Of the five sources of information described here, students are the best source for understanding the immediate effects of our teaching, i.e., the process of teaching and learning. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">This information can be obtained in two distinct ways: questionnaires and interviews, each with its own relative values. </div><div style="text-align: justify;">a. Questionnaires. The most common method of obtaining student reactions to our teaching is to use a questionnaire. Lots of different questionnaires exist but most in fact ask similar kinds of questions: student characteristics (e.g., major, GPA, reasons for taking the course), the students characterization of the teaching (e.g., clear, organized, interesting), amount learned, overall assessment of the course and/or the teacher (e.g., compared to other courses or other teachers, this one is ...), and sometimes, anticipated grade. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">The special value of questionnaires, compared to interviews, is that they obtain responses from the whole class and they allow for an anonymous (and therefore probably more candid) response. The limitation of questionnaires is that they can only ask a question once, i.e., that cannot probe for further clarification, and they can only ask questions that the writer anticipates as possibly important. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Questionnaires can be given at three different times: the beginning, middle and end of a course. Some teachers use questionnaires at the beginning of a course to get information about the students, e.g., prior course work or experience with the subject, preferred modes of teaching and learning, and special problems a student might have (e.g., dyslexia). Many use mid-term questionnaires to get an early warning of any existing problems so that changes can be made in time to benefit this set of students. The advantage of end-of-term questionnaires is that all the learning activities have been completed. Consequently, students can respond meaningfully to questions about the overall effectiveness of the course. </div><div style="text-align: justify;">b. Interviews. The other well-established way of finding out about student reactions is to talk to them. Either the teacher(if sufficient trust and rapport exist) or an outside person (if more anonymity and objectivity are desired) can talk with students for 15-30 minutes about the course and the teacher. As an instructional consultant, I have often done this for other teachers, but I have also done it in some of my own courses. I try to get 6-8 students, preferably a random sample, and visit with them in a focused interview format immediately after class. I have some general topics I want to discuss, such as the quality of the learning thus far, reactions to the lectures, labs, tests, and so forth. But within these topics, I will probe for clarification and examples of perceived strength and weakness. I also note when there is divergence of reactions and when most students seem to agree. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">The special value of interviews is that students often identify unanticipated strengths and weaknesses, and the interviewer can probe and follow-up on topics that need clarification. The limitation of course is that a professor can usually only interview a sub-set of the class, not the whole class. This leaves some uncertainty as to whether their reactions represent the whole class or not. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">As for the frequency of interviews, I would probably only use a formal interview once or at most twice during a term. Of course, a teacher can informally visit with students about the course many times, and directly or indirectly obtain a sense of their reaction to the course. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">General limitation. Returning to the general issue of information from students, regardless of how such information is collected, one needs to remember that this is information from students. Although they know better than anyone what their own reactions are, they can also be biased and limited in their own perspectives. They occasionally have negative feelings, often unconsciously, about women, people who are ethnically different from themselves, and international teachers. Perhaps more significantly, students usually do not have a full understanding of how a course might be taught, either in terms of pedagogy or content. Hence they can effectively address what is, but not what might be. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Appropriate response. As with the other limitations, the appropriate response here is to seek another kind of information. In this case, we need information from someone with a professional understanding of the possibilities of good teaching. </div><div style="text-align: justify;">Students' test results: Teachers almost always give students some form of graded exercise, whether it is an in-class test or an out-of-class project. Usually, though, the intent of the test is to assess the quality of student learning. We can also use this same information to assess the quality of our teaching. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Special value. The whole reason for teaching is to help someone else learn. Assuming we can devise a test or graded exercise that effectively measures whether or not students are learning what we want them to learn, the test results basically tell us whether or not we are succeeding in our whole teaching effort. This is critical information for all teachers. Although the other sources of information identified here can partially address this question (I think they are learning, The students think they are learning.), none address it so directly as test results: I know they are learning because they responded with a high level of sophisticated knowledge and thinking to a challenging test. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Frequency. How often should we give tests? Many teachers follow the tradition of two mid-terms and a final. In my view this is inadequate feedback, both for the students and for the teacher. Weekly or even daily feedback is much more effective in letting students and the teacher know whether they are learning what they need to learn as the course goes along. If the teacher's goal is to help the students learn, this is important information for both parties. And remember, not all tests need to be graded and recorded! </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Limitation. It might be hard to imagine that this information has a limitation. After all, this is what it's all about, right? Did they learn it or not? </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">The problem with this information is its lack of a causal connection: we don't know why they did or did not learn. Did they learn because of, or in spite of, our teaching? Some students work very hard in a course, not because the teacher inspires or motivates them but because their major requires a good grade in the course and the teacher is NOT effective. Therefore they work hard to learn it on their own. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Appropriate response. If we need to know whether one's actions as a teacher are helpful or useless in promoting student learning, we need a different source of information, such as the students themselves. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">OUTSIDE OBSERVER: In addition to the two parties directly involved in a course, the teacher and the students, valuable information can be obtained from the observations of a third party, someone who brings both an outsider's perspective and professional expertise to the task. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Special value. Part of the value of an outside observer is that they do not have a personal stake in the particular course, hence they are free to reach positive and negative conclusions without any cost to themselves. Also, as a professional, they can bring an expertise either in content and/or in pedagogy that is likely to supplement that of both the teacher and the students. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">A variety of kinds of observers exist: a peer colleague, a senior colleague, or an instructional specialist. </div><div style="text-align: justify;">c. Peer colleagues, e.g., two TA's or two junior professors, can visit each others classes and share observations. Here the political risk is low and each one can empathize with the situation and challenges facing the other. Interestingly, the person doing the observing in these exchanges often finds that they learn as much as the person who gets the feedback. </div><div style="text-align: justify;">d. Senior colleagues can be of value because of their accumulated experience. Although one has to be selective and choose someone who is respected and with whom the political risk is low, experienced colleagues can offer ideas on alternative ways of dealing with particular topics, additional examples to illustrate the material, etc. </div><div style="text-align: justify;">e. A third kind of outside observer, an instructional consultant, is available on many campuses. They may or may not be able to give feedback on the clarity and significance of the content material, but their expertise in teaching allows them to comment on presentation techniques, discussion procedures, and ideas for more active learning. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Frequency. Beginning TA's and beginning faculty members should consider inviting one or more outside observers to their classes at least once a semester for two or three years. They need to get as many new perspectives on teaching as soon as possible. After that, more experienced teachers would probably benefit from such feedback at least once every year or two. We change as teachers; as we do, we need all the feedback and fresh ideas we can find. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Limitations. Again, the strength of being an outsider is also its weakness. Outside observers can usually only visit one or two class sessions and therefore do not know what happens in the rest of the course. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Apart from this general problem, each kind of observer has its own limitation. The peer colleague may also have limited experience and perspectives; the senior colleague may be someone who makes departmental decisions about annual evaluations and tenure; and the instructional consultant may have limited knowledge of the subject matter. </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Appropriate response. As with the other sources, the response to these limitations is to use a different source, either a different kind of outside observer or one of the other sources described above. </div><div style="text-align: justify;">A Comprehensive Evaluation Scenario:</div><div style="text-align: justify;">The thesis of this chapter is that a comprehensive plan of evaluation for improvement requires all five sources of information. Each one offers a special kind of information that none of the others do. How would this work out in action? To answer this question, I will describe a hypothetical professor who is not a perfect teacher and therefore has some yet-to-be identified weaknesses in his teaching, but he also wants to improve his teaching. What steps should he take to evaluate his teaching as a way of identifying those aspects that need changing? </div><div style="text-align: justify;">The Case of Professor X</div><div style="text-align: justify;">Professor X is a relatively young person, only two years into his tenure track position at University Would Be Good. This fall he will be teaching a junior level course on International Trade. He once attended a workshop on Evaluating Your Own Teaching, so he knows what he should do. On the first day of class, he keeps his eyes and ears open (self-monitoring) to see what sort of personality this year's class has. In addition, he asks students to fill out a short questionnaire about business or international experience they have had, prior course work in related areas, and what they hope to get out of the course. From this he discovers a wide range of backgrounds. Some students have extensive international experience and others have none at all. Perhaps he can use the former as a resource for the latter. </div><div style="text-align: justify;">A few weeks into the course, he brings a small cassette recorder into class and makes an audio recording. After listening to it, he feels reasonably good about his presentation but notes there is little student participation. Class time consists mainly of "teacher-talk." The weekly quizzes are turning out okay, but he had hoped that, since they were upper division students, the class would be getting into it a bit more. After thinking about this awhile and talking to one of his departmental colleagues, he decides to call the university instructional development program and request a class review. His colleague said these people actually make some good suggestions once in awhile. </div><div style="text-align: justify;">The consultant, who was recently hired into the program because of her doctorate in instructional communication, meets with the professor, visits his class twice, and then shares her observations with him. Her reaction is that the lectures seem good enough, but there is just too much of the same thing day after day: lecture, lecture, lecture. She suggests using some active learning strategies. After hearing the reaction of the consultant, Professor X decides to use a mid-term questionnaire available from the instructional development program to see if the students feel the same way. The consultant helps him interpret the results, which indicate a degree of boredom with the steady diet of lectures. The consultant gives him a handout on "enhanced lectures" that shows how to intersperse some active learning activities in between shorter lecture segments. They also discuss some possible larger modifications for next semester. </div><div style="text-align: justify;">On the end-of-semester course evaluation, Professor X adds some special questions about the changes he has made. The responses indicate that students like the changes, and the overall results, while not yet outstanding, are appreciably higher than in previous terms. The point of this scenario is to illustrate that a thorough evaluation of teaching can be effective in identifying important changes that can be made, and that such evaluation is much more extensive than simply looking at one comparative statistic on an end-of-semester questionnaire. But how costly is a comprehensive evaluation plan in terms of the time required? The case study above is a composite of actual cases. Based on these cases, I would make the following estimate of the time required beyond what happens anyway in normal teaching: </div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Task Additional Time (hrs) </div><div style="text-align: justify;">Self-monitoring 0 (did automatically anyway) </div><div style="text-align: justify;">Initial questionnaire 1 (writing, interpreting) </div><div style="text-align: justify;">Audio-recording 1 (reviewing afterwards) </div><div style="text-align: justify;">Weekly quizzes 0 (did this anyway) </div><div style="text-align: justify;">Visit with consultant 3 (three times) </div><div style="text-align: justify;">Mid-term questionnaire 1 (constructing, interpreting) </div><div style="text-align: justify;">End-of-term questionnaire 1 (for added questions) </div><div style="text-align: justify;">Total 7 hours </div><div style="text-align: justify;">The seven hours required for a comprehensive evaluation is an addition of about 5% to the total time required for teaching one three-credit hour course in one semester. This amounts to less than 1/2 hour per week for the whole term. This is a small but wise investment that informed Professor X of an important area of his teaching that needed improving. This investment will pay big dividends in effectiveness and satisfaction in a major area of his professional life for many years. Sources of Assistance Professors should not think that they have to do it alone when it comes to evaluating their teaching. I will describe some sources of assistance that are available for two important activities: constructing or selecting a questionnaire and figuring out how to make needed improvements. </div><div style="text-align: justify;">STUDENT QUESTIONNAIRES.</div><div style="text-align: justify;">The first option for getting a questionnaire to use in class is to write it yourself. At institutions with instructional development programs, consultants can help in this process. Custom-made questionnaires can focus on specific questions the professor has about his or her teaching. Or they can be open-ended, asking questions like: How satisfied are you with what you are learning? What do you like most about the course? If you could change one thing about the course, what would it be? A second source is often the institution itself. Many institutions have questionnaires that are available, or required, for end-of-term use. These have the advantage of being ready-made, but they also frequently allow the professor to add his own questions.</div><div style="text-align: justify;">The third option is to use a nationally available questionnaire. The two I recommend on our campus are the TABS for mid-term use and the IDEA system for end-of-term use. The TABS questionnaire was developed at the University of Massachusetts at Amherst and is based on 20 common problems in teaching. The recommended use is for the professor to assess the course in terms of these characteristics, and then to compare his/her assessment with student reactions. The IDEA system is available from the Center for Faculty Evaluation and Development at Kansas State University. Its central criterion for assessing effectiveness is whether or not students learned what the professor was trying to teach. It also includes a diagnostic section and national norms that incorporate class size and initial student interest.</div><div style="text-align: justify;">IDEAS FOR IMPROVING.</div><div style="text-align: justify;">The primary thrust of this chapter is on how to find out what one's strengths and weaknesses are as a teacher. But having identified them, a professor still needs ideas and assistance on how to make needed improvements. Four resources can be helpful with this: selected colleagues, books and journals, institutionally-based instructional development programs, and off-campus workshops. The handiest resource is undoubtedly colleagues who are creative and effective in their own teaching. They are usually flattered by requests to visit their classes, review their course materials, and discuss their teaching strategies and philosophy. (See the chapters by (a) Sorcinelli, (b) Millis and Kaplan, and (c) Gmelch, this volume). </div><div style="text-align: justify;">A wide variety of reading material is available on teaching and ways to improve it. Several disciplines have journals with articles on teaching a specific subject matter. Some are focused specifically on college-level teaching. One journal, College Teaching, is not subject-specific but contains high quality articles that are relevant to essentially all subjects. As for books, three that I often recommend to teachers are Teaching Tips by Wilbert McKeachie, Mastering the Techniques of Teaching by Joseph Lowman, and Active Learning by Eison and Bonwell. </div><div style="text-align: justify;">A third resource, which is available on many campuses, is an instructional development program. During the last two decades more and more institutions have seen fit to sponsor such a program as an appropriate investment in the single most costly and important factor in a university's quality: the faculty. The professional staff in these programs can offer selected reading material, share their own ideas, and provide classroom observations and feedback to faculty members. (See the chapters by (a) Simpson and Jackson and (b) Wadsworth, this volume.) Finally, a number of disciplinary associations, regional consortia, and entrepreneurial persons at various universities now offer workshops, often in the summer, for regional and national audiences of faculty members wanting to learn how to become better teachers. These range from a few days to a few weeks in length. They give participants a chance to hear new ideas, systematically study a wide range of issues and topics, and practice new possibilities in a low-risk setting with feedback from understanding and sympathetic peers. </div><div style="text-align: justify;">Conclusions:</div><div style="text-align: justify;">People who have chosen careers as teachers in higher education owe it to themselves, to their students, and to their institutions to fulfill their responsibilities as effectively as possible. The thesis of this chapter is that the only way to improve one's teaching over time is to continuously monitor and evaluate that teaching, and then to use the information obtained to make needed changes. The various techniques described in this chapter, especially when used together, can give us the deep personal and professional satisfaction of being able to say, after a single course or after a career of teaching, "I did my best, and it was good!" </div></div>Kashyap Deepakhttp://www.blogger.com/profile/05724719354478570994noreply@blogger.com0tag:blogger.com,1999:blog-3432816720253160432.post-21962233242764120722012-01-09T08:32:00.000-08:002012-01-09T08:41:01.971-08:00Logic and Errors<div dir="ltr" style="text-align: left;" trbidi="on"><div style="text-align: justify;"><b><span style="font-size: x-large;">Methodlogy and Concepts:</span></b></div><div style="text-align: justify;"></div><div style="text-align: justify;">Statement: statement is generally meant group of words that have meaning but in the logic statement group of words that have two terms, first term is used under subject and the second term under predicate. the statements in logic are called prepositions or premis<br />
