Books Chronolgy

Chronology of English Literature

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William Shakespeare (1564 1615):
“Venus and Adonis” (1593)
“The Rape of Lucrece” (1594) 
“Sonnets” (1609) 
“The Comedy of Errors” (1592) 
“The Taming of the Shrew” (1593) 
“The Two Gentlemen of Verona” (1594)
“Love’s Labour’s Lost” (1594)
“Richard II” (1595)
“A Midsummer Night’s Dream” (1595)
“Romeo and Juliet” (1595)
“The Merchant of Venice” (1596)
“Henry IV” (1597) 
“Much Ado About Nothing” (1599) 
“As You Like It” (1599) 
“The Merry Wives of Windsor” (1599)
“Julius Caesar” (1599)
“Twelfth Night” (1600) 
“Hamlet” (1601)
“Troilus and Cressida” (1602)
“All’s Well That Ends Well” (1602)
“Measure for Measure” (1604) 
“Othello” (1604)
“King Lear” (1605)
“Antony and Cleopatra” (1606)
“Macbeth” (1606)
“Coriolanus” (1608)
“Timon of Athens” (1608)
 “Cymbeline” (1610)
“The Winter’s Tale” (1610)
“The Tempest” (1611)

Thomas Nashe (1567)
“The Unfortunate Traveller” (1594)
“Pierce Penniless” (1592)
“Summer’s Last Will and Testament” (1592)

John Davies (1569)
“Orchestra” (1596) 
“Nosce Teipsum” (1599)

Thomas Dekker (1570)
“Shoemaker’s Holiday” (1599)
“The Honest Whore” (1605)
“The Wonderful Yeare” (1603)

Thomas Middleton (1570): 
“A Chast Mayd in Cheapeside” (1611)
“A Trick to Catch the Old One” (1608)
“The Changeling” (1622) 
“Women Beware Women” (1627)

John Donne (1572):
“Songs and Sonnets” (1601)
“Elegies” (1601)
“An Anatomy of the World” (1611)
“Of the Progress of the Soul” (1612)
“Holy Sonnets” (1618)
“The Progresse of the Soule” (1601)

Ben Jonson (1572):
Every Man Out of His Humour” (1606) 
“Volpone” (1606)
“Epicene” (1609)
“The Alchemist (1610)
“Bartholomew Fair” (1614)
“The Forest” (1616)

Thomas Heywood (1574):
"A Woman Killed with Kindness” (1603)
“The Wise Woman of Hogsdon” (1604)
“The Fair Maid of the West” (1631)
“The English Traveller” (1633)

John Marston (1575):
“Dutch Courtezan” (1605)
“The Malcontent” (1604)

Robert Burton (1577):
“The Anatomy of Melancholy” (1621)

John Webster (1580) 
“The White Devil” (1612)
“The Dutchesse of Malfy” (1623)

Phineas Fletcher (1582):
“The Purple Island” (1633)

Philip Massinger (1583)
“The Roman Actor” (1626)
“New Way to Pay Old Debts” (1632)
“A City Madam” (1632) 
“The Picture” (1629) 

Francis Beaumont (1584)
“The Knight of Burning Pestle” (1607) 
“The Woman Hater” (1606)
Beaumont & Fletcher  “The Maides Tragedy” (1611)
Beaumont & Fletcher “The Coxcombe” (1610)

John Ford (1586)
“Love’s Sacrifice” (1630) 
“‘Tis a Pity She’s a Whore” (1633) 
“The Broken Heart” (1633) 

James Shirley (1596)
“The Traytor” (1631) 
“The Cardinal” (1641) 
“The Lady of Pleasure” (1635) 
“St Patrick of Ireland” (1640)

Thomas Browne (1605)
 “Religio Medici” (1642)

John Milton (1608)
“Arcades” (1633)
“Comus” (1634) 
“Paradise Lost” (1667)
“Paradise Regained” (1671)
“Samson Agonistes” (1671)

Andrew Marvell (1621)
“The Garden” (1633)
“Horatian Ode upon Cromwell’s Return from Ireland” (1659)
“A Dialogue Between the Resolved Soul and Created Pleasure” (1681)

John Dryden (1631)
“Heroic Stanzas” (1659)
“The Rival Ladies” (1664) 
“The Indian Queen” (1664)
“Annus Mirabilis” (1667)
“The Conquest of Granada” (1670)
“Marriage A` la Mode” (1672)
“All for Love” (1678) 
“Absalom and Achitophel” (1681)
“The Medall” (1682) 
“MacFlecknoe” (1682)
“Religio Laici” (1682) 
“The Hind and the Panther” (1687)
“A Song for Saint Cecilia’s Day” (1687)
“Alexander’s Feast” (1697)

George Etherege (1634)
“She Wou’d If She Cou’d” (1668)
“Man Of Mode” (1676) 

William Wycherley (1640)
“Plain Dealer” (1673)
“The Country Wife” (1675)

Afra Behn (1640)
 “Oroonoko” (1688)
“Abdelazar” (1677)

Daniel DeFoe (1660):
“Robinson Crusoe” (1719)
“Moll Flanders” (1722)
“Roxana” (1724)

Jonathan Swift (1667)
“Tale of a Tub” (1704)
“Gulliver’s Travels” (1726) 
“A Modest Proposal” (1729)
“On the Death of Dr Swift” (1731)

William Congreve (1670)
“The Way of the World” (1700)
“Old Bachelor” (1693)
“Double Leader” (1694)
 “Love for Love” (1695)

John Gay (1685)
“The Beggar’s Opera”" (1728) 
“Shepherd’s Week”" (1714)
“Trivia”" (1715)

Alexander Pope (1688):
 “The Rape of the Lock” (1714)
“The Dunciad” (1743) 
“Epistles to Arbuthnot” (1735)
“Elegy to the Memory of an Unfortunate Lady” (1717)
“Eloisa to Abelard” (1717)
“Imitations of Horace” (1738)
“An Essay on Man” (1734) 

Samuel Richardson (1689)
 “Pamela” (1740)
“Clarissa” (1747)

Henry Fielding (Britain, 1707):
"Joseph Andrews” (1742)
“Jonathan Wild” (1743)
“Tom Jones” (1749)
“Amelia” (1751)

Samuel Johnson (1709)
 “Rasselas” (1759)
“The Vanity of Human Wishes” (1749)
 “The Lives of the English Poets” (1783)

UGC-NET Solved Paper


1. The term ‘Comparative Literature’ was  first used in English in 1848 by _____.
 (A) Walter Pater
 (B) Matthew Arnold
 (C) John Ruskin
 (D) D.G. Rossetti

2. The first academic treatment to the  subject of Comparative Literature was given by ______ in his book called  Comparative Literature.
 (A) H.M. Posnett
 (B) Francois Jost
 (C) Elisabeth Frenzel
 (D) N.P. Stallknecht

3. Who is of the view that a study of  literary relationships is dangerous ?
 (A) Horst Frenz
 (B) René Etiémble
 (C) S.S. Prawar
 (D) Jean M. Carré 

4. According to H.H. Remak, ‘World  Literature’, when compared to Comparative Literature, suggests an element of _______.
(A) Space
(B) Quality
(C) Time
(D) Intensity

5. The methodology of influence study  was advocated by _________.
 (A) The French School of  Comparatists
 (B) The American School of  Comparatists
 (C) The German Comparatists
 (D) The Russian Comparatists

6. An American version of the creed of  British Romanticism is ______.
 (A) “Hugh Selvyn Mauberley”
 (B) “Because I could not stop for  Death”
 (C)  The Leaves of Grass
 (D) “North of Boston

7. Westerners generally thought of  history as _______.
 (A) the sum total of more or less  random data.
 (B) a remembrance of things past.
 (C) ceaselessly unfolding and constantly flowing events.
 (D) phenomena that have occurred at  a specific time.

8. “The word ‘Romantic’ has come to  mean many things that … it means  nothing at all,” declared
 (A) Walter Pater
 (B) John Keats
 (C) A.D. Lovejoy
 (D) Matthew Arnold

9. Which historian treated literary history ignoring the historical and mechanical order of succession of events, but focused on human experience ?
 (A) Robert Spiller
 (B) George Saintsbury
 (C) Compton-Rickett
 (D) W.H. Hudson

10. Which of the following terms “stresses  the beginning, rather than the duration,  of a time span of considerable length” ?
(A) Period
(B) Age
(C) Era
(D) Century

11. Who championed the theory of an inexorable step-by-step progression of the three major kinds, epic, lyric and drama, in Greek literary history ?
 (A) Ulrich Weisstein
 (B) Quintilian
 (C) S.S. Prawer
 (D) Alexander Veselovsky

12. One of the first writer to discuss the separation of the literary genre from other aspects of literature was _____.
(A) Brunetiere
(B) Cicero
(C) Quintilian
(D) Horace

13. Genre is a journal published by ____.  (Wrong Ans)
 (A) Indiana University
 (B) The University of Illinois
 (C) Columbia University
 (D) Princeton University

14. The first literary work to discuss ‘genre’ is ______.
 (A) Plato’s Republic
 (B) Horace’s Ars Poetica
 (C) Longinus’ On the Sublime
 (D) Aristotle’s Poetics

15. Who separated the choric poetry from monodic poetry ?
 (A) The Greeks
(B) The Romans
(C) The Germans
(D) The French

16. Identify the work from among the following that does not have an Oedipal theme/ motif :
 (A)  Desire under the Elms by O’Neill
 (B)  Hamlet by Shakespeare
 (C)  The White Devil by Webster
 (D)  The Infernal Machine by Cocteau

17. The archetypes of the  anima and the animus were mentioned by ______.
 (A) Carl Jung 
 (B) Karen Horney
 (C) Melanie Klein
 (D) Jessic Weston

18. The study of the Electra theme from the Classical Age to the present is an instance of
 (A) Synchronic study
 (B) Monochronic study
 (C) Anachronic study
 (D) Diachronic study

19. A critic who compares Valmiki’s Ramayana and Tulsi Das’ Ram Charit  Manas as literary epics is doing  (A) a Diachronic study
 (B) a Synchronic study
 (C) an Archetypal study
 (D) a Myth study

20. The German equivalent for the term “Thematology” is _______.
 (A)  Gestalt
 (B)  Wissenschaft
 (C)  Stoffgeschichte
 (D)  Geistesgeschicht

21. The Malayalam novel  Chemmeen and the Tamil novel  Amma Vandaal have been compared for their common theme of ______.
 (A) Tradition and modernity
 (B) Man-woman relationship
 (C) Adultery and its consequences
 (D) Society and women

22. One of the novels on the subject of the Muslim invasion of India –  Jai Somnath – is by ________.
 (A) Narmad
 (B) K.M. Munshi
 (C) Harinarayan Apte
 (D) Dharmavir Bharati

23. Which of the following plays of Vijay Tendulkar has a historical setting ?
 (A)  Sakharam Binder
 (B)  Kanyadaan
 (C)  Ghasiram Kotwal
 (D)  Silence ! The Court is in Session

24. Select the correct set from the following :
 (A) (i) Bankim Chandra, Gora  (ii) Saratchandra, Srikant   (iii) Tagore, Anandmath
 (B) (i) Bankim Chandra, Anandmath  (ii) Saratchandra, Srikant  (iii) Tagore, Gora
 (C) (i) Bankim Chandra, Srikant  (ii) Saratchandra, Gora  (iii) Tagore, Anandmath
 (D) (i) Bankim Chandra, Srikant  (ii) Saratchandra, Anandmath  (iii) Tagore, Gora

25. Identify the correct chronological sequence of the following Hindi authors :
 (A) Jaishankar Prasad, Premchand, Yashpal, Mohan Rakesh
 (B) Jaishankar Prasad, Yashpal, Premchand, Mohan Rakesh
 (C) Premchand, Jaishankar Prasad, Yashpal, Mohan Rakesh
 (D) Premchand, Jaishankar Prasad, Mohan Rakesh, Yashpal

26. According to Dryden, Horace’s  Ars Poetica, translated by Ben Jonson, is an example of ______.
 (A) Adaptation (B) Imitation
 (C) Paraphrase (D) Metaphrase

27. The works of the novelist Balzac were translated by _______.
 (A) Samuel Putnam
 (B) Marian Ayton Crawford
 (C) H.D.P. Lee
 (D) Michael Grant

28. Identify the author of the following statement :
 “A badly written book is only a blunder; but a bad translation of a good book is a crime.”
 (A) Martin Luther
 (B) Matthew Arnold
 (C) P.B. Shelley
 (D) Gilbert Highet

29. Who wrote the famous essay “On Translating Homer” ?
 (A) Alexander Pope
 (B) John Dryden
 (C) Matthew Arnold
 (D) Una Ellis Fermor

30. Name the translator-critic who has elaborated on the seven different strategies on translation :
 (A) Andre Lefevere
 (B) Henry Gifford
 (C) B.Q. Morgan
 (D) Octavio Paz

31. Who, among the following, focuses on language and text exclusively ?
 (A) Derrida
(B) Lacan
(C) Julia Kristeva
(D) Foucoult

32. Identify the author of the statement : “Spoken words are the symbols of mental experiences … and written words are the symbols of spoken words.”
 (A) Stanley Fish
 (B) Aristotle
 (C) Saussure
 (D) Schleiermacher

33. Identify the author of The English Moses :
 (A) Stephen Greenblatt
 (B) Thomas Harriot
 (C) Schleiermacher
 (D) E.M.W. Tillyard

34. The first feminist text in Tamil was ________.
 (A)  Mannil Ciruther
 (B)  Paanchali Capatam
 (C)  Kothai Theevu
 (D)  Thunaivi

35. Therukkoothu is the folk art form in ______.
 (A) Tamil
(B) Malayalam
(C) Gujarati
(D) Oriya

36. Who discusses “Reception Aesthetics” in Comparative Literature ?
 (A) Hyppolite Taine
 (B) Robert Spiller
 (C) Anna Balakian
 (D) J.T. Shaw

37. “Influence and Literary Fortune” is an essay written by ________.
 (A) Arthur E. Kunst
 (B) Mary Gaithen
 (C) Leon Edel
 (D) Anna Balakian

38. Plutarch’s  Biographies would constitute, in the area of influence studies, an instance of 
 (A) Recovery
(B) Affinity
(C) Source
(D) Parody

39. Who among the following thinkers exerted a tremendous impact on literature ?
 (A) Karl Marx 
 (B) Arnold Toynbee
 (C) Claudio Guillen
 (D) Frank Jost

40. Who made the statement “one of the most complex problems in the study of literary influence is direct and indirect influence” ?
(A) David H. Malone
(B) J.T. Shaw
(C) Ihab H. Hassan
(D) Alexander Pushkin

41. The term ‘grotesque’ used to refer to a literary style/technique has its origins in .
(A) Painting
(B) Architecture
(C) Music
(D) Dance

42. One of the significant works on Literature and the Arts –  Music and Literature – was written by
 (A) Calvin S. Brown
 (B) Albrecht Schöne 
 (C) Joseph Kerman
 (D) Ulrich Weisstein

43. A comparative study of the minds of the criminal heroism Dostoievsky’s Crime and Punishment and Richard Wright’s  Native Son involves the disciplines of ______.
 (A) Literary Studies and Sociology
 (B) Literary Studies and Psychology
 (C) Literary Studies and Anthropology
 (D) Literary Studies and Legal Studies 

44. Identify the literary text which can be illuminated by a study of Anthropology :
 (A)  The Waste Land
 (B)  Four Quartets
 (C)  The Cocktail Party
 (D)  Gerontion

45. Which of the following texts is open for an analysis from the perspective of political theory ?
 (A)  The Way of the World
 (B)  Major Barbara
 (C)  Henry IV Part One
 (D)  The Birthday Party

46. The concept of ‘Wilderness Romance’ is employed in the study of American
novels by the practitioners of _______.
 (A) Feminist Criticism
 (B) Sociological Criticism
 (C) Eco Criticism
 (D) Psychological Criticism

47. Mallarme, the French symbolist poet, influenced ______.
 (A) W.H. Auden
 (B) Dylan Thomas
 (C) T.S. Eliot
 (D) Hart Crane

48. The English translation of Omar Khayyam’s Rubaiyyat is by ______.
 (A) Bayard Taylor
 (B) George Madison
 (C) Edward Fitzgerald
 (D) John Ciardi

49. The playwright who wrote a “heroic tragedy” in the late 17th century was _____.
 (A) John Milton
 (B) William Congreve
 (C) Jean Racine
 (D) John Dryden

50. The major practitioners of the theatre of the Absurd were _______.
 (A) Ionesco, Beckett, Adamoff
 (B) Beckett, Adamoff, Brecht
 (C) Anouilh, Ionesco, Beckett
 (D) Ionesco, Anouilh, Adamoff

John Hawkes (USA, 1925): “The Cannibal” (1949) +
John Hawkes (USA, 1925): “Beetle Leg” (1951)
John Hawkes (USA, 1925): “Lime Twig” (1960) +
John Hawkes (USA, 1925): “Second Skin” (1963) +
John Hawkes (USA, 1925): “Blood Oranges” (1971)
John Hawkes (USA, 1925): “Death Sleep” (1974)
John Hawkes (USA, 1925): “Travesty” (1976)
John Hawkes (USA, 1925): “Passion Artist” (1979)
John Hawkes (USA, 1925): “Virginie” (1982)
John Hawkes (USA, 1925): “Adventures in the Alaskan Skin Trade” (1985)
John Hawkes (USA, 1925): “Whistlejacket” (1988)

Alex LaGuma (South Africa, 1925): “A Walk in the Night” (1962) +
Alex LaGuma (South Africa, 1925): “The Stone Country” (1967)

Flannery O’Connor (USA, 1925): “Wise Blood” (1952)
Flannery O’Connor (USA, 1925): “A Good Man Is Hard to Find” (1955)
Flannery O’Connor (USA, 1925): “The Violent Bear It Away” (1960) +
Flannery O’Connor (USA, 1925): “Everything That Rises Must Converge” (1964)

William Styron (USA, 1925): “Lie Down in Darkness” (1951)
William Styron (USA, 1925): “Set This House on Fire” (1960)
William Styron (USA, 1925): “The Confessions of Nat Turner” (1967)
William Styron (USA, 1925): “Sophie’s Choice” (1979) +

Frank Tuohy (Britain, 1925): “Ice Saints” (1964)

Gore Vidal (USA, 1925): “The City and the Pillar” (1948)
Gore Vidal (USA, 1925): “Myra Breckinridge” (1968) +
Gore Vidal (USA, 1925): “Myron” (1974)
Gore Vidal (USA, 1925): “Duluth” (1983)
Gore Vidal (USA, 1925): “Lincoln” (1984)

John Wain (Britain, 1925): “Hurry On Down” (1953)

William Wharton (USA, 1925): “Birdy” (1979)

Pamela Gems (Britain, 1925): “Dusa Fish Stas and Vi” (1976) [t]

Elmore Leonard (USA, 1925): “La Brava” (1983)
Elmore Leonard (USA, 1925): “Get Shorty” (1990)

Ian-Hamilton Finlay (Britain, 1925): “Rapel” (1963) [p]

Kenneth Koch (USA, 1925): “Ko Seasons On Earth” (1959) [p] +
Kenneth Koch (USA, 1925): “When The Sun Tries To Go On” (1960) [p] +
Kenneth Koch (USA, 1925): “The Art of Love” (1975)
Kenneth Koch (USA, 1925): “New Addresses” (2000)

Brian Aldiss (Britain, 1925): “Hothouse” (1962)
Brian Aldiss (Britain, 1925): “Non-stop” (1958)

Harry Harrison (USA, 1925): “Make Room” (1966)

Russell Hoban (USA, 1925): “Turtle Diary” (1975)
Russell Hoban (USA, 1925): “Riddley Walker” (1980) +

James Reaney (Canada, 1926): “The Red Heart” (1949) [p]

John Berger (USA, 1926): “G” (1972) +
John Berger (USA, 1926): “Pig Earth” (1979)

Anthony Shaffer (Britain, 1926): “Sleuth” (1970) [t] +

Christopher Middleton (Britain, 1926): “The Lonely Suppers of W.V. Baloon” (1975) [p]

Christine Brooke-Rose: (Britain, 1926): “Out” (1964)
Christine Brooke-Rose: (Britain, 1926): “Such” (1966)
Christine Brooke-Rose: (Britain, 1926): “Xorandor” (1986)

James Donleavy (USA, 1926): “The Ginger Man” (1955)

John Fowles (Britain, 1926): “The Collector” (1963)
John Fowles (Britain, 1926): “The Magus” (1966)
John Fowles (Britain, 1926): “The French Lieutenant’s Woman” (1969) +
John Fowles (Britain, 1926): “Daniel Martin” (1976)

Roy Heath (Guyana, 1926): “The Murderer” (1978)

Thomas Hinde (Britain, 1926): “Mr Nicholas” (1952)

John-Clellon Holmes (USA, 1926): “The Horn” (1958)

John Knowles (USA, 1926): “A Separate Peace” (1959)

Harper Lee (USA, 1926): “To Kill a Mockingbird” (1960) +

Alison Lurie (USA, 1926): “The War Between the Tates” (1974)
Alison Lurie (USA, 1926): “Foreign Affairs” (1985) +

Edward Wallant (USA, 1926): “The Human Season” (1960)
Edward Wallant (USA, 1926): “The Tenants of Moonbloom” (1963)
Edward Wallant (USA, 1926): “The Pawnbroker” (1961) +

Nicholas Wollaston (Britain, 1926): “Cafe de Paris” (1988)

Herman Wouk (USA, 1926): “The Caine Mutiny” (1951)

Hugh Leonard (Ireland, 1926): “The Poker Session” (1963) [t]
Hugh Leonard (Ireland, 1926): “A Life” (1979) [t]
Hugh Leonard (Ireland, 1926): “Da” (1973) [t] +

Murray Schisgal (USA, 1926): “Luv” (1963) [t]

Peter Shaffer (Britain, 1926): “Five Finger Exercise” (1958) [t]
Peter Shaffer (Britain, 1926): “Black Comedy” (1965) [t]
Peter Shaffer (Britain, 1926): “Equus” (1973) [t] +
Peter Shaffer (Britain, 1926): “Amadeus” (1979) [t]

Youstol Dispage (1926): “Piero Scaruffi” (1989) [p]

Ed McBain (USA, 1926): “Cop Hater” (1956)

James Baxter (New Zealand, 1926): “Beyond the Palisade” (1944) [p]
James Baxter (New Zealand, 1926): “Traveller’s Litany” (1955) [p]
James Baxter (New Zealand, 1926): “Howrah Bridge” (1961) [p] +
James Baxter (New Zealand, 1926): “Pig Island Letters” (1966) [p]
James Baxter (New Zealand, 1926): “The Wide Open Cage” (1959) [t]
James Baxter (New Zealand, 1926): “The Band Rotunda” (1967) [t]
James Baxter (New Zealand, 1926): “The Sore-Footed Man” (1967) [t]
James Baxter (New Zealand, 1926): “The Devil and Mr Mulcahy” (1967) [t]
James Baxter (New Zealand, 1926): “The Temptations of Oedipus” (1970) [t]

Robert Bly (USA, 1926): “Silence in the Snowy Fields” (1962) [p]

Robert Creeley (USA, 1926): “For Love” (1962) [p]
Robert Creeley (USA, 1926): “Words” (1967) [p]
Robert Creeley (USA, 1926): “Pieces” (1969) [p]

Allen Ginsberg (USA, 1926): “Howl” (1955) [p]
Allen Ginsberg (USA, 1926): “Kaddish” (1961) [p]

Elizabeth Jennings (Britain, 1926): “A Way of Looking” (1955) [p] +
Elizabeth Jennings (Britain, 1926): “The Mind Has Mountains” (1966) [p]
Elizabeth Jennings (Britain, 1926): “Extending The Territory” (1985) [p]

James Merrill (USA, 1926): “The Diblos Notebook” (1965)
James Merrill (USA, 1926): “Nights and Days” (1966) [p] +
James Merrill (USA, 1926): “Braving the Elements” (1972) [p]
James Merrill (USA, 1926): “The Changing Light at Sandover (1982) [p] ++
James Merrill (USA, 1926): “The Inner Room (1988) [p]

Frank O’Hara (USA, 1926): “Meditations in an Emergency” (1956) [p] +
Frank O’Hara (USA, 1926): “Second Avenue” (1960) [p]
Frank O’Hara (USA, 1926): “Lunch Poems” (1964) [p]

William-DeWitt Snodgrass (USA, 1926): “Heart’s Needle” (1959) [p]
William-DeWitt Snodgrass (USA, 1926): “The Fuehrer Bunker” (1995) [p] +

Poul Anderson (USA, 1926): “Tau Zero” (1970)
Poul Anderson (USA, 1926): “The Boat of a Million Years” (1989)

Edmund Cooper (Britain, 1926): “Five to Twelve” (1968)

Burt Blechman (USA, 1927): “How Much” (1962)

Aidan Higgins (Britain, 1927): “Langrishe Go Down” (1966) +
Aidan Higgins (Britain, 1927): “Balcony of Europe” (1972)

Richard Murphy (Ireland, 1927): “Sailing to an Island” (1963) [p]
Richard Murphy (Ireland, 1927): “The Battle of Auighrim” (1968) [p]

Nayantara Sahgal (India, 1927): “Plans for Departure” (1985)

Peter Matthiessen (USA, 1927): “At Play in the Fields of the Lord” (1965)
Peter Matthiessen (USA, 1927): “Killing Mr Watson” (1990)

John Broderick (Ireland, 1927): “The Waking of Willie Ryan” (1965)

James-Leo Herlihy (USA, 1927): “Blue Denim” (1958) [t]
James-Leo Herlihy (USA, 1927): “Midnight Cowboy” (1965)

Ruth-Prawer Jhabvala (Britain, 1927): “Esmond in India” (1958)
Ruth-Prawer Jhabvala (Britain, 1927): “The Householder” (1960)
Ruth-Prawer Jhabvala (Britain, 1927): “Heat and Dust” (1975) +
Ruth-Prawer Jhabvala (Britain, 1927): “Is Search of Love and Beauty” (1983)

George Lamming (Barbados, 1927): “In the Castle of my Skin” (1963)
George Lamming (Barbados, 1927): “Natives of My Person” (1972) +

Simon Raven (Britain, 1927): “The Rich Pay Late” (1964)

Ann Jellicoe (Britain, 1927): “The Knack” (1961) [t]

Peter Nichols (Britain, 1927): “A Day in the Death of Joe Egg” (1967) [t] +
Peter Nichols (Britain, 1927): “The National Health” (1969) [t]
Peter Nichols (Britain, 1927): “Chez Nous” (1974) [t]

Neil Simon (USA, 1927): “Come Blow Your Home” (1961) [t] +
Neil Simon (USA, 1927): “Barefoot in the Park” (1961) [t] +
Neil Simon (USA, 1927): “The Odd Couple” (1965) [t] +
Neil Simon (USA, 1927): “Plaza Suite” (1968) [t] +
Neil Simon (USA, 1927): “The Out-of-towners” (1970) [t] +
Neil Simon (USA, 1927): “Gingerbread Lady” (1970) [t]
Neil Simon (USA, 1927): “Biloxi Blues” (1985) [t]
Neil Simon (USA, 1927): “Brighton Beach Memoirs” (1983) [t]
Neil Simon (USA, 1927): “Broadway Bound” (1986) [t]
Neil Simon (USA, 1927): “Lost in Yonkers” (1991) [t]

Peter Dickinson (Britain, 1927): “Hindsight” (1984)

Paul Abelman (Britain, 1927): “I Hear Voices (1958)

John Ashbery (USA, 1927): “Some Trees” (1956) [p]
John Ashbery (USA, 1927): “Rivers and Mountains” (1966) [p]
John Ashbery (USA, 1927): “The Double Dream of Spring” (1970) [p]
John Ashbery (USA, 1927): “The System” (1972) [p] +
John Ashbery (USA, 1927): “Self-Portrait in a Convex Mirror: (1975) [p] ++
John Ashbery (USA, 1927): “Houseboat Days” (1977) [p] +
John Ashbery (USA, 1927): “As We Know” (1979) [p]
John Ashbery (USA, 1927): “A Wave” (1984) [p] +
John Ashbery (USA, 1927): “April Galleons” (1987) [p]
John Ashbery (USA, 1927): “Flow Chart” (1991) [p]
John Ashbery (USA, 1927): “Wakefulness” (1998) [p]
John Ashbery (USA, 1927): “Chinese Whispers” (2002) [p]

Galway Kinnell (USA, 1927): “What A Kingdom It Was” (1960) [p]

William-Stanley Merwin (USA, 1927): “A Mask for Janus” (1952) [p]
William-Stanley Merwin (USA, 1927): “The Carrier of Ladders” (1970) [p] +

May Swenson (USA, 1927): “Another Animal” (1954) [p]

Charles Tomlinson (Britain, 1927): “The Necklace” (1955) [p]
Charles Tomlinson (Britain, 1927): “Skywriting” (2003) [p]

Daniel Keyes (USA, 1927): “Flowers for Algernon” (1966)

Thomas Rogers (USA, 1927): “Confessions of a Child of the Century” (1972)
Thomas Rogers (USA, 1927): “At The Shores” (1980)

Alfred Chester (USA, 1928): “The Exquisite Corpse” (1967)

Charles Dyer (Britain, 1928): “Staircase” (1966) [t]

Frank Marcus (Britain, 1928): “The Killing of Sister George” (1965) [t]

Andrew Salkey (Jamaica, 1928): “A Quality of Violence” (1959)
Andrew Salkey (Jamaica, 1928): “An Escape to an Autumn Pavement” (1960)

Mike Doyle (New Zealand, 1928): “Stonedancer” (1976) [p]

Stan Barstow (Britain, 1928): “A Kind Of Loving” (1960)

Iain-Crichton Smith (Britain, 1928): “Deer on the High Hills” (1962) [p]
Iain-Crichton Smith (Britain, 1928): “Notebooks of Robinson Crusoe” (1974) [p]

Anita Brookner (Britain, 1928): “Providence” (1982) +
Anita Brookner (Britain, 1928): “Hotel du Lac” (1984) +
Anita Brookner (Britain, 1928): “Family and Friends” (1985)
Anita Brookner (Britain, 1928): “Incidents in the Rue Laugier” (1995)

Jane Gardam (Britain, 1928): “God on the Rocks” (1978)
Jane Gardam (Britain, 1928): “Crusoe’s Daughter” (1985)
Jane Gardam (Britain, 1928): “Queen of the Tambourine” (1991) +

James Kennaway (Britain, 1928): “Tunes of Glory” (1956)

William Kennedy (USA, 1928): “Legs” (1975)
William Kennedy (USA, 1928): “Billy Phelan’s Greatest Game” (1978)
William Kennedy (USA, 1928): “Ironweed” (1983) +
William Kennedy (USA, 1928): “Flaming Corsage” (1996)

Cynthia Ozick (USA, 1928): “Trust” (1966) +
Cynthia Ozick (USA, 1928): “The Cannibal Galaxy” (1983)
Cynthia Ozick (USA, 1928): “The Messiah of Stockholm” (1987) +
Cynthia Ozick (USA, 1928): “The Puttermesser Papers” (1997)

Hubert Selby (USA, 1928): “Last Exit to Brooklyn” (1964) +
Hubert Selby (USA, 1928): “The Room” (1971)
Hubert Selby (USA, 1928): “Demon” (1976)

Alan Sillitoe (Britain, 1928): “Saturday Night and Sunday Morning” (1958) +
Alan Sillitoe (Britain, 1928): “The Loneliness of the Long Distance Runner” (1959)

William Trevor (Ireland, 1928): “Old Boys” (1964)
William Trevor (Ireland, 1928): “The Boarding House” (1965)
William Trevor (Ireland, 1928): “The Love Department” (1967)
William Trevor (Ireland, 1928): “Mrs Eckdorf in O’Neill’s Hotel” (1970)
William Trevor (Ireland, 1928): “The Children of Dynmouth” (1976) +
William Trevor (Ireland, 1928): “Fools of Fortune” (1983) +
William Trevor (Ireland, 1928): “Felicia’s Journey” (1994) +
William Trevor (Ireland, 1928): “The Hill Bachelors” (2001)

Edward Albee (USA, 1928): “Delicate Balance” (1965) [t]
Edward Albee (USA, 1928): “Seascape” (1975) [t]
Edward Albee (USA, 1928): “Three Tall Women” (1992) [t]
Edward Albee (USA, 1928): “Who’s Afraid of Virginia Woolf” (1962) [t] +