<br />
Premises: the premises that has the major term is callled major premises and the premises that has the minor term is called minor premise.<br />
<br />
<a name='more'></a>Term: The predcate of major premises is called major term ans is denoted by S and the terms which are common in both the premises are called middle term which is denoted by M. for example:<br />
All men are mortal (Major Premises)<br />
Ram is man (Minor premise)<br />
Ram is mortal (Conclusion)<br />
Here 'mortal is a major tern and its subject is ot minor term hence because it is in minor premise also so it is middle term. Minor term here is "ram".<br />
<br />
<div style="text-align: justify;">In logic unit of argument is called prepostion or premise and unit of though is called term. A preposition is different from a sentecnce that its predicate either affirm or deny the subject,i.e., if we say that "<b>I have taken food</b>". in this sentence predicate neither affirns nor denies the subject but if we say that "<b>a man is mortal</b>" then the word mortal asffirms the man so this is a prepositions and "<b>I have taken food</b>" is justa sentence. now the question is how will we identify the major and minor premises in a syllogism (group of Logical statements). It is possible by identyfying the major and minor terms. For this purpose study the 1st and 2nd premises and identify the preducate which had vital and wide concept. It will be tha major term and the terms which come in the both premises will be the middle terms. a terms may have one word or more than one word. moreover, minor term will be used as subject of the conclusion and its predicate will be the major term.</div><br />
Type of Syllogism:<br />
1. <u><b>Categorical</b></u>: Here all the prepositions are categorical in positive or negative form and no doubtfullness is seen at all, e.g., <br />
All graduates are eligible (major)<br />
All eligible are men (Minor)<br />
Some Eligible are graduates (Con...)<br />
<br />
2. <u><b>Hypothetical</b></u>: The syllogism of this type uses prmise of conditions "<b>If he works had, he will succeed</b>." Here the first part is called antecedent and the second part is called consequent. in this type of syllogism the major premise is hypothetical losing some thing and the minor premise will be categorical, e.g., <b>If he comes, I shall meet Him</b>. In this syllogism<br />
If he come (Major)<br />
I shall meet him (Minor)<br />
<br />
3. <u><b>Disjunctive</b></u>: In this type of syllogism the major premise is disjunctive and the other two premises are categorical, e.g., <br />
Either he is an hionest man or a thief. (Major)<br />
He is an honest man (Minor)<br />
He is not a thief (concl....)<br />
<br />
4. <u><b>Relationa</b></u>l: Here relations between various terms are shown orderl, e.g.,<br />
A>B, B>C, C>D<br />
so A>D (Concl....)<br />
<br />
5. <u><b>Deilmma</b></u>: In such type of syllogism the major premise is double hypthetical and minor premise is a double hypthotical and minor premise is of disjunctive type and the conclusion will either disjunctive or categorical,.eg.<br />
(i) If these books confirm to Quran they are reliable if they do noot they ary are superfluous.<br />
(ii) Either they confirm to Quaran or they do not<br />
(iii) Either they are reliable or superfluous<br />
In the above example the seconf and third premises are disjunctive.<br />
<br />
6. <b><u>Copula</u></b>: The verb used in the premises in logic is called copula. for this purpose "is" and "are" generally used and logicians always talks in the term of the present<br />
<br />
Types pf Prepositions;<br />
1. <b>From the quantative point of view</b>:-from the quality of point of view it is of two types: </div><div style="text-align: justify;"> a) affirmative i.e., All graduates are men. </div> b) Negative:- No man is harworking.<br />
<div style="text-align: justify;"> 2. <b>From the quantative Point of View</b>: This view also has two types: </div><div style="text-align: justify;"> a) Universal:- in which the subject is universal and refers to all without exception,i.e., </div><div style="text-align: justify;"> Human beings are mortal. </div><div style="text-align: justify;"> b) Particular-in which the subject does not refer to all,i.e., </div><div style="text-align: justify;"> some people are not hardworking</div><br />
<div style="text-align: justify;">The prepositions which begins with proper noun will also be treated as universal. Similarly, the propositions which uses phrase like "all but one", 90% about 50% etc will be treated as particular prepositions. the words like some times, often generally, etc, also make the prepositions particular. The prepositions which use words like few, little, hardly, scarely, etc, are considered to be negative used in prepositions then the preposition will become affirmative. On the basis of above divisions we can say that there are four types of categorical prepositions in logic;</div><br />
1. Universal Affirmative:- It is called "A" prepositions, ie, <br />
All labourers are hard working<br />
all children are true speaking<br />
<br />
2. Universal negative:-they are callled "E" prepositions, ie,<br />
No minister is dedicated<br />
No human being is happy etc.<br />
<br />
3. particular Affirmative: They are callef "I" prepositions, ie,<br />
some men are hard-working<br />
some people are lobourious<br />
<br />
4. particular Negative:-they are called "O" prepositions,ie, <br />
Some men are not hardworking<br />
some ministers are not honest<br />
<br />
<span style="font-size: large;"><b>Disturb of terms in propositions:</b></span><br />
In case of A propositions only subject is disturbed<br />
In case of E propositions both subject and predicate are disturbed<br />
In case of I propositionsneither subject nor predicate is disturbed<br />
In case of O propositions only predicate is disturbed<br />
<br />
<div style="text-align: justify;">Now, question is how will the terms be disturbed. Take the example of A propositions "Man is Mortal". Here the term man has two meaning. the first man means human being and the secong, is man means animality. if this term 'man has used as denotation, ie, man means human being, the term man will be disturbed. on the other hand, if man means animality, ie, connotation of the term, it will not be disturbed because there are other animals besides man and the propositions will not remain universal. Similarly, in the case of E propositions both subject and predicate are disturbed, ie, no man is happy. here no man refers to all human being and happy also refers to all without exception. so both can be distributed ie, for logical conclusions. in the third case of I proposition neither subject nor predicate can be disturbed, ie, some men are not hardworking. here neither the term men refers to 'all' neither the term hardworking refers to all so both of them cannot be disturbed. In case of O propositions only predicate is di9sturbed, ie, some men are not honest. here the term men does not refer to all but the term honest may refer to all so it can be distributed. Distribution of the middle or other terms helps us to arrive at logical conclusion.</div><br />
<b>Types of Logical Inferences:</b><br />
A. Immediate Inference<br />
B. Mediate Inference<br />
<div style="text-align: justify;">A. <b>Immediate Inference</b>:- Sometimes premises are arranged in different forms. out of them some are true and some are false, ie, "some students are industrious", is a premise. If it is considered to be true then "some students are not industrious" is also true but if we say that "no students is industrious" it is false. All these arrangements are based on certain rules. This is called immediate inference. We shall discuss here only two methods of Immediate inference:</div>1. <b>Conversion</b>:- Here we drive conclusions by taking the following rules into account:<br />
a) Predicate becomes the subject and the subject becomes the predicate.<br />
<br />
b) Quality of proposition does not undergo and change, ie, Affirmative propositions will lead to affirmative conclusion and negative proposition well lead to negative conclusion.<br />
c) A proposition is converted into I proposition. I proposition is converted into I and E into E itself.<br />
d) Proposition O can not be converted at all. Examples will illustrates these point<br />
<br />
* All ministers are politicians (A propositions). its converted from is<br />
Some politicians are ministers (I pro-positions)<br />
* Some men are har-working ((I pro-position) It converted from is:<br />
Some hard working are men (I pro-Position)<br />
* No man is immortal (E Proposition). is converted as<br />
No Immortal is man (E proposition)<br />
* Some students are not intelligent(O Proposition). it can be converted as<br />
Some intelligent are not students.<br />
<br />
2. <b>Observations</b>: Observed from of inference is based on the following rules: <br />
<br />
<div style="text-align: justify;">a) Subject does not undergo any change but preicate is changed into contradictory. Here contradictory does not mean the antonym of the term. It is not used in the logic. for making contradictory of the term 'not' not be added before it, ie, contradictory of "kind" is not "cruel" but "not Kind" is the real contradictory of 'kind".</div><br />
<br />
b) Negative propostions are changed into affirmative and vice-versa, ie, A is observed into E and E is observted into A proposition.<br />
<br />
c) The quality of the proposition will remain the same. If the proposition is universal it will remain universal and if it is particular it will remain particular in the observed from the conclusion.<br />
<br />
Following example will illustrated these points clearly<br />
1. all religious people are contended people (Proposition A)<br />
No religious is not contended people (E)<br />
<br />
2. No man is fully impartial (E)<br />
All men are not fully impartial (A)<br />
<br />
3. Some men are hard of hearing. (O)<br />
Some men are not hard of Hearing (I)<br />
<br />
4. Some doctors are not good (O)<br />
Some doctors are good (I)<br />
<br />
Validity table: In order to test the validity of the conclusions we may also use the following table Here<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6cvZIWdSa5keE-eph-ZB_NTKXVn620pylAZdMAD6SS-KBcTmcp14KGyoguY39CocxqMH5ElFurMUQ52mw5inPvy3PQZ-yxZb_c-kj4Kq68TFzRBUmqRD6IFlc0Dk-whSBb9FVjwXllz9p/s1600/Table1.bmp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6cvZIWdSa5keE-eph-ZB_NTKXVn620pylAZdMAD6SS-KBcTmcp14KGyoguY39CocxqMH5ElFurMUQ52mw5inPvy3PQZ-yxZb_c-kj4Kq68TFzRBUmqRD6IFlc0Dk-whSBb9FVjwXllz9p/s320/Table1.bmp" /></a><br />
T & t = Truth<br />
F & f = False<br />
d = Doubtful<br />
<br />
<div style="text-align: justify;">How to use the Table: "All men are honest" is a proposition 'A'. If it is considered to be true then the conclusion proposition, E, ie, "no man is honest" will be false, 'Some honest are men' will be true conclusion of O Proposition will also be false. No if this proposition is considered to be false then proposition E, ie, "no man is honest is doubtfuk and proposition I, ie, "Some men are honest" is also doubtful but the proposition O, ie, "Some men are not honest" is true.</div><br />
<div style="text-align: justify;">"Some students are active " iis an I Proposition if it is considered to be true then conclusion of E proposition if false, and conclusion of A and O porpositiona are doubtful which is clear from the third column of the table. If the same proposition is considered to be false then conclusions of E and O proposition will be true and A propositions willbe false which is evident from the second column of the table.</div><br />
<div style="text-align: justify;">B. Immediate Inference: Arriving conclusion on the basis of the middle term is called mediate inference. There are two premises-one is major and the other is minor with one conclusion. This group of arguments is technically known as syllogism. An example will illustrate the point: </div> All mammals are vertebrates (Major)<br />
The whale is a mammal (Minor)<br />
The whale is a certebrate (Concl...)<br />
<div style="text-align: justify;">Here the word Mammal is common in the both premises. it is middle term. This does not occur at all in the conclusion even if on the basis of its conclusion has been drawn. The categorical syllogismis thus essentially a process of comparision. Each of the terms in the conclusion is compared is compared with the middle terms in premises and conclusion is arrived at on the basis of the middle term. For arriving at right and valid conclusions following rules or canons must be kept in view:</div><br />
<div style="text-align: justify;">1. In every syllogism there must be three terms and not more than three, ie, the major term, the minor term and the mroddle term. "good characters are like by the people. GB Shah uses good characters in his works. There are four terms in the above ptwo premises becasue goog characters has two different meaning in the two premises. so no valid conclusion can be drawn here. The middle term must have the identical meaning in both the premises and it must lie able to be distributed.</div><br />
2. Every categorical syllogism must containn only three premises-major, minor and the conclusion,eg, <br />
Man is Mortal (1)<br />
Cow is mortal (2)<br />
Ram is a man (3)<br />
There are three major premises excluding conclusion so no conclusion can be drawn from them.<br />
<br />
<div style="text-align: justify;">3. The middle term myst be distributed in at least one of the premises. It is a must because it is the standars of comparision. It must be used in at least one premise to its universal extent, eg, sedimentary rocks are stratified substances. Some metamorphic rocks are stratified substances. Here the term strafied substances is not distributed at all because sedimentary rocks agree with one part of the stratified substances and metamorphic rocks agree with another part. Thus there are four terms.</div><br />
4. the term is not distributed in the premises cannot be distributed in the conclusion. an example will illustrate the point:<br />
All rational beings are responsible for their action (1)<br />
Brutes are not rational being (2)<br />
Brutes are not responsible for their action (3)<br />
<div style="text-align: justify;">here the major term responsible for their action is distributed in the conclusions but it was not distributed in the major premises becasue it means that only those who are responsible for there action who are not rational being.</div><br />
5&6: Two negative premises yeild no conclusion and if one of the premises is negative, the conclusion muse be negative,ie,<br />
No student dislikes games (1)<br />
No game is fully satisfactory (2)<br />
No conclusion can be drawn from these two premises.<br />
No human being dislikes justice (1)<br />
Students are human being (2)<br />
Students do not dislike justice (concl...) <br />
<div style="text-align: justify;">Here one of the two premises is negatie that makes the conclusion negative, but double negatives used in a premise makes it affirmative and conclusion based in it will be correct, eg, </div> No one who is not throughtly upright is to be trusted<br />
This man is not throughtly upright<br />
This man is not to be trusted.<br />
<br />
7. No conclusion can be drawn from two particular premises<br />
8. If one of the premises is particular the conclusion must be partcular.<br />
<br />
Four Possible arguments in a LOGIC;<br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwGrSEzb8nMkkE_JtHpYqOPpkmcZv4wMeQA6euWqT0M8TpDdCajvuai568msUCyu_CPHxrZwA7xlP5E09PEyqdCkPqoTw2kKuoHjehSp6REMkhw8qgPQxprYM4zBgPEvG89AFFWVJUUO93/s1600/Table+2.bmp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwGrSEzb8nMkkE_JtHpYqOPpkmcZv4wMeQA6euWqT0M8TpDdCajvuai568msUCyu_CPHxrZwA7xlP5E09PEyqdCkPqoTw2kKuoHjehSp6REMkhw8qgPQxprYM4zBgPEvG89AFFWVJUUO93/s320/Table+2.bmp" /></a></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6cvZIWdSa5keE-eph-ZB_NTKXVn620pylAZdMAD6SS-KBcTmcp14KGyoguY39CocxqMH5ElFurMUQ52mw5inPvy3PQZ-yxZb_c-kj4Kq68TFzRBUmqRD6IFlc0Dk-whSBb9FVjwXllz9p/s1600/Table1.bmp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br />
</a><br />
S= Subject or Minor Term<br />
P= Predicate of Major Term<br />
M= Middle Term<br />
<div style="text-align: justify;">On the basis of the four figures shown above and four types of propositions there are 4x4x4x4=256 types of syllogism possible. but there are only 19 valid syllogism which are given below and another are invalid. these four figures and their numbers must kept in view.</div><br />
Figure 1 Figure II Fugure III Figure IV<br />
1. AAA 5. EAE 09. AAI 15. AAI<br />
2. EAE 6. AEE 10. IAI 16. AEE<br />
3. AII 7. AIO 11. AII 17. IAI<br />
4. EIO 8. AOO 12. EAO 18. EAO<br />
13. OAO 19. EIO<br />
14. EIO<br />
<br />
Some examples will illustrate these points<br />
<br />
1. All spirituals love humanity (A)<br />
All indians are spirituals (A)<br />
All indians love spirituality (A)<br />
AAA sylogism is here. thus conclusion is correct according to Figure no 1<br />
<br />
2. All students are hardworking (A)<br />
Anil is a students (I)<br />
Anil is hard working (I)<br />
Syllogism no 3 (ALL) is Here according to Figure no 1<br />
<br />
3. No human being is animal (E)<br />
All animals have four legs(A)<br />
No man has four legs (E)<br />
this conclusion is not valid becasue EAE is not in Figure 4<br />
<br />
4. Some studetns are faithful (I)<br />
All students are Indian (A)<br />
Some Indians are faithful (I)<br />
Syllogism no 10 (IAI) is here. Thus it is valid according to figure no 3<br />
<br />
5. All animals like grass (A)<br />
Lion does not like grass (O)<br />
Lion is not an animal (O)<br />
This conclusion is valid because AOO is their in the figure no 2 so this conclusion is correct.<br />
<br />