David Mercer (Britain, 1928): “Flint” (1970) [t] +
David Mercer (Britain, 1928): “A Suitable Case for Treatment” (1962) [t] +
David Mercer (Britain, 1928): “In Two Minds” (1967) [t] +

Thomas Kinsella (Ireland, 1928): “Another September” (1958) [p]
Thomas Kinsella (Ireland, 1928): “Notes from the Land of the Dead” (1972) [p]

Anne Sexton (USA, 1928): “Live or Die” (1966) [p] +
Anne Sexton (USA, 1928):”The Death Notebooks” (1974) [p]
Anne Sexton (USA, 1928):”The Awful Rowing Toward God” (1974) [p]

Philip Dick (USA, 1928): “Do Androids Dream” (1968) +
Philip Dick (USA, 1928): “The Simulacra” (1964)
Philip Dick (USA, 1928): “A Maze of Death” (1970)
Philip Dick (USA, 1928): “Flow My Tears” (1974)
Philip Dick (USA, 1928): “A Scanner Darkly” (1977)
Philip Dick (USA, 1928): “Valis” (1981) +

James White (Britain, 1928): “Dream Millenium” (1974)

Maya Angelou (USA, 1928): “Just Give Me a Cool Drink of Water ‘fore I Diiie” (1971) [p]

Jane Gardam (Britain, 1928): “God on the Rocks” (1978)
Jane Gardam (Britain, 1928): “The Queen of the Tambourine” (1991)

Richard Howard (USA, 1929): “Untitled Subjects” (1969) [p]

Attipat-Krishnaswami Ramanujan (India, 1929): “The Striders” (1966) [p] +
Attipat-Krishnaswami Ramanujan (India, 1929): “Second Sight” (1986) [p]

Lynne Banks (Britain, 1929): “The L-shaped Room” (1960)

Ursula-Askham Fanthorpe (Britain, 1929): “Side Effects” (1978) [p]

Peter Porter (Australia, 1929): “Words Without Music” (1968) [p]
Peter Porter (Australia, 1929): “Preaching to the Converted” (1972) [p]

Brigid Brophy (Britain, 1929): “Hackenfeller’s Ape” (1953)
Brigid Brophy (Britain, 1929): “Flesh” (1962)
Brigid Brophy (Britain, 1929): “The Finishing Touch” (1963)
Brigid Brophy (Britain, 1929): “The Snow Ball” (1964) +
Brigid Brophy (Britain, 1929): “In Transit” (1969)
Brigid Brophy (Britain, 1929): “Palace Without Chairs” (1978) +

Frederick Exley (USA, 1929): “A Fan’s Notes” (1968)

Dan Jacobson (South Africa, 1929): “The Beginners” (1966)
Dan Jacobson (South Africa, 1929): “The Rape of Tamar” (1970) +
Dan Jacobson (South Africa, 1929): “The Confessions of Josef Baisz” (1977)

Chaim Potok (USA, 1929): “The Promise” (1970)
Chaim Potok (USA, 1929): “The Name is Asher Lev” (1972)

Tom Sharpe (Britain, 1929): “Riotous Assembly” (1971)

Gilbert Sorrentino (USA, 1929): “Mulligan’s Stew” (1979)

George Steiner (USA, 1929): “The Portage to San Cristobal of A.H.” (1981)

Keith Waterhouse (Britain, 1929): “Billy Liar” (1959)

Brian Friel (Ireland, 1929): “Philadelphia Here I Come” (1964) [t] +
Brian Friel (Ireland, 1929): “Freedom fo the city” (1973) [t]
Brian Friel (Britain, 1929): “Translations” (1980) [t]
Brian Friel (Ireland, 1929): “Dancing at Lughnasa” (1990) [t] +
Brian Friel (Britain, 1929): “Molly Sweeney” (1994) [t] +

John Osborne (Britain, 1929): “Look Back in Anger” (1956) [t] +
John Osborne (Britain, 1929): “The Entertainer” (1957) [t] +
John Osborne (Britain, 1929): “Inadmissible Evidence” (1964) [t]

Ira Levin (USA, 1929): “A Kiss Before Dying” (1953)
Ira Levin (USA, 1929): “Rosemary’s Baby” (1967) +
Ira Levin (USA, 1929): “The Stepford Wives” (1972) +
Ira Levin (USA, 1929): “The Boys From Brazil” (1976)
Ira Levin (USA, 1929): “Sliver” (1991)
Ira Levin (USA, 1929): “Death Trap” (1978) [t] +

Ed Dorn (USA, 1929): “Gunslinger” (1975) [p] +

Thom Gunn (Britain, 1929): “The Sense of Movement” (1957) [p] +
Thom Gunn (Britain, 1929): “My Sad Captains” (1961) [p]
Thom Gunn (Britain, 1929): “The Man With Night Sweats” (1992) [p]

John Hollander (USA, 1929): “A Crackling of Thorns” (1958) [p]
John Hollander (USA, 1929): “Spectral Emanations” (1978) [p]
John Hollander (USA, 1929): “Tesserae” (1988) [p]

Adrienne Rich (USA, 1929): “Snapshots of a Daughter-in-Law” (1963) [p] +
Adrienne Rich (USA, 1929): “Diving into the Wreck” (1973) [p]
Adrienne Rich (USA, 1929): “An Atlas of the Difficult world” (1991) [p]

Joseph McElroy (USA, 1930): “A Smuggler’s Bible” (1966) +
Joseph McElroy (USA, 1930): “Hind’s Kidnap” (1969)
Joseph McElroy (USA, 1930): “Ancient History” (1971)
Joseph McElroy (USA, 1930): “Lookout Cartridge” (1974) +
Joseph McElroy (USA, 1930): “Plus” (1977)
Joseph McElroy (USA, 1930): “Women and Men” (1987) ++

Chinua Achebe (Nigeria, 1930): “Things Fall Apart” (1958) +
Chinua Achebe (Nigeria, 1930): “The Arrow of God” (1964) +
Chinua Achebe (Nigeria, 1930): “Anthills of the Savannah” (1987)

John Barth (USA, 1930): “The Floating Opera” (1956) +
John Barth (USA, 1930): “The Sotweed Factory” (1960) +
John Barth (USA, 1930): “The End of the Road” (1961)
John Barth (USA, 1930): “Giles Goat Boy” (1966) ++
John Barth (USA, 1930): “Letters” (1979)

Harold Brodkey (USA, 1930): “The Runaway Soul” (1991)

Stanley Elkin (USA, 1930): “Boswell” (1964)
Stanley Elkin (USA, 1930): “A Bad Man” (1967)
Stanley Elkin (USA, 1930): “The Dick Gibson Show” (1971) +
Stanley Elkin (USA, 1930): “The Franchiser” (1976)
Stanley Elkin (USA, 1930): “The Living End” (1980)
Stanley Elkin (USA, 1930): “George Mills” (1982) +
Stanley Elkin (USA, 1930): “The Magic Kingdom” (1985)
Stanley Elkin (USA, 1930): “Mrs Ted Bliss” (1995)

Elaine Feinstein (Britain, 1930): “Mother’s Daughter” (1988)

Jon Silkin (Britain, 1930): “Nature with Man” (1965) [p]

Timothy Findley (Canada, 1930): “Famous Last Words” (1981)

Bruce Dawe (Australia, 1930): “Beyond the Subdivisions” (1969) [p]

Bruce Friedman (USA, 1930): “Stern” (1962)

Maureen Howard (USA, 1930): “Expensive Habits” (1986)

David Hughes (Britain, 1930): “The Major” (1964)
David Hughes (Britain, 1930): “The Pork Butcher” (1984)

Jennifer Johnston (Ireland, 1930): “How Many Miles to Babylon” (1974) +
Jennifer Johnston (Ireland, 1930): “Shadows on Our Skin” (1977)
Jennifer Johnston (Ireland, 1930): “Old Jest” (1979)

Harry Mathews (USA, 1930): “The Conversations” (1962) +
Harry Mathews (USA, 1930): “The Sinking of the Odradek Stadium” (1972)
Harry Mathews (USA, 1930): “Cigarettes” (1987)

Norman Podhoretz (USA, 1930): “Making It” (1968)

Wilfred Sheed (Britain, 1930): “Office Politics” (1966)

Barry Unsworth (Britain, 1930): “Mooncracker’s Gift” (1973)
Barry Unsworth (Britain, 1930): “Pascali’s Island” (1980) +
Barry Unsworth (Britain, 1930): “Stone Virgin” (1985) +
Barry Unsworth (Britain, 1930): “Sugar and Rum” (1988)
Barry Unsworth (Britain, 1930): “Sacred Hunger” (1992)

Douglas Woolf (USA, 1930): “Hypocritic Days” (1955)

John Arden (Britain, 1930): “The Waters of Babylon” (1957) [t] +
John Arden (Britain, 1930): “Live Like Pigs” (1958) [t] +
John Arden (Britain, 1930): “Armstrong’s Last Goodnight” (1964) [t]
John Arden (Britain, 1930): “Serjeant Musgrave’s Dance” (1959) [t] ++

Harold Pinter (Britain, 1930): “The Room” (1957) [t]
Harold Pinter (Britain, 1930): “The Birthday Party” (1958) [t] +
Harold Pinter (Britain, 1930): “The Caretaker” (1959) [t] +
Harold Pinter (Britain, 1930): “The Dumb Waiter” (1960) [t]
Harold Pinter (Britain, 1930): “Homecoming” (1964) [t] +
Harold Pinter (Britain, 1930): “Tea Party” (1965) [t]
Harold Pinter (Britain, 1930): “Old Times” (1971) [t]
Harold Pinter (Britain, 1930): “No Man’s Land” (1975) [t]
Harold Pinter (Britain, 1930): “Betrayal” (1978) [t]

Derek Walcott (Trinidad, 1930): “In A Green Night” (1962) [p]
Derek Walcott (Trinidad, 1930): “The Castaway” (1965) [p]
Derek Walcott (Trinidad, 1930): “The Gulf” (1969) [p]
Derek Walcott (Trinidad, 1930): “Another Life”" (1973) [p] ++
Derek Walcott (Trinidad, 1930): “Sea Grapes” (1976) [p]
Derek Walcott (Trinidad, 1930): “The Schooner Flight” (1979) [p] +
Derek Walcott (Trinidad, 1930): “The Star-Apple Kingdom” (1979) [p] +
Derek Walcott (Trinidad, 1930): “The Fortunate Traveller” (1981) [p] +
Derek Walcott (Trinidad, 1930): “The Spoiler’s Return” (1981) [p]
Derek Walcott (Trinidad, 1930): “Midsummer” (1984) [p]
Derek Walcott (Trinidad, 1930): “Omeros” (1990) [p] +
Derek Walcott (Trinidad, 1930): “Dream on Monkey Mountain” (1967) [t] +
Derek Walcott (Trinidad, 1930): “O Babylon” (1976) [t]

Ruth Rendell (Britain, 1930): “The Face of Trespass” (1974) +
Ruth Rendell (Britain, 1930): “Judgement in Stone” (1977)
Ruth Rendell (Britain, 1930): “The Lake of Darkness” (1980)

Edward-Kamau Brathwaite (Barbados, 1930): “The Arrivants” (1973) [p] ++
Edward-Kamau Brathwaite (Barbados, 1930): “Mother Poem” (1977) [p] +
Edward-Kamau Brathwaite (Barbados, 1930): “Sun Poems” (1982) [p]
Edward-Kamau Brathwaite (Barbados, 1930): “X/Self” (1987) [p]
Edward-Kamau Brathwaite (Barbados, 1930): “Middle Passages” (1992) [p]

Gregory Corso (USA, 1930): “The Happy Birthday of Death” (1960) [p]

Roy Fisher (Britain, 1930): “The City” (1961) [p]
Roy Fisher (Britain, 1930): “The Furnace” (1986) [p] +

Ted Hughes (Britain, 1930): “The Hawk In The Rain” (1957) [p]
Ted Hughes (Britain, 1930): “Lupercal” (1960) [p] +
Ted Hughes (Britain, 1930): “Crow” (1970) [p] +
Ted Hughes (Britain, 1930): “Prometheus on His Crag” (1973) [p]
Ted Hughes (Britain, 1930): “Orghast” (1968) [t]

Gary Snyder (USA, 1930): “Riprap” (1959) [p]
Gary Snyder (USA, 1930): “Cold Mountain Poems” (1965) [p]
Gary Snyder (USA, 1930): “Songs for Gaia” (1979) [p]

Anthony Thwaite (Britain, 1930): “The Owl in the Tree” (1963) [p] +
Anthony Thwaite (Britain, 1930): “The Stones of Emptiness” (1967) [p]
Anthony Thwaite (Britain, 1930): “Inscriptions” (1973) [p] +
Anthony Thwaite (Britain, 1930): “New Confessions” (1974) [p]
Anthony Thwaite (Britain, 1930): “Victorian Voices” (1980) [p]

James-Graham Ballard (Britain, 1930): “The Crystal World” (1966)
James-Graham Ballard (Britain, 1930): “Crash” (1973) +
James-Graham Ballard (Britain, 1930): “Empire of the Sun” (1984)

Lorraine Hansberry (USA, 1930): “A Raisin in the Sun” (1959) [t] +

Walter Abish (USA, 1931): “How German Is It” (1980)

Peter Mathers (Australia, 1931): “Trap” (1966)
Peter Mathers (Australia, 1931): “Wort Papers” (1972)

Gary StOmer (St Lucia, 1931): “The Lights on the Hill” (1986)

Carolin Blackwood (Britain, 1931): “Stepdaughter” (1976)
Carolin Blackwood (Britain, 1931): “The Fate Of Mary Rose” (1981)

Ruth Fainlight (USA, 1931): “Cages” (1967) [p]

Isabel Colegate (Britain, 1931): “The Shooting Party” (1980)

Edgar-Lawrence Doctorow (USA, 1931): “The Book of Daniel” (1971) +
Edgar-Lawrence Doctorow (USA, 1931): “Ragtime” (1975) +
Edgar-Lawrence Doctorow (USA, 1931): “Loon Lake” (1980)
Edgar-Lawrence Doctorow (USA, 1931): “The World’s Fair” (1985)
Edgar-Lawrence Doctorow (USA, 1931): “Billy Bathgate” (1989)
Edgar-Lawrence Doctorow (USA, 1931): “Waterworks” (1994)

Janice Elliott (Britain, 1931): “Secret Places” (1981)

Maurice Gee (New Zealand, 1931): “Plumb” (1978)

Shirley Hazzard (Australia, 1931): “The Transit of Venus” (1980) +
Shirley Hazzard (Australia, 1931): “The Great Fire” (2003)

Alice Munro (Canada, 1931): “Lives of Girls and Women” (1971) +
Alice Munro (Canada, 1931): “The Beggar Maid/ Who Do You Think You Are” (1978)

Frederic Raphael (USA, 1931): “The Glittering Prizes” (1976)

Mordecai Richler (Canada, 1931): “The Apprenticeship of Duddy Kravitz” (1959)
Mordecai Richler (Canada, 1931): “St Urbain’s Horseman” (1971) +
Mordecai Richler (Canada, 1931): “Solomon Gursky Was Here” (1990)

Jane Rule (USA, 1931): “Desert of the Heart” (1964)

Colin Wilson (Britain, 1931): “Ritual in the Dark” (1960)

Tom Wolfe (USA, 1931): “The Bonfire of Vanities” (1987) +

Peter Barnes (Britain, 1931): “The Ruling Class” (1968) [t]

Peter Barnes (Britain, 1931): “Leonardo’s Last Supper” (1969) [t]
Peter Barnes (Britain, 1931): “Noonday Demons” (1970) [t]
Peter Barnes (Britain, 1931): “The Bewitched” (1974) [t] +
Peter Barnes (Britain, 1931): “Laughter” (1978) [t]

John LeCarre (Britain, 1931): “Call For The Dead” (1960)
John LeCarre (Britain, 1931): “The Spy Who Came In From the Cold” (1965)
John LeCarre (Britain, 1931): “The Honorable Schoolboy” (1977)
John LeCarre (Britain, 1931): “The Little Drummer Girl” (1983)
John LeCarre (Britain, 1931): “The Perfect Spy” (1986) +
John LeCarre (Britain, 1931): “The Russia House” (1989)
John LeCarre (Britain, 1931): “The Night Manager” (1993)

Derek Raymond (Britain, 1931): “He Died With His Eyes Open” (1983)
Derek Raymond (Britain, 1931): “I Was Dora Suarez” (1990)