Rules of Hyoithetical Syllogism: It si based on the conclusion between a supposition or condition and its consequences. It starts by the word, if, supposing, granted that, as etc. This part of the syllogism which expresses the condition is called antecedent ans the clause stating the result is called comsequent. In such type of syllogism the hypothetical premise is the major premise and the categorical proposition is the major premise. Following rules must be kept in view whole arriving at valid conclusions in such cases.<br />
<br />
Either affirm the antecedent or deny the consequent, eg,<br />
1. If he were well, he would leave the place<br />
2. he has not left the place<br />
3. Conclusion (He is not well)<br />
Here the consequent is denied. in the following example antecedent is affirmed<br />
1. If it rains toady, he shall not go to school<br />
2. It is raining<br />
3. Conclusion (He shall not go to school)<br />
So always affirm the antecedent or deny the consequent as the case may be for valid conclusions. If by mistake, consequent is affirmed the following invalid conclusion will be drawn<br />
1. If prefect justice prevailed, the rich would not be permitted to exploit the poor.<br />
2. The rich are not premitted to explot the poor<br />
3. Conclusion 9Perfect justice is prevailing)<br />
The above rules is also followed in disjunctive syllogism.<br />
<br />
<b>Common Errors in Logic</b><br />
<div style="text-align: justify;">1. Fallacy of ambiguity:<br />
If middle term or phrase are ambigious wrong conclusion may be drawn,ie,<br />
1. Partisans are not faithful<br />
2. republicans are partisans<br />
3. Conclusion (Republicans are not faithful)<br />
Here middle term Partisans has two meaning in the two premises. In premises No 1, it means those who are prejudicely interested in some cause but in the secong premise it denoted the members of a particulars party</div>2. Fallacy of composition:<br />
When we accept a thing or term to be true of a whole which just holds true of its parts only, eg,<br />
1. All the angles of a triangle are less than 180*<br />
2. ABC are the angles of this triangle<br />
3. Conclusion (ABC are less than 180*)<br />
Here all the angles in the first premise means each and every angle taken separately but in the second premise it means A, B, and C taken collectively. it means what is true of part can not be necessarily true of the whole<br />
<br />
3.Fallacy of Divison<br />
It is opposite composition. If we consider that what is true of the whole will be true of parts when taken separately it will also give wrong conclusion, eg,<br />
1. All the birds fly in the sky<br />
2. Ostrich is a bird<br />
3. Conclusion (Ostrich fly in the sky)<br />
Ostrich is an exception which does not fly in the sky<br />
<br />
4. Fallacy of Irrelevant conclusion<br />
Fro some time assume as wrong conclusion to be right if it si near to the tight conclusion. This makes our efforts, futile, eg,<br />
1. Those who takes shelter in slums are sometimes butchered by the rich<br />
2. Rich people are always antagonistic to those who lives in slums <br />
3. Conclusions (Rich butcher the pooor because they hate them</div>Kashyap Deepakhttp://www.blogger.com/profile/05724719354478570994noreply@blogger.com0tag:blogger.com,1999:blog-3432816720253160432.post-75742492950889025802011-12-29T09:14:00.002-08:002012-06-12T01:38:26.594-07:00Dec 09<div dir="ltr" style="text-align: left;" trbidi="on"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><span style="background-color: white; font-size: 15px; line-height: 21px;">1. </span><span style="background-color: white; font-size: 15px; line-height: 21px;">A classical influence on Ben Jonson’s </span><i style="background-color: white; font-size: 15px; line-height: 21px;">Volpone </i><span style="background-color: white; font-size: 15px; line-height: 21px;">is</span></span></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(A) Juvenal </span></div><span style="background-color: white; font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;"><b><u>(B) Aristophanes</u></b></span> </span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(C) Plautus </span></div><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(D) Terence</span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif; font-size: 15px;">2. Kipling’s “The White Man’s Burden” is addressed to</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><b><u style="background-color: white;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">(A) The American imperial mission in the </span><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">Philippines</span><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">.</span></u></b></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) The Belgian colonial expansion in the Congo.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) The British Imperial presence in Nigeria.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) The British colonial entry into Afghanistan.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">3. </span><i style="background-color: white; font-family: Verdana, sans-serif;">Poetry : A Magazine of Verse </i><span style="background-color: white; font-family: Verdana, sans-serif;">was founded by Harriet Monroe in</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(A) 1922 </span></div><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(B) 1920 </span></div><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(C) 1918 </span></div><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;"><b><u style="background-color: white;">(D) 1912</u></b></span></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">4. Who among the following was Geoffrey Chaucer’s contemporary?</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(A) Thomas Chatterton </span></div><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;"><b><u style="background-color: white;">(B) John Gower</u></b></span></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Thomas Shadwell </span><br />
<span style="font-family: Verdana, sans-serif;">(D) John Gay</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">5. Which of the following is NOT written by Walter Scott?</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) <i>Ivanhoe </i></span><br />
<span style="font-family: Verdana, sans-serif;">(B) <i>Lady of the </i><i>Lake</i></span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(C) <i>Heart of </i><i>Midlothian</i><i> </i></span></div><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;"><b><u style="background-color: white;">(D) The English Mail Coach</u></b></span></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">6. “Provincializing Europe” is a concept propounded by</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Edward Said </span><br />
<span style="font-family: Verdana, sans-serif;">(B) Paul Gilroy</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(C) Abdul R. Gurnah </span></div><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;"><b><u style="background-color: white;">(D) Dipesh Chakravarty</u></b></span></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">7. The earliest tract on feminism is</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Simone de Beauvoir’s <i>The Second Sex</i></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Virginia Woolf’s <i>A Room of One’s Own</i></span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(C) Mary Wollstonecraft’s <i>A Vindication of the Rights of Woman</i></u></b></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Mary Astell’s <i>A Serious Proposal to the Ladies</i></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">8. Match the imaginary location with its creator:</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">1. Emily Bronte 2. Thomas Hardy</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">3. Lowood Parsonage 4. Charles Dickens</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">5. Wessex 6. Egdon Heath</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">7. Coketown 8. Charlotte Bronte</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(A) 1-7 2-5 4-6 3-8 </span></div><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;"><b><u style="background-color: white;">(B) 1-6 2-5 3-8 4-7</u></b></span></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) 1-5 2-6 3-8 4-7 </span><br />
<span style="font-family: Verdana, sans-serif;">(D) 2-5 1-7 3-4 6-8</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">9. Which Chaucerian text parodies Dante’s <i>The Divine Comedy </i>?</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) <i>The </i><i>Canterbury</i><i> Tales</i></span><br />
<span style="font-family: Verdana, sans-serif;">(B) <i>The Book of the Duchess</i></span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(C) The House of Fame </u></b></span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(D) <i>Legend of Good Women</i></span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">10. <i>Essays of Elia </i>was published in</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(A) 1800</span></div><span style="font-family: Verdana, sans-serif;"><span style="background-color: white;"><u><b> <span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">(B) 1823</span></b></u></span><span style="background-color: white;"> </span></span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(C) 1827 </span></div><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(D) 1850</span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">11. Which of the following is an example of homosexual fiction ?</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(A) <i>The Well of Loneliness </i></span></div><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;"><b><u style="background-color: white;">(B) <i>Maurice</i></u></b></span></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) <i>Orlando </i></span><br />
<span style="font-family: Verdana, sans-serif;">(D) <i>The Ballad of the </i><i>Reading</i><i> Gaol</i></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">12. W.B. Yeat’s “Easter 1916” is</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(A) a response to a major political uprising</u></b></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) a reminiscence of his visit to a nursery school</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) a love poem for Maud Gonne</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) an ode to his native country</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">13. William Empson’s <i>Seven Types of Ambiguity </i>is</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) A structuralist study of narrative</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) A piece of psychoanalytic criticism</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) A study of the media</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(D) An analysis of poetic ambivalence</u></b></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">14. Who among the following is associated with the ideology of Utilitarianism?</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) J.A. Froude </span><br />
<span style="font-family: Verdana, sans-serif;">(B) Charles Kingsley</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><b><u style="background-color: white;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">(C) J.S. Mill</span> </u></b></span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(D) Cardinal Newman</span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">15. The ‘Condition of England’ literature refers to</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) The literature written by the labour class.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) The literature of England extolling living conditions.</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;"><b><u>(C) The literature of England depicting the vulnerability of labour classes.</u></b></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) The literature of England depicting the imperial projects abroad.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">16. Philip Sidney wrote </span><i style="background-color: white; font-family: Verdana, sans-serif;">An Apology for Poetry </i><span style="background-color: white; font-family: Verdana, sans-serif;">in immediate response to</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Plato’s <i>Republic</i></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Aristotle’s <i>Poetics</i></span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(C) Stephen Gosson’s <i>The School of Abuse</i></u></b></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Jeremy Collier’s <i>Immorality and Profaneness of the English Stage.</i></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">17. Silence ! </span><i style="background-color: white; font-family: Verdana, sans-serif;">The Court is in Session </i><span style="background-color: white; font-family: Verdana, sans-serif;">is a _________ play translated into English.</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(A) Gujarati </span></div><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(B) Bengali </span></div><span style="font-family: Verdana, sans-serif;"><b><u style="background-color: white;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">(C) Marathi</span> </u></b></span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(D) Kannada</span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">18. Arrange the following in ascending order in terms of size :</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">1. epic 2. epigram 3. stanza 4. sonnet</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) 1 2 3 4 </span><br />
<span style="font-family: Verdana, sans-serif;">(B) 2 1 3 4</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><b><u style="background-color: white;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">(C) 2 3 4 1</span> </u></b></span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(D) 1 3 4 2</span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">19. “Fail I alone in words and deeds ?/Why, all men strive and who succeeds ?” These</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">lines are from</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) “Rabbi Ben Ezra” </span><br />
<span style="font-family: Verdana, sans-serif;">(B) “Fra Lippo Lippi”</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(C) “Caliban upon Setebos” </span></div><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;"><b><u style="background-color: white;">(D) “The Last Ride Together”</u></b></span></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">20. Dr. Johnson’s “The Vanity of Human Wishes” expresses</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(A) Epicureanism </span></div><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(B) Humanism </span></div><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(C) Stoicism </span></div><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;"><b><u style="background-color: white;">(D) Cynicism</u></b></span></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">21. “A trivial comedy for serious people” was the subtitle for</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) <i>Everyman in His Humour </i></span><br />
<span style="font-family: Verdana, sans-serif;">(B) <i>Blythe Spirit</i></span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(C) <i>The Way of the World</i></span></div><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;"><b><u style="background-color: white;">(D) The Importance of Being Earnest.</u></b></span></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">22. Which famous elegy closes with the following lines ?</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">“In the deserts of the heart/Let the healing fountain start,/In the prison of his days,/</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">Teach the free man how to praise.”</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) <i>In Memoriam </i></span><br />
<span style="font-family: Verdana, sans-serif;">(B) <i>Thyrsis</i></span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;"><b><u><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">(C) “In Memory of W.B. Yeats”</span> </u></b></span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(D) “Verses on the Death of T.S. Eliot”</span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">23. <i>The </i><i>Temple</i><i> </i>is a collection of poems by</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Thomas Carew </span><br />
<span style="font-family: Verdana, sans-serif;">(B) Robert Herrick</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><b><u style="background-color: white;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">(C) George Herbert</span> </u></b></span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(D) Richard Crashaw</span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">24. Ben Jonson’s comedies are</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) <i>Volpone, Bartholomew Fair, The Shoemaker’s </i><i>Holiday</i></span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(B) Volpone, The Alchemist, Epicoene</u></b></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) <i>Volpone, The Alchemist, The Knight of the Burning Pestle</i></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) <i>Volpone, Epicoene, The Shoemaker’s </i><i>Holiday</i></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">25. What is ‘L’ Allegro’s’ companion piece called?</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(A) <i>Lamia</i><i> </i></span></div><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(B) <i>Hyperion </i></span></div><span style="font-family: Verdana, sans-serif;"><b><u style="background-color: white;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">(C) <i>Il Penseroso</i></span><i> </i></u></b></span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(D) <i>Thyrsis</i></span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">26. Match the character with the novel :</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">1. Caddy 2. Lennie</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">3. Jake Barnes 4. Tommy Wilhelm</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">5. <i>The Sound and the Fury </i>6. <i>Of Mice and Men</i></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">7. <i>The Sun Also Rises </i>8. <i>Seize the Day</i></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span><br />
<span style="font-family: Verdana, sans-serif;">Codes :</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;"><u><b><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">(A) 1-5 2-6 3-7 4-8</span> </b></u></span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(B) 2-7 1-8 3-5 4-6</span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) 3-5 4-6 2-8 1-7 </span><br />
<span style="font-family: Verdana, sans-serif;">(D) 4-5 3-8 2-7 1-8</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">Caddy-- The Sound and the Fury</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">Lennie----<i> Of Mice and Men</i></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">Jake Barnes---<i> The Sun Also Rises</i></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">Tommy Wilhelm---<i> Seize the Day</i></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">27. Who among the following writers belonged to the American Beat Movement?</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(A) Allen Ginsberg </u></b></span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(B) Mark Beard</span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Isaac McCaslih </span><br />
<span style="font-family: Verdana, sans-serif;">(D) Charles Beard</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">28. “The Lost Generation” is a name applied to the disillusioned intellectuals and aesthetes of the years following the First World War. Who called them “The Lost Generation”?</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) H.L. Mencken </span><br />
<span style="font-family: Verdana, sans-serif;">(B) Willa Cather</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(C) Jack London </span></div><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-color: white; background-image: none; background-position: 0% 0%;"><u><b>(D) Gertrude Stein</b></u></span></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">29. Hyperbole is</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">1. an extravagant exaggeration 2. a racist slur</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">3. a metrical skill 4. a figure of speech</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(A) 1 is correct </span></div><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;"><u><b style="background-color: #f3f3f3;">(B) 1 and 4 are correct</b></u></span></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) 1 and 3 are correct </span><br />
<span style="font-family: Verdana, sans-serif;">(D) 3 is correct</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">30. “Imagined Communities” is a concept propounded by</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><b><u style="background-color: white;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">(A) Benedict Anderson</span> </u></b></span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(B) Homi Bhabha</span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Aijaz Ahmed </span><br />
<span style="font-family: Verdana, sans-serif;">(D) Partha Chatterjee</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">31. The New Historicists include</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Greenblatt, Showalter, Montrose </span><br />
<span style="font-family: Verdana, sans-serif;">(B) Greenblatt, Sinfield, Butler</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><u><b style="background-color: white;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">(C) Greenblatt, Montrose, Goldberg</span> </b></u></span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(D) Williams, Greenblatt, Belsey</span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">32. Wallace Stevens’ “The Man with the Blue Guitar” may be linked to the work of the following artist:</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(A) Modigliani </span></div><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(B) Chagall </span></div><span style="background-color: white; font-family: Verdana, sans-serif;"><u><b><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">(C) Picasso</span> </b></u></span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(D) Cezanne</span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">33. The author of </span><i style="background-color: white; font-family: Verdana, sans-serif;">Gender Trouble </i><span style="background-color: white; font-family: Verdana, sans-serif;">is</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Elaine Showalter </span><br />
<span style="font-family: Verdana, sans-serif;">(B) Helene Cixous</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(C) Michele Barrett </span></div><span style="font-family: Verdana, sans-serif;"><b><u style="background-color: white;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">(D) Judith </span><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">Butler</span></u></b></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">34. The structural analysis of signs was practised by</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Michel Foucault </span><br />
<span style="font-family: Verdana, sans-serif;">(B) Jacques Lacan</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(C) Julia Kristeva </span></div><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;"><b><u style="background-color: white;">(D) Roland Barthes</u></b></span></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">35. Which of the following is a spoof of a Gothic novel ?</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(A) <i>Frankenstein </i></span></div><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;"><b><u style="background-color: white;">(B) <i>Northanger Abbey</i></u></b></span></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) <i>Castle</i><i> of </i><i>Otranto</i><i> </i></span><br />
<span style="font-family: Verdana, sans-serif;">(D) <i>Mysteries of Udolfo</i></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">36. The “madwoman in the attic” is a specific reference to</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) The narrator of “Goblin Market”</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Augusta Egg’s 1858 narrative painting</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) The Heroine of <i>The Yellow Wallpaper</i></span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; font-family: Verdana, sans-serif;"><i><u><b style="background-color: white;">(D) Bertha Mason of Jane Eyre</b></u></i></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">37. Assertion (A) : Dr Johnson’s <i>The Lives of the Poets </i>carries critical and biographical studies of poets he admired. It does not, however, carry a life of </span><span style="background-color: white; font-family: Verdana, sans-serif;">William Wordsworth.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">Reason (R) : Dr. Johnson singled out poets whom he not only admired but also</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">adored. This explains his omission of Wordsworth.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) (A) is wrong but (R) is correct.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) (A) is true but (R) is false.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) (A) and (R) are true.</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(D) Neither (A) nor (R) is true.</u></b></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div></div><div class="MsoNormal"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">38. What is the correct chronological sequence of the following ?</span></div></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><b><u style="background-color: white;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">(A) <i>Moll </i></span><i><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat repeat;">Flanders</span></i><i><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">, Pamela, Joseph Andrews, Tristram Shandy</span></i></u></b></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) <i>Joseph Andrews, Tristram Shandy, Pamela, Moll </i><i>Flanders</i></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) <i>Tristram Shandy, Moll </i><i>Flanders</i><i>, Pamela, Joseph Andrews</i></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) <i>Pamela, Moll </i><i>Flanders</i><i>, Joseph Andrews, Tristram Shandy</i></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">39. </span><a href="http://ardhendude.blogspot.com/search/label/George%20%20Bernard%20Shaw" style="background-color: white; font-family: Verdana, sans-serif; text-decoration: none;">“How can what an Englishman believes be heresy? Itis a contradiction in terms.”</a></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">This means</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">1. An Englishman does not know what heresy is.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">2. An Englishman has no beliefs.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">3. And, therefore, there is no question of his heresy.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">4. And, therefore, there cannot be any question of his acting his beliefs.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) 1 and 4 are correct </span><br />
<span style="font-family: Verdana, sans-serif;">(B) 2 and 1 are correct</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(C) 1 and 3 are correct </u></b></span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat repeat;">(D) 2 and 4 are correct</span></span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif; font-size: 15px; line-height: 21px;">40. Which of the following is an essentially Freudian concept?</span></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(A) Archetype </span></div><span style="font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(B) The Uncanny</u></b></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat repeat;">(C) The Absurd</span><span style="background-color: white;"> </span></span><br />
<span style="font-family: Verdana, sans-serif;">(D) The Imaginary</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">41. He wrote an essay called “Conrad’s Darkness” where he praises the earlier writer for offering him a vision of the world’s “half-made societies’. Identify the writer.</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(A) Chinua Achebe </span></div><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;"><b><u style="background-color: white;">(B) V.S. Naipaul</u></b></span></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Salman Rushdie </span><br />
<span style="font-family: Verdana, sans-serif;">(D) Ngugi wa Thiongo</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">42. “Magic Realism” is closely associated with</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><b><u style="background-color: white;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">(A) Italo Calvino</span> </u></b></span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(B) Gabriel Garcia Marquez</span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Anita Desai </span><br />
<span style="font-family: Verdana, sans-serif;">(D) Rohinton Mistry</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">43. Who among the following combines anthropology, history and fiction?</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Kamala Markandya <span style="background-color: lime;">(B) Mulk Raj Anand</span></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Upmanyu Chatterjee (D) Amitav Ghosh</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">44. Which of the following is NOT a Partition novel?</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) <i>Train to </i><i>Pakistan</i><i> </i></span><br />
<span style="font-family: Verdana, sans-serif;">(B) <i>Sunlight on a Broken Column</i></span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; background-repeat: repeat repeat;">(C) <i>The Shadow Lines</i></span><i> </i></span></div><span style="font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(D) <i>In Custody</i></u></b></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">45. Which of the following options is correct?</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(i) Transcendentalism was a philosophical and literary movement.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(ii) It flourished in the Southern States of America in the 19<span style="font-size: 7.5pt;">th </span>century.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(iii) It was a reaction against 18<span style="font-size: 7.5pt;">th </span>century rationalism and the skeptical philosophy of</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">Locke.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(iv) Among the major texts of Transcendentalist thought are the essays of Emerson,</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">Thoreau’s <i>Walden </i>and the writings of Margaret Fuller.</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><b><u style="background-color: white;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;">(A) (i) and (iv) are correct.</span> </u></b></span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(B) (ii) and (iii) are correct.</span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) (iii) and (iv) are correct. </span><br />
<span style="font-family: Verdana, sans-serif;">(D) (iv) is correct</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">46. Which of the following is True in the light of this passage ?</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Language is inaccurate. </span><br />
<span style="font-family: Verdana, sans-serif;">(B) Discourse is accurate.</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><span style="background-color: white;">(C) Language comprises discourse. </span></span><br />
<span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-color: white; background-image: none; background-position: 0% 0%;"><u><b>(D) Discourse comprises language.</b></u></span></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">47. What words/phrases suggest the <i>plurality </i>of discourse in this passage?</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">I. different selves</span><br />
<span style="font-family: Verdana, sans-serif;">II. range</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">III. system of statements </span><br />
<span style="font-family: Verdana, sans-serif;">IV. heterogeneous collection</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-color: lime; background-image: none; background-position: 0% 0%; background-repeat: repeat repeat;"><br />
</span></span></div><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-color: white; background-image: none; background-position: 0% 0%;"><u><b>(A) II and IV</b></u></span><span style="background-color: white;"> </span></span><br />
<div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(B) II and III </span></div><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(C) III and IV </span></div><div style="background-color: white;"><span style="font-family: Verdana, sans-serif;">(D) I</span></div></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">48. Having called language “something of a fiction”, how does the author suggest its</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">opposite ?</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">By using the phrase</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%;"><b><u style="background-color: white;">(A) conceptualized as a system</u></b></span></span><br />
<span style="font-family: Verdana, sans-serif;"><span style="background-color: white;">(B) more accurate to say</span></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) range of discourses </span><br />
<span style="font-family: Verdana, sans-serif;">(D) more realistically be seen</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">49. Which among the following statements is NOT true ?</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Conservative discourses plead for the status quo.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Patriarchal discourses privilege male values.</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Dominant discourses are natural.</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;"><u><b>(D) Dominant discourses seem natural.</b></u></span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">50. What does this passage plead for ?</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Theorizing language in a new way.</span></div></div><div class="MsoNormal" style="font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="background-attachment: scroll; background-image: none; background-position: 0% 0%; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(B) Theorizing language in terms of discourses.</u></b></span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Studying language as discourse.</span></div></div><div class="MsoNormal" style="background-color: white; font-size: 15px; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Studying discourse as language</span></div></div><div style="text-align: justify;"><br class="Apple-interchange-newline" /></div></div>Kashyap Deepakhttp://www.blogger.com/profile/05724719354478570994noreply@blogger.com0tag:blogger.com,1999:blog-3432816720253160432.post-79651357766304927112011-12-29T09:12:00.001-08:002011-12-29T18:42:14.923-08:00June 2010<div dir="ltr" style="text-align: left;" trbidi="on"><div style="text-align: justify;"><span style="background-color: white; line-height: 21px;"><span style="font-family: Verdana, sans-serif;">1. The epithet “a comic epic in prose” is best applied to</span></span></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Richardson’s Pamela</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Sterne’s A Sentimental </span><span style="background-color: white; font-family: Verdana, sans-serif;">Journey</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(C) Fielding’s Tom Jones</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Defoe’s Robinson Crusoe</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">("Comic prose epics" is a type of epic derived from the serious epic that satirizes contemporary ideas or conditions in a form and style burlesquing the serious epic. It is also noted as mock epics Exm: <i>The Rape of the Lock</i> (1712) by the English poet Alexander Pope. Several novels also fall into this category. Fielding himself refers to his two novels, <i>Joseph Andrews</i> and <i>Tom Jones</i>, as "comic prose epics". In the preface <i>Joseph Andrews</i>, Fielding described his own fictional form as "a comic romance" or a "comic epic poem in prose," and in <i>Tom Jones</i>as a "heroical, historical prosaic poem" ; a form of "prosai-comi-epic writing" . In defining the novel as an epic genre, Fielding emphasized its function in presenting a broad picture of an era, but one, unlike verse epic, in which primarily the weaknesses of humanity are put on display. So the critics do vary on the genre of these novels. Nonetheless from the given options as<i> Joseph Andrews </i>is not there<i>,</i><i>Tom Jones</i> is right option. <u>)</u></span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">2. Muriel Spark has written a dystopian novel called</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Memento Mori</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><u style="background-color: white; text-align: justify;"><span style="font-family: Verdana, sans-serif;"><b>(B) The Prime of Miss Jean</b></span></u><br />