PBitek Okot (Uganda, 1931): “Song of Lawino” (1966) [p] +
PBitek Okot (Uganda, 1931): “Song of Ocal” (1970) [p]

Adrian Henri (Britain, 1932): “Autobiography” (1971) [p]

Sara Banerji (Britain, 1932): “Cobwebwalking” (1986)
Sara Banerji (Britain, 1932): “Absolute Hush” (1991)

Ronald Ribman (USA, 1932): “Harry Noon and Night” (1965) [t]

John Corrington (Britain, 1932): “The Actes and Monuments” (1979)

Malcom Bradbury (Britain, 1932): “Eating People is Wrong” (1959) +
Malcom Bradbury (Britain, 1932): “History Man” (1975)
Malcom Bradbury (Britain, 1932): “Rates of Exchange” (1983)

Robert Coover (USA, 1932): “The Universal Baseball Association” (1968)
Robert Coover (USA, 1932): “The Origin of the Brunists” (1966) +
Robert Coover (USA, 1932): “The Public Burning” (1977)
Robert Coover (USA, 1932): “Gerald’s Party” (1986)
Robert Coover (USA, 1932): “Pinocchio in Venice” (1991)
Robert Coover (USA, 1932): “John’s Wife” (1996)

Alice-Thomas Ellis (Britain, 1932): “27th Kingdom” (1982)

Eva Figes (Britain, 1932): “Winter Journey” (1967)

Vidiadha-Surajprasad Naipaul (India, 1932): “The Mystic Masseur” (1957)
Vidiadha-Surajprasad Naipaul (India, 1932): “The Suffrage of Elvira” (1958)
Vidiadha-Surajprasad Naipaul (India, 1932): “A House For Mr Biswas” (1961) +
Vidiadha-Surajprasad Naipaul (India, 1932): “In a Free State” (1971)
Vidiadha-Surajprasad Naipaul (India, 1932): “Guerrillas” (1975)
Vidiadha-Surajprasad Naipaul (India, 1932): “A Bend in the River” (1979) +
Vidiadha-Surajprasad Naipaul (India, 1932): “The Enigma of Arrival” (1987)

Arun-Balkrishna Kolatkar (India, 1932): “Jejuri” (1976) [p] +
Arun-Balkrishna Kolatkar (India, 1932): “Kala Ghoda Poems” (2004) [p]

Edna O’Brien (Ireland, 1932): “The Country Girls Trilogy” (1964) +
Edna O’Brien (Ireland, 1932): “August is a Wicked Mouth” (1965)

Julia O’Faolain (Britain, 1932): “No Country for Young Men” (1980)

Sylvia Plath (USA, 1932): “The Bell Jar” (1966) +
Sylvia Plath (USA, 1932): “The Colossus” (1960) [p]
Sylvia Plath (USA, 1932): “Ariel” (1965) [p] +

Peter Redgrove (Britain, 1932): “In the Country of the Skin” (1973)

Ronald Sukenick (USA, 1932): “98.5″ (1975)
Ronald Sukenick (USA, 1932): “Out” (1973)
Ronald Sukenick (USA, 1932): “Up” (1968)

John Updike (USA, 1932): “Poorhouse Fair” (1958)
John Updike (USA, 1932): “Rabbitt Run” (1960) +
John Updike (USA, 1932): “The Centaur” (1963)
John Updike (USA, 1932): “Of the Farm” (1965)
John Updike (USA, 1932): “Couples” (1968)
John Updike (USA, 1932): “Bech” (1970)
John Updike (USA, 1932): “Rabbitt Redux” (1971)
John Updike (USA, 1932): “The Coup” (1978)
John Updike (USA, 1932): “Rabbitt is Rich” (1981)
John Updike (USA, 1932): “The Witches of Eastwick” (1984) +
John Updike (USA, 1932): “Roger’s Version” (1986) +
John Updike (USA, 1932): “Rabbit at Rest” (1990)
John Updike (USA, 1932): “In the Beauty of the Lilies” (1995)
John Updike (USA, 1932): “Toward the End of Time” (1997)

Athol Fugard (South Africa, 1932): “The Blood Knot” (1961) [t] +
Athol Fugard (South Africa, 1932): “Boesman and Lena” (1969) [t] +
Athol Fugard (South Africa, 1932): “Sizwe Bansi Is Dead” (1972) [t]
Athol Fugard (South Africa, 1932): “Master Harold and the Boys” (1982) [t]
Athol Fugard (South Africa, 1932): “Tsotsi” (1960)

Jack Gelber (USA, 1932): “Connection” (1959) [t] +

Arnold Wesker (Britain, 1932): “Chicken Soup with Barley” (1958) [t] +
Arnold Wesker (Britain, 1932): “The Kitchen” (1959) [t]
Arnold Wesker (Britain, 1932): “Roots” (1959) [t]
Arnold Wesker (Britain, 1932): “Chips with Everything” (1962) [t]
Arnold Wesker (Britain, 1932): “Their Very Own” (1965) [t]
Arnold Wesker (Britain, 1932): “The Friends” (1970) [t]

Geoffrey Hill (Britain, 1932): “For The Unfallen” (1959) [p] +
Geoffrey Hill (Britain, 1932): “King Log” (1968) [p]
Geoffrey Hill (Britain, 1932): “Mercian Hymns” (1971) [p] +
Geoffrey Hill (Britain, 1932): “Tenebrae” (1978) [p]
Geoffrey Hill (Britain, 1932): “The Mystery of the Charity of Charles Peguy” (1983) [p] +

Christopher Okigbo (Nigeria, 1932): “Heavensgate” (1962) [p] +
Christopher Okigbo (Nigeria, 1932): “Limits” (1964) [p]

Peter Redgrove (Britain, 1932): “The Collector” (1959) [p]

Punyakante Wijenaike (Sri Lanka, 1932): “The Waiting Earth” (1966)
Punyakante Wijenaike (Sri Lanka, 1932): “Giraya” (1971)

Stephen Vizinczey (Hungary, 1933): “In Praise of Older Women” (1965)

Edward Lucie-Smith (Jamaica, 1933): “Towards Silence” (1968) [p]
Edward Lucie-Smith (Jamaica, 1933): “The Well Wishers” (1974) [p]

Anne Stevenson (USA, 1933): “Correspondences” (1974) [p]
Anne Stevenson (USA, 1933): “The Fiction Makers” (1985) [p]

Donald Barthelme (USA, 1933): “Paradise” (1986)
Donald Barthelme (USA, 1933): “Snow White” (1967)
Donald Barthelme (USA, 1933): “The Dead Father” (1975) +

Maureen Duffy (Britain, 1933): “The Microcosm” (1966)
Maureen Duffy (Britain, 1933): “Love Child” (1971) +
Maureen Duffy (Britain, 1933): “Gor Saga” (1981)

Ernest Gaines (USA, 1933): “Te Autobiography of Miss Jane Pitman” (1971)

John Gardner (USA, 1933): “Grendel” (1971) +
John Gardner (USA, 1933): “The Wreckage of Agathon” (1970)
John Gardner (USA, 1933): “The Sunlight Dialogues” (1972)
John Gardner (USA, 1933): “October Light” (1976)
John Gardner (USA, 1933): “Freddy’s Book” (1980)

Bryan Johnson (Britain, 1933): “Travelling People” (1963)
Bryan Johnson (Britain, 1933): “Albert Angelo” (1964)
Bryan Johnson (Britain, 1933): “The Unfortunates” (1969)
Bryan Johnson (Britain, 1933): “Christy Malry’s Own Double Entry” (1973) +

Jerzy Kosinski (Poland, 1933): “The Painted Bird” (1965) +
Jerzy Kosinski (Poland, 1933): “Steps” (1968)
Jerzy Kosinski (Poland, 1933): “Being There” (1971) +
Jerzy Kosinski (Poland, 1933): “The Devil Tree” (1973)
Jerzy Kosinski (Poland, 1933): “Cockpit” (1975)
Jerzy Kosinski (Poland, 1933): “Blind Date” (1977)
Jerzy Kosinski (Poland, 1933): “Passion Play” (1979)

Penelope Lively (Britain, 1933): “The Road to Lichfield” (1977)
Penelope Lively (Britain, 1933): “Treasures of Time” (1979)
Penelope Lively (Britain, 1933): “According to Mark” (1984)
Penelope Lively (Britain, 1933): “Moon Tiger” (1987) +

Cormac McCarthy (USA, 1933): “Child of God” (1973)
Cormac McCarthy (USA, 1933): “Suttree” (1979) +
Cormac McCarthy (USA, 1933): “Blood Meridian” (1985)
Cormac McCarthy (USA, 1933): “All the Pretty Horses” (1992) +
Cormac McCarthy (USA, 1933): “The Border Trilogy” (1998) +
Cormac McCarthy (USA, 1933): “The Road” (2006)

Reynolds Price (USA, 1933): “Clockers” (1992)
Reynolds Price (USA, 1933): “The Surface of the Earth” (1975) +
Reynolds Price (USA, 1933): “Kate Vaiden” (1986)

Philip Roth (USA, 1933): “Goodbye Columbus” (1959)
Philip Roth (USA, 1933): “Letting Go” (1962)
Philip Roth (USA, 1933): “Portnoy’s Complaint” (1969)
Philip Roth (USA, 1933): “The Great American Novel” (1973)
Philip Roth (USA, 1933): “My Life as a Man” (1974)
Philip Roth (USA, 1933): “Professor of Desire” (1977)
Philip Roth (USA, 1933): “The Ghost Writer” (1979) +
Philip Roth (USA, 1933): “Zuckerman Unbound” (1981) +
Philip Roth (USA, 1933): “The Anatomy Lesson” (1983)
Philip Roth (USA, 1933): “The Prague Orgy” (1985)
Philip Roth (USA, 1933): “Counterlife” (1987)
Philip Roth (USA, 1933): “Deception” (1990)
Philip Roth (USA, 1933): “Operation Shylock” (1993)
Philip Roth (USA, 1933): “Sabbath Theatre” (1995)
Philip Roth (USA, 1933): “American Pastoral” (1997)

Susan Sontag (USA, 1933): “Benefactor” (1963)
Susan Sontag (USA, 1933): “Death kit” (1967)

David Storey (Britain, 1933): “The Sporting Life” (1960) +
David Storey (Britain, 1933): “Flight into Camden” (1960)
David Storey (Britain, 1933): “Radcliffe” (1963)
David Storey (Britain, 1933): “Saville” (1976)
David Storey (Britain, 1933): “Arnold Middleton” (1967) [t]
David Storey (Britain, 1933): “The Restoration of Arnold Middleton” (1967) [t] +
David Storey (Britain, 1933): “Celebration” (1969) [t]
David Storey (Britain, 1933): “Changing Room” (1971) [t] +

Michael Frayn (Britain, 1933): “Noises Off” (1982) [t]
Michael Frayn (Britain, 1933): “Spies” (2002)

Joe Orton (Britain, 1933): “Entertaining Mr Sloane” (1964) [t] +
Joe Orton (Britain, 1933): “Loot” (1966) [t] +
Joe Orton (Britain, 1933): “What the Butler Saw” (1969) [t] +

Elechi Amadi (Nigeria, 1934): “The Concubine” (1966)

Chris Wallace-Crabbe (Australia, 1934): “The Music Of Division” (1959) [p]

Beryl Bainbridge (Britain, 1934): “The Dressmaker” (1973)
Beryl Bainbridge (Britain, 1934): “The Bottle Factory Outing” (1974) +
Beryl Bainbridge (Britain, 1934): “Injury Time” (1977)
Beryl Bainbridge (Britain, 1934): “An Awfully Big Adventure” (1989)
Beryl Bainbridge (Britain, 1934): “Every Man For Himself” (1996)

Kamala Das (India, 1924): “Summer in Calcutta” (1965) [p]

Wendell Berry (USA, 1934): “The Memory of Old Jack” (1974)

Leonard Cohen (Canada, 1934): “Beautiful Losers” (1966)

Joan Didion (USA, 1934): “Run River” (1963)
Joan Didion (USA, 1934): “Play It As It Lays” (1970) +
Joan Didion (USA, 1934): “A Book of Common Prayers” (1977)
Joan Didion (USA, 1934): “Democracy” (1984)

Alan Garner (Britain, 1934): “The Owl Service” (1967)

Alasdair Gray (Britain, 1934): “Lanark” (1981) +
Alasdair Gray (Britain, 1934): “Janine” (1982)
Alasdair Gray (Britain, 1934): “Poor Things” (1992)

Ronald Harwood (South Africa, 1934): “Articles of Faith” (1973)

David Malouf (Australia, 1934): “Bicycle” (1970) [p]
David Malouf (Australia, 1934): “First Things Last” (1980) [p]
David Malouf (Australia, 1934): “An Imaginary Life” (1978) +
David Malouf (Australia, 1934): “Remembering Babylon” (1993)

John McGahern (Ireland, 1934): “The Dark” (1965)
John McGahern (Ireland, 1934): “The Pornographer” (1979)
John McGahern (Ireland, 1934): “Amongst Women” (1990) +

Scott Momaday (USA, 1934): “House Made of Dawn” (1969)

John Rechy (USA, 1934): “City of Night” (1963) +
John Rechy (USA, 1934): “Vampires” (1971)
John Rechy (USA, 1934): “Marylin’s Daughter” (1988)

Ann Schlee (Britain, 1934): “Rhine Journey” (1980)

Rudy Wiebe (Canada, 1934): “Temptations of Big Bear” (1973)

Amiri Baraka (USA, 1934): “Dutchman” (1964) [t]

Alan Bennett (Britain, 1934): “An Englishman Abroad” (1983) [t]
Alan Bennett (Britain, 1934): “The Madness of George III” (1991) [t] +

Edward Bond (Britain, 1934): “The Pope’s Wedding” (1962) [t]
Edward Bond (Britain, 1934): “Saved” (1965) [t] +

Margaretta D’Arcy (Ireland, 1934): “whose is the Kingdom” (1988) [t]

Ronald Harwood (South Africa, 1934): “The Dresser” (1983) [t]

LeRoi Jones (USA, 1934): “Dutchman” (1964) [t] +

Wole Soyinka (Nigeria, 1934): “The Interpreters” (1965)
Wole Soyinka (Nigeria, 1934): “Season of Anomy” (1973) +
Wole Soyinka (Nigeria, 1934): “The Swamp Dwellers” (1959) [t]
Wole Soyinka (Nigeria, 1934): “A Dance of the Forests” (1960) [t] +
Wole Soyinka (Nigeria, 1934): “The Road” (1965) [t]
Wole Soyinka (Nigeria, 1934): “Madmen and Specialists” (1971) [t] +
Wole Soyinka (Nigeria, 1934): “Idanre” (1968) [p]
Wole Soyinka (Nigeria, 1934): “A Shuttle In The Crypt” (1968) [p] +

John Brunner (Britain, 1934): “Stand on Zanzibar” (1968)

Harlan Ellison (USA, 1934): “Man With Nine Lives” (1959)

Gardner Herb (USA, 1934): “I’m Not Rappaport” (1986) [t]

Alan Bennett (Britain, 1934): “Card” (1911)

Ruskin Bond (India, 1934): “Our Trees Still Grow In Dehra” (1992)

Kofi Awoonor (Ghana, 1935): “Rediscovery” (1964) [p]

Michael Horovitz (Britain, 1935): “The Wolverhampton Wanderer” (1971) [p]

Glyn Hughes (Britain, 1935): “Where I Used to Play On The Green” (1982)

Ed Bullins (USA, 1935): “Duplex” (1970) [t]
Ed Bullins (USA, 1935): “The Taking of Miss Janie” (1975) [t]

Richard Brautigan (USA, 1935): “A Confederate General” (1964)
Richard Brautigan (USA, 1935): “Trout Fishing in America” (1967)
Richard Brautigan (USA, 1935): “In Watermelon Sugar” (1968) +
Richard Brautigan (USA, 1935): “Sombrero Fallout” (1976)

Andre Brink (South Africa, 1935): “Looking on Darkness” (1974) +
Andre Brink (South Africa, 1935): “A Dry White Season” (1979)
Andre Brink (South Africa, 1935): “The Other Side of Silence” (2002)

James-Gordon Farrell (Britain, 1935): “The Siege of Krishnapur” (1973)

Zulfikar Ghose (India, 1935): “Hulme’s Investigations into the Bogart Script” (1981)
Zulfikar Ghose (India, 1935): “The Triple Mirror of the Self” (1992) +