<div style="text-align: justify;"><u style="background-color: white;"><span style="font-family: Verdana, sans-serif;">Brodie</span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Robinson</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) The Ballad of Peckham Rye</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">( <i>The Republic</i>( 4th century <span style="font-variant: small-caps;">bc</span> ) by Greek philosopher Plato,Sir Thomas More 's <i>Utopia</i> (1516), Francis Bacon 's <i>The New Atlantis</i> (1627) dealt with the fictional island of ideal society which is better than reality. They are popularly known as<i> 'utopian'</i> novel. However, many other works followed and established a slight new genre, named <i>dystopian</i>(antiutopian) fiction where life is worse than reality. <span class="snippet">Dystopia is found in</span> Spark’s best known novel is <i>The Prime of Miss Jean Brodie</i> (1961)<span class="snippet">other example: Aldous Huxley's Brave New World</span>. It is the story of an eccentric Edinburgh schoolteacher seen through the eyes of an admiring (but later disenchanted) pupil. Rowe has written that "Nothing is wasted in [<i>The Prime of Miss Jean Brodie</i>], which is so much about a waste of human energy." </span><span style="background-color: white; font-family: Verdana, sans-serif;">Other close option is </span><i style="background-color: white; font-family: Verdana, sans-serif;">The Ballad of Peckham Rye</i><span style="background-color: white; font-family: Verdana, sans-serif;"> (1960) authored by Spark . But here Spark wanted “to write something light and lyrical – as near a poem as a novel could get, and in as few words as possible”)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">3. Samuel Butler’s Erewhon is an example of</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Feminist Literature</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(B) Utopian Literature</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) War Literature</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Famine Literature</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(Erewhon satirizes various aspects of Victorian society, including criminal punishment, religion and anthropocentrism. For example, according to Erewhonian law, offenders are treated as if they were ill whilst ill people are looked upon as criminals. Another feature of Erewhon is the absence of machines; this is due to the widely shared perception by the Erewhonians that they are potentially dangerous. This last aspect of Erewhon reveals the influence of Charles Darwin's evolution theory; Butler had read On the Origin of Species soon after it was published in 1859.)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">4. The line “moments of unageing intellect” occurs in Yeats’s</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Byzantium</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Among School Children</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><u><b>(C) Sailing to Byzantium</b></u></span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) The Circus Animals’</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">Desertion</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">( Read this poem: <a href="http://poetry.poetryx.com/poems/1575/" style="text-decoration: none;">Sailing To Byzantium)</a></span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">5. In his 1817 review of Coleridge’s Biographia Literaria, Francis Jeffrey grouped the following poets together as the<a href="http://ardhendude.blogspot.com/2011/03/miscellaneous-objective-questions.html" style="text-decoration: none;"> ‘Lake School of Poets’ :</a></span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Keats, Wordsworth and Coleridge</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Wordsworth, Byron and Coleridge</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Blake, Wordsworth and Coleridge</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) Wordsworth, Coleridge and Southey</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><u>(</u>They are called Lake Poets because they all lived in the Lake districtof England at the turn of the nineteenth century. As a group, reviewed by Francis Jeffrey in the <i>Edinburgh Review</i> they shared their common habitation but no such poetic ideology. However, they are considered part of the Romantic Movement. Dorothy Wordsworth, Charles Lloyd, Hartley Coleridge, John Wilson, and Thomas De Quincy are other poets of this group.)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">6. Which of the following novels is not by <a href="http://en.wikipedia.org/wiki/Patrick_White" style="text-decoration: none;">Patrick White</a> ?</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) <span style="color: black;">The Vivisector</span></span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) The Tree of Man</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Voss</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><b>(D) <u>Oscar and Lucienda</u></b></span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">( The Vivisector suggests White's vision of his protagonist's approach to art. The novel is by and large a ruthless vivisection of the artist ,Hurtle Duffield, from early childhood to death. </span><span style="background-color: white; font-family: Verdana, sans-serif;">The Tree of Man is forth published novel of this Australian writer . It is an ideological and cultural survey of Parker family and their sea saw fortune. </span><span style="background-color: white; font-family: Verdana, sans-serif;">Voss, 5th novel by </span><a href="http://en.wikipedia.org/wiki/Patrick_White" style="background-color: white; font-family: Verdana, sans-serif; text-decoration: none;">Patrick White</a><span style="background-color: white; font-family: Verdana, sans-serif;"> is a expedition novel on Prussian explorer and naturalist Ludwig Leichhardt. The story has a strong religious favour too. </span><span style="background-color: white; font-family: Verdana, sans-serif;">While Oscar and Lucienda is Peter Carey's novel describing a gumbling story.)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">7. The famous line “……. where ignorant armies clash by night” is taken from a poem by</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Wilfred Owen</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="color: black; font-family: Verdana, sans-serif;">(B) W.H. Auden</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Siegfried Sassoon</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) Matthew Arnold</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">( The line is in Matthew Arnold's Dover Beach that tells about value of love, faith, religiosity and peace.Here the ignorant armies are the citizen of this materialist world who are madly striking each other ignorantly- a scene of total anarchy or waste.) </span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">8. Which among the following novels is not written by Margaret Atwood ?</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Surfacing</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) The Blind Assassin</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) The Handmaid’s Tale</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) The Stone Angel</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">( Margaret Atwood and Margaret Laurence are Canadian writers.</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;">Surfacing, Margaret Atwood's second novel is structured around the point of view of a young woman who travels with her friends on a lake in Northern Quebec, to search for her missing father. This psychological mystery tale presents a compelling study of a woman who is also searching for herself- present, past and future. </span><span style="background-color: white; font-family: Verdana, sans-serif;">The Blind Assassin, centred on the protagonist, Iris Chase, and her sister Laura, this Margaret Atwood's novel is pictorial details of lives around the time of the Second World War. </span><span style="background-color: white; font-family: Verdana, sans-serif;">The Handmaid’s Tale, a</span><i style="background-color: white; font-family: Verdana, sans-serif;"> dystopian novel </i><span style="background-color: white; font-family: Verdana, sans-serif;">by Margaret Atwood</span><i style="background-color: white; font-family: Verdana, sans-serif;">, </i><span style="background-color: white; font-family: Verdana, sans-serif;">explores themes of women in subjugation and the various means by which they gain individualism engaging with the social structure. </span><span style="background-color: white; font-family: Verdana, sans-serif;">The Stone Angel by Margaret Laurence is most controversial story of Hagar Shipley, a 90-year old woman struggling to come to grips with a life of intransigence and loss.)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">9. The term ‘theatre of cruelty’ was coined by </span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Robert Brustein</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(B) Antonin Artaud</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Augusto Boal</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Luigi Pirandello</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">( lDuring the early 1930s, the <span class="owner"><span type="INSERT">French poet, actor, and theorist </span></span>Antonin Artaud put forth a theory for a Surrealist <span class="owner"><span type="INSERT">experimental theater</span></span> called the Theater of Cruelty that shades<span class="owner"><span type="INSERT"> a major influence on avant-garde 20th-century theater.</span></span> lBased on ritual and fantasy, this form of theater launches an attack on the spectators' subconscious in an attempt to release deep-rooted fears and anxieties that are normally suppressed, forcing people to view themselves and their natures without the shield of civilization.<span style="color: black;"> </span>By cruelty, he meant not exclusively sadism or causing pain, but just as often a violent, physical determination to shatter the false reality. He believed that text had been a tyrant over meaning, and advocated, instead, for a theater made up of a unique language, halfway between thought and gesture. )</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">10. The verse form of Byron’s Childe Harold was influenced by</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Milton</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(B) Spenser</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Shakespeare</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Pope</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(Ottava rima is a stanza of eight lines: a verse form made up of eight lines in iambic pentameter with the rhyme scheme abababcc<span class="shw">. </span>The stanza is remodeled by Edmund Spenser as seen in his long allegorical romance <i>The Faerie Queene</i> (1590–6). <span class="shw">{Spenserian stanza</span>, an English poetic stanza of nine iambic lines, the first eight being pentameters while the ninth is a longer line known either as an iambic hexameter or as an alexandrine. The rhyme scheme is <i>ababbcbcc</i>. }The meter is again revived successfully by the younger English Romantic poets of the early 19th century: Byron used it for <i>Childe Harold's Pilgrimage</i>(1812, 1816), Keats for <i>‘The Eve of St Agnes’</i> (1820), and Shelley for<i>The Revolt of Islam</i> (1818) and <i>Adonais</i> (1821). </span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Is thy face like thy mother's, my fair child!</span></div></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><span style="font-variant: small-caps;">Ada</span>! sole daughter of my house and heart?</span></div></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">When last I saw thy young blue eyes they smiled,</span></div></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">And when we parted,—not as now we part,</span></div></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">But with a hope.—</span></div></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Awaking with a start,</span></div></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">The waters heave around me; and on high</span></div></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">The winds lift up their voices: I depart,</span></div></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">Whither I know not; but the hour's gone by,</span></div></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;">When Albion's lessening shores could grieve or glad mine eye.)</span></div></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">11. Tennyson’s Ulysses is</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(I) a poem expressing the need for going forward and braving the struggles of life</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(II) a dramatic monologue</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(III) a morbid poem</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(IV) a poem making extensive use of satire The right combination for the above statement, according to the code, is</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) I & IV</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) II and III</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) III and IV</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) I and II</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(Read the critical appreciation of the poem, <a href="http://ardhendude.blogspot.com/2011/02/tennysons-ulysses-representative-of.html" style="text-decoration: none;">Ulysses</a>)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">12. Which post-war British poet was involved in a disastrous marriage with Sylvia Plath ?</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Philip Larkin</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(B) Ted Hughes</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Stevie Smith</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Geoffrey Hill</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(<span class="inlinetitle">Sylvia Plath</span> (1932-1963), American poet and prose writer,married fellow poet Ted Hughes in 1956 and they lived together first in theUnited States and then England, having two children together: Frieda and Nicholas. She separated from Hughes in 1962 and took an apartment in London with her two children. Following a long struggle with depression and a marital separation, Plath committed suicide in 1963, at the age of 30 shortly after separating from Hughes. Many Plath fans and scholars have assigned much of the blame for her death to Hughes.Controversy continues to surround the events of her life and death, as well as her writing and legacy.)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">13. Chaucer’s Parliament of Fowles is in part</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(I) a puzzle</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(II) a debate</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(III) a threnody</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(IV) a beast fable</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">The correct combination for the above statement, according to the code, is</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;">(A) I, II & IV</span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) II, III & IV</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) I & IV</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="color: black; font-family: Verdana, sans-serif;">(D) II & IV</span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><u>(</u><i>The Parlement of Foules,</i>a dream poem, shows the influence of Dante and of Giovanni Boccaccio on Chaucer. In <i>The Parlement</i> we witnesses an inconclusive debate about love among the different classes of birds. <i>The Parlement of Foules</i> contains a mixture of comedy and serious speculation about the puzzling nature of love.<u>)</u></span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">14. Who among the following wrote a book with the title The Age of Reason ?</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) William Godwin</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Edmund Burke</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(C) Thomas Paine</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Edward Gibbon</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(In 1794 Part I of <i>The Age of Reason</i> was published while Paine was still in prison; Part II in 1795 and a portion of Part III in 1807.)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">15. The Restoration comedy has been criticized mainly for its</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) excessive wit and humour</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) bitter satire and cynicism</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><b><span style="font-family: Verdana, sans-serif;">(<u>C) indecency and </u></span><u style="background-color: white;"><span style="font-family: Verdana, sans-serif;">permissiveness</span></u></b></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) superficial reflection of society</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">16. Ideology and Ideological State Apparatuses is an essay by</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Terry Eagleton</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Karl Marx</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Raymond Williams</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) Louis Althusser</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><u>( <span class="inlinetitle">Louis Althusser</span> (1918-1990), French philosopher, is best known for his contributions to the debate over the origins and development of the theories of German philosopher Karl Marx.His <i>Ideology and Ideological State Apparatuses</i> was </u><span class="info">first published</span><u>: in <i>La Pensée</i>, 1970 in French)</u></span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">17. Sexual possessiveness is a theme of Shakespeare’s</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Coriolanus</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Julius Caesar</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="color: black; font-family: Verdana, sans-serif;">(C) Henry IV Part – I</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) A Midsummer Night’s Dream</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">18. The term ‘Cultural Materialism’ is associated with</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Stephen Greenblatt</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(B) Raymond Williams</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Matthew Arnold</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Richard Hoggart</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">( Raymond Williams (1921 - 1988) British critic and novelist.<i> </i>notable work<i> :Culture and Society)</i></span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">19. Which of the following author book pair is correctly matched ?</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Muriel Spark – Under the Net</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) William – Girls of Golding Slender Means</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Angus Wilson – Lucky Jim</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) Doris Lessing – The Grass is Singing</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(<span class="inlinetitle">Doris Lessing</span>, , British novelist and short-story writer, published <i>The Grass is Singing</i> in 1950, in which Africa provides the setting for The novel.)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">20. Who among the following is a Canadian critic ?</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) I.A. Richards</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) F.R. Leavis</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Cleanth Brooks</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) Northrop Frye</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(<span class="inlinetitle">Northrop Frye</span> (1912-1991), Canadian literary critic, best known as a major proponent of archetypal criticism, has most important work,<i>Anatomy of Criticism </i>(1957), introducing archetypal criticism, identifying and discussing basic archetypal patterns as found in myths, literary genres, and the reader’s imagination.)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">21. Sethe is a character in</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) The Colour Purple</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) The Women of Brewster Place</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(C) Beloved</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Lucy</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(Sethe,a mother who kills her daughter Beloved rather than have her grow up as a slave, is the main character in Toni Morrison's 1987 Pulitzer-prize winning novel <i>Beloved</i>.The book mainly explores black Americans' relationship to slavery.)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">22. Imagined Communities is a book by</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Aijaz Ahmad</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Edward Said</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Perry Anderson</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) Benedict Anderson</b></span></u></div></div><div style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">23. Who among the following is a Cavalier poet ?</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Henry Vaughan</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Richard Crashaw</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(C) John Suckling</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Anne Finch</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(<span class="inlinetitle">Cavalier Poets</span> are the group of 17th-century English lyric poets, associated with the Royalists,i. e. the followers of King Charles I at the time of the English Civil War. Three of them—Thomas Carew, Sir John Suckling, and Richard Lovelace—were attached to the court of Charles, and one, Robert Herrick, was a clergyman. These poets were influenced by Ben Jonson and formed an informal social, as well as literary circle.)