Diane Johnson (USA, 1935): “The Shadow Knows” (1974)
Diane Johnson (USA, 1935): “Le Divorce” (1997)

Thomas Keneally (Australia, 1935): “The Chant of Jimmy Blacksmith” (1972) +
Thomas Keneally (Australia, 1935): “Schindler’s Ark” (1982)

Ken Kesey (USA, 1935): “Sometimes a Great Notion” (1964)
Ken Kesey (USA, 1935): “One Flew Over The Cuckoo’s Nest” (1962) +

David Lodge (Britain, 1935): “Out of the Shelter” (1970)
David Lodge (Britain, 1935): “Changing Places” (1975) +
David Lodge (Britain, 1935): “How Far Can We Go” (1980)
David Lodge (Britain, 1935): “Nice Work” (1988)
David Lodge (Britain, 1935): “Small World” (1984)

Edna-Annie Proulx (USA, 1935): “Postcards” (1992) +
Edna-Annie Proulx (USA, 1935): “Shipping News” (1993) +

Carol Shields (USA, 1935): “Small Ceremonies” (1976)
Carol Shields (USA, 1935): “Swann” (1987) +
Carol Shields (USA, 1935): “Stone Diaries” (1993) +

Andrew Sinclair (Britain, 1935): “Breaking of Bumbo” (1959)
Andrew Sinclair (Britain, 1935): “My Friend Judas” (1959)
Andrew Sinclair (Britain, 1935): “Gog” (1967) +
Andrew Sinclair (Britain, 1935): “Magog” (1972)
Andrew Sinclair (Britain, 1935): “King Ludd” (1988)

Randolph Stow (Australia, 1935): “To the Islands” (1958)
Randolph Stow (Australia, 1935): “Tourmaline” (1963)
Randolph Stow (Australia, 1935): “The Merry-go-round in the Sea” (1965) +
Randolph Stow (Australia, 1935): “Visitants” (1979) +
Randolph Stow (Australia, 1935): “A Counterfeit Silence” (1969) [p]

Donald-Michael Thomas (Britain, 1935): “The Flute Player” (1979)
Donald-Michael Thomas (Britain, 1935): “White Hotel” (1981) +
Donald-Michael Thomas (Britain, 1935): “Sphinx” (1986)

Jeff Torrington (Britain, 1935): “Swing Hammer Swing” (1992)

Tom Wakefield (Britain, 1935): “Lot’s Wife” (1989)
Tom Wakefield (Britain, 1935): “War Paint” (1993)

Youstol Dispage (1935): “Piero Scaruffi” (1989) [p]

Fay Weldon (Britain, 1935): “Praxis” (1978) +
Fay Weldon (Britain, 1935): “The Life and Loves of a She-devil” (1983)
Fay Weldon (Britain, 1935): “The Cloning of Joanna May” (1990)

Dennis Potter (Britain, 1935): “Blue Remembered Hills” (1979) [t]
Dennis Potter (Britain, 1935): “The Singing Detective” (1989) [t]

Trevor Griffiths (Britain, 1935): “The Occupation” (1970) [t]
Trevor Griffiths (Britain, 1935): “Oi for England” (1982) [t]

Larry Kramer (USA, 1935): “Normal Heart” (1985) [t]
Larry Kramer (USA, 1935): “The Destiny of Me” (1991) [t]

John McGrath (Britain, 1935): “The Cheviot” (1973) [t]

Julian Mitchell (Britain, 1935): “Another Country” (1981) [t]

Thomas Murphy (Britain, 1935): “the Famine” (1966) [t]
Thomas Murphy (Britain, 1935): “the Gigli Concert” (1983) [t]

Jack Richardson (USA, 1935): “Xmas in Las Vegas” (1965) [t]

Ellen Gilchrist (USA, 1935): “In The Land of Dreamy Dreams” (1981)

Robert Silverberg (USA, 1935): “Nightwings” (1969)

Jon Stallworthy (Britain, 1935): “A Familiar Tree” (1978) [p]

Ward Just (USA, 1935): “An Unfinished Season” (2005)
Ward Just (USA, 1935): “Echo House” (1997)

Lewis Nkosi (South Africa, 1936): “Mating Birds” (1986)

Brendan Kennelly (Ireland, 1936): “Good Souls to Survive” (1967) [p]

Daryl Hine (Canada, 1936): “The Devil’s Picture Book” (1960) [p]
Daryl Hine (Canada, 1936): “The Wooden Horse” (1965) [p]

Clarence Major (USA, 1936): “All-Night Visitors” (1969)

Antonia Byatt (Britain, 1936): “The Virgin in the Garden” (1978) +
Antonia Byatt (Britain, 1936): “Still-Life (1985) +
Antonia Byatt (Britain, 1936): “Possession” (1990) ++
Antonia Byatt (Britain, 1936): “The Babel Tower (1996)
Antonia Byatt (Britain, 1936): “The Biographer’s Tale (2001)
Antonia Byatt (Britain, 1936): “A Whistling woman (2002)

Andrew Davies (Britain, 1936): “Getting Hurt” (1989)

Don DeLillo (USA, 1936): “Running Dogs” (1978)
Don DeLillo (USA, 1936): “Names” (1982)
Don DeLillo (USA, 1936): “White Noise” (1985) +
Don DeLillo (USA, 1936): “Libra” (1988)
Don DeLillo (USA, 1936): “Underworld” (1997)

Stephen Dixon (USA, 1936): “Interstate” (1985)
Stephen Dixon (USA, 1936): “Garbage” (1988)

Nell Dunn (Britain, 1936): “Poor Cow” (1967)

William McIlvanney (Britain, 1936): “Docherty” (1975)

Larry McMurtry (USA, 1936): “Horseman Pass By” (1961)
Larry McMurtry (USA, 1936): “The Last Picture Show” (1966)
Larry McMurtry (USA, 1936): “Terms of Endearment” (1977)
Larry McMurtry (USA, 1936): “Lonesome Dove” (1985) +

Tom Robbins (USA, 1936): “Another Roadside Attraction” (1971)
Tom Robbins (USA, 1936): “Still Life With Woodpecker” (1980)
Tom Robbins (USA, 1936): “Even Cowgirls Get the Blues” (1975) +

John-Pepper Clark (Nigeria, 1936): “Song Of A Goat” (1961) [t] +
John-Pepper Clark (Nigeria, 1936): “The Masquerade” (1964) [t]
John-Pepper Clark (Nigeria, 1936): “Ozidi” (1966) [t]

Simon Gray (Britain, 1936): “Rear Column” (1978) [t]
Simon Gray (Britain, 1936): “Quartermaine’s Terms” (1981) [t]

David Rudkin (Britain, 1936): “Afore Night Comes” (1960) [t]
David Rudkin (Britain, 1936): “The Sons of Light” (1976) [t] +

JeanClaude VanItallie (USA, 1936): “The Serpent” (1969) [t]

Jeremy Prynne (Britain, 1936): “Kitchen Poems” (1968) [p]
Jeremy Prynne (Britain, 1936): “The Oval Window” (1983) [p] +

Hunter Thompson (USA, 1937): “Fear And Loathing in Las Vegas” (1973)

Peter Pouncey (Britain, 1937): “Rules for Old Men Waiting” (2005)

Paul Bailey (Britain, 1937): “At the Jerusalem” (1967)
Paul Bailey (Britain, 1937): “Gabriel’s Lament” (1986) +

Jerome Charyn (USA, 1937): “Blue Eyes” (1975)
Jerome Charyn (USA, 1937): “Tar Baby” (1973)

Anita Desai (India, 1937): “Fire on the Mountain” (1977) +
Anita Desai (India, 1937): “Clear Light of Day” (1980)
Anita Desai (India, 1937): “In Custody” (1984)

Roger McGough (Britain, 1937): “Summer with Monika” (1967) [p]

John Fuller (Britain, 1937): “Flying to Nowhere” (1983) +
John Fuller (Britain, 1937): “The Burning Boys” (1989)
John Fuller (Britain, 1937): “The Illusionists” (1980) [p] +
John Fuller (Britain, 1937): “The Beautiful Inventions” (1983) [p]

Bessie Head (South Africa, 1937): “Maru” (1971)
Bessie Head (South Africa, 1937): “A Question of Power” (1974) +

William Kelley (USA, 1937): “A Different Drummer” (1962)
William Kelley (USA, 1937): “Dem” (1967)
William Kelley (USA, 1937): “Dunford Travels Everywhere” (1970)

Toby Olson (USA, 1937): “Dorit in Lesbos” (1989)

Thomas Pynchon (USA, 1937): “The Crying of Lot 49″ (1966)
Thomas Pynchon (USA, 1937): “Gravity’s Rainbow” (1973) ++
Thomas Pynchon (USA, 1937): “V” (1963) +
Thomas Pynchon (USA, 1937): “Against the Day” (2006)
Thomas Pynchon (USA, 1937): “Vineland” (1990)

Erich Segal (USA, 1937): “Love Story” (1970)

Emma Tennant (Britain, 1937): “The Time of the Crack” (1973)
Emma Tennant (Britain, 1937): “Hotel de Dream” (1976)

John Toole (USA, 1937): “A Confederacy of Dunces” (1969)

Steven Berkoff (Britain, 1937): “East” (1975) [t]
Steven Berkoff (Britain, 1937): “Greek” (1979) [t] +
Steven Berkoff (Britain, 1937): “Decadence” (1981) [t]

Arthur Kopit (USA, 1937): “Oh Dad Poor Dad” (1960) [t]
Arthur Kopit (USA, 1937): “Chamber Music” (1963) [t]
Arthur Kopit (USA, 1937): “Indians” (1968) [t] +
Arthur Kopit (USA, 1937): “Wings” (1978) [t]

Tom Stoppard (Britain, 1937): “Rosencrantz And Guildenstern Are Dead” (1967) [t] +
Tom Stoppard (Britain, 1937): “Jumpers” (1972) [t] +
Tom Stoppard (Britain, 1937): “Travesties” (1972) [t]
Tom Stoppard (Britain, 1937): “The Real Thing” (1984) [t] +
Tom Stoppard (Britain, 1937): “Hapgood” (1988) [t]
Tom Stoppard (Britain, 1937): “Arcadia” (1993) [t] +

John Fuller (Britain, 1937: “Epistles to Several Persons” (1973) [p]
John Fuller (Britain, 1937: “The Illusionists” (1980) [p] +
John Fuller (Britain, 1937: “Stones and Fires” (1996) [p]
John Fuller (Britain, 1937: “Flying to Nowhere” (1983)

Tony Harrison (Britain, 1937): “The Loiners” (1970) [p]
Tony Harrison (Britain, 1937): “The School of Eloquence” (1978) [p] +
Tony Harrison (Britain, 1937): “The Gaze of the Gorgon” (1992) [p]
Tony Harrison (Britain, 1937): “”The Trackers of Oxyrynchus” (1988) [t] +

Roger Zelazny (USA, 1937): “Dream Masters” (1966)
Roger Zelazny (USA, 1937): “This Immortal/ And Call Me Conrad” (1966)
Roger Zelazny (USA, 1937): “Lord of Light” (1968)
Roger Zelazny (USA, 1937): “Nine Princes in Amber” (1970) +
Roger Zelazny (USA, 1937): “Rose for Ecclesiastes)

Renata Adler (USA, 1938): “Speedboat” (1976)

Shashi Deshpande (India, 1938): “A Matter of Time” (1996)

Frances Horovitz (Britain, 1938): “Snow Light Water Light” (1983) [p]

Raymond Carver (USA, 1938): “Will You Please Be Quiet Please (1976) +
Raymond Carver (USA, 1938): “What We Talk about When We Talk about Love (1981)

Margaret Forster (Britain, 1938): “Georgy Girl” (1965)

Allan Massie (Britain, 1938): “The Sins of the Fathers” (1991)

Frank Moorhouse (Australia, 1938): “The Electrical Experience” (1974) +
Frank Moorhouse (Australia, 1938): “The Everlasting Secret Family” (1980)
Frank Moorhouse (Australia, 1938): “Dark Palace” (2001)

James Ngugi (Kenya, 1938): “Weep Not Child” (1954)
James Ngugi (Kenya, 1938): “A Grain of Wheat” (1967)
James Ngugi (Kenya, 1938): “Petals of Blood” (1977) +

Joyce-Carol Oates (USA, 1938): “A Garden of Earthly Delights” (1967) +
Joyce-Carol Oates (USA, 1938): “Expensive People” (1968)
Joyce-Carol Oates (USA, 1938): “Them” (1969) +
Joyce-Carol Oates (USA, 1938): “Bellefleur” (1980) +
Joyce-Carol Oates (USA, 1938): “You Must Remember This” (1988)
Joyce-Carol Oates (USA, 1938): “Black Water” (1992)

Ishmael Reed (USA, 1938): “Mumbo Jumbo” (1972)
Ishmael Reed (USA, 1938): “The Yellow Black Radio Broke Down” (1969)
Ishmael Reed (USA, 1938): “Freelance Pallbearers” (1967)
Ishmael Reed (USA, 1938): “The Last Days of Louisiana Red” (1974) +

Robert Stone (USA, 1938): “Children of Light” (1986)
Robert Stone (USA, 1938): “Dog Soldiers” (1974)
Robert Stone (USA, 1938): “A Hall of Mirrors” (1966) +
Robert Stone (USA, 1938): “A Flag for Sunrise” (1981)

Rudolph Wurlitzer (USA, 1938): “Flats” (1970)
RudolphV Wurlitzer (USA, 1938): “Nog” (1969)
Rudolph Wurlitzer (USA, 1938): “Quake” (1972)

Caryl Churchill (Britain, 1938): “Light Shining in Buckinghamshire” (1976) [t] +
Caryl Churchill (Britain, 1938): “Cloud Nine” (1979) [t]
Caryl Churchill (Britain, 1938): “Top Girls” (1982) [t]
Caryl Churchill (Britain, 1938): “Mad Forest” (1990) [t]

Martin Sherman (USA, 1938): “Passing By” (1974) [t]
Martin Sherman (USA, 1938): “Bent” (1978) [t]

Les Murray (Australia, 1938): “Poems Against Economics” (1972) [p]
Les Murray (Australia, 1938): “The Boys Who Stole the Funeral” (1980) [p]
Les Murray (Australia, 1938): “Subhuman Redneck Poems” (1996) [p] +
Les Murray (Australia, 1938): “Fredy Neptune” (1999) [p] +
Les Murray (Australia, 1938): “Poems the Size of Photographs” (2002) [p]

Charles Simic (USA, 1938): “What the Grass Says” (1967) [p]
Charles Simic (USA, 1938): “Charon’s Cosmology” (1977) [p] +
Charles Simic (USA, 1938): “Classic Ballroom Dances” (1980) [p]
Charles Simic (USA, 1938): “Unending Blues” (1986) [p]
Charles Simic (USA, 1938): “The World Doesn’t End” (1990) [p] +
Charles Simic (USA, 1938): “Hotel Insomnia” (1992) [p]
Charles Simic (USA, 1938): “A Wedding in Hell” (1994) [p]
Charles Simic (USA, 1938): “Walking the Black Cat” (1996) [p] +
Charles Simic (USA, 1938): “Jackstraws” (1999) [p]

Frederick Forsyth (Britain, 1938): “The Odessa File” (1973)
Frederick Forsyth (Britain, 1938): “The Day of the Jackal” (1972) +

Albert Wendt (Western Samoa, 1939): “Inside Us the Dead” (1976) [p]

Nikos Gatzoyiannis “Nicholas Gage” (Greece, 1939): “Eleni” (1983)

Stephen Dunn (USA, 1939): “Loosestrife” (1996) [p]
Stephen Dunn (USA, 1939): “Different Hours” (2000) [p]

Ayi-Kwei Armah (Ghana, 1939): “The Beautyful Ones Are not Yet Born” (1968)
Ayi-Kwei Armah (Ghana, 1939): “Fragments” (1971)
Ayi-Kwei Armah (Ghana, 1939): “Why Are We So Blest” (1972)
Ayi-Kwei Armah (Ghana, 1939): “Two Thousand Seasons” (1973) +