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">24. Which play of Wilde has the subtitle, A Trivial Comedy for Serious People ?</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) A Woman of No Importance</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Lady Windermere’s Fan</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(C) The Importance of Being Earnest</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) An Ideal Husband</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: left;"></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">25. Which of the following plays is not written by Wole Soyinka ?</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) The Lion and the Jewel</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) The Dance of the Forests</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(C) Master Harold and the Boys</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Kongi’s Harvest</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(Master Harold and the Boys is written by<u> </u><span class="inlinetitle">Athol Fugard</span>, South African playwright, director, and actor.)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">26. Which of the following plays by William Wycherley is in part an adaptation of Moliere’s The Misanthrope ?</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(A) The Plain Dealer</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) The Country Wife</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Love in a Wood</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) The Gentleman Dancing Master</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">27. ‘Inversion’ is the change in the word order for creating rhetorical effect, e.g. this book I like. Another term for inversion is </span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Hypallage</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Hubris</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Haiku</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) Hyperbaton</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">28. The phrase ‘the willing suspension of disbelief ’ occurs in<u> </u></span></div><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(A) Biographia Literaria</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Preface to Lyrical Ballads</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) In Defence of Poetry</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Poetics</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">29. The religious movement Methodism in the 18th century England was founded by</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) John Tillotson</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Bishop Butler</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Bernard Mandeville</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) John Welsey</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(<span class="inlinetitle">Methodism</span>, worldwide Protestant movement dating from 1729, started when a group of students at the University of Oxford, England, began to assemble for worship, study, and Christian service.)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">30. My First Acquaintance with Poets, an unforgettable account of meeting with literary heroes, is written by</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Charles Lamb</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Thomas de Quincey</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Leigh Hunt</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) William Hazlitt</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">31. The figure of the Warrior Virgin in Spenser’s Faerie Queene is represented by the character</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(A) Britomart</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Gloriana</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Cynthia</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Duessa</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(The hero of Book III, the female warrior virgin, who represents Chastity. )</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">32. The book Speech Acts is written by</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) John Austin</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(B) John Searle</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Jacques Derrida</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Ferdinand de Saussure</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(John Searle<span id="btAsinTitle">'s</span> The book Speech Acts<span id="btAsinTitle"> is an essay in the Philosophy of Language.</span>)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">33. Which among the following is not a sonnet sequence ?</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Philip Sydney – Astrophel</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">and Stella</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Samuel Daniel – Delia</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(C) Derek Walcott – Omeroos</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) D.G. Rossetti – The House</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">of Life</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(<span class="inlinetitle">Derek Walcott</span>, born in 1930, West Indian poet, playwright, and Nobel laureate, who is known for his vivid portrayal of Caribbean culture and his inventive use of language wrote the epic poem<i> Omeroos</i> .)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">34. ‘Incunabula’ refers to </span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) books censured by the Roman Emperor</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><b><u>(</u>B) books published before the year 1501</b></span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) books containing an account of myths and rituals</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) books wrongly attributed to an author</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(<span class="inlinetitle">Incunabula is a</span> collective term denoting books printed before the year 1501. The study of incunabula is important as a source of information regarding the early development of the art of typography, and also because priceless items of incunabula include the first printed versions of many classical, medieval, and Renaissance works.)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">35. The most notable achievement in Jacobean prose was</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Bacon’s Essays</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><b><u>(</u>B) King James’ translation of the Bible</b></span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Robert Burton’s Anatomy of Melancholy</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) None of the above</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">36. The Court of Chancery is a setting in Dickens’</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Little Dorrit</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Hard Times</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Dombey and Son</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) Bleak House</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">37. Which romantic poet coined the famous phrase ‘spots of time’ ?</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) John Keats</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(B) William Wordsworth</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) S.T. Coleridge</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Lord Byron</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(William Wordsworth, English romantic poet, wrote about the concept of "spots of time"</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><div style="text-align: center;"><span style="background-color: white; font-family: Verdana, sans-serif;">There are in our existence spots of time,</span></div></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><div style="text-align: center;"><span style="background-color: white; font-family: Verdana, sans-serif;">That with distinct pre-eminence retain</span></div></div><span style="font-family: Verdana, sans-serif;"></span><br />
<div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><span style="background-color: white;">A renovating virtue, whence, depressed</span></span></div></div><div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><span style="background-color: white;">By false opinion and contentious thought,</span></span></div></div><div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><span style="background-color: white;">Or aught of heavier or more deadly weight,</span></span></div></div><div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><span style="background-color: white;">In trivial occupations, and the round</span></span></div></div><div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><span style="background-color: white;">Of ordinary intercourse, our minds</span></span></div></div><div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><span style="background-color: white;">Are nourished and visibly repaired...</span></span></div></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><div style="text-align: right;"><span style="font-family: Verdana, sans-serif;">-William Wordsworth, from <b><u>The Prelude</u></b>, Book Twelfth )</span></div></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">38. The statement ‘I think, therefore, I am’ is by</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Schopenhauer</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Plato</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(C) Descartes</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Sartre</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(French philosopher, scientist, and mathematician René Descartes publishes <i>Philosophical Essays</i> in 1637. Descartes applies the rational inquiry of science to philosophy and argues that one can only be certain of one’s own existence. All else derives from this basic premise which Descartes states as <i>cogito ergo sum</i> (Latin for “I think, therefore I am”).)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">39. Verse that has no set theme – no regular meter, rhyme or stanzaic pattern is</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(I) open form</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(II) flexible form</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(III) free verse</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(IV) blank verse</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">The correct combination for the statement, according to the code, is</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) I, II and III are correct</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) III and IV are correct</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) II, III and IV are correct</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) I and III are correct</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">40. Which is the correct sequence of publication of Pinter’s plays ?</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) The Room, One for theRoad, No Man’s Land, The Homecoming</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) The Homecoming, NoMan’s Land, The Room,One for the Road</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(C) The Room, The Homecoming, No Man’s Land, One for the Road</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) One for the Road, TheRoom, The Homecoming,No Man’s Land</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(<i>The Room (1957),The Homecoming</i> (1964), <i>The Basement </i>(1966), <i>No Man’s Land</i> (1974), <i>One for the Road </i>(1984).)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">41. Johnson’s Dictionary of the English Language was published in the year</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) 1710</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(B) 1755</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) 1739</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) 1759</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(The <i>Dictionary of the English Language</i> appeared in 1755.)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">42. The literary prize, Booker of Bookers, was awarded to</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) J.M. Coetzee</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Nadine Gordimer</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Martin Amis</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) Salman Rushdie</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">43. In Keats’ poetic career, the most productive year was</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) 1816</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) 1817</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) 1820</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) 1819</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><u>(</u>Keats’s great creative outpouring came in the year of 1819, when he composed a group of five odes.)<u></u></span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">44. Pope’s The Rape of the Lock was published in 1712 in</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) three cantos</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) four cantos</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) five cantos</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) two cantos</b></span></u><br />
<u><span style="font-family: Verdana, sans-serif;"><b><br />
</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">( Pope’s most famous poem, <i>The Rape of the Lock</i> (first published 1712; revised edition published 1714), is a fanciful and ingenious mock-heroic work based on a true story.)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">45. Stephen Dedalus is a fictional character associated with</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"> I. A Portrait of the Artist as a Young Man</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">II. Sons and Lovers</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">III. Ulysses</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">IV. The Heart of Darkness</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">The correct combination for the above statement according to the code is</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) I & II</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) I, II & III</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) III & IV</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) I & III</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><u>(</u><a href="http://ardhendude.blogspot.com/2011/03/aesthetic-autobiography-satisfactory.html" style="text-decoration: none;">A Portrait of the Artist as a Young Man</a> is a semi autobiographical novel and Ulysses is focused on the events of a single day and related them to one another in thematic patterns based on Greek mythology. Both figure Stephen Dedalus as a lead role.)<u></u></span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">46. In Moby Dick Captain Ahab falls for his</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) ignorance</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(B) pride</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) courage</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) drunkenness</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(Becoming an isolated madman—and some critics have compared Ahab with Shakespeare’s King Lear—Ahab battles his evil forces alone and is destroyed as a result.)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">47. The first complete printed English Bible was produced by</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) William Tyndale</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) William Caxton</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(C) Miles Coverdale</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Roger Ascham</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(In <span id="search">1535 AD, Myles Coverdale's <i>Bible</i>; The <i>first complete Bible</i> was<i>printed</i> in the <i>English</i> Language)</span></span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">48. Elizabeth Gaskell’s novel Mary Barton is sub-titled</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) The Two Nations</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><b><u>(B) A Tale of </u><u>Manchester</u><u> Life</u></b></span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) A Story of Provincial Life</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) The Factory Girl</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">( <i>Mary Barton</i> sub-titled as<i> A Tale of Manchester Life </i>(1848) examines the schism between rich and poor in industrial Manchester, England, during the 1840s.)</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"> 49. Some of the Jacobean playwrights were prolific. One of them claimed to have written 200 plays. The playwright is</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) John Ford</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Thomas Dekker</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Philip Massinger</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(D) Thomas Heywood</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><u>(</u><span class="inlinetitle">Thomas Heywood</span> (1574?-1641), according to his own testimony, wrote more than 220 plays for the English stage. Although not always tightly constructed and sometimes resorting to cliché, His plays exhibit a remarkable talent for dramatic and fanciful situations and pleasing an audience. Heywood's best plays are <i>A Woman Killed with Kindness</i> (performed 1603, printed 1607), <i>The Fair Maid of the West</i>(1631) and <i>The English Traveller</i> (1633). <u>)</u></span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">50. The concept of “Star-equilibrium” in connection with man-woman relationship appears in</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><u><span style="font-family: Verdana, sans-serif;"><b>(A) Women in Love</b></span></u></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Maurice</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Mrs. Dalloway</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) The Old Wives’ Tales</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-color: white; line-height: 21px;"><span style="background-color: white; font-family: Verdana, sans-serif; text-align: justify;">( Women in Love discloses </span><span style="background-color: white; font-family: Verdana, sans-serif; text-align: justify;">Lawrence</span><span style="background-color: white; font-family: Verdana, sans-serif; text-align: justify;">’s assertion of establishing the</span><br />
<span style="font-family: Verdana, sans-serif;"></span><br />
<div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><span style="background-color: white;">equilibrium Male / Female relationship.)</span></span></div></div></div>Kashyap Deepakhttp://www.blogger.com/profile/05724719354478570994noreply@blogger.com0tag:blogger.com,1999:blog-3432816720253160432.post-50223834059266726512011-12-29T08:59:00.001-08:002011-12-29T18:51:17.083-08:00Dec 10<div dir="ltr" style="text-align: left;" trbidi="on"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><span style="background-color: white; line-height: 15.75pt;">1. Jeremy Collier’s </span><i style="background-color: white; line-height: 15.75pt;">A Short View of the Immorality and Profaneness of the English Stage </i><span style="background-color: white; line-height: 15.75pt;">attacked among others.</span></span></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) John Bunyan</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Thomas Rhymer</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(C) William Congreve</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Henry Fielding</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><i><span style="font-family: Verdana, sans-serif;"><span style="background-color: white;"><Note: When the work of Congreve and his colleagues was attacked by the clergyman</span><span style="background-color: white;"> <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial;">Jeremy</span> <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial;">Collier</span></span><span style="background-color: white;"> as licentious, Congreve replied with Amendments of Mr. </span><span style="background-color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial;">Collier</span>'s </span><span style="background-color: white;">False and Imperfect Citations (1698). ></span></span></i><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">2. The Crystal Palace, a key exhibit of the Great Exhibition, was designed by</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Charles Darwin</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Edward Moxon</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><u><b style="background-color: white;">(C) Joseph Paxton</b></u></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Richard Owen</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">< Note: Crystal Palace, famous exhibition hall was designed by Sir Joseph Paxton for the Great Exhibition of 1851 in London,England. Because of its great size and its innovative use of glass and iron in prefabricated units, it was a milestone in the development of modern architecture. ></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">3. Influence of the Indian Philosophy is seen in the writings of</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) G.B. Shaw</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Noel Coward</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Tom Stoppard</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(D) T.S. Eliot</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">4. In which of his voyages, Gulliver discovered mountain-like beings?</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) The land of the Lilliputians</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(B) The land of the Brobdingnagians</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) The land of the Laputans</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) The land of the Houyhnhnms</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">< Note: Brobdingnag is the nation of giants visited by Gulliver in Part II. The people are sixty feet tall and everything else in their land is sized in proportion, on a scale of one foot to one inch. Though the giants of Brobdingnag are repulsive to look at closely, they are sound in their politics in many ways. The king of that land felt “whoever could make two ears of corn or two blades of grass to grow upon a spot of ground where only one grew before, would deserve better of mankind, and do more essential service to his country than the whole race of politicians put together.” The king of Brobdingnag is not only much like Swift’s mentor, Sir William Temple, he is both a Tory mouthpiece and a humanist, and possibly Swift’s ideal of a good monarch.></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">5. Patrick White’s <i>Voss </i>is a novel about</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) the sea</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) The capital market</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;"><u><b>(C) The landscape</b></u></span><span style="background-color: lime; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) The judicial system</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><<u> </u></span><b><span style="font-family: Verdana, sans-serif;">Leichhardt</span></b><b><span style="font-family: Verdana, sans-serif;"> </span></b><span style="font-family: Verdana, sans-serif;">, a 19th-century German explorer, planned to cross Australia from east to west and, with a party of six, started from the</span><span style="font-family: Verdana, sans-serif;"> </span><b><span style="font-family: Verdana, sans-serif;">Condamine River</span></b><span style="font-family: Verdana, sans-serif;"> </span><span style="font-family: Verdana, sans-serif;">in March, 1848. His last expedition was the subject of the novel</span><span style="font-family: Verdana, sans-serif;"> </span><b><i><span style="font-family: Verdana, sans-serif;">Voss</span></i></b><b><span style="font-family: Verdana, sans-serif;">(1957)</span></b><b><span style="font-family: Verdana, sans-serif;"> </span></b><span style="font-family: Verdana, sans-serif;">by</span><span style="font-family: Verdana, sans-serif;"> </span><b><span style="font-family: Verdana, sans-serif;">Australian Nobel</span></b><b><span style="font-family: Verdana, sans-serif;"> </span></b><span style="font-family: Verdana, sans-serif;">laureate</span><span style="font-family: Verdana, sans-serif;"> </span><b><span style="font-family: Verdana, sans-serif;">Patrick White</span></b><span style="font-family: Verdana, sans-serif;">. It covers mostly the expedition through wild barren lands of<b>Australia</b>.</span><span style="font-family: Verdana, sans-serif;">></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">6. Although Nobel Laureate Seamus Heaney writes in English, in voice and subject matter, his poems are</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Welsh</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Scottish</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><u><b style="background-color: white;">(C) Irish</b></u></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Polish</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">< Haney’s poetry, beginning with <i>Death of a Naturalist</i> (1966), is rooted in the physical, rural surroundings of his childhood inNorthern Ireland. ></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">7. To whom is Mary Shelley’s famous work <i>Frankenstein</i>dedicated?</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Lord Byron</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Claire Clairmont</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><u><b>(C) William Godwin</b></u></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) P.B. Shelley</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><Some scholars have identified <i>Frankenstein</i> as the source of the genre of science fiction, which seeks to define the place of man in the universe. Both the idea of a 'mad scientist' and the concept of creating a person in a laboratory originated with<i>Frankenstein.</i> Following Mary Shelley's lead, authors such as Edgar Allan Poe, Robert Louis Stevenson, H. G. Wells, and, more recently, Robert A. Heinlein and Ray Bradbury have created horror stories whose protagonists face problems brought about by science gone awry.></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">8. Which among the following poems by Philip Larkin records his impressions while traveling to London by train?</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) “Aubade”</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) “Church Going”</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><u><b style="background-color: white;">(C) “The Whitsun Wedding”</b></u></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) “An Arundel Tomb”</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: center;"><span style="background-color: white; font-family: Verdana, sans-serif; line-height: 15.75pt; text-align: justify;">< “At first, I didn't notice what a noise</span></div><div style="text-align: center;"><span style="background-color: white; font-family: Verdana, sans-serif; line-height: 15.75pt; text-align: justify;">The weddings made</span></div><span style="font-family: Verdana, sans-serif;"></span><br />
<div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><span style="background-color: white; line-height: 15.75pt;">Each station that we stopped at: sun destroys</span></span></div></div><div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><span style="background-color: white; font-family: Verdana, sans-serif; line-height: 15.75pt;">The interest of what's happening in the shade.”-</span><span style="background-color: white; font-family: Verdana, sans-serif; line-height: 15.75pt;"> “The Whitsun Wedding”</span><span style="background-color: white; font-family: Verdana, sans-serif; line-height: 15.75pt;">></span></span></div></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><div style="text-align: center;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">9. The English satirist who used the sharp edge of praise to attack his victims was</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Ben Jonson</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) John Donne</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(C) John Dryden</u></b></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Samuel Butler</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif; line-height: 15.75pt;">10. One of the most famous movements of direct address to the reader – “Reader, I married him” – occurs in</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Henry Fielding’s <i>Tom Jones</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><b><u style="background-color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;">(B) Charlotte Bronte’s</span><span style="font-family: Verdana, sans-serif;"> <i><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial;">Jane Eyre</span></i></span></u></b><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Laurence Sterne’s <i>Tristram Shandy</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) George Eliot’s <i>Middlemarch</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><i><span style="font-family: Verdana, sans-serif;"><</span></i><span style="font-family: Verdana, sans-serif;"> Charlotte Bronte’s <i>Jane Eyre</i> CHAPTER XXXVIII--CONCLUSION</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">Reader, I married him. A quiet wedding we had: he and I, the parson and clerk, were alone present. When we got back from church, I went into the kitchen of the manor-house, where Mary was cooking the dinner and John cleaning the knives, and I said -<i>></i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">11. Langland’s <i>Piers Plowman </i>is a satire on</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Aristocracy</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Chivalry</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Peasantry</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(D) Clergy</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">< The 14th-century poem <b><i>The Vision of William Concerning Piers the Plowman</i></b>, better known as <b><i>Piers Plowman</i></b><i>,</i> is generally attributed to <b>William Langland</b>. Three distinct versions of it exist, the first c. 1362, the second c. 1377, and the third 1393 or 1398. It has been described as "a vision of Christ seen through the clouds of humanity." A religious allegory, the work is written as a dream vision, a popular medieval form in which a story is presented as if the author had dreamed it. <i>Piers Plowman</i>is also a famous example of alliterative verse. ></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">12. Which of the following thinker concept pair is correctly matched?</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) I.A. Richards – Archetypal Criticism</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Christopher Frye– Mysticism</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><u><b style="background-color: white;">(C) Jacques Derrida– Deconstruction</b></u></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Terry Eagleton– Psychological Criticism</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">< I.A. Richards – New Criticism</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">Christopher Frye–</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"> Jacques Derrida– Deconstruction</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">Terry Eagleton–political Criticism></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">13. Sexual jealousy is a theme in Shakespeare’s</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) <i>The Merchant of Venice</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) <i>The Tempest</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><u><b style="background-color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;">(C)</span><span style="font-family: Verdana, sans-serif;"> <i><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial;">Othello</span></i></span></b></u><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) <i>King Lear</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><i><span style="font-family: Verdana, sans-serif;"><Othello is a</span></i><span style="font-family: Verdana, sans-serif;"> tragedy on the theme of Sexual jealousy by English playwright William Shakespeare. It was written in about 1604 and first performed that year for King James I at Whitehall Palace inLondon. <i> ></i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">14. The title, <i>The New Criticism, </i>published in 1941, was written by</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Cleanth Brooks</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><u><b style="background-color: white;">(B) John Crowe Ransom</b></u></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Robert Penn Warren</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Allan Tate</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">15. Which of the following is not a Revenge Tragedy?</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) <i>The White Devil</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) <i>The Duchess of Malfi</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><u><b style="background-color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;">(C)</span><span style="font-family: Verdana, sans-serif;"> <i><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial;">Doctor Faustus</span></i></span></b></u><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) <i>The Spanish Tragedy</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><i><span style="font-family: Verdana, sans-serif;">< The White Devil:</span></i><span style="font-family: Verdana, sans-serif;"> John Webster’s great tragedy <i>The White Devil,</i>produced in 1612 depicts a world of extravagant passions, dark intrigue, and fratricidal violence. Despite its melodramatic themes, Webster's <i>The White Devil</i> is redeemed by his soaring poetic dialogue and his grasp of human psychology.</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><i><span style="font-family: Verdana, sans-serif;">The Duchess of Malfi:</span></i><span style="font-family: Verdana, sans-serif;"> John Webster’s great tragedy <i>The White Devil </i>staged about 1614 is even better than <i>The White Devil.</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><i>The Spanish Tragedy:</i>Thomas Kyd ‘s <i>Spanish Tragedy</i> (1589?) is best Senecan Revenge Tragedy in the use of shocking and horrifying melodramatic situations.<i>></i><a href="http://www.blogger.com/post-edit.g?blogID=3432816720253160432&postID=5022383405926672651" name="more"></a><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">16. Who of the following playwrights rejects the Aristotelian concept of tragic play as imitation of reality?</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) G.B. Shaw</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Arthur Miller</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(C) Bertolt Brecht</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) John Galsworthy</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">< Brecht's narrative style, which he called <i>epic theater,</i> was directed against the illusion created by traditional theater of witnessing a slice of life. Instead, Brecht encouraged spectators to watch events on stage dispassionately and to reach their own conclusions. To prevent spectators from becoming emotionally involved with a play and identifying with its characters, Brecht used a variety of techniques. Notable among them was the<i>Verfremdungseffekt</i> (alienation or estrangement effect), which was achieved through such devices as choosing (for German audiences) unfamiliar settings, interrupting the action with songs, and announcing the contents of each scene through posters. Brecht temporarily returned to a more traditional dramatic mode in<i>Furcht und Elend des Dritten Reiches</i> (1941; <i>The Private Life of the Master Race</i>, 1944), an attack on the fascist government ofGermany under Hitler. ></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">17. The label ‘Diasporic Writer’ can be applied to</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">I. Meena Alexander</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">II. Arundhati Roy</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">III. Kiran Desai</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">IV. Shashi Deshpande</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">The correct combination for the statement, according to the code, is</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) I and IV are correct.</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) II and III are correct.</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) I, II and IV are correct.</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><u><b style="background-color: white;">(D) I and III are correct.</b></u></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">18. The letter ‘A’ in <i>The Scarlet Letter</i> stands for</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">I. Adultery</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">II. Able</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">III. Angel</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">IV. Appetite</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">The correct combination for the statement, according to the code, is</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) I and II are correct.</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) II and III are correct.</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) I, II and IV are correct.</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><u><b style="background-color: white;">(D) I, II and III are correct.