Margaret Atwood (Canada, 1939): “The Edible Woman” (1969)
Margaret Atwood (Canada, 1939): “Surfacing” (1972) +
Margaret Atwood (Canada, 1939): “Life Before Man” (1979)
Margaret Atwood (Canada, 1939): “The Handmaid’s Tale” (1986) +
Margaret Atwood (Canada, 1939): “Cat’s Eye” (1989)
Margaret Atwood (Canada, 1939): “Alias Grace” (1996) +
Margaret Atwood (Canada, 1939): “The Blind Assassin” (2000) +
Margaret Atwood (Canada, 1939): “Oryx and Crake” (2003)
Margaret Atwood (Canada, 1939): “The Circle Game” (1964) [p]
Margaret Atwood (Canada, 1939): “You Are Happy” (1974) [p]
Joan Brady (USA, 1939): “Theory of War” (1993)

Georgina Hammick (Britain, 1939): “People for Lunch” (1987)

Melvyn Bragg (Britain, 1939): “For Want of a Nail” (1965) +
Melvyn Bragg (Britain, 1939): “The Second Inheritance” (1966)
Melvyn Bragg (Britain, 1939): “The Hired Man” (1969)
Melvyn Bragg (Britain, 1939): “A Time to Dance” (1990)

James Crumley (USA, 1939): “Last kiss” (1978)

Margaret Drabble (Britain, 1939): “A Summer-bird Cage” (1963)
Margaret Drabble (Britain, 1939): “The Millstone” (1965)
Margaret Drabble (Britain, 1939): “Jerusalm the Golden” (1967) +
Margaret Drabble (Britain, 1939): “The Waterfall” (1969)
Margaret Drabble (Britain, 1939): “The Needle’s Eye” (1972)

Barbara Hanrahan (Australia, 1939): “The Scent of Eucalyptus” (1973)

Barry Hines (Britain, 1939): “A Kestrel For a Knave” (1968)
Barry Hines (Britain, 1939): “The Gamekeeper” (1975)

Lindsay Clarke (Britain, 1939): “The Chymical Wedding” (1989)

Michael Moorcock (Britain, 1939): “The Dancers at the End of Time” (1976)
Michael Moorcock (Britain, 1939): “The Condition of Muzak” (1977)
Michael Moorcock (Britain, 1939): “Gloriana” (1978) +
Michael Moorcock (Britain, 1939): “Mother London” (1988)

Robert Nye (Britain, 1939): “Falstaff” (1976)
Robert Nye (Britain, 1939): “Memoirs of Lord Byron” (1989)

Alexander Theroux (USA, 1939): “Darconville’s Cat” (1981)

Colin Thubron (Britain, 1939): “A Cruel Madness” (1984)

Alan Ayckbourn (Britain, 1939): “Relatively Speaking” (1967) [t]
Alan Ayckbourn (Britain, 1939): “How The Other Half Loves” (1969) [t]
Alan Ayckbourn (Britain, 1939): “The Norman Conquest” (1974) [t] +
Alan Ayckbourn (Britain, 1939): “Just Between Ourselves” (1976) [t]
Alan Ayckbourn (Britain, 1939): “Taking Steps” (1980) [t]
Alan Ayckbourn (Britain, 1939): “Woman in Mind” (1985) [t]
Alan Ayckbourn (Britain, 1939): “A Small Family Business” (1987) [t]

Shelagh Delaney (Britain, 1939): “A Taste of Honey” (1956) [t]

Mustapha Matura (Britain, 1939): “As Time Goes By” (1971) [t]

Seamus Heaney (Ireland, 1939): “Death of a Naturalist” (1966) [p] +
Seamus Heaney (Ireland, 1939): “Station Island” (1984) [p] +
Seamus Heaney (Ireland, 1939): “The Haw Lantern” (1987) [p]
Seamus Heaney (Ireland, 1939): “Seeing Things” (1991) [p]
Seamus Heaney (Ireland, 1939): “The Spirit Level” (1996) [p]
Seamus Heaney (Ireland, 1939): “Opened Ground” (1999) [p]

Michael Longley (Ireland, 1939): “Gorse Fires” (1991) [p] +
Michael Longley (Ireland, 1939): “The Weather in Japan” (2000) [p]
Michael Moorcock (Britain, 1939): “Alien Heat” (1976)
Michael Moorcock (Britain, 1939): “Cornelius Chronicles” (1977)

Bobbie-Ann Mason (USA, 1940): “In Country” (1985)

Russell Banks (USA, 1940): “Affliction” (1990)
Russell Banks (USA, 1940): “The Sweet Hereafter” (1992)

Angela Carter (Britain, 1940): “The Magic Toyshop” (1967)
Angela Carter (Britain, 1940): “Nights at the Circus” (1984) +
Angela Carter (Britain, 1940): “Wise Children” (1991)

Bruce Chatwin (Britain, 1940): “The Viceroy of Ouidah” (1980)
Bruce Chatwin (Britain, 1940): “On the Black Hill” (1982) +
Bruce Chatwin (Britain, 1940): “Utz” (1988) +

John Coetzee (South Africa, 1940): “In the Heart of the Country” (1977) +
John Coetzee (South Africa, 1940): “Waiting for the Barbarians” (1980) +
John Coetzee (South Africa, 1940): “Life and Times of Michele K” (1983) +
John Coetzee (South Africa, 1940): “The Age of Iron” (1990)
John Coetzee (South Africa, 1940): “Disgrace” (1999)

David Cook (Britain, 1940): “Albert’s Memorial” (1972) +
David Cook (Britain, 1940): “Happy Endings” (1974)
David Cook (Britain, 1940): “Walter” (1978)

Rachel Ingalls (USA, 1940): “Mrs Caliban” (1982)

Rich Kostelanetz (USA, 1940): “Imaged Words and Worded Images” (1970) [p]

Thomas McGuane (USA, 1940): “Keep the Change” (1989)
Thomas McGuane (USA, 1940): “Ninety-two in the Shade” (1973)
Thomas McGuane (USA, 1940): “Something to be Desired” (1984)
Thomas McGuane (USA, 1940): “Sporting Club” (1969)
Thomas McGuane (USA, 1940): “Bushwhacked Piano” (1971)

Bharati Mukherjee (India, 1940): “Jasmine” (1989)
Bharati Mukherjee (India, 1940): “The Holder of the World” (1993) +

David Plante (USA, 1940): “The Francoeur Trilogy” (1982) +

Edmund White (USA, 1940): “Forgetting Elena” (1973) +
Edmund White (USA, 1940): “A Boy’s Own Story” (1982)
Edmund White (USA, 1940): “Caracole” (1985)

Jack Hibberd (Australia, 1940): “A Stretch of the Imagination” (1973) [t] +
Jack Hibberd (Australia, 1940): “Dimboola” (1974) [t]

Oswald Mtshali (South Africa, 1940): “Sounds of a Cowhide Drum” (1971) [p]

Stephen Dobyns (USA, 1941): “Concurring Beasts” (1972) [p]

Gregory Benford (USA, 1941): “Timescape” (1980)

Piers-Paul Read (Britain, 1941): “A Married Man” (1979)
Piers-Paul Read (Britain, 1941): “Season in the West” (1988)

Paul Theroux (USA, 1941): “Picture Palace” (1979) +
Paul Theroux (USA, 1941): “Mosquito Coast” (1982)

Barbara Trapido (South Africa, 1941): “Brother of the More Famous Jack” (1982)
Barbara Trapido (South Africa, 1941): “The Travelling Hornplayer” (1998)

Anne Tyler (USA, 1941): “Earthly Possessions” (1977)
Anne Tyler (USA, 1941): “Dinner at the Homesick Restaurant” (1982) +
Anne Tyler (USA, 1941): “The Accidental Tourist” (1985)
Anne Tyler (USA, 1941): “The Breathing Lessons” (1988) +

Heathcote Williams (Britain, 1941): “AC/DC” (1970) [t]

Anne Rice (USA, 1941): “Interview With the Vampire” (1976)

Robert Hass (USA, 1941): “Field Guide” (1973) [p]
Robert Hass (USA, 1941): “Praise” (1979) [p]

Ama-Ata Aidoo (Ghana, 1942): “The Dilemma of a Ghost” (1965) [t]

Hugo Williams (Britain, 1942): “Symptoms of Love” (1965) [p]

Susan Hill (Britain, 1942): “I’m the King of the Castle” (1970)
Susan Hill (Britain, 1942): “Strange Meeting” (1971)
Susan Hill (Britain, 1942): “The Bird of Night” (1972) +
Susan Hill (Britain, 1942): “Woman in Black” (1983)

Janette-Turner Hospital (Australia, 1942): “Charades” (1989)
Janette-Turner Hospital (Australia, 1942): “The Last Magician” (1992) +

John Irving (USA, 1942): “The Water-method Man” (1972)
John Irving (USA, 1942): “The World According to Garp” (1978) +
John Irving (USA, 1942): “Hotel New Hampshire” (1981)
John Irving (USA, 1942): “Cider House Rules” (1985)
John Irving (USA, 1942): “Prayer for Owen Meany” (1989)

Howard Jacobson (Britain, 1942): “Coming From Behind” (1983)
Howard Jacobson (Britain, 1942): “Peeping Tom” (1984) +
Howard Jacobson (Britain, 1942): “Redback” (1986)

Erica Jong (USA, 1942): “Fear of Flying” (1974)

Garrison Keillor (USA, 1942): “Lake Wobegon Days” (1985)

Bernar MacLaverty (Britain, 1942): “Lamb” (1980)
Bernar MacLaverty (Britain, 1942): “Cal” (1983)

Anita Mason (Britain, 1942): “The Illusionist” (1983)

Toni Morrison (USA, 1942): “The Bluest Eyes” (1970) +
Toni Morrison (USA, 1942): “Sula” (1973) +
Toni Morrison (USA, 1942): “Song of Solomon” (1977) +
Toni Morrison (USA, 1942): “Tar Baby” (1981) +
Toni Morrison (USA, 1942): “Beloved” (1987) +
Toni Morrison (USA, 1942): “Jazz” (1992)
Toni Morrison (USA, 1942): “Paradise” (1997)

David Williamson (Australia, 1942): “The Coming of Stork” (1970) [t]
David Williamson (Australia, 1942): “Don’s Party” (1971) [t]
David Williamson (Australia, 1942): “The Removalists” (1972) [t] +
David Williamson (Australia, 1942): “The Club” (1977) [t]
David Williamson (Australia, 1942): “Travelling North” (1979) [t]
David Williamson (Australia, 1942): “Emerald City” (1987) [t]
David Williamson (Australia, 1942): “Brilliant Lies” (1993) [t]
David Williamson (Australia, 1942): “Sanctuary” (1994) [t]

Douglas Dunn (Britain, 1942): “St Kilda’s Parliament” (1981) [p]
Douglas Dunn (Britain, 1942): “Elegies” (1985) [p] +
Douglas Dunn (Britain, 1942): “Dante’s Drum Kit” (1993) [p]

Michael Crichton (USA, 1942): “The Andromeda Strain” (1969)

Samuel Delany (USA, 1942): “Stars in My Pocket” (1984)
Samuel Delany (USA, 1942): “Dhalgren” (1975)

Sena Jeter Naslund (USA, 1942): “Ahab’s Wife” (1999)

Mike Leigh (Britain, 1943): “Abigail’s Party” (1977) [t]

Pat Barker (Britain, 1943): “Union Street” (1982)
Pat Barker (Britain, 1943): “The Century’s Daughter” (1986) +
Pat Barker (Britain, 1943): “Regeneration” (1991)
Pat Barker (Britain, 1943): “The Eye In The Door” (1993)
Pat Barker (Britain, 1943): “The Ghost Road” (1995)

Peter Carey (Australia, 1943): “Bliss” (1981)
Peter Carey (Australia, 1943): “Illywhacker” (1986) +
Peter Carey (Australia, 1943): “Oscar and Lucinda” (1988) +
Peter Carey (Australia, 1943): “The Tax Inspector” (1992)
Peter Carey (Australia, 1943): “The Unusual Life of Tristan Smith” (1994)
Peter Carey (Australia, 1943): “True History Of The Kelly Gang” (2001)

Justin Cartwright (South Africa, 1943): “Interior” (1988)
Justin Cartwright (South Africa, 1943): “Look at it This Way” (1990)
Justin Cartwright (South Africa, 1943): “Masai Dreaming” (1993) +

Fredrick Barthelme (USA, 1943): “Two Against One” (1988)
Fredrick Barthelme (USA, 1943): “Second Marriage” (1984)

Pete Dexter (USA, 1943): “God’s Pocket” (1984)
Pete Dexter (USA, 1943): “Paris Trout” (1988) +

Mary Flanagan (USA, 1943): “Rose Reason” (1991)

Steven Millhauser (USA, 1943): “Edwin Mullhouse” (1972)
Steven Millhauser (USA, 1943): “Martin Dressler” (1996)

Michael Ondaatje (Canada, 1943): “The Dainty Monster” (1967) [p]
Michael Ondaatje (Canada, 1943): “The Left Handed Poems” (1970) [p]
Michael Ondaatje (Canada, 1943): “There’s a Trick With A Knife” (1979) [p]
Michael Ondaatje (Canada, 1943): “In the Skin of a Lion” (1987)
Michael Ondaatje (Canada, 1943): “The English Patient” (1992) +
Michael Ondaatje (Canada, 1943): Ondaatje: “Anil’s Ghost” (2000)

Iain Sinclair (Britain, 1943): “White Chappell Scarlet Tracings” (1987) +
Iain Sinclair (Britain, 1943): “Downriver” (1991)

Rose Tremain (Britain, 1943): “Restoration” (1989)
Rose Tremain (Britain, 1943): “Music and Silence” (1999)

Sam Shepard (USA, 1943): “La Turista” (1967) [t]
Sam Shepard (USA, 1943): “Operation Sidewinder” (1970) [t]
Sam Shepard (USA, 1943): “The Tooth of Crime” (1972) [t]
Sam Shepard (USA, 1943): “Curse of the Starving Class” (1978) [t]
Sam Shepard (USA, 1943): “Buried Child” (1979) [t] +
Sam Shepard (USA, 1943): “Fool for Love” (1983) [t] +
Sam Shepard (USA, 1943): “A Life of the Mind” (1985) [t]
Sam Shepard (USA, 1943): “Simpatico” (1993) [t]

Michael Wilcox (Britain, 1943): “Lent” (1983) [t]

Nikki Giovanni (USA, 1943): “Black Feeling Black Talk Black Judgement” (1970) [p]

David Sweetman (Britain, 1943): “Looking into the Deep End” (1981) [p]

Timoshenko Aslanides (Australia, 1943): “Passacaglia and Fugue” (1979) [p]

Gilbert Adair (Britain, 1944): “Love and Death on Long Island” (1990)

Carol Rumens (Britain, 1944): “From Berlin to Heaven” (1990) [p]

Witi Ihimaera (New Zealand, 1944): “Tangi” (1973)

David Constantine (Britain, 1944): “Madder” (1987) [p]

Kit Wright (Britain, 1944): “The Bear Looked Over the Mountain” (1977) [p]

Lisa Alther (USA, 1944): “Kinflicks” (1976)

Buchi Emecheta (Nigeria, 1944): “The Slave Girl” (1977)
Buchi Emecheta (Nigeria, 1944): “Gwendolen” (1989)

Richard Ford (USA, 1944): “Sportswriter” (1986)
Richard Ford (USA, 1944): “Independence Day” (1996) +

Christopher Hope (South Africa, 1944): “Kruger’s Alp” (1984) +
Christopher Hope (South Africa, 1944): “My Chocolate Redeemer” (1989)
Christopher Hope (South Africa, 1944): “Serenity House” (1992)

Shena MacKay (Britain, 1944): “Redhill Rococo” (1987)

Armistead Maupin (USA, 1944): “Tales of the City” (1978)

Sue Miller (USA, 1944): “Good Mother” (1986)
Sue Miller (USA, 1944): “Family Pictures” (1990)

Alice Walker (USA, 1944): “Third Life of George Copeland” (1970)
Alice Walker (USA, 1944): “Meridian” (1976)
Alice Walker (USA, 1944): “The Color Purple” (1981)
Alice Walker (USA, 1944): “Temple of My Familiar” (1989)
Alice Walker (USA, 1944): “Possessing the Secret of Joy” (1992)

Alexander Buzo (Australia, 1944): “Norm and Ahmed” (1967) [t]

Paul Durcan (Ireland, 1944): “The Berlin Wall Cafe’” (1985) [p]

Craig Raine (Britain, 1944): “The Onion, Memory” (1978) [p]
Craig Raine (Britain, 1944): “A Martian Sends a Postcard Home” (1979) [p] +
Craig Raine (Britain, 1944): “History” (1994) [p]