</b></u></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">< Scarlet Letter "A" represents the act of adultery that she has committed and it is to be a symbol of her sin—a badge of shame—for all to see. WIKI></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">19. A monosyllabic rhyme on the final stressed syllable of two lines of verse is called</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Moonshine</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Feminine rhyme</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(C) Masculine rhyme</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Eye rhyme</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">20. A fatwa was issued in Salman Rushdie’s name following the publication of :</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) <i>Midnight’s Children</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) <i>Shame</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><u><b style="background-color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;">(C)</span><span style="font-family: Verdana, sans-serif;"> <i><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial;">Satanic Verses</span></i></span></b></u><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) <i>Grimus</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">21. “There is nothing outside the text” is a key statement emanating from</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Feminism</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) New Historicism</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-color: white;"><b><u><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;">(C)</span><span style="font-family: Verdana, sans-serif;"> </span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;">Deconstruction</span></u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Structuralism</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">22. The Augustan Age is called so because</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) King Augustus ruled over England during this period</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(B) The English writers imitated the Roman writers during this period</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) The English King was born in the month of August</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) This was an age of sensibility</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">23. One of the important texts of Angry Young Man Movement is</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) <i>Time’s Arrow </i>by Martin Amis</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) <i>A Portrait of the Artist as a Young Man </i>by James Joyce</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><u><b style="background-color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;">(C)</span><span style="font-family: Verdana, sans-serif;"> <i><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial;">Lucky Jim</span> </i><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial;">by Kingsley Amis</span></span></b></u><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) <i>The French Lieutenant’s Woman </i>by John Fowles</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">24. Whom does Alexander Pope satirise in the portrait of Sporus ?</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Lady Wortley Montague</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Joseph Addison</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Lord Shaftsbury</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(D) Lord Harvey</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">25. The hero of Marlowe’s <i>Tamburlaine </i>was born as a</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Carpenter</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Goldsmith</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(C) Shepherd</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Fisherman</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">26. In a letter to his brother George in September 1819, John Keats had this to say about a fellow romantic poet: “He describes what he sees –I describe what I imagine – Mine is the hardest task.” The poet under reference is</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Wordsworth</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Coleridge</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(C) Byron</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Southey</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><John Keats’ letter to his brother George, September 1819></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">27. A sequence of repeated consonantal sounds in a stretch of language is</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><u><b style="background-color: white;">(A) Alliteration</b></u></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Acrostic</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Assent</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Syllable</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">28. Reformation was predominantly a movement in</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Politics</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Literature</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(C) Religion</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Education</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">29. The motto “only connect” is taken from</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Joseph Conrad’s <i>Nostromo</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Rudyard Kipling’s <i>Kim</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) H.G. Wells’ <i>The History of Mr. Polly</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-color: white;"><u><b><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;">(D) E.M. Forster’s</span><span style="font-family: Verdana, sans-serif;"> <i><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial;">Howards End</span></i></span></b></u></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">30. English Iambic Pentameter was brought to its first maturity in</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><u><b>(A) sonnet</b></u></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Dramatic verse</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) lyric</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Elegy</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">31. Who among the following was not a member of the Bloomsbury Group?</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Lytton Strachey</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Clive Bell</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) E.M. Forster</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(D) Winston Churchill</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">32. The concept of human mind as <i>tabula rasa </i>or blank tablet was propounded by</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Bishop Berkley</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) David Hume</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Francis Bacon</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(D) John Locke</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">33. The terms ‘resonance’ and ‘wonder’ are associated with</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;"><b>(A) Stephen Greenblatt</b></span><span style="background-color: lime; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Terence Hawkes</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Terry Eagleton</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Ronald Barthes</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">34. The rhetorical pattern used by Chaucer in <i>The Prologue to Canterbury Tales </i>is</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) ten-syllabic line</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) eight-syllabic line</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;"><u><b>(C) Rhyme royal</b></u></span><span style="background-color: lime; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) ottava rima</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">35. Charles Darwin’s <i>Origin of the Species </i>was published in the year</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(A) 1859</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) 1879</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) 1845</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) 1866</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">< Few books have rocked the world the way that <i>On the Origin of Species</i> did. Influenced in part by British geologist Sir Charles Lyell’s theory of a gradually changing earth, British naturalist Charles Darwin spent decades developing his theory of gradual evolution through natural selection before he published his book in 1859. The logical—and intensely controversial–-extension ofDarwin’s theory was that humans, too, evolved through the ages. For people who accepted the biblical view of creation, the idea that human beings shared common roots with lower animals was shocking. In this excerpt from<i> On the Origin of Species</i>, Darwincarefully sidesteps the issue of human evolution (as he did throughout the book), focusing instead on competition and adaptation in lower animals and plants. ></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">36. Who of the following is the author of <i>Juno and the Paycock </i>?</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Lady Gregory</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) W.B. Yeats</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Oscar Wilde</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(D) Sean O’Casey</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><<b> </b>Referring to Ireland here is the famous remark in <i>Juno and the Paycock: “</i>The whole country's in a state o' chassis.<i>”</i>></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">37. The title of William Faulkner’s <i>The Sound and the Fury </i>is taken from a play by</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Christopher Marlowe</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(B) William Shakespeare</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Ben Jonson</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) John Webster</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">38. “Silverman has never read Browning.” This is an example of</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Chiasmus</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Conceit</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Zeugma</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(D) Metonymy</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">39. The term ‘Intentional Fallacy’ is first used by</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) William Empson</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Northrop Frye</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Wellek and Warren</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(D) Wimsatt and Beardsley</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">40. “Recessional: A Victorian Ode”, Kipling’s well-known poem,</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">I. laments the end of an Era</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">II. Marks a new commitment to scientific knowledge</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">III. Expresses the sincerity of his religious devotion</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">IV. Was occasioned by Queen Victoria’s 1897 Jubilee Celebration</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span><br />
<span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">The correct combination for the statement, according to the code, is</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) I, II and III are correct.</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(B) III and IV are correct.</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) I and IV are correct.</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) I, III and IV are correct.</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">41. Who among the following is not a Restoration playwright?</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) William Congreve</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) William Wycherley</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(C) Ben Jonson</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) George Etherege</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">42. Which famous Romantic poem begins with the line : ‘Hail to thee, blithe spirit ! / Bird thou never wert” ?</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) “Ode to a Nightingale”</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) “To the Cuckoo”</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(C) “To a Skylark”</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) “To the Daisy”</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">43. Who among the following Victorian poets disliked his middle name ?</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Arthur Hugh Clough</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-color: white; font-family: Verdana, sans-serif;"><u><b>(B) Dante Gabriel Rossetti</b></u></span><span style="background-color: lime; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Gerard Manley Hopkins</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Algernon Charles Swinburne</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">44. Aston is a character in Pinter’s</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) <i>The Birthday Party</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><b><u style="background-color: white;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;">(B)</span><span style="font-family: Verdana, sans-serif;"> <i><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial;">The Caretaker</span></i></span></u></b><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) <i>The Dumb Waiter</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) <i>The Homecoming</i></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">45. Byron’s <i>English Bards and Scottish Reviewers </i>is about</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">I. the survey of English poetry</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">II. Evangelism in English poetry</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">III. Contemporary literary scene</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">IV. The early English travelers</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span><br />
<span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">The correct combination for the statement, according to the code, is</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) III and IV are correct.</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) II, III and IV are correct.</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) I and II are correct.</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(D) I and III are correct.</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">46. Which Eliotian character utters the question – “Do I eat a peach” ?</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Marina</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(B) Prufrock</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) Sweeney</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Stetson</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">47. Which among the following works by Daniel Defoe landed him in prison and the pillory ?</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) The True-Born Englishman</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Captain Singleton</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(C) The Shortest Way with Dissenters</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) Moll Flanders</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">< For publishing the pamphlet <i>The Shortest Way with the Dissenters</i> (1703), English novelist and journalist Daniel Defoe was placed in the pillory, where an English mob could torment him. Defoe’s pamphlet satirized the intolerance of the Church of England toward Dissenters—Protestants who refused to accept the authority of England’s established church—at that time. ></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">48. The arrival of printing in fifteenth century England was engineered by</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Sir Thomas Malory</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) John Gower</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(C) John Barbour</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(D) William Caxton</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">49. About which nineteenth century English writer was it said that “He had succeeded as a writer not by conforming to the<i>Spirit of the Age</i>, but in opposition to it” ?</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) Lord Byron on Coleridge</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) Coleridge on Keats</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(C) Hazlitt on Lamb</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) De Quincey on Crabbe</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><William Hazlitt's <i>The Spirit of the Age</i>></span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;"><br />
</span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">50. The Restoration comedy, <i>The Double Dealer </i>was written by</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(A) John Dryden</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(B) William Wycherley</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; line-height: 15.75pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; font-family: Verdana, sans-serif;"><b><u style="background-color: white;">(C) William Congreve</u></b></span><span style="background-color: white; font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal" style="background: white; line-height: 15.75pt; margin-bottom: .0001pt; margin-bottom: 0in;"><div style="text-align: justify;"><span style="font-family: Verdana, sans-serif;">(D) George Etherege</span><span style="font-family: Verdana, sans-serif;"><o:p></o:p></span></div></div><div class="MsoNormal"><div style="text-align: justify;"><br />
</div></div></div>Kashyap Deepakhttp://www.blogger.com/profile/05724719354478570994noreply@blogger.com0tag:blogger.com,1999:blog-3432816720253160432.post-47588072896390040872011-02-21T20:45:00.001-08:002012-06-16T17:32:46.618-07:00Bede: Anglo Saxon Witer<div dir="ltr" style="text-align: left;" trbidi="on"><div style="text-align: justify;">BEDE (673-735)</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">The Venerable Bede, as he is generally called, our first great scholar and "the father of our English learning," wrote almost exclusively in Latin, his last work, the translation of the Gospel of John into Anglo-Saxon, having been unfortunately lost. Much to our regret, therefore, his books and the story of his gentle, heroic life must be excluded from this history of our literature. His works, over forty in number, covered the whole field of human knowledge in his day, and were so admirably written that they were widely copied as text-books, or rather manuscripts, in nearly all the monastery schools of Europe.</div><div style="text-align: justify;"><br />
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<div style="text-align: justify;">The work most important to us is the _Ecclesiastical History of the English People_. It is a fascinating history to read even now, with its curious combination of accurate scholarship and immense credulity. In all strictly historical matters Bede is a model. Every known authority on the subject, from Pliny to Gildas, was carefully considered; every learned pilgrim to Rome was commissioned by Bede to ransack the archives and to make copies of papal decrees and royal letters; and to these were added the testimony of abbots who could speak from personal knowledge of events or repeat the</div><br />
<div style="text-align: justify;">traditions of their several monasteries.</div><div style="text-align: justify;"><br />
</div><div style="text-align: justify;">Side by side with this historical exactness are marvelous stories of saints and missionaries. It was an age of credulity, and miracles were in men's minds continually. The men of whom he wrote lived lives more wonderful than any romance, and their courage and gentleness made a tremendous impression on the rough, warlike people to whom they came with open hands and hearts. It is the natural way of all primitive peoples to magnify the works of their heroes, and so deeds of heroism and kindness, which were part of the daily life of the Irish missionaries, were soon transformed into the miracles of the saints. Bede believed these things, as all other men did, and records them with charming simplicity, just as he received them from bishop or abbot. Notwithstanding its errors, we owe to this work nearly all our knowledge of the eight centuries of our history following the landing of Caesar in Britain.</div></div>Kashyap Deepakhttp://www.blogger.com/profile/05724719354478570994noreply@blogger.com0