Mongane-Wally Serote (South Africa, 1944): “Yakhal’Inkomo” (1972) [p] +
Mongane-Wally Serote (South Africa, 1944): “No Baby Must Weep” (1975) [p]
Mongane-Wally Serote (South Africa, 1944): “”History is the Home Address” (2004) [p]

Vernor Vinge (USA, 1944): “A Fire Upon the Deep” (1993)

Nuruddin Farah (Somalia, 1945): “From a Crooked Rib (1970)
Nuruddin Farah (Somalia, 1945): “Sweet and Sour Milk” (1979)
Nuruddin Farah (Somalia, 1945): “Maps” (1986)

John Banville (Ireland, 1945): “Doctor Copernicus” (1976)
John Banville (Ireland, 1945): “Kepler” (1981) +
John Banville (Ireland, 1945): “The Newton Letter” (1981)
John Banville (Ireland, 1945): “MEfisto” (1986)
John Banville (Ireland, 1945): “The Invention of Solitude” (1982)
John Banville (Ireland, 1945): “The Book of Evidence” (1989) +
John Banville (Ireland, 1945): “The Sea” (2005)

Annie Dillard (USA, 1945): “Living By Fiction” (1982)
Annie Dillard (USA, 1945): “Tinker Creek” (1974)

Jenny Diski (Britain, 1945): “Nothing Natural” (1986)

Andrew Harvey (Britain, 1945): “Burning Houses” (1985)

Shiva Naipaul (India, 1945): “Fireflies” (1970)
Shiva Naipaul (India, 1945): “The Chip-Chip Gatherers” (1973)

Charles Palliser (USA, 1947): “Quincunx” (1989)

Shobha De (India, 1947): “Sultry Days” (1994)

Tobias Wolff (USA, 1945): “Barracks Thief” (1984)

Wendy Cope (Britain, 1945): “Making Cocoa for Kingsley Amis” (1986) [p]

Robert Olen Butler (USA, 1945): “A Good Scent from a Strange Mountain” (1992)

August Wilson (USA, 1945): “Ma Rainey’s Black Bottom” (1982) [t]
August Wilson (USA, 1945): “Fences” (1985) [t] +
August Wilson (USA, 1945): “Joe Turner’s Come and Gone” (1988) [t]
August Wilson (USA, 1945): “The Piano Lesson” (1990) [t] +
August Wilson (USA, 1945): “Radio Golf” (2005) [t]

Julian Barnes (Britain, 1946): “Metroland” (1980)
Julian Barnes (Britain, 1946): “Flaubert’s Parrot” (1985) +
Julian Barnes (Britain, 1946): “A History of the World in 10 1/2 Chapters” (1989) +
Julian Barnes (Britain, 1946): “Talking It Over” (1991)

Jim Crace (Britain, 1946): “Continent” (1986) +
Jim Crace (Britain, 1946): “The Gift of Stones” (1988)
Jim Crace (Britain, 1946): “Being Dead” (1997)

Alan Judd (Britain, 1946): “A Breed of Heroes” (1981)
Alan Judd (Britain, 1946): “Short of Glory” (1984) +
Alan Judd (Britain, 1946): “Tango” (1989)

James Kelman (Britain, 1946): “A Disaffection” (1989)
James Kelman (Britain, 1946): “How Late It Was How Late” (1994)

Tim O’Brien Tim (USA, 1946): “Northern Lights” (1974)

Marina Warner (Britain, 1946): “The Lost Father” (1988)

Howard Barker (Britain, 1946): “Scenes From An Execution” (1984) [t]

Alan Bleasdale (Britain, 1946): “Having A Ball” (1981) [t]
Alan Bleasdale (Britain, 1946): “Are You Lonesome Tonight” (1985) [t]

Christopher Hampton (Britain, 1946): “When Did You Last See My Mother” (1966) [t]
Christopher Hampton (Britain, 1946): “The Philanthropist” (1970) [t] +
Christopher Hampton (Britain, 1946): “Savages” (1973) [t]

Stephen King (USA, 1946): “Salem’s Lot” (1975)
Stephen King (USA, 1946): “The Shining” (1977) +
Stephen King (USA, 1946): “It” (1986)

Brian Patten (Britain, 1946): “Armada” (1996) [p]

Peter Reading (Britain, 1946): “Diplopic” (1983) [p] +
Peter Reading (Britain, 1946): “Stet” (1986) [p] +
Peter Reading (Britain, 1946): “Ukulele Music” (1985)
Peter Reading (Britain, 1946): “Final Demands” (1988)

Rudy Rucker (USA, 1946): “Hollow Earth” (1990)

Patrick Neate (Britain, 1946): “Twelve Bar Blues” (2001)

Marina Lewycka (Britain, 1946): “A Short History of Tractors in Ukranian” (2005)

Patricia Anthony (USA, 1947): “Cold Allies” (1993)

Marilynne Robinson (USA, 1947): “Housekeeping” (1981) +
Marilynne Robinson (USA, 1947): “Gilead” (2005) +

Pritish Nandy (India, 1947): “From the Outer Bank of the Brahmaputra” (1969) [p]

Michael Ignatieff (Canada, 1947): “Scar Tissue” (1993)

Stephen Donaldson (USA, 1947): “Chronicles of Thomas Convenant” (1977)

Ann Beattie (USA, 1947): “Chilly Scenes” (1976)
Ann Beattie (USA, 1947): “Love Always” (1985)

Kathy Acker (USA, 1947): “Blood and Guts in High School” (1984)
Kathy Acker (USA, 1947): “My Death My Life by PierPaolo Pasolini” (1984)

Paul Auster (USA, 1947): “In the Country Of Last Things” (1988)
Paul Auster (USA, 1947): “New York Trilogy” (1986) +
Paul Auster (USA, 1947): “Moon Palace” (1989)
Paul Auster (USA, 1947): “Music of Chance” (1991)
Paul Auster (USA, 1947): “Leviathan” (1992)
Paul Auster (USA, 1947): “Mr Vertigo” (1994) +

Keri Hulme (New Zealand, 1947): “Bone People” (1985) +

Salman Rushdie (India, 1947): “Grimus” (1975) +
Salman Rushdie (India, 1947): “Midnight’s Children” (1980) ++
Salman Rushdie (India, 1947): “The Satanic Verses” (1988) +
Salman Rushdie (India, 1947): “The Moor’s Last Sigh” (1995)

David Hare (Britain, 1947): “Slag” (1970) [t] +
David Hare (Britain, 1947): “Knuckle” (1974) [t]
David Hare (Britain, 1947): “Plenty” (1978) [t]

Liz Lochhead (Britain, 1947): “Perfect Days” (1997) [t]

David Mamet (USA, 1947): “Duck Variations” (1972) [t]
David Mamet (USA, 1947): “American Buffalo” (1975) [t] +
David Mamet (USA, 1947): “Glengarry Glen Ross” (1983) [t] +
David Mamet (USA, 1947): “Oleanna” (1993) [t]

Willy Russell (Britain, 1947): “Educating Rita” (1980) [t] +
Willy Russell (Britain, 1947): “Blood Brothers” (1981) [t]
Willy Russell (Britain, 1947): “Shirley Valentine” (1986) [t]

Michael Dibdin (Britain, 1947): “Ratking” (1988)

Sara Paretsky (USA, 1947): “Indemnity Only” (1982)
Sara Paretsky (USA, 1947): “Toxic Shock” (1988)

Florence Anthony/ Ai (USA, 1947): “Cruelty” (1973) [p]
Florence Anthony/ Ai (USA, 1947): “Killing Floor” (1979) [p]
Florence Anthony/ Ai (USA, 1947): “Sin” (1986) [p]
Florence Anthony/ Ai (USA, 1947): “Fate” (1991) [p]
Florence Anthony/ Ai (USA, 1947): “Vice” (1999) [p] +

Derek Mahon (Britain, 1947): “Courtyards in Delft” (1981) [p]
Derek Mahon (Britain, 1947): “The Hunt by Night” (1982) [p] +
Derek Mahon (Britain, 1947): “The Hudson Letter” (1996) [p]

Arvind Mehrotra (India, 1947): “Nine Enclosures” (1976) [p]
Arvind Mehrotra (India, 1947): “The Transfiguring Places” (1998) [p]

Stephen Donaldson (USA, 1947): “Chronicles of Thomas Convenant” (1977)
Stephen Donaldson (USA, 1947): “The Real Story” (1990)

Clare Boylan (Ireland, 1948): “Holy Pictures” (1983)

Mda Zakes (South Africa, 1948): “We Shall Sing for the Fatherland” (1973) [t]
Mda Zakes (South Africa, 1948): “Ways of Dying” (1991)
Mda Zakes (South Africa, 1948): “She Plays with the Darkness” (1995)
Mda Zakes (South Africa, 1948): “The Heart Of Redness” (2000) +

Thomas-Coraghessan Boyle (USA, 1948): “Water Music” (1982)
Thomas-Coraghessan Boyle (USA, 1948): “World’s End ” (1987) +
Thomas-Coraghessan Boyle (USA, 1948): “The Tortilla Curtain” (1995)
Thomas-Coraghessan Boyle (USA, 1948): “Drop City” (2003)

Maggie Gee (Britain, 1948): “Light Years” (1985)

Janet Hobhouse (USA, 1948): “Dancing in the Dark” (1983)
Janet Hobhouse (USA, 1948): “November” (1987)
Janet Hobhouse (USA, 1948): “The Furies” (1991) +

Ian McEwan (Britain, 1948): “Cement Garden” (1978)
Ian McEwan (Britain, 1948): “The Comfort of Strangers” (1981)
Ian McEwan (Britain, 1948): “The Child in Time” (1987) +
Ian McEwan (Britain, 1948): “Enduring Love” (1997)
Ian McEwan (Britain, 1948): “Amsterdam” (1998) +
Ian McEwan (Britain, 1948): “Atonement (2001)
Ian McEwan (Britain, 1948): “Saturday (2005)

Deborah Moggach (Britain, 1948): “Porky” (1983)

Clive Sinclair (Britain, 1948): “Bibliosexuality” (1973)

Robert Steiner (USA, 1948): “Quill” (1978)

Nigel Williams (Britain, 1948): “Class Enemy” (1978) [t]
Nigel Williams (Britain, 1948): “My Life Closed Twice” (1977)
Nigel Williams (Britain, 1948): “Wimbledon Poisoner” (1994)

Howard Brenton (Britain, 1948): “Revenge” (1969) [t]

David Edgar (Britain, 1948): “Two Kinds of Angel” (1970) [t]
David Edgar (Britain, 1948): “Mary Barnes” (1978) [t]

Michael Dransfield (Australia, 1948): “Streets of the Long Voyage” (1970) [p]
Michael Dransfield (Australia, 1948): “The Second Month of Spring” (1980) [p]

Timothy Steele (USA, 1948): “The Color Wheel” (1994) [p]

James Ellroy (USA, 1948): “American Tabloid” (1995)
James Ellroy (USA, 1948): “Black Dahlia” (1987)

William Gibson (USA, 1948): “Neuromancer” (1984) +
William Gibson (USA, 1948): “Monalisa Overdrive” (1988)

Peter Ackroyd (Britain, 1949): “Hawksmoor” (1985)

Olga Broumas (USA, 1949): “Beginning With O” (1976) [p]

Christopher Reid (Britain, 1949): “Arcadia” (1979) [p] +
Christopher Reid (Britain, 1949): “Katerina Brac” (1985) [p]

Scott Turow (USA, 1949): “Presumed Innocent” (1987)

Gayl Jones (USA, 1949): “Corregidora” (1975) +
Gayl Jones (USA, 1949): “Eva’s Man” (1976)
Gayl Jones (USA, 1949): “The Healing” (1998)

Kathryn Kramer (USA, 1949): “A Handbook for Visitors from Outer Space” (1984)

Martin Amis (Britain, 1949): “The Rachel Papers” (1974)
Martin Amis (Britain, 1949): “Dead Babies” (1975)
Martin Amis (Britain, 1949): “Money” (1984) +
Martin Amis (Britain, 1949): “London Fields” (1989) +
Martin Amis (Britain, 1949): “Time’s Arrow” (1991)

Denis Johnson (USA, 1949): “Angels” (1983)
Denis Johnson (USA, 1949): “Stars at Noon” (1986)
Denis Johnson (USA, 1949): “Fiskadoro” (1985)

Michele Roberts (Britain, 1949): “Daughters of the House” (1992)

Graham Swift (Britain, 1949): “The Sweet-shop Owner” (1980)
Graham Swift (Britain, 1949): “Shuttlecock” (1981)
Graham Swift (Britain, 1949): “Waterland” (1984) +
Graham Swift (Britain, 1949): “Last Orders” (1996)

James Wilcox (USA, 1949): “Miss Undine’s Living Room” (1987)
James Wilcox (USA, 1949): “Modern Baptists” (1983)

James Fenton (Britain, 1949): “Children in Exile” (1984) [p]

Tom Paulin (Britain, 1949): “Fivemiletown” (1987) [p]

Ken Follett (Britain, 1949): “Eye of the Needle” (1979)

Richard Russo (USA, 1949): “Empire Falls” (2002)

Lois McMaster-Bujold (USA, 1949): “The Mountains of Mourning” (1989)

Charles Frazier (USA, 1950): “Cold Mountain” (1997)

Edward Jones (USA, 1950): “The Known World” (2004) +

Jorie Graham (USA, 1950): “Materialism” (1993) [p]
Jorie Graham (USA, 1950): “Hybrids of Plants and of Ghosts” (1980) [p]

Gary Indiana (USA, 1950): “Horse Crazy” (1988)
Gary Indiana (USA, 1950): “Rent Boy” (1994) +

Sara Maitland (Britain, 1950): “Daughter of Jerusalem” (1978)
Sara Maitland (Britain, 1950): “Virgin Territory” (1984)

Timothy Mo (China, 1950): “The Monkey King” (1978) +
Timothy Mo (China, 1950): “Sour Street” (1982)
Timothy Mo (China, 1950): “An Insular Possession” (1986)
Timothy Mo (China, 1950): “Redundancy of Courage” (1991)
Timothy Mo (China, 1950): “Brownout on Breadfruit Boulevard” (1995)
Timothy Mo (China, 1950): “Renegade or Halo2″ (1999)

David Bradley (USA, 1950): “The Chaneysville Incident” (1981)

Jane Smiley (USA, 1950): “Barn Blind” (1980)
Jane Smiley (USA, 1950): “Greenlanders” (1988)
Jane Smiley (USA, 1950): “A Thousand Acres” (1991) +
Jane Smiley (USA, 1950): “Moo” (1995)

Andrew-Norman Wilson (Britain, 1950): “The Sweets of Pimlico” (1977)
Andrew-Norman Wilson (Britain, 1950): “The Healing Art” (1980)
Andrew-Norman Wilson (Britain, 1950): “Who Was Oswald Fish” (1981)

Edward Hirsch (USA, 1950): “Wild Gratitude” (1986) [p]

Blake Morrison (Britain, 1950): “Dark Glasses” (1984) [p]
Blake Morrison (Britain, 1950): “The Ballad of the Yorkshire Ripper” (1987) [p]

Ahdaf Soueif (Egypt, 1950): “The Map Of Love” (1999)

Grace Nichols (Guyana, 1950): “I Is a Long-Memoried Woman” (1983) [p] +

David Brin (USA, 1950): “Earth” (1990)

Karen-Joy Fowler (USA, 1950): “The Jane Austen Book Club” (2004)

James Redfield (USA, 1950): “Celestine Prophecy” (1993)

Allan Sealy (India, 1951): “The Trotter-Nama” (1988) +
Allan Sealy (India, 1951): “The Everest Hotel” (1998)

Paul Muldoon (Britain, 1951): “Immram” (1980) [p] +
Paul Muldoon (Britain, 1951): “Madoc A Mystery” (1990) [p]
Paul Muldoon (Britain, 1951): “The Annals of Chile” (1994) [p]
Paul Muldoon (Britain, 1951): “Moy Sand and Gravel” (2002) [p] +

Greg Bear (USA, 1951): “Eon” (1985)

Orson Scott-Card (USA, 1951): “Hart’s Hope” (1983)
Orson Scott-Card (USA, 1951): “Ender’s Game” (1985) +
Orson Scott-Card (USA, 1951): “Speaker for the Dead” (1986)

Oscar Hijuelos (USA, 1951): “Our House in the Last World” (1983) +
Oscar Hijuelos (USA, 1951): “The Mambo Kings Play Songs of Love” (1989)

Walter Mosley (USA, 1952): “The Man in My Basement” (2003)

Beth Henley (USA, 1952): “Crimes of the Heart” (1979) [t] +
Beth Henley (USA, 1952): “The Miss Firecracker Contest” (1984) [t] +

William Boyd (Britain, 1952): “A Good Man in Africa” (1981)
William Boyd (Britain, 1952): “An Ice-cream War” (1982)
William Boyd (Britain, 1952): “The New Confessions” (1987) +
William Boyd (Britain, 1952): “Blue Afternoon” (1993)

Helen Flint (USA, 1952): “Return Journey” (1987) +
Helen Flint (USA, 1952): “In Full Possession” (1989)

Hilary Mantel (Britain, 1952): “Every Day is Mother’s Day” (1985) +
Hilary Mantel (Britain, 1952): “Vacant Possession” (1986)
Hilary Mantel (Britain, 1952): “Eight Months on Ghazzah St” (1988)
Hilary Mantel (Britain, 1952): “Fludd” (1989) +
Hilary Mantel (Britain, 1952): “A Place Of Greater Safety” (1992)
Hilary Mantel (Britain, 1952): “An Experiment in Love” (1995)

Jayne-Anne Phillips (USA, 1952): “Machine Dreams” (1984)

Padgett Powell (USA, 1952): “Edisto” (1984)

Stephen Poliakoff (Britain, 1952): “Hitting Town” (1975) [t]
Stephen Poliakoff (Britain, 1952): “Strawberry Fields” (1977) [t]
Stephen Poliakoff (Britain, 1952): “Caught on a Train” (1980) [t] +

Philip Gross (Britain, 1952): “The Ice Factory” (1984) [p]
Philip Gross (Britain, 1952): “The Wasting Game” (1998) [p]

Andrew Motion (Britain, 1952): “Natural Causes” (1987) [p]

Vikram Seth (India, 1952): “The Golden Gate” (1986)
Vikram Seth (India, 1952): “A Suitable Boy” (1993) +
Vikram Seth (India, 1952): “An Equal Music” (1999)
Vikram Seth (India, 1952): “Mappings” (1980) [p]
Vikram Seth (India, 1952): “The Humble Administrator’s Garden” (1985) [p]

Michael Cunningham (USA, 1952): “A Home at the End of the World” (1990)
Michael Cunningham (USA, 1952): “The Hours” (1999)

Richard Vetere (USA, 1952): “The Third Miracle” (1997) +
Richard Vetere (USA, 1952): “Hale the Hero” (1990) [t]
Richard Vetere (USA, 1952): “Gangster Apparel” (1993) [t]
Richard Vetere (USA, 1952): “The Engagement” (1998) [t]

Rohinton Mistry (India, 1952): “A Fine Balance” (1996)

Jennifer Egan (USA, 1952): “Invisible Circus” (1995)

Franz Wright (USA, 1953): “Walking to Martha’s Vineyard” (2004) [p]

Ronald Frame (Britain, 1953): “A Woman of Judah” (1988)

Alice McDermott (USA, 1953): “Charming Billy” (1998) +
Alice McDermott (USA, 1953): “A Bigamists’ Daughter” (1982) +
Alice McDermott (USA, 1953): “That Night” (1987)
Alice McDermott (USA, 1953): “At Weddings and Wakes” (1992)

Lisa StAubin (Britain, 1953): “Keepers of the House” (1982)

Walter Williams (USA, 1953): “Hardwired” (1986)

John Shirley (USA, 1953): “Eclipse Corona” (1990)

Neil Astley (Britain, 1953): “The End of My Tether” (2002)

Adam Zameenzad (Kenya, 1954): “Thirteenth House” (1987)
Adam Zameenzad (Kenya, 1954): “Cyrus Cyrus” (1990)

Alan Holinghurst (Britain, 1954): “The Line of Beauty” (2004)

Iain Banks (Britain, 1954): “The Wasp Factory” (1984)

James Buchan (Britain, 1954): “Heart’s Journey in Winter” (1995)

Fiona Pitt-Kethley (USA, 1954): “Sky Ray Lolly” (1986) [p]

Louise Erdrich (USA, 1954): “Love Medicine” (1985)
Louise Erdrich (USA, 1954): “The Beet Queen” (1986)

Mary Gaitskill (USA, 1954): “Two Girls Fat and Thin” (1991)
Mary Gaitskill (USA, 1954): “Veronica” (2005)

Carlo Gebler (Ireland, 1954): “The Eleventh Summer” (1985)

Alan Hollinghurst (Britain, 1954): “The Swimming-pool Party” (1988) +
Alan Hollinghurst (Britain, 1954): “The Folding Star” (1994)

Kazuo Ishiguro (Britain, 1954): “A Pale View of Hills” (1982)
Kazuo Ishiguro (Britain, 1954): “An Artist of the Floating World” (1986) +
Kazuo Ishiguro (Britain, 1954): “The Remains of the Day” (1989) +
Kazuo Ishiguro (Britain, 1954): “The Unconsoled” (1995) +

Hanif Kureishi (Britain, 1954): “The Buddha of Suburbia” (1990) +
Hanif Kureishi (Britain, 1954): “The Black Album” (1995)

Adam Mars-Jones (Britain, 1954): “The Waters of Thirst” (1993)

Tim Parks (Britain, 1954): “Tongues of Flame” (1985)

Jeremy Reed (Britain, 1954): “By The Fisheries” (1985) +
Jeremy Reed (Britain, 1954): “Inhabiting Shadows” (1990)
Jeremy Reed (Britain, 1954): “Diamond Nebula” (1994)

Anthony Minghella (Britain, 1954): “Made in Bangkok” (1986) [t]

Iain Banks (Britain, 1954): “Consider Phlebas” (1987)

Bruce Sterling (USA, 1954): “Schismatrix” (1985)

Francisco Goldman (USA, 1954): “The Long Night of White Chickens” (1998)
Francisco Goldman (USA, 1954): “The Divine Husband” (2005)

Jones Adam Mars: (Britain, 1955): “Waters of Thirst” (1993)

Neil Bissoondath (Trinidad, 1955): “Casual Brutality” (1988)

John Grisham (USA, 1955): “The Firm” (1991)

Jay McInerney (USA, 1955): “Bright Lights Big City” (1984) +
Jay McInerney (USA, 1955): “Ransom” (1985)
Jay McInerney (USA, 1955): “Story of my Life” (1988)

Candia McWilliam (Britain, 1955): “A Case of Knives” (1988) +
Candia McWilliam (Britain, 1955): “A Little Stranger” (1989)
Candia McWilliam (Britain, 1955): “Debatable Land” (1994)

Alexander Stuart (Britain, 1955): “War Zone” (1989)

Louise Page (Britain, 1955): “Salonika” (1982) [t]

Carol-Ann Duffy (Britain, 1955): “Standing Female Nude” (1985) [p] +
Carol-Ann Duffy (Britain, 1955):”Selling Manhattan” (1987) [p]
Carol-Ann Duffy (Britain, 1955):”Mean Time” (1993) [p] +
Carol-Ann Duffy (Britain, 1955):”Feminine Gospels” (2002) [p]

Alan Jenkins (Britain, 1955): “Harm” (1994) [p]
Alan Jenkins (Britain, 1955): “The Drift” (2000) [p]

Terry Johnson (Britain, 1955): “Insignificance” (1982) [t] +
Terry Johnson (Britain, 1955): “Hysteria” (1993) [t]
Terry Johnson (Britain, 1955): “Hitchcock Blonde” (2003) [t]

Brian Morton (USA, 1955): “Starting Out in the Evening” (1998)

Geraldine Brooks (Australia, 1955): “March” (2005)

Jack Womack (USA, 1956): “Random Acts Of Senseless Violence” (1993)

Jin Xuefei/ Ha Jin (China, 1956): “Waiting” (1999) +
Jin Xuefei/ Ha Jin (China, 1956): “War Trash” (2005)

Alexander Jablokov (USA, 1956): “Nimbus” (1993)

Sashi Tharoor (India, 1956): “The Great Indian Novel” (1989)

Upamanyu Chatterjee (India, 1956): “English August” (1988)

Gish Jen (USA, 1956): “Typical American” (1991)

Andrea Levy (Britain, 1956): “Small Island” (2003)

Shashi Tharoor (India, 1956): “Great Indian Novel” (1989)

John Stephen Fry (Britain, 1957): “The Hippopotamus” (1994)

Richard Powers (USA, 1957): “The Echo Maker” (2006)

Nicholson Baker (USA, 1957): “Mezzanine” (1988)
Nicholson Baker (USA, 1957): “The Fermata” (1994)

Amitav Ghosh (India, 1957): “Circle of Reason” (1986)
Amitav Ghosh (India, 1957): “The Shadow Lines” (1988) +

Susan Minot (USA, 1957): “Monkeys” (1986)

Lorrie Moore (USA, 1957): “Who Will Run The Frog Hospital” (1994)

Tony Kushner (USA, 1957): “Angels in America” (1991) [t] +
Tony Kushner (USA, 1957): “Slavs” (1994) [t]

Michael Hofmann (Britain, 1957): “Acrimony” (1986) [p]

Kyoko Mori (Japan, 1957): “Stone Field True Arrow” (2000)

Claudia Emerson (Australia, 1957): “Pinion” (2002) [p]

Anne Michaels (Canada, 1958): “Fugitive Pieces” (1997)

Michelle de Kretser (Sri Lanka, 1958): “The Hamilton Case” (2003)

Roddy Doyle (Ireland, 1958): “Commitments” (1987)
Roddy Doyle (Ireland, 1958): “Paddy Clarke Ha Ha Ha” (1993) +

Caryl Phillips (St Kitts, 1958): “The Final Passage” (1985) +
Caryl Phillips (St Kitts, 1958): “Higher Ground” (1989)
Caryl Phillips (St Kitts, 1958): “Crossing the River” (1993)

Benjamin Zephaniah (Britain, 1958): “Pen Rhythm” (1980) [p]

Rabih Alameddine (Lebanon, 1959): “Koolaids” (1998)

Jeanette Winterson (Britain, 1959): “Oranges Are Not The Only Fruit” (1985)
Jeanette Winterson (Britain, 1959): “The Passion” (1987)

Jim Cartwright (Britain, 1959): “Road” (1986) [t] +
Jim Cartwright (Britain, 1959): “Two” (1989) [t] +
Jim Cartwright (Britain, 1959): “The Rise And Fall Of Little Voice” (1992) [t]

Pat Cadigan (USA, 1959): “Mindplayers” (1987)

Jonathan Franzen (USA, 1959): “Strong Motion” (1992)
Jonathan Franzen (USA, 1959): “The Corrections” (2001)

Ben Okri (Nigeria, 1959): “The Landscapes Within” (1981)
Ben Okri (Nigeria, 1959): “The Famished Road” (1991) +
Ben Okri (Nigeria, 1959): “Astonishing the Gods” (1995)

Neal Stephenson (USA, 1959): “Diamond age” (1994)
Neal Stephenson (USA, 1959): “Snow Crash” (1991)
Neal Stephenson (USA, 1959): “Cryptonomicon” (1999)

Ian McDonald (Britain, 1960): “Terminal Cafe” (1994)

David Leavitt (USA, 1960): “The Lost Language of Cranes” (1986)

Jeffrey Eugenides (USA, 1960): “The Virgin Suicides” (1993)
Jeffrey Eugenides (USA, 1960): “Middlesex” (2003)

Douglas Coupland (Canad , 1961): “Generacion X” (1991)
Douglas Coupland (Canad , 1961): “Girlfriend in a Coma” (1998) +

Arundhati Roy (India, 1961): “The God of Small Things” (1997) +

Vikram Chandra (India, 1961): “Red Earth and Pouring Rain” (1995)

Andrea Dunbar (Britain, 1961): ” Rita, Sue and Bob too” (1982) [t]

Will Self (Britain, 1961): “The Quantity Theory of Insanity” (1991) +
Will Self (Britain, 1961): “My Ideas of Fun” (1993)

Richard Flanagan (Australia, 1961): “Death of a River Guide” (1996)
Richard Flanagan (Australia, 1961): “The Sound of One Hand Clapping” (1997)
Richard Flanagan (Australia, 1961): “Gould’s Book of Fish” (2002)

Lan Cao (Vietnam, 1961): “Monkey Bridge” (1997)

David Foster Wallace (USA, 1962): “Infinite Jest” (1996)

Walter Kirn (USA, 1962): “Thumbsucker” (1999)

Mark Haddon (Britain, 1962): “The Curious Incident of the Dog in the Night-Time” (2003)

Ali Smith (Britain, 1962): “The Accidental” (2004)

Andrew Bovell (Australia, 1962): “Speaking in Tongues” (2000) [t]

Anne Enright (Ireland, 1962): “The Gathering” (2007)

Simon Armitage (Britain, 1963): “The Dead Sea Poems” (1995) [p]
Simon Armitage (Britain, 1963): “Cloudcuckooland” (1997) [p]
Simon Armitage (Britain, 1963): “Killing Time” (1999) [p]

Yann Martel (Canada, 1963): “Life of Pi” (2002)

Michael Chabon (USA, 1963): “The Amazing Adventures of Kavalier and Clay” (2000)

Michael-Symmons Roberts (Britain, 1963): “Corpus” (2004) [p]

Graeme Aitken (New Zealand, 1963): “50 Ways of Saying Fabulous” (1995)

Bret-Ellis Easton (USA, 1964): “Less Than Zero” (1985)

Jonathan Lethem (USA, 1964): Motherless Brooklyn (1999)
Jonathan Lethem (USA, 1964): “Fortress of Solitude” (2003)

Dan Brown (USA, 1964): “Angels & Demons” (2000)
Dan Brown (USA, 1964): “The Da Vinci Code” (2003)

Donna Tartt (USA, 1964): “The Secret History” (1992)

Patrick Marber (Britain, 1964): “Dealer’s Choice” (1995) [t]
Patrick Marber (Britain, 1964): “Closer” (1997) [t] +

Chang-rae Lee (South Korea, 1965): “Native Speaker” (1995)
Chang-rae Lee (South Korea, 1965): “Aloft” (2004)

Sunetra Gupta (Britain, 1965): “Memories of Rain” (1992)
Sunetra Gupta (Britain, 1965): “The Glassblower’s Breath” (1993)

Joanne Rowling (Britain, 1965): “Harry Potter and the Philosopher’s Stone” (1997)

Nadeem Aslam (Pakistan, 1966): “Season of the Rainbirds” (1993)
Nadeem Aslam (Pakistan, 1966): “Maps for Lost Lovers” (2004)

Nilanjana “Jhumpa Lahiri” Sudeshna (USA, 1967): “Interpreter Of Maladies” (2000)
Nilanjana “Jhumpa Lahiri” Sudeshna (USA, 1967): “The Namesake” (2003)

Monica Ali (Bangladesh, 1967): “Brick Lane” (2003)

Junot D¡az (Dominican Republic, 1968): “The Brief Wondrous Life of Oscar Wao” (2007)

David Mitchell (Britain, 1969): “Number9dream” (2001)
David Mitchell (Britain, 1969): “Ghostwritten” (2001)
David Mitchell (Britain, 1969): “Cloud Atlas” (2004)

David Auburn (USA, 1969): “Proof” (2000) [t]

Edwidge Danticat (Haiti, 1969): “Breath Eyes Memory” (1994)
Edwidge Danticat (Haiti, 1969): “The Farming of the Bones” (1999) +
Edwidge Danticat (Haiti, 1969): “The Dew Breaker” (2004)

Dave Eggers (Britain, 1970): “A Heartbreaking Work of Staggering Genius” (2000)

Kiran Desai (India, 1971): “The Inheritance of Loss” (2006)
Kiran Desai (India, 1971): “Hullabaloo in the Guava Orchard” (1998)

Yiyun Li (China, 1972): “A Thousand Years of Good Prayers” (2006)

Nicole Krauss (USA, 1974): “Man Walks Into a Room” (2002)

Leontia Flynn (1974): “These Days” (2004) [p]

Zadie Smith (Britain, 1975): “White Teeth” (2000)
Zadie Smith (Britain, 1975): “On Beauty” (2005)

Jonathan Safran Foer (USA, 1977): “Everything Is Illuminated” (